Listening with compassion can solve our most pressing issues—across global politics and interpersonal relationships and within our own hearts and minds.

In How to Listen, Zen Master Thich Nhat Hanh demonstrates how deep listening is a fundamental building block of good communication. But perhaps more fundamentally, listening is central to our practice, a basic ingredient to strengthen our capacity for mindfulness, concentration, insight, and compassion. Learning how to listen with equanimity to life itself, we generate insight into the true nature of our deep connection to all things. And from this place of understanding—when we know that we aren’t separate—our capacity to listen deepens even further.

With clear and gentle guidance from Thich Nhat Hanh, we learn how truly listening—to ourselves, to each other, to Mother Earth, and to the many “bells of mindfulness” that are available to us in each moment—is the foundation of our practice, an expression of love, and a solution to our deepest and most urgent large-scale conflicts.

All Mindfulness Essentials books are illustrated with playful sumi-ink drawings by California artist Jason DeAntonis.

Twice unlucky in love, natural hair vlogger, Angela Strickland, has settled into a life centered around avoiding men and relationships like the plague. Unwilling to risk another broken heart, she resigns herself to being a perpetually single woman.Corporate man and self-professed womanizer, Ryan Boyé, doesn't believe in relationships or love and thinks anyone who does is a fool. But there's just something about Angela Strickland he can't shake...When these two cross paths, their attraction to one another is undeniable. Will they find that the love they've both evaded is exactly what they both need?

Dear Black Boy is a letter of encouragement to all of the black boys around the world who feel like sports are all they have. It is a reminder that they are more than athletes, more than a jersey number, more than a great crossover or a forty-yard dash, that the biggest game that they’ll ever play is the game of life. The same things that make these strong beautiful black boys great on whatever playing surface they choose are the same things that will propel them forward in life: mental toughness, dedication, passion, determination, and effort are all things that carry over into the game of life. With the right preparation, every Black Boy can win.

A cutting-edge collection of the best short stories in contemporary Afrofuturist fiction—from Hugo, Nebula, and Stoker award-winning Black authors

20 mind-blowing, horror-strewn, weird, and woke tales celebrate Black identity, community, and imagination

Black speculative fiction has never been better than it is here and now. On the shoulders of Afrofuturist masters like Octavia E. Butler and Samuel R. Delany and pioneering visionaries before them, a new, abundant, and brilliant generation of contemporary Black authors, some of them just beginning their careers, is conjuring up a very real renaissance.

Edited by SF-expert andré carrington, and including Hugo, Nebula, and Locus award winners alongside emerging and experimental voices, The Black Fantastic showcases the artistry of these breakout literary stars and celebrates the diversity of their talents.

Including Afrofuturist science fiction, weird and fantastic tales, horror and the paranormal, apocalyptic lyricism, time travel, superheroes, and more, here are twenty mindblowing, horror-strewn, weird, woke, nerdy, terrifying, liberating, fantastic, utopian, surreal, genre-defying and empowering short stories, all of them worth reading and rereading now and far into futurity.

Reclaiming histories of racism and oppression and seizing the day, these writers are forging kaleidoscopic new senses of Black identity, community, and imaginative freedom.

A queer Black feminist debunks the myth of rainbow solidarity, repositioning Black and Latinx LGBTQ+ people at the forefront of queer pasts, presents, and futures

Your favorite Black queer studies professor Kaila Adia Story says the rainbow ain’t never been enough in this introduction to the current state of queer intersectionality, or lack thereof. Story argues that to be queer is to be political, and the carefully glittered façade of solidarity in the pride movement veils dangerous neoliberal ideals of apolitical queer embodiment. The rainbow as a symbol of communal solidarity is a hollow offering when cis white LGBTQ people are allowed to opt out of divesting from white supremacy, misogyny, and transphobia.

The Rainbow Ain’t Never Been Enuf fills a necessary gap in our understanding of how racism, transphobia, and antiblackness operate in liberal spaces. Black feminist and queer theorist Kaila Adia Story blends analysis, pop culture, and her lived experiences to explore the silencing practices of mainstream queer culture. She touches on cornerstone issues of the movement like

* the whitewashing of queer history and commodification of pride celebrations
* the appropriation of the Black and Latinx ball scene and culture
* the racialized and gendered violence inflicted upon Black trans women
* the exclusion of the lives and work of activists like Marsha P. Johnson, Sylvia Rivera, Stormé DeLarverie, and CeCe McDonald from queer history
* the lack of remembrance and respect for the lives of the Black and Lantinx queer and trans people who have always been on the frontlines of queer liberation

Expanding beyond the classroom, Story utilizes her expertise as a scholar of queer theory to offer readers a comprehensive understanding of how racism operates in these spaces and what we can do to create a more equitable future.

A fairy searches for her special skill in this enchanting Level 1 Ready-to-Read in the Fairies Welcome series from New York Times bestselling illustrator Bea Jackson.

Every fairy has a talent except Lily…or so she thinks. Her human friend, Willow, knows how special Lily truly is. Can she help Lily see that, too, and find her gift?

Latrice Richardson is a thirty eight year old divorced, single mother who has an amazing career and a wonderful eight year old son named Quincy. What she doesn't have is any semblance of a love life and sex is non-existent. After a scorching one night stand with a handsome stranger, Nathan Woodson, Latrice never expects to see him again, and definitely not at the front of her son's classroom!
Nathan Woodson is a former foster kid who loves teaching and has just landed his dream job. The last thing he expected was the sexy enchantress he spent the night with, to be the mother of one of his students.
Despite the two of them both trying to keep things professional, Latrice and Nathan find themselves being drawn closer together. But with nosey school moms on the prowl and his job on the line, they find that love may be too hot for this parent and teacher to handle.
Hot for Teacher is a sexy rom-com that features an older woman/younger man, (somewhat) secret lovers and plenty of high heat.

Journey through the vibrant world of the African Diaspora with this captivating exploration of movement and culture. With each letter, uncover fascinating stories of legendary dancers, iconic styles, and the powerful cultural expressions that unite us all. Perfect for young readers, educators, and dance enthusiasts, this book is a joyful celebration of movement, history, and the enduring legacy of African diasporic traditions. Get ready to step, spin, and soar through the alphabet-one dance at a time!

ONE FATEFUL NIGHT. TWO PRINCE CHARMINGS.

Alisa hasn’t had the best of luck. Her dream of expanding her salon into a franchise has stalled. Her dating life is non-existent. She spends her nights with wine, takeout, and thriller marathons. Looking to spice up her life, she heads back to the one place she knows will satisfy her desires. Little does she know that one night of passion (and a leaked photograph) will upend her life in more ways than one.

Christophe and Kadeem have been together for years, living and loving under the radar. Their relationship is solid but they’ve always felt that someone was missing from their lives. When they think they’ve met “the one” at a private sex club, they are intent on making her theirs. Permanently. The problem: Convincing her that one night will never be enough.

Could this be the beginning of happily ever after? Or will their relationship ultimately crash and burn?

"One day all these classrooms / will no longer hold any of us. / Leave no evidence we were here. / We exist in the whisper...." Lupe Mendez's innovative new collection captures a unique time in Houston, Texas, "a sliver of a moment for Mexican-American and Mexican communities in the early 1970s," that explores Houston ISD's racist plan to integrate schools by sending Mexican-American children--labeled as white--to predominantly African-American schools, thereby satisfying federal desegregation laws. Incensed that its children would have to travel to schools that were no better than the ones they could walk to, the Chicano community resisted by instituting a walkout, or huelga, and creating its own schools in churches, homes and neighborhood centers. Weaving poetry and history, the book contains "found" poems created from newspaper articles about the strike; oral history interviews with teachers, principals and students; notes from visits the author made to the sites where classes were held more than 50 years ago; docupoems created from official Huelga School papers; and historical documents such as photographs, charts, fliers and letters. In his illuminating notes about the book, Mendez describes the methodology for creating this collection and includes a list of best practices for the "poethnographer." His research revealed the racism that existed in this era, perpetuated by the majority white population and between brown and black populations forced to compete for every resource. Ultimately, Mendez asserts the Huelga School strike had a critical impact on Houston, both in the development of Mexican-American leaders who got their start in these "freedom schools" and the nascent collaborations between diverse communities. This creative, thought-provoking volume is a must-read for anyone interested in education, history and Mexican Americans' fight for equality.

In this spicy new rom-com, an ambitious entrepreneur working to get her speakeasy supper club off the ground is pushed off balance when her childhood crush turns up, hotter than ever––then tells her she's off-limits.

Now that Kendra’s returned home, she can’t help feeling like a kid again—back in her big brother’s shadow, trying to get her restaurant off the ground while his new venture is flying high right out the gate. It doesn’t help that everyone refuses to stop calling her Keke, the childhood nickname she loathes.

The only bright spot is her longtime crush BJ. He’s been her big brother’s best friend for most of her life, and he’s always been that cool, chill guy who was easy to talk to and made her laugh. Now he’s looking at her like she’s all grown up, and there’s nothing childish about the chemistry brewing between them. Even better, he takes her dreams seriously, and he’s ready to help her make her supper club a reality.

But then BJ extinguishes the sparks flying between them, insisting nothing romantic can ever happen because she’s “off limits.” As her investors fall through and her best chance at fulfilling her professional dreams points toward leaving home again for a fresh start, will BJ be ready for love before Kendra moves on? Or will he sweep her off her feet when she least expects it?

A pilgrimage of poems, stories, voices, and mixed-media collage through the lives of three generations of Black women.

How can we memorialize our dead? How can that memorialization rend the veil between the dead and the living? In her debut volume, brittny ray crowell sifts through decades of obituaries, journals, and other ephemera to exhume the generations of her family from her hometown of Texarkana, Texas. She preserves her relatives’ stories in writing and in works of collage, a style of archive that layers the past and the present literally and poetically.

This unique approach transforms Cord Swell into an altar, an artistically enshrined space where crowell communes with the past and looks to the future. The title poem, in which crowell speaks to an aunt who passed away, poignantly asks, “if there’s any such thing / as paradise . . . / better than the warmth / of your neck . . . / how close am i / to that context of space?” Her question acts as a provisional thesis statement for this collection, a poetic attempt to reveal, redress, and interpret those who came before her, especially in the absence of physical traces. Each poem imagines ways to access family members who have died and calls out to ancestors crowell never met.

In the process, crowell demonstrates capacious syntactical range, nimbly leaping from haibun to erasure poems, interviews to sonnets. She also invents forms she calls “grooves,” which are structured as album tracklists. These techniques marry form with meaning, echoing the voices of lost loved ones in indelible verse. Rhapsodic, inventive, and ambitious, Cord Swell establishes crowell as one of the most creative and dynamic new voices in poetry.

9 black-and-white illustrations

Trevor Noah, host of The Daily Show on Comedy Central, shares his remarkable story of growing up in South Africa with a black South African mother and a white European father at a time when it was against the law for a mixed-race child to exist. But he did exist—and from the beginning, the often-misbehaved Trevor used his keen smarts and humor to navigate a harsh life under a racist government.

In her heralded first novel, Gloria Naylor weaves together the stories of seven women living in Brewster Place, a bleak-inner city sanctuary, creating a powerful, moving portrait of the strengths, struggles, and hopes of black women in America. Vulnerable and resilient, openhanded and openhearted, these women forge their lives in a place that in turn threatens and protects—a common prison and a shared home. Naylor renders both loving and painful human experiences with simple eloquence and uncommon intuition. Adapted into a 1989 ABC miniseries starring Oprah Winfrey, The Women of Brewster Place is a touching and unforgettable read.

Spike Lee is a world-renowned, Academy Award-winning filmmaker, a cultural icon, and one of the most prominent voices on race and racism for more than three decades. His prolific career has included over 35 films, including his directorial debut She's Gotta Have It (1986), his seminal masterpiece Do the Right Thing (1989), and more recently, his Oscar-winning film BlacKkKlansman (2018). Spike Lee's provocative feature films, documentaries, commercials, and music videos, have shone the spotlight on significant stories and have made an indelible mark in both cinematic history and in contemporary society.

This career-spanning monograph titled SPIKE is a visual celebration of his life and career to date. The custom bold, typographic design is inspired by the LOVE/HATE brass rings that Radio Raheem wore in Do the Right Thing and that Spike Lee wore at the 2019 Academy Awards. The gold foil deboss on SPIKE on the vibrant fuchsia front cover is a bold and beautiful, eye-catching design. Featuring hundreds of never-before-seen photographs by David Lee, Spike's brother and long-time still photographer, SPIKE the book, includes behind-the-scenes, insider images that underscore his creative process and his significant impact on the culture at large. From his critically acclaimed film Malcolm X (1992) starring Denzel Washington, to his recent film Da 5 Bloods (2020) featuring the late Chadwick Boseman, Spike Lee's work continues to resonate now more than ever. Also included here are his beloved commercials with Michael Jordan for Nike, which helped launch the billion-dollar Jordan brand product empire, as well as his music videos with Prince and Michael Jackson. This is a must-have collector's item and ideal gift for any cinephile and fan of one of the most prominent and influential filmmakers in history.

Allow Me to Retort is an easily digestible argument about what rights we have, what rights Republicans are trying to take away, and how to stop them. Mystal explains how to protect the rights of women and people of color instead of cowering to the absolutism of gun owners and bigots. He explains the legal way to stop everything from police brutality to political gerrymandering, just by changing a few judges and justices. He strips out all of the fancy jargon conservatives like to hide behind and lays bare the truth of their project to keep America forever tethered to its slaveholding past.

Mystal brings his trademark humor, expertise, and rhetorical flair to explain concepts like substantive due process and the right for the LGBTQ community to buy a cake, and to arm readers with the knowledge to defend themselves against conservatives who want everybody to live under the yoke of eighteenth-century white men. The same tactics Mystal uses to defend the idea of a fair and equal society on MSNBC and CNN are in this book, for anybody who wants to deploy them on social media.

You don’t need to be a legal scholar to understand your own rights. You don’t need to accept the “whites only” theory of equality pushed by conservative judges. You can read this book to understand that the Constitution is trash, but doesn’t have to be.

Un lírico libro debut para niños por la poeta inaugural presidencial Amanda Gorman y el ilustrador #1 superventas del New York Times Loren Long.

"Escucho el zumbido del cambio.
Es una ruidosa y orgullosa canción.
No temo la llegada del cambio
y por eso canto con gran pasión."
 

En este emocionante y anticipado libro para niños por la poeta inaugural presidencial y activista, Amanda Gorman, todo es posible cuando nuestras voces se unen. Cuando una  niña guía a un elenco de personajes por un viaje musical, ellos aprenden que tienen el poder de hacer cambios - grandes o pequeños - en el mundo, en sus comunidades y sobre todo dentro de ellos mismos.
 
Ilustrado por el renombrado Loren Long, El cambio canta usa texto lírico e ilustraciones rítmicas que llegan a un crescendo deslumbrante, y es la llamada triunfal a la acción a todos para que usen sus habilidades para hacer una diferencia.  

An exuberant, opinionated, stereotype-busting portrait of contemporary Africa in all its splendid diversity, by one of its leading new writers.

So often, Africa has been depicted simplistically as a uniform land of famines and safaris, poverty and strife, stripped of all nuance. In this bold and insightful book, Dipo Faloyin offers a much-needed corrective, weaving a vibrant tapestry of stories that bring to life Africa’s rich diversity, communities, and histories.

Starting with an immersive description of the lively and complex urban life of Lagos, Faloyin unearths surprising truths about many African countries’ colonial heritage and tells the story of the continent’s struggles with democracy through seven dictatorships. With biting wit, he takes on the phenomenon of the white savior complex and brings to light the damage caused by charity campaigns of the past decades, revisiting such cultural touchstones as the KONY 2012 film. Entering into the rivalries that energize the continent, Faloyin engages in the heated debate over which West African country makes the best jollof rice and describes the strange, incongruent beauty of the African Cup of Nations. With an eye toward the future promise of the continent, he explores the youth-led cultural and political movements that are defining and reimagining Africa on their own terms.

The stories Faloyin shares are by turns joyful and enraging; proud and optimistic for the future even while they unequivocally confront the obstacles systematically set in place by former colonial powers. Brimming with humor and wit, filled with political insights, and, above all, infused with a deep love for the region, Africa Is Not a Country celebrates the energy and particularity of the continent’s different cultures and communities, treating Africa with the respect it deserves.

This stunning, poetic picture book shows how one little girl’s careful tending of a pecan tree creates the living center of a loving, intergenerational Black family.

Before her grandchildren climbed the towering tree,

explored its secret nests,

                       raced to its sturdy trunk,

                                   read in its cool shade,

                       or made pies with its pecans . . .

Nell buried a seed.

And just as, with Nell’s love and care, her tree grows and thrives—so do generations of her close-knit family.

Inspired by the pecan trees of her own childhood, Anne Wynter’s lyrical picture book, brought to life with gorgeous illustrations by Daniel Miyares, brims with wonder and love.

A poignant debut for readers of Jesmyn Ward and Jamel Brinkley, We Are a Haunting follows three generations of a working class family and their inherited ghosts: a story of hope and transformation. 

In 1980’s Brooklyn, Key is enchanted with her world, glowing with her dreams. A charming and tender doula serving the Black women of her East New York neighborhood, she lives, like her mother, among the departed and learns to speak to and for them. Her untimely death leaves behind her mother Audrey, who is on the verge of losing the public housing apartment they once shared. Colly, Key’s grieving son, soon learns that he too has inherited this sacred gift and begins to slip into the liminal space between the living and the dead on his journey to self-realization.

In the present, an expulsion from school forces Colly across town where, feeling increasingly detached and disenchanted with the condition of his community, he begins to realize that he must, ultimately, be accountable to the place he is from. After college, having forged an understanding of friendship, kinship, community, and how to foster love in places where it seems impossible, Colly returns to East New York to work toward addressing structural neglect and the crumbling blocks of New York City public housing he was born to; discovering a collective path forward from the wreckages of the past. A supernatural family saga, a searing social critique, and a lyrical and potent account of displaced lives, We Are a Haunting unravels the threads connecting the past, present, and future, and depicts the palpable, breathing essence of the neglected corridors of a pulsing city with pathos and poise.

In 2016, sportswear manufacturer Nike and fashion designer Virgil Abloh joined forces to create a sneaker collection celebrating 10 of the Oregon-based company’s most iconic shoes. With their project The Ten—which reimagined icons like Air Jordan 1, Air Max 90, Air Force 1, and Air Presto, among others—they reinvigorated sneaker culture.

Virgil Abloh’s designs offer deep insights into engineering ingenuity and burst with cultural cachet. Drawing on the genius of the original shoe using lettering, ironic labels, collage, and sculpting techniques, Abloh played with language and sculptural elements to construct new meaning. Inspired by the wit of Dadaism, architectural theory, and avant-garde happenings, he analyzed what makes each shoe iconic and deconstructed it into an artistic assemblage, making each shoe into a piece of industrial design, a readymade sculpture, and a wearable all at once.

ICONS traces Abloh’s investigative, creative process through documentation of the prototypes, original text messages from Abloh to Nike designers, and treasures from the Nike archives. We find Swooshes sliced away from Air Jordans and reapplied with tape or thread, Abloh’s typical text fragments in quotation marks on Air Force 1, and All Stars cut into pieces. We take a look behind the scenes and witness Abloh’s DIY approach, which gave each model in the Off-WhiteTM c/o Nike collection its own unique touch. His deconstructive vocabulary is reflected in the Swiss binding, which showcases an open spine and discloses the production of the book.

The book documents Abloh’s cooperative way of working and reaffirms the power of print. For its design Nike and Abloh partnered with the acclaimed London-based design studio Zak Group. Together they conceived a two-part compendium, equal parts catalog and conceptual toolbox. The first part of the book presents a visual culture of sneakers while a lexicon in the second part defines the key people, places, objects, ideas, materials, and scenes from which the project grew. Texts by Nike’s Nicholas Schonberger, writer Troy Patterson, curator and historian Glenn Adamson, and Virgil Abloh himself frame the collaborative work within fashion and design history. A foreword by Hiroshi Fujiwara places the project within the historical continuum of Nike collaborators.

On the verge of summer before his senior year, Jay is a soft soul in a world of concrete. While his older brother is everything people expect a man to be—tough, athletic, and in charge—Jay simply blends into the background to everyone, except when it comes to Leroy.

Unsure of what he could have possibly done to catch the eye of the boy who could easily have anyone he wants, Jay isn’t about to ignore the surprising but welcome attention. But as everything in his world begins to heat up, especially with Leroy, whispered rumors over the murder of a young Black journalist and long-brewing territory tensions hang like a dark cloud over his neighborhood. And when Jay and Leroy find themselves caught in the crossfire, Leroy isn’t willing to be the reason Jay’s life is at risk.

Dragged into the world of the Black Diamonds—whose work to protect the Black neighborhoods of Savannah began with his father and now falls to his older brother—Leroy knows that finding out who attacked his brother is not only the key to protecting everyone he loves but also the only way he can ever be with Jay. Wading through a murky history of family mistakes, Leroy soon discovers that there’s no keeping Jay safe when Jay’s own family is in just as deep and fighting the undertow of danger just as hard.

Now Jay and Leroy must puzzle through secrets hiding in plain sight and scramble to uncover who is determined to eliminate the Black Diamonds before someone else gets hurt—even if the cost might be their own electric connection.

Langston Collin Wilkins returns to the city where he grew up to illuminate the complex relationship between place, identity, and music in Houston’s hip hop culture. Interviews with local rap artists, producers, and managers inform an exploration of how artists, audiences, music, and place interact to create a heritage that musicians negotiate in a variety of ways. Street-based musicians, avant-garde underground rappers, and Christian artists offer candid views of the scene while Wilkins delves into related aspects like slab, the area’s hip hop-related car culture. What emerges is a portrait of a dynamic reciprocal process where an artist, having identified with and embodied a social space, reproduces that space in a performance even as the performance reconstructs the social space.

A vivid journey through a southern hip hop bastion, Welcome 2 Houston offers readers an inside look at a unique musical culture.

Percival Everett's blistering satire about race and publishing, now adapted for the screen as AMERICAN FICTION, directed by Cord Jefferson and starring Jeffrey Wright and Tracee Ellis Ross

Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies―his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before.

In his rage and despair, Monk dashes off a novel meant to be an indictment of Juanita Mae Jenkins's bestseller. He doesn't intend for My Pafology to be published, let alone taken seriously, but it is―under the pseudonym Stagg R. Leigh―and soon it becomes the Next Big Thing. How Monk deals with the personal and professional fallout galvanizes this audacious, hysterical, and quietly devastating novel.

Afronia is known for being bright and colorful, but what happens when a disgraced unicorn wants to take the color away? Join unicorn best friends Divine and Unique as they journey to save Afronia in this all-new, action-packed graphic novel that celebrates Black joy and beauty. 

Welcome to the mystical land of Afronia, where life is good and full of color. The Afro Unicorns can't wait to celebrate the annual Festival of Crowns. But on the way to the festival, Divine and Unique come across Castle Monotonic, which is home to the mysterious Madame Imperious who wants to drain all the color from Afronia. Madame Imperious has already started draining the color from a young Afrosaurus. It's up to Unique and Divine to save Afronia and the Afrosaurus. Otherwise, their magical land might be doomed . . . FOREVER!

This full-color graphic novel is great for young readers beginning their graphic novel journey and graphic novel enthusiasts alike. It also features a Dyslexia-friendly font.

When Afro Unicorn creator April Showers realized that her favorite emoji—the unicorn!—was only available in white, she was inspired to create a more inclusive brand for children of color to celebrate how magical, unique, and divine they truly are.