A wickedly funny, adrenaline-rush of a novel about a graduate student who murders bad men and justifies it in the name of feminism, by a bold new voice in fiction

Yrsa is in a funk. She’s bored of her PhD program, bored of her research on Afropessimism, bored of the entitled undergrads she has to cater to. But most of all, she’s bored of the men in her life—especially the bad ones.

When her best friend, Nina, confesses to having an affair with her professor, and that he’s stolen her research, Yrsa is mad. On the quad, Yrsa bumps into the professor and witnesses his death: an unfortunate incident involving his San Pelligrino and a bee allergy. What she sees that afternoon awakens something in her: a taste for murder.

Emboldened, Yrsa decides to chase that high, and soon, no sexist, misbehaving man within commuting distance is safe.

With each murder, Yrsa feels a greater sense of meaning and purpose—finally, her doctoral research feels useful. But how long can killing in the name of feminist and racial solidarity justify her actions? Will her rampage ever assuage her feelings of rage and revenge? And how long until her actions—and buried family secrets—come back to haunt her?

A personal meditation on, examination of, and tribute to Black single motherhood, unapologetically told through poignant essays and candid interviews by a celebrated cultural critic

“Jamilah Lemieux is one of the most important feminist writers of the twenty-first century.”—Brittney Cooper

With her signature candid, humorous, and sometimes biting takes, Jamilah Lemieux suffers no fools while also courageously revealing the scars of her own parenting journey and search for self-acceptance in a world that hates “baby mamas.” With a particular verve and relatability—honed in her many years among Black Twitter’s most prominent voices—Lemieux centers the complex reality of Black single motherhood: uncertainty and fierceness alike.

Black. Single. Mother. combines riveting personal essays, infused with whip-smart cultural and historical analysis, with twenty-one intimate first-person testimonies from a spectrum of Black single mothers. A long-overdue offering in celebration of the American matriarch most often maligned, Black. Single. Mother. sets out to inspire a new cultural and community dialogue about this powerful figure as one profoundly deserving of love, support, and respect.

*Paperback Release Date - 7/21/26*

“A game-changer for workplace dynamics” ―Eve Rodsky, New York Times bestselling author of Fair Play

The author of The Memo helps you discover what you need to navigate every workplace communication challenge with confidence.

We are living in a world of broken trust, especially in the workplace. Employees have heard too many empty promises and are unmotivated. Managers are scrambling to keep eyes on direct reports in demanding environments. Nobody knows how to talk to one another. Trust is the central pillar of any functioning workplace. But without it too many of us are unhappy, fed up, and ready to walk out the door.

Minda Harts knows from years of experience as a highly sought-after workplace consultant how a lack of trust between colleagues, managers, and executive leaders is bad for business and our own professional well-being. That’s where the seven workplace trust languages come into play. Earning trust is different for every one of us. Some respond well to verbal affirmations of their contributions, while others need visibility to see how business decisions are made. By understanding the seven languages of trust―transparency, security, demonstration, feedback, acknowledgment, sensitivity, and follow-through―we can all learn to navigate conflict, be more productive, and communicate more effectively.

In Talk to Me Nice, you’ll learn what workplace trust languages work for you and how to show colleagues, managers, and direct reports that they are valued. When we’re talking one another’s languages, we can rebuild a more equitable, sustainable, and profitable workplace that works for us all.

Selah Bailey, an anxious, risk-averse, homebody determined to finally become the main character in her own story, created a "F*ck It List" filled with goals and experiences to force her out of her comfort zone and introduce her to a life outside of her front door.

Realizing she'll need a partner to help complete her more adventurous goals by the deadline, she goes on a few dates in hopes of breaking her dry spell with no luck.

After what may be the worst date ever, she meets Greyson in the elevator of her building.

She soon finds herself running out of time to complete the list and seeks an arrangement with anyone tolerable-though a certain neighbor comes to mind.

Greyson is everything she wasn't prepared for and could be the perfect hero for her story. Except falling in love is against the rules and she should probably leave the house to find it.

Greyson Park is a business oriented extrovert, who's fully content with the life he's built for himself amid his divorce. For the past 7 years, he's prioritized making the best out of everyday and keeping things casual in his love life.

As the creator of a wildly successful dating app, he's become quite the modern day matchmaker. While he loves seeing others in love, he doesn't forgive himself for the past and believes romance isn't in the cards for a second time.

After what may be the most awkward night ever, he meets Selah in the elevator of his building.

He soon finds himself needing a believable date for his ex's wedding to silence the noise about him not moving on and works out an arrangement with his neighbor.

Selah is everything he didn't know he needed and could be the one who introduces him to a life outside of work. Except falling in love is against the rules, and he should probably use his app to find it.

Liara Tamani’s debut novel deftly and beautifully explores the universal struggles of growing up, battling family expectations, discovering a sense of self, and finding a unique voice and purpose. Taja Brown lives with her parents, older brother, and younger sister in Houston, Texas. She has always known what the expectations of her conservative and tightly-knit African American family are—do well in school, go to church every Sunday, no intimacy before marriage. But Taja is trying to keep up with her friends as they experience their first kisses, first boyfriends, first everythings. And she’s tired of cheering for her athletic younger sister and an older brother who has more freedom just because he’s a boy. Taja dreams of going to college and forging her own relationship with the world and with God, but when she falls in love for the first time, those dreams are suddenly in danger of evaporating.

If there’s one thing seventeen-year-old Maverick Carter knows, it’s that a real man takes care of his family. As the son of a former gang legend, Mav does that the only way he knows how: dealing for the King Lords. With this money he can help his mom, who works two jobs while his dad’s in prison.

Life’s not perfect, but with a fly girlfriend and a cousin who always has his back, Mav’s got everything under control.

Until, that is, Maverick finds out he’s a father.

In his eagerly anticipated debut as author-illustrator, Caldecott and Coretta Scott King honoree Christian Robinson brings young readers on a playful, imaginative journey into another world.

What if you
encountered another perspective?
Discovered another world?
Met another you?

What might you do?

E. Patrick Johnson's Honeypot opens with the fictional trickster character Miss B. barging into the home of Dr. EPJ, informing him that he has been chosen to collect and share the stories of her people. With little explanation, she whisks the reluctant Dr. EPJ away to the women-only world of Hymen, where she serves as his tour guide as he bears witness to the real-life stories of queer Black women throughout the American South. The women he meets come from all walks of life and recount their experiences on topics ranging from coming out and falling in love to mother/daughter relationships, religion, and political activism. As Dr. EPJ hears these stories, he must grapple with his privilege as a man and as an academic, and in the process he gains insights into patriarchy, class, sex, gender, and the challenges these women face. Combining oral history with magical realism and poetry, Honeypot is an engaging and moving book that reveals the complexity of identity while offering a creative method for scholarship to represent the lives of other people in a rich and dynamic way.

Newsworthy wrestles with living in a culture infected by white supremacy where current media is distrusted, cursory, and impossible to escape. And yet, we yearn to know. We crave a thoughtfulness--apart from soundbites and viral videos--that plumbs deeper, one that reawakens our shared humanity by reminding us that under headlines beat all of our "pierced hearts."

A leading light in the new poetic guard, Deborah D.E.E.P. Mouton's collection is a poetic reimagining of the newspaper, collecting cutouts from the editing floor to resurrect those who would otherwise be forgotten. Not content to further sensationalize the horrors perpetrated on Black Americans by a broken justice system, Mouton boldly relays stories of police brutality by reinventing poetic form and function, reminding us that wisdom, context, and every angle of truth is what infuses information with elucidation.

Akin to An American Marriage, Newsworthy grounds the fragility and danger inherent in contemporary Black experience in an "ordinary" family: mother, father, brother (Josh), and sister (Amandla), following their near and lived tragedies against the backdrop of murdered black Americans. Amandla serves as a surrogate for all of us, regardless of skin color, morphing from naive bystander to headline herself. Alongside her, we witness the exponential compilation of threat. We learn to conceive of dread, anger, compassion, suffering, and love as survival tactics. And we uncover what we should have seen all along: that to be human in the world is to rectify its injustices. With Newsworthy, Mouton brings us news of the heart.

The first major Gullah Geechee cookbook from “the matriarch of Edisto Island,” who provides delicious recipes and the history of an overlooked American community.

The history of the Gullah and Geechee people stretches back centuries, when enslaved members of this community were historically isolated from the rest of the South because of their location on the Sea Islands of coastal South Carolina and Georgia. Today, this Lowcountry community represents the most direct living link to the traditional culture, language, and foodways of their West African ancestors.

Gullah Geechee Home Cooking, written by Emily Meggett, the matriarch of Edisto Island, is the preeminent Gullah cookbook. At 89 years old, and with more than 50 grandchildren and great-grandchildren, Meggett is a respected elder in the Gullah community of South Carolina. She has lived on the island all her life, and even at her age, still cooks for hundreds of people out of her hallowed home kitchen. Her house is a place of pilgrimage for anyone with an interest in Gullah Geechee food. Meggett’s Gullah food is rich and flavorful, though it is also often lighter and more seasonal than other types of Southern cooking. Heirloom rice, fresh-caught seafood, local game, and vegetables are key to her recipes for regional delicacies like fried oysters, collard greens, and stone-ground grits. This cookbook includes not only delicious and accessible recipes, but also snippets of the Meggett family history on Edisto Island, which stretches back into the 19th century. Rich in both flavor and history, Meggett’s Gullah Geechee Home Cooking is a testament to the syncretism of West African and American cultures that makes her home of Edisto Island so unique.

Famed 60s sunshine pop band 5th Dimension’s LaMonte McLemore’s additional enduring legacy is that of a photographer, contributing a weekly column “Beauty of the Week” to the renowned publication of African American pop culture, JET. Here, for the first time, is his personal selection of the column’s glory era.

As a founding member and vocalist in the award-winning pop-soul group The 5th Dimension, LaMonte McLemore enjoyed enormous critical and commercial acclaim in the late 1960s and early 1970s. But arguably just as impactful, if not more so, was his career as a photographer cementing Black women and models in American media and cultural history.

McLemore freelanced for JET magazine for more than four decades, principally shooting for its “Beauty of the Week” feature, which encapsulated Black joy, style, and beauty. During this time, he photographed over 500 Black women, most of whom were not professional models. The section, in which a woman was featured in a swimsuit along with her name, place of residence, profession, hobbies, and interests, became one of the most popular among the magazine’s audiences, as it showcased the everyday beauty and elegance of Black women, contributing greatly to what has been called the “first form of social media” by acclaimed contemporary visual artist, Mickalene Thomas. This photographic output serves as a living document of everyday Black fashion and elegance.

Black Is Beautiful: JET Beauties of the Week compiles, for the first time, numerous photographs from McLemore’s “Beauty of the Week” shoots, including never-before-seen outtakes from those sessions. This dynamic coffee table book is a tribute to LaMonte McLemore’s talent and cultural impact, and is a celebration of Black women, Black beauty, and Black culture.

Faking this relationship should be a piece of cake.
Retta Majors is having a bad day. But that’s to be expected when your ex gets engaged to your cousin. Instead of (totally) freaking out, Retta decides to attend the wedding with her amazing, faithful, and handsome boyfriend. One problem...He doesn’t exist.

Duncan Gilmore is living his dream. His boxing gym is open for business, and he’s focused on success. The last thing on his mind is a relationship. That is until the beautiful baker next door makes him an offer so bizarre, he can’t refuse. One weekend of pretending to be Retta’s boyfriend should be easy.

However, shared kisses and some flirting start to blur the lines in their fake relationship. When their performance draws to a close, will they go their separate ways or return for an encore?

This novel can be read as a standalone.

By a prize-winning, young Black trans writer of outsized talent, a fierce and disciplined memoir about queerness, masculinity, and race.

Even as it shines light on the beauty and toxicity of Black masculinity from a transgender perspective—the tropes, the presumptions—Pretty is as much a powerful and tender love letter as it is a call for change.

“I should be able to define myself, but I am not. Not by any governmental or cultural body,” Brookins writes. “Every day, I negotiate the space between who I am, how I’m perceived, and what I need to unlearn. People have assumed things about me, and I can’t change that. Every day, I am assumed to be a Black American man, though my ID says ‘female,’ and my heart says neither of the sort. What does it mean—to be a girl-turned-man when you’re something else entirely?”

Informed by KB Brookins’s personal experiences growing up in Texas, those of other Black transgender masculine people, Black queer studies, and cultural criticism, Pretty is concerned with the marginalization suffered by a unique American constituency—whose condition is a world apart from that of cisgender, non-Black, and non-masculine people. Here is a memoir (a bildungsroman of sorts) about coming to terms with instantly and always being perceived as “other”

In seiner Serie Afro-Iran stellt der deutsch-iranische Fotograf Mahdi Ehsaei (*1989) eine Facette des Iran vor, die selbst Einheimischen weitgehend unbekannt ist: Im Süden des Landes gibt es eine ethnische Minderheit, die das Erbe ihrer afrikanischen Herkunft in Kleidungsstil, Musik und Tanz sowie in ihren mündlichen Überlieferungen und Ritualen bis heute aufrecht erhält und so die Kultur der gesamten Region beeinflusst hat. Für sein Projekt reiste Ehsaei in die südiranische Provinz Hormozgan am Persischen Golf, der Heimat der Nachfahren von Sklaven und Händlern aus Afrika. In dieser Gegend, reich and Traditionen und Geschichte, lebt einer der ethnisch vielfältigsten Bevölkerungsanteile in einer einzigartigen Landschaft. In seinem Buch präsentiert Ehsaei zahlreiche überraschende Porträts, die dem landläufigen Bild vom Iran nicht entsprechen. "Afro-Iran" zeigt vielmehr Details, die die Jahrhunderte alte Geschichte einer Bevölkerungsgruppe dokumentieren, die in der Geschichtschreibung des Iran häufig vergessen wird und die doch die Kultur des Südens entscheidend geprägt hat.

The highly anticipated third book in the #1 New York Times bestselling Supernatural Investigations series that began with Amari and the Night Brothers! 

Perfect for fans of Tristan Strong Punches a Hole in the Sky, Percy Jackson and the Olympians, and Nevermoor.

War has come to the supernatural world, and Amari’s two worst enemies are leading the charge.

Elaine Harlowe has manipulated her way into becoming prime minister, using her mind control ability to force the Bureau to take up her vicious grudge against magiciankind. Meanwhile, Dylan Van Helsing, the newly crowned leader of the League of Magicians—and Amari’s former partner—is after a destructive new power that would not only ensure the magicians’ victory . . . it would make him invincible.

With neither the Bureau nor the League safe for Amari, and her newly returned brother, Quinton, determined to keep her out of the fray, she and her friends decide to find a way to end the war on their own.

So when they learn that the only way to stop Dylan is to find powerful magical inventions known as Wonders, they go after them. But wielding these items comes at a terrible cost, and Amari will have to decide just how much she’s willing to sacrifice . . . because the Despicable Wonders will demand everything.

From the #1 New York Times bestselling author of Babel and Yellowface comes an all-new, fully illustrated, collector’s edition of R. F. Kuang’s debut novel, The Poppy War. Considered one of Time Magazine’s 100 Best Fantasy Books of All Time, the story of orphaned Rin’s rise to power gets a fresh look with a full-wrap illustrated jacket and black-and-white interior art by JungShan Chang throughout, plus embossed case, designed end papers, and sprayed edges.

When Rin aced the Keju—the Empire-wide test to find the most talented youth to learn at the Academies—it was a shock to everyone: to the test officials, who couldn’t believe a war orphan from Rooster Province could pass without cheating; to Rin’s guardians, who believed they’d finally be able to marry her off and further their criminal enterprise; and to Rin herself, who realized she was finally free of the servitude and despair that had made up her daily existence. That she got into Sinegard—the most elite military school in Nikan—was even more surprising.

But surprises aren’t always good.

Because being a dark-skinned peasant girl from the south is not an easy thing at Sinegard. Targeted from the outset by rival classmates for her color, poverty, and gender, Rin discovers she possesses a lethal, unearthly power—an aptitude for the nearly mythical art of shamanism. Exploring the depths of her gift with the help of a seemingly insane teacher and psychoactive substances, Rin learns that gods long thought dead are very much alive—and that mastering control over those powers could mean more than just surviving school.

For while the Nikara Empire is at peace, the Federation of Mugen still lurks across a narrow sea. The militarily advanced Federation occupied Nikan for decades after the First Poppy War, and only barely lost the continent in the Second. And while most of the people are complacent to go about their lives, a few are aware that a Third Poppy War is just a spark away . . .

Rin’s shamanic powers may be the only way to save her people. But as she finds out more about the god that has chosen her, the vengeful Phoenix, she fears that winning the war may cost her humanity . . . and that it may already be too late.

# 1 New York Times bestselling and Newbery Honor author Renée Watson explores friendship, loss, and life with grief in this poignant novel in verse and vignettes.

Sage's thirteenth birthday was supposed to be about movies and treats, staying up late with her best friend and watching the sunrise together. Instead, it was the day her best friend died. Without the person she had to hold her secrets and dream with, Sage is lost. In a counseling group with other girls who have lost someone close to them, she learns that not all losses are the same, and healing isn't predictable. There is sadness, loneliness, anxiety, guilt, pain, love. And even as Sage grieves, new, good things enter her life-and she just may find a way to know that she can feel it all.

In accessible, engaging verse and prose, this is a story of a girl's journey to heal, grow, and forgive herself. To read it is to see how many shades there are in grief, and to know that someone understands.

Pennsylvania State Senator Nikil Saval tells the story of an unlikely partnership between June Jordan and R. Buckminster Fuller, and their attempt to reimagine Harlem in the wake of the 1964 riots.

In the tense days leading up to the 2020 American elections, then-candidate for Pennsylvania State Senate Nikil Saval addressed a virtual audience at the Harvard GSD to tell a story about Black feminist writer June Jordan and a little-known project that resulted from the aftermath of the 1964 Harlem riot. The events of police brutality and community grieving made a lasting impression on Jordan, who, while known for her work as a poet, playwright, and activist, responded with a proposal for a multiple-tower housing design. Through an unlikely partnership with R. Buckminster Fuller, Jordan’s “Skyrise for Harlem” project offered a Futuristic vision for Harlem that argued for environmental redesign: “it is architecture, conceived of in its fullest meaning as the creation of environment, which may actually determine the pace, pattern, and quality of living experience.”
 
Jordan was not an architect in the conventional sense, Saval says. “But in the understanding of someone who sought to propose and build interventions in public space, she was.”

The acclaimed graphic novel adaptation of Octavia E. Butler’s groundbreaking dystopian novel, Parable of the Sower, is a don't-miss classic that resonates today more than ever. As The Washington Post noted: "A 1993 dystopian novel imagined the world in 2024. It’s eerily accurate."

This Hugo Award Winner for Best Graphic Story or Comic is the follow-up to Kindred, a #1 New York Times bestseller.

In this graphic-novel adaptation of Octavia E. Butler’s Parable of the Sower by Damian Duffy and John Jennings, the award-winning team behind Kindred: A Graphic Novel Adaptation, the author portrays a searing vision of America’s future.

In the year 2024, the country is marred by unattended environmental and economic crises that lead to social chaos. Lauren Olamina, a preacher’s daughter living in Los Angeles, is protected from danger by the walls of her gated community.

In a night of fire and death, what begins as a fight for survival soon leads to something much more: a startling vision of human destiny . . . and the birth of a new faith.

“Alarmingly prescient and relevant. This accessible adaptation is poised to introduce Butler’s dystopian tale to a new generation of readers.” —Publishers Weekly

“The graphic novel is faithful to Butler, yet still fresh in its world building.” —USA Today

Includes an introduction by SFWA Grand Master Nalo Hopkinson

From the award-winning creators of Ice Cream Man and Good Things comes a journey through the mystical world of the Louisiana Bayou. Follow along as a young boy learns about the environment and the history of the bayou while on a boat ride with his grandpa. This stunning picture book features sidebars with fun facts and snippets of a poem woven throughout the narrative.

The bayou’s calling out to me.
“Come back, my son,” it says. “Come see.”
What holds me back, I do not know,
But I promised, and so I’ll go.

While Troy is on vacation in Louisiana, his grandpa has promised to take him down to the bayou. Grandpa explains that the bayou is not only a shallow, slow-moving, muddy river—but also so much more.

When the time finally comes, Troy and Grandpa climb into Uncle Joe’s pirogue and set off on a unique adventure that stirs up Grandpa's memories and Troy's imagination. Grandpa shares stories about their enslaved ancestors who escaped to the bayou, the ghosts who rise from the moss, and a chorus of creatures that sing around them.

At the end of the day, Grandpa gives Troy a notebook so that he can write about everything the bayou has taught him, or even compose beautiful poems like Grandpa’s. Troy discovers that there is so much to learn about the legends, history, flora and fauna, and yourself, down on the bayou.

Award-winning author Glenda Armand's inviting and informational text along with illustrator Alleanna Harris's lush illustrations capture the young protagonist's imaginative perspective, the lovely bond between a grandfather and grandson, the power of poetry, and the beauty and history of the bayou.

Baby and Daddy are taking a walk in their neighborhood! Read along as they say hello to their friends and celebrate their community in this next installment of the Brown Baby Parade series that's perfect for ages 0-3.

Baby’s home with Daddy.
He wants to take a walk.
They have friendly neighbors,
who like to wave and talk.

The neighborhood is bustling with friends who are planting, playing baseball, blowing bubbles, and more! Read along as Baby and Daddy say hi to them all!

Nikki Shannon Smith's soothing, rhythmic text and Tamisha Anthony's warm, welcoming illustrations pair beautifully to create heartwarming scenes of everyday life. The joyful depiction of a diverse community will allow children to see themselves and encourage them to interact with their own neighborhood!

A groundbreaking look at how Black visionaries—from Wall Street to Lagos and beyond—are reimagining capitalism to benefit the needs of Black people and, ultimately, everyone.

“Black Capitalists is a dive into the history of how money is made and our attitudes about wealth. A must read.”—Vanessa Williams, singer, actress, author, producer, and former Miss America

To many, the term “Black Capitalists” is oxymoronic. Black people were the labor force that built the infrastructure of American capitalism through the violent enforcement of legalized slavery, so they cannot, and should not, aspire to be the beneficiaries of it. But Wall Street professional and Yale-educated anthropologist Dr. Rachel Laryea poses a provocative question: What if there was a way to thrive within capitalism without diminishing someone else’s life chances through exploitative practices? There is—and Black Capitalists are showing us how.

Told through Dr. Laryea's own compelling narrative—growing up the child of a single mother who immigrated to the United States from Ghana and rose to the Ivy League and on Wall Street—with original on-the-ground reporting and rigorous historical analysis, Black Capitalists challenges readers to reconsider who gets to be the beneficiary of capitalism and reckons with the responsibility that comes with using the tools of our imperfect economic system to advance social good.

Dr. Laryea reveals in detail how race profoundly shapes the way we participate in capitalism—and how understanding these differences can guide us toward a more inclusive and equitable future. From newly minted undergraduates who find themselves working twenty-hour days to prove their worth on Wall Street to Nigerian startup founders working to build global credit scores, spanning the streets of Accra to the boardrooms of Goldman Sachs, Black Capitalists’ stories and analysis of innovators who are as ambitious as they are altruistic demonstrate the resilience, creativity, and ingenuity of Black people who have long been excluded from the full benefits of the American economic system. At its core, Black Capitalists shows a more productive, and more inclusive, way forward.

Virgil Abloh's iconic rise to the top of the fashion industry embodied a groundbreaking transformation of the relationship between who we are and what we wear.

Abloh's appointment as head of menswear for Louis Vuitton in 2018 shocked the fashion inudstry, as he became the first Black designer to serve as artistic director in the brand's 164-year history. But as Pulitzer Prize–winning culture critic Robin Givhan reveals, Abloh's story encompasses so much more than his own journey.

Using Abloh's surprising path to the top of the luxury establishment, Givhan unfolds the larger story of how the cloistered, exclusive fashion world faced a revolution from below in the form of streetwear and designers unafraid to storm the gates—how their notions of what was luxury simultaneously anticipated and upended consumer preferences, and how a simple T-shirt held as much cultural power as a haute couture gown. As Givhan relays, Abloh rose during a time of existential angst for a fashion inudstry trying to make sense of its responsibilities to a diverse audience and the challenges of selling status to a generation of consumers who fetishized sneakers and prioritized comfort. How that moment came to be—how someone like Abloh, who had no formal training in patternmaking or tailoring, could come to symbolize and embody the industry's way forward—is the story at the heart of this book.

Make It Ours is at once a remarkable biography of a singular creative force and a powerful meditation on fashion and race, taste and exclusivity, genius and luxury. With access to Abloh's family, friends, collaborators, and contemporaries, and featuring a cast of fascinating characters ranging from visionary Black designers like Ozwald Boateng to Abloh's mercurial but critical employer and mentor Kanye West, Givhan weaves a spellbinding tale of a young man's rise amid a cultural moment that would upend a century's worth of ideas about luxury and taste.

The new book from the New York Times bestselling author of The Three Mothers.

In Erased, Anna Malaika Tubbs recovers all that American patriarchy has tried to destroy.

Patriarchy has oppressed women and denied their contributions worldwide, but the United States of America has its own unique gendered hierarchy. Dr. Anna Malaika Tubbs applies her signature blend of approachable yet rigorous analysis in this definitive and groundbreaking history of American patriarchy. She proves that humanity in the United States is determined by gender in a limited and flawed binary that is also always tied to whiteness. Tubbs shows how a fabricated hierarchy became so deeply ingrained over time that it now goes unnoticed, along with everything it intentionally conceals.

From the founding fathers to the current Supreme Court justices, from the treatment of enslaved women to the American maternal health crises, from the exclusion of women in the Constitution to the continued lack of an Equal Rights Amendment, Tubbs brings together academic research, the stories of freedom fighters both past and present, and her own experiences to reveal what is erased in the wake of American patriarchy. The system has survived by hiding the tools that are necessary to dismantle it. But Tubbs beautifully reminds us that those tools, including our intuition, courage, ancient wisdom, and power, are still well within our reach.

Erased is the story of the United States from a new perspective: one where the people who shaped this country–who have been oppressed and whose contributions have been denied–are at the center, reminding us that we can restore what has been strategically kept from us. Once again, Dr. Anna Malaika Tubbs has written a book that will be a touchstone for conversations on gender, race, and equity for years to come.

A landmark study that shows how Black residents experience and respond to the rapid transformation of historically Black places.

Although Portland, Oregon, is sometimes called “America’s Whitest city,” Black residents who grew up there made it their own. The neighborhoods of Northeast Portland, also called “Albina,” were a haven for and a hub of Black community life. But between 1990 and 2010, Albina changed dramatically—it became majority White.

In We Belong Here, sociologist Shani Adia Evans offers an intimate look at gentrification from the inside, documenting the reactions of Albina residents as the racial demographics of their neighborhood shift. As White culture becomes centered in Northeast, Black residents recount their experiences with what Evans refers to as “White watching,” the questioning look on the faces of White people they encounter, which conveys an exclusionary message: “What are you doing here?” This, Evans shows, is a prime example of what she calls “White spacemaking”: the establishment of White space—spaces in which Whiteness is assumed to be the norm and non-Whites are treated with suspicion—in formerly non-White neighborhoods. Evans also documents Black residents’ efforts to create and maintain places for Black belonging in White-dominated Portland. While gentrification typically describes socioeconomic changes that may have racial implications, White spacemaking allows us to understand racism as a primary mechanism of neighborhood change. We Belong Here illuminates why gentrification and White spacemaking should be examined as intersecting, but not interchangeable, processes of neighborhood change.

It's time for school in this Step 1 reader featuring the family from Pumpkin Day!, Apple Picking Day!, Garden Day, Snow Day, and Beach Day!

The start of the new school year means new friends and new experiences! It's big sister's first day of 3rd grade, but it will be a cinch for her to show little brother the ropes on his first day of kindergarten. She already knows where all the rooms are, who the teachers are, and where to go and when at their school! It's great to have a sibling to rely on when starting something new!

A day with family is always a great day! Read all the Day books:

Apple Picking Day
Pumpkin Day
Garden Day
Beach Day
Snow Day
Grandparents Day

Step 1 Readers feature big type and easy words. Rhymes and rhythmic text paired with picture clues help children decode the story. For children who know the alphabet and are eager to begin reading.

After the devastating loss of her child's father, Leerah struggles to piece her life back together. Despite her best efforts to keep her distance, she finds herself entangled in a complicated situation. Trying to resist her growing feelings for her baby father's godbrother, Cree, Leerah grows overwhelmingly confused with mixed emotions.

He was against the rules-strictly forbidden.

But sometimes... rules were meant to be ignored. They both knew the risks and the boundaries they were crossing, yet their connection was undeniable. Cree didn't pursue her to save her but to remind her of what she meant to him... of who she'd always been. Maybe, just maybe, Cree was the person Leerah needed all along.

Please note: Here With You Forever is book 2 in the Evermore Series and does not include a cliffhanger.