A biting, brilliant, often hilarious guide to socialism for budding anti-capitalists who know it’s time to dump their toxic ex (Capitalism) and try something finer. Journalist Malaika Jabali debunks myths, centers forgotten socialists of color who have shaped our world, and shows socialism is not all Marx and Bernie Bros—it can be pretty sexy.

We’ve all dated someone who took control of the relationship—you know, someone who makes you feel like you’re unhappy because you’re just not putting in the work, or it’s all in your head. But when you think about trying to meet new people, it feels terrifying. Like, have you looked at Tinder recently? It’s rough out there!

Your tough-love new best friend, award-winning journalist, policy attorney, and life-long socialist Malaika Jabali is here to say: we are all in a generations-long toxic relationship with Capitalism, and it is time to get the h*ll out of there and move ALONG.

She gives you everything you need to know about what a healthy relationship could actually look like, issue by issue—from healthcare and housing to the whole concept of American democracy—with our new boo: Socialism. And no, Socialism isn’t the boring, grey, authoritarian, Cold-War-era monster that you’ve heard about. 

With accessible explanations and illustrations, often surprising graphs and stats, and some Drake memes, this book will show you that we NEED to build a world that’s safer, kinder, cleaner, healthier, and more equal. And that this isn’t a utopian dream – it’s within our grasp, if we collectively decide to call out Capitalism for what it really is and wake up to a better future.
 
Fun, smart, and inspiring, It’s Not You It’s Capitalism is the hottest new relationship in your life!

Food photographer and baking extraordinaire Monique Polanco presents the most tempting, beautiful and easy-to-make holiday desserts, from fruit-filled cakes to night-before-Christmas nibbles.

Irresistible Recipes Filled with The Heart & Soul of the South

Discover an exciting collection of delightful desserts inspired by Southern baking traditions. Monique McLeod-Polanco’s recipes are brimming with soulful flair and rich flavors while prioritizing simplicity for the home cook. Drawing inspiration from her family’s celebrations and holiday meals, these 60 scrumptious recipes will conjure all the nostalgic flavors from your youth yet dazzle the modern palate.

Fall in love with Monique’s fresh approach to the classics, including an outstanding Orange, Bourbon & Pecan Pie and a drool-worthy Coconut Cake with Lime Curd that will impress your family and friends. Recapture the magic of your grandmother’s kitchen in summertime with One-Layer Strawberry Basil Shortcake, or elevate tradi- tional holiday bakes with Browned Butter Sweet Potato Pie that will be the star of your Thanksgiving table.

So, grab your whisk and take a trip down South, where the secret ingredient is always love—and a bit of sugar! These showstopping desserts invite you to turn the simple, joyful act of baking into a cause for celebration.

The #1 New York Times bestselling author of Feeding the Soul (Because It’s My Business) presents an inspirational guide for encouraging positive changes in your life—one day and one challenge at a time.

I did a new thing today!

Years ago, Tabitha Brown started a 30-day personal challenge that she called “I Did a New Thing!” The challenge was simple. Every day she would do something she’d never done before. Sometimes it was something small like trying a new food. Other times, she’d step it up a bit and speak to someone she’d never spoken to before. Still other times, she’d do the hard thing—facing a fear that she had, like having that tough conversation with a friend. No matter what it was, the point was that she was going to take a leap of faith and watch God open up a new lane for her.

One of the “new things” she tried was a vegan challenge. She’d been struggling with illness for nearly a year and was desperately searching for healing. She challenged herself to eat vegan every day for thirty days, and six years later, her life has never been the same—all because she decided to do a new thing.

In I Did a New Thing, Tab shares her own stories and those of others, alongside gentle guidance and encouragement to create these incredible changes for yourself and see what good can come from them. Whether that means having the hard conversation or trying for a promotion or simply wearing something different or doing something kind for someone else, Tab has a plan for you: Try one new thing, every single day, for thirty days. You don’t have to wait until Monday or the beginning of a new month or year to get started. There’s no set time and place or any extra preparation required. All you have to do is show up for yourself. And that can start right now.

A unique collaboration from two of America’s leading artists that explores the fascinating and hidden history of the plant world.

In this witty, deeply original book, the renowned novelist Jamaica Kincaid offers an ABC of the plants that define our world and reveals the often brutal history behind them.

Kara Walker, one of America’s greatest visual artists, illustrates each entry with provocative, brilliant, enthralling, many-layered watercolors.

There has never been a book like An Encyclopedia of Gardening for Colored Children―so inventive, surprising, and telling about what our gardens reveal.

Hip-Hop Is History is a book only Questlove could have written: a perceptive and personal reflection on the first half-century of hip-hop.

When hip-hop first emerged in the 1970s, it wasn’t expected to become the cultural force it is today. But for a young Black kid growing up in a musical family in Philadelphia, it was everything. He stayed up late to hear the newest songs on the radio. He saved his money to buy vinyl as soon as it landed. He even started to try to make his own songs. That kid was Questlove, and decades later, he is a six-time Grammy Award–winning musician, an Academy Award–winning filmmaker, a New York Times bestselling author, a producer, an entrepreneur, a cofounder of one of hip-hop’s defining acts (the Roots), and the genre’s unofficial in-house historian.

In this landmark book, Hip-Hop Is History, Questlove skillfully traces the creative and cultural forces that made and shaped hip-hop, highlighting both the forgotten but influential gems and the undeniable chart-topping hits—and weaves it all together with the stories no one else knows. It is at once an intimate, sharply observed story of a cultural revolution and a sweeping, grand theory of the evolution of the great artistic movement of our time. And Questlove, of course, approaches it with not only the encyclopedic fluency and passion of an obsessive fan but also the expertise and originality of an innovative participant.

Hip-hop is history, and also his history.

Two strong-willed sisters fight their way to forgiveness in this feel-good Southern fiction, for fans of Terry McMillan and KJ Dell'Antonia's The Chicken Sisters.

Rose Tillman and her sister Marvina Nash haven't spoken in decades―not since Rose sent Marvina $40 to register their business, and Marvina used that money for her own personal purposes. Now retired, Rose wants to open the restaurant they'd once dreamed of. But, to her horror, Rose realizes she's forgotten their mother's secret spice mix recipe, known to only one other person in the world. With no other option, Rose embarks on a two-hour drive to Marvina's house back in Fork City, TX. Marvina has her own version of what caused their falling out, and it's a far cry from what Rose recalls. Marvina, skeptical and still indignant, but incurably polite, figures she'll give Rose a chance to speak her piece, before closing the door in her face. 

As the sisters fight their way to forgiveness, they unpack their complicated past, form an unexpected alliance with a young mother-to-be, and reconnect through the tantalizing aroma of chicken dinners that hold the power to heal―or divide―a community.

In a tale rich with Southern charm, Rose and Marvina discover, through fussing, laughter, and tears, that the secret ingredient to a bright future might just be found in facing who they are today―and in forgiving the past to embrace a second chance at sisterhood.

"Full of heart, generosity, and charm, Sisters with a Side of Greens is the kind of story that invites everyone to be a part of something bigger." ―Lucy Gilmore, author of The Lonely Hearts Book Club

"Chef's kiss! A captivating tale of sisterhood, forgiveness and what it means to live fully in the present. Stimpson delivers raw, complex characters and a delicious storyline that will stay with the reader long after the last page." ―Kim Michele Richardson, New York Times bestselling author

The New York Times bestselling team behind Parker Looks Up returns with this Level 1 Ready-to-Read about Parker having a sleepover with her friends.

Parker is so excited. She is having a slumber party with her friends! There will be games, crafts, and even cupcakes with sprinkles! They don’t want the fun to end, but can they stay up all night?

In this brilliant novel, Paul Laurence Dunbar presents a grim, ironic look at the urban black experience. The story of a displaced Southern family's struggle to survive and prosper in Harlem, The Sport of the Gods was one of the first novels to depict the harsh realities of ghetto life.

An all-new stand-alone novel featuring Brenda Jackson’s fan-favorite Madaris family.

Ninetysomething Mama Laverne is determined to find all of her great-grandchildren their perfect match before going home to glory. So far, her success rate is 100 percent—and she intends to keep it that way.

After sustaining injuries in Iraq, US army ranger Chancellor (Chance) Madaris was told he’d never walk again. Chance credits his great-grandmother Mama Laverne with giving him the will and fortitude to heal and prove the doctors wrong. He has a healthy respect for her meddling ways and knows he’ll eventually end up next on her matchmaking list.

When Zoey Pritchard was eight, she survived a car accident that left both her parents dead. She was sent to live with her great-aunt, who refused to speak about her parents. Zoey has no memory from before the crash, but she’s been having the same dream over and over…

Guided by nothing but a hunch and images from her dream, Zoey travels to Houston. Searching for answers, Zoey uncovers a scandal involving her parents and the wealthy and powerful Madaris family. Her trail leads her straight to Chance’s door. The dislike and intense attraction are instant and simultaneous. Was it chance or Mama Laverne’s plan to throw this pair together?

Whip-smart and immersive, this Jamaican-inspired fantasy follows a gods-blessed heroine who’s forced to choose between saving her sister or protecting her homeland—perfect for fans of Iron Widow and The Priory of the Orange Tree. 
 
Faron Vincent can channel the power of the gods. Five years ago, she used her divine magic to liberate her island from its enemies, the dragon-riding Langley Empire. But now, at seventeen, Faron is all powered up with no wars to fight. She’s a legend to her people and a nuisance to her neighbors.
 
When she’s forced to attend an international peace summit, Faron expects that she will perform tricks like a trained pet and then go home. She doesn’t expect her older sister, Elara, forming an unprecedented bond with an enemy dragon—or the gods claiming the only way to break that bond is to kill her sister.
 
As Faron’s desperation to find another solution takes her down a dark path, and Elara discovers the shocking secrets at the heart of the Langley Empire, both must make difficult choices that will shape each other’s lives, as well as the fate of their world.

"By turns hopeful and devastating, So Let Them Burn is a masterful debut with a blazing heart. I was captivated from beginning to end by Cole’s sharp, clever prose and by her protagonists—two remarkable sisters with an unforgettable bond." — Chelsea Abdullah, author of The Stardust Thief

A passionate vice principal and a guarded science teacher compete for a grand prize, only to realize their budding relationship might be the real jackpot.

Brianna Rogers has been told a time (or six) she needs to stop jumping into things head first. But when the principal rescinds his approval for a library upgrade, deciding to spend the money on a football field instead, she sees red. Literally. Brianna throws her hat in the ring and joins a team of teachers who will spend their summer in a Mars simulation. As the sister of an astronaut, this should be easy, right? What she didn’t count on was the last-minute addition to the team—Roman Major: science teacher, son of the principal, and too handsome for his own good.

Roman and Brianna have been hot and cold all year, and living in close quarters intensifies their animosity and attraction. Brianna is sure he’s been sent by his father to sabotage them, foiling their chance at prize money that will cover all of the school’s actual needs. But each day, Roman proves himself to be a dedicated teammate—and Brianna finds herself falling harder and harder. While it’s clear the feeling is mutual, she can’t shake the sense that he’s hiding something. As the simulation nears its end, Brianna realizes she may have to make an impossible choice, between the school she’s dedicated herself to, and the man who has won his way into her heart.

One of our country's premier cultural and social critics, bell hooks has always maintained that eradicating racism and eradicating sexism must go hand in hand. But whereas many women have been recognized for their writing on gender politics, the female voice has been all but locked out of the public discourse on race.

Killing Rage speaks to this imbalance. These twenty-three essays are written from a black and feminist perspective, and they tackle the bitter difficulties of racism by envisioning a world without it. They address a spectrum of topics having to do with race and racism in the United States: psychological trauma among African Americans; friendship between black women and white women; anti-Semitism and racism; and internalized racism in movies and the media. And in the title essay, hooks writes about the "killing rage"--the fierce anger of black people stung by repeated instances of everyday racism--finding in that rage a healing source of love and strength and a catalyst for positive change.

bell hooks is Distinguished Professor of English at City College of New York. She is the author of the memoir Bone Black as well as eleven other books. She lives in New York City.

 In three critically acclaimed novels, Akwaeke Emezi has introduced readers to a landscape marked by familial tensions, Igbo belief systems, and a boundless search for what it means to be free. Now, in this extraordinary memoir, the bestselling author of The Death of Vivek Oji reveals the harrowing yet resolute truths of their own life. Through candid, intimate correspondence with friends, lovers, and family, Emezi traces the unfolding of a self and the unforgettable journey of a creative spirit stepping into power in the human world. Their story weaves through transformative decisions about their gender and body, their precipitous path to success as a writer, and the turmoil of relationships on an emotional, romantic, and spiritual plane, culminating in a book that is as tender as it is brutal.

In her heralded first novel, Gloria Naylor weaves together the stories of seven women living in Brewster Place, a bleak-inner city sanctuary, creating a powerful, moving portrait of the strengths, struggles, and hopes of black women in America. Vulnerable and resilient, openhanded and openhearted, these women forge their lives in a place that in turn threatens and protects—a common prison and a shared home. Naylor renders both loving and painful human experiences with simple eloquence and uncommon intuition. Adapted into a 1989 ABC miniseries starring Oprah Winfrey, The Women of Brewster Place is a touching and unforgettable read.

Paperback

This carefully researched book is a significant addition to this vital field of knowledge. It sets forth, in fascinating detail, the history, from earliest recorded times, of the black races of the Middle East and Africa.

In Wild Tongues Can’t Be Tamed, bestselling and award-winning authors as well as up-and-coming voices interrogate the different myths and stereotypes about the Latinx diaspora. These fifteen original pieces delve into everything from ghost stories and superheroes, to memories in the kitchen and travels around the world, to addiction and grief, to identity and anti-Blackness, to finding love and speaking your truth. Full of both sorrow and joy, Wild Tongues Can't Be Tamed is an essential celebration of this rich and diverse community.

“My little dark baby, / My little earth-thing, / My little love-one, / What shall I sing / For your lullaby?" With gracefully chosen words as smooth as a song, the poet Langston Hughes celebrates the love between an African American mother and her baby. Award-winning illustrator Sean Qualls’s painted and collaged artwork captures universally powerful maternal moments with tenderness and whimsy. Like little love-ones, this beautiful book is a treasure. Now in board book format.

"Working The Roots: Over 400 Years of Traditional African American Healing" is an engaging study of the traditional healing arts that have sustained African Americans across the Atlantic ocean for four centuries down through today. Complete with photographs and illustrations, a medicines, remedies, and hoodoo section, interviews and stories.

In an alternate New Orleans caught in the tangle of the American Civil War, the wall-scaling girl named Creeper yearns to escape the streets for the air – in particular, by earning a spot on-board the airship Midnight Robber. Creeper plans to earn Captain Ann-Marie’s trust with information she discovers about a Haitian scientist and a mysterious weapon he calls The Black God’s Drums.

But Creeper also has a secret herself: Oya, the African orisha of the wind and storms, speaks inside her head, and may have her own ulterior motivations.

Soon, Creeper, Oya, and the crew of the Midnight Robber are pulled into a perilous mission aimed to stop the Black God’s Drums from being unleashed and wiping out the entirety of New Orleans.

In his essential writing guide, This Year You Write Your Novel, Walter Mosley supplied aspiring writers with the basic tools to write a novel in one year. In this com-plementary follow up, Mosley guides the writer through the elements of not just any fiction writing, but the kind of writing that transcends convention and truly stands out. How does one approach the genius of writers like Melville, Dickens, or Twain? In The Elements of Fiction, Walter Mosley contemplates the answer.

In a series of instructive and conversational chapters, Mosley demonstrates how to master fiction's most essential elements: character and char-acter development, plot and story, voice and narrative, context and description, and more. The result is a vivid depiction of the writing process, from the blank page to the first draft to rewriting, and rewriting again. Throughout, The Elements of Fiction is enriched by brilliant demonstrative examples that Mosley himself has written here for the first time.

Inspiring, accessible, and told in a voice both trustworthy and wise, The Elements of Fiction writing will intrigue and encourage writers and readers alike.

Icon of women's movement and author of over twenty books, including a narrative series on love, bell hooks reminds us of the good and bad moments we spend in love through her inspiring poetry.

When Angels Speak of Love is a book of 50 love poems by the icon of the feminist movement and most famous among public intellectuals. In beautiful, profoundly poetic terms, hooks challenges our views and experiences with love--tracing the link between seduction and surrender, the intensity of desire, and the anguish of death. Whether towards family, friends, or oneself, hooks's creative genius makes love both magical and beautiful. Her poems are written from the heart and learned by the reader's heart.

The most influential work by “the father of Black history”, reflecting the long-standing tradition of antiracist teaching pioneered by Black educators

A Penguin Classic

   The Mis-education of the Negro (1933) is Woodson’s most popular classic work of Black social criticism, drawing on history, theory, and memoir. As both student and teacher, Woodson witnessed the distortions of Black life in the history and literature taught in schools and universities. He argued that there was a relationship between these distortions and the violence that circumscribed Black life in the material world, declaring, “There would be no lynching it if did not start in the schoolroom.” Woodson’s primary focus was the impact dominant modes of schooling had on Black youth. From Emancipation through the 1930s, white Americans continued to control the institutional and ideological development of Black schools, based on a system of knowledge that reinforced ideas of Black inferiority.
    Across the country, Black teachers organized to make their curricula more relevant for students, and they critiqued the studious omission of Black life in formal curricula, anticipating many of the ideas appearing in Mis-education two decades later. Woodson wrote that the overrepresentation of white people and narratives of white achievement in curricula presented an outsize image of whites and their importance in the history of human progress. These distortions had the power to motivate white students to achieve and aspire and demotivate students of races that suffered under the hand of white supremacy. They cultivated an aspiration to whiteness among Black people and/or led them to despise their own race for its supposed lack of achievement. This was a systematic process of mis-education, articulating an aspect of Black America’s experience that scholars before and after Woodson recognized and worked to challenge.
    Woodson argued that students, teachers, and leaders needed to be educated in a manner that was accountable to Black experiences and lived realities, both past and present. With current debates over teaching race in U.S. classrooms, the ideas associated with Mis-education continue to resonate today.

A celebratory visual chronicle of the many ways in which Black Americans have used portraiture to envision themselves

Spanning over two centuries from around 1800 to the present day, Black American Portraits chronicles the ways in which Black Americans have used portraiture to envision themselves in their own eyes. Remembering Two Centuries of Black American Art, curated by David C. Driskell at LACMA 45 years ago, this book is a companion to the exhibition of the same name that reframes portraiture to center Black American subjects, sitters and spaces. This selection of approximately 140 works from LACMA’s permanent collection highlights emancipation, scenes from the Harlem Renaissance, portraits from the Civil Rights and Black Power eras, multiculturalism of the 1990s and the spirit of Black Lives Matter.
Countering a visual culture that often demonizes Blackness and fetishizes the spectacle of Black pain, these images center love, abundance, family, community and exuberance. Black American Portraits depicts Black figures in a range of mediums such as painting, drawing, prints, photography, sculpture, mixed media and time-based media. In addition to work by artists of African descent, Black American Portraits includes several works by artists of other backgrounds who have exemplified a thoughtfulness about, sensitivity toward and commitment to Black artists, communities, histories and subjects.
Artists include: Alvin Baltrop, Edward Biberman, Bisa Butler, Jordan Casteel, Njideka Akunyili Crosby, Bruce Davidson, Stan Douglas, rafa esparza, Shepard Fairey, Charles Gaines, Sargent Claude Johnson, Deana Lawson, Kerry James Marshall, Alice Neel, Lorraine O'Grady, Catherine Opie, Amy Sherald, Ming Smith, Henry Taylor, Tourmaline, Mickalene Thomas, James Van Der Zee, Carrie Mae Weems, Charles White, Kehinde Wiley and Deborah Willis.

*Ships in 7-10 business days*

Game of Thrones meets Gladiator in this blockbuster debut epic fantasy about a world caught in an eternal war, and the young man who will become his people's only hope for survival.

ONE OF TIME MAGAZINE'S TOP 100 FANTASY BOOKS OF ALL TIME
Winner of the Reddit/Fantasy Award for Best Debut Fantasy Novel

The Omehi people have been fighting an unwinnable war for almost two hundred years. The lucky ones are born gifted. One in every two thousand women has the power to call down dragons. One in every hundred men is able to magically transform himself into a bigger, stronger, faster killing machine.

Everyone else is fodder, destined to fight and die in the endless war.

Young, gift-less Tau knows all this, but he has a plan of escape. He's going to get himself injured, get out early, and settle down to marriage, children, and land. Only, he doesn't get the chance.

Those closest to him are brutally murdered, and his grief swiftly turns to anger. Fixated on revenge, Tau dedicates himself to an unthinkable path. He'll become the greatest swordsman to ever live, a man willing to die a hundred thousand times for the chance to kill the three who betrayed him.

The Rage of Dragons launches a stunning and powerful debut epic fantasy series that readers are already calling "the best fantasy book in years."

Urgent, propulsive, and deeply insightful, Homebodies is a thrilling debut novel about a young Black writer whose world is turned upside down when she loses her job in media and her searing manifesto about racism in the industry goes viral.

Mickey Hayward dreams of writing stories that matter. She has a flashy media job that makes her feel successful and a devoted girlfriend who takes care of her when she comes home exhausted and demoralized. It’s not all A-list media parties and steamy romance, but Mickey’s on her way, and it’s far from the messy life she left behind in Maryland. Despite being overlooked and mistreated at work, everything finally seems to be falling into place—until she finds out she’s being replaced.

Distraught and enraged, Mickey fires back with a detailed letter outlining the racism and sexism she’s endured as a Black woman in media, certain it will change the world for the better. But when her letter is met with overwhelming silence, Mickey is sent into a tailspin of self-doubt. Forced to reckon with just how fragile her life is—including the uncertainty of her relationship—she flees to the last place she ever dreamed she would run to, her hometown, desperate for a break from her troubles.

Back home, Mickey is seduced by the simplicity of her old life—and the flirtation of a former flame—but the life she left behind in New York refuses to be forgotten. When a media scandal catapults Mickey’s forgotten letter into the public zeitgeist, suddenly everyone wants to hear what Mickey has to say. It’s what she’s always wanted—isn’t it?

Insightful, funny, and deeply sexy, Homebodies is a testament to those trying to be heard and loved in a world that refuses to make space, and introduces a standout new writer.

SIMONE’S FATHER MURDERED HER MOTHER…OR DID HE?

Simone’s mother was murdered when she was thirteen. When her father was convicted, everything changed. Overnight, Simone went from living in an idyllic cul-de-sac to scraping by in a crime-ridden borough.

An inspirational trove of film posters and ephemera, photographs, artwork and more from the collection of Spike Lee

For nearly four decades, Spike Lee has made movies that demand our attention. His extensive filmography reflects an unflinching critique of race relations in the United States, from the Student Academy Award®–winning short Joe's Bed-Stuy Barbershop: We Cut Heads and the ever-relevant Do the Right Thing to the more recent Oscar®-winning BlacKkKlansman and Da 5 Bloods. A lifelong cinephile and film scholar, Lee draws inspiration from other artists working across a range of eras, genres and global cinemas. He has also devoted much of his career to teaching the next generation of filmmakers.
Spike Lee: Director’s Inspiration presents Lee’s personal collection of original film posters and objects, photographs, artworks and more—many of these inscribed to Lee personally by filmmakers, stars, athletes, activists, musicians and others who have inspired his work in specific ways.
Straight from the walls of Lee’s 40 Acres and a Mule production studio in Brooklyn, his faculty office at NYU and his Martha’s Vineyard home, these objects offer a glimpse into what shapes Lee’s signature filmmaking approach. Spike Lee: Director’s Inspiration also includes a conversation between Lee and Shaka King (Judas and the Black Messiah) and brief texts by some of the many artists Lee himself has inspired.
Spike Lee (born 1957) is a director, writer, actor, producer, author and artistic director of the graduate film program at NYU’s Tisch School of the Arts, where he has taught since 1993.

Deluxe, expanded edition of an out-of-print early novel from Africanfuturist luminary Nnedi Okorafor, with a brand-new introduction from the author

Niger, West Africa, 2074

It is an era of tainted technology and mysterious mysticism. A great change has happened all over the planet, and the laws of physics aren’t what they used to be.

Within all this, I introduce you to Ejii Ugabe, a child of the worst type of politician. Back when she was nine years old, she was there as her father met his end. Don’t waste your tears on him: this girl’s father would throw anyone under a bus to gain power. He was a cruel, cruel man, but even so, Ejii did not rejoice at his departure from the world. Children are still learning that some people don’t deserve their love.  

Now 15 years old and manifesting the abilities given to her by the strange Earth, Ejii decides to go after the killer of her father. Is it for revenge or something else? You will have to find out by reading this book.

I am the Desert Magician, and this is a novel I have conjured for you, so I’m certainly not going to just tell you here.

"If you haven't read Taj McCoy's books, you are missing out on some seriously stunning love stories!" —Jesse Sutanto, author of Dial A for Aunties

When Maggie's best friend admits he's in love with her, she'll have to decide whether it's worth giving up something good for something that could be amazing in this laugh-out-loud friends-to-lovers rom-com.

After a bad breakup, Maggie wants to find her Prince Charming, but all she’s finding are frogs. When her best friends, Savvy and Joan, apply pressure and demand she find a date worthy of attending their respective weddings, she agrees to take her own advice and try online dating. Since she's the maid of honor for both weddings, her bridal party duties are massive, but both brides insist that Maggie prioritize finding a date. After an onslaught of maybes, noes and hell noes, she’s close to giving up, when she meets a handsome doctor at the gym who just might be the one.

Meanwhile, her college bestie, Garrett, throws salt in everyone’s game. At every turn, he points out the red flags and tells Maggie to keep looking. Things come to a head when Maggie demands that Garrett be happy for her, and he finally admits that he can’t. Not when he’s not with her. When he blurts out his feelings, Maggie’s world is turned upside down. Now she must choose between the perfect guy and a friendship that is the foundation for everything she’s ever wanted.

An affordable, compact primer on the artist who drastically shifted the course of late 20th-century art

This reader provides a concise introduction to the widely popular yet oft-misunderstood artist Jean-Michel Basquiat. Guided by the steady hand of Basquiat scholar Larry Warsh, it is one of the few books of this kind to be directly approved by the artist’s estate and family: a notable distinction amid all of the buzz.
Jean-Michel Basquiat Handbook begins with a portrait of the young Basquiat, from his years as a precocious child in Brooklyn, to his rebellious teenagedom, to his meteoric rise in fame, to his tragic early death. The book then discusses the development of his groundbreaking style through the recurrent themes of his practice: urban life, the human figure, music and sports, to name just a few. The backend of the book provides a sampling of sketches from Basquiat’s notebooks, a chronology and incisive essays from scholars Henry Geldzahler and Henry Louis Gates Jr.
One of the first African American artists to reach international stature and wealth in the art world, Jean-Michel Basquiat (1960–88) was celebrated for his fusion of multicultural symbols, social commentary and distinctive graphic style. He has been the subject of numerous exhibitions across the globe, and his work is included in the collections of the Museum of Modern Art, New York, the Whitney Museum of American Art and the Broad Contemporary Art Museum, among many others.

“As you turn the pages of this novel and get lost in Dana’s story, allow yourself to relive the horrors of slavery....Allow yourself to know the pain of our nation’s past.”—Tomi Adeyemi, New York Times bestseller and Hugo and Nebula award-winning author, from the new foreword

This brand new package for young adults includes a redesigned interior for better readability, specially commissioned cover art by Carlos Fama, metallic stock cover, and spot gloss on cover elements

“I lost an arm on my last trip home. My left arm.”

Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon realizes the purpose of her summons to the past: protect Rufus to ensure his assault of her Black ancestor so that she may one day be born. As she endures the traumas of slavery and the soul-crushing normalization of savagery, Dana fights to keep her autonomy and return to the present.

Blazing the trail for neo-slavery narratives like Colson Whitehead’s The Underground Railroad and Ta-Nehisi Coates’s The Water Dancer, Butler takes one of speculative fiction’s oldest tropes and infuses it with lasting depth and power. Dana not only experiences the cruelties of slavery on her skin but also grimly learns to accept it as a condition of her own existence in the present. “Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times).

“Reading Octavia Butler taught me to dream big, and I think it’s absolutely necessary that everybody have that freedom and that willingness to dream.” 
—N. K. Jemisin

One weekend.

The elite underbelly of a Nigerian city.

A party that goes awry.

A tangled web of sex and lies and corruption that leaves no one unscathed.

Aima and Kalu are a longtime couple who have just split. When Kalu, reeling from the breakup, visits an exclusive sex party hosted by his best friend, Ahmed, he makes a decision that will plunge them all into chaos, brutally and suddenly upending their lives. Ola and Souraya, two Nigerian sex workers visiting from Kuala Lumpur, collide into the scene just as everything goes to hell. Sucked into the city’s corrupt and glittering underworld, they’re all looking for a way out, fueled by a desperate need to escape the dangerous threat that looms over them.