A gripping and genre-defying novel by a rediscovered great of twentieth-century Black American writing, about what it means to be a writer at the dawn of a new era

First published in 1965, The Catacombs is a metafictional account set in early 1960s Rome, where the author had returned to study art history after serving on the Italian front during World War II.

African-American expatriate Bill Demby narrates his attempts to write a novel about his friend Doris, who is living in Rome and employed as one of Elizabeth Taylor's handmaidens in the filming of Cleopatra. Utterly dependent upon Doris for the development of his novel, he is both a participant in and observer of her life as she enters into an affair with an Italian count. Bill Demby's growing emotional and artistic involvement in the tumultuous affair of his character-friend leads him on an existential quest for the meaning of truth and fiction, both lived and created, in a world torn by the social upheaval of the early sixties.

Interrupted constantly by headlines from television and newspapers, slipping in and out of fiction and metafiction, The Catacombs is a time capsule from an era on the brink and a novel unlike any other.

After several years of silence and seclusion in Beetlecreek's black quarter, a carnival worker named Bill Trapp befriends Johnny Johnson, a Pittsburgh teenager living with relatives in Beetlecreek. Bill is white. Johnny is black. Both are searching for acceptance, something that will give meaning to their lives. Bill tries to find it through good will in the community. Johnny finds it in the Nightriders, a local gang. David Diggs, the boy's dispirited uncle, aspires to be an artist but has to settle for sign painting. David and Johnny's new friendship with Bill kindles hope that their lives will get better. David's marriage has failed; his wife's shallow faith serves as her outlet from racial and financial oppression. David's unhappy routine is broken by Edith Johnson's return to Beetlecreek, but this relationship will be no better than his loveless marriage. Bill's attempts to unify black and white children with a community picnic is a disaster. A rumor scapegoats him as a child molester, and Beetlecreek is titillated by the imagined crimes.

This novel portraying race relations in a remote West Virginia town has been termed an existential classic. It would be hard, said The New Yorker, to give Mr. Demby too much praise for the skill with which he has maneuvered the relationships in this book. During the 1960s Arna Bontemps wrote, "Demby's troubled townsfolk of the West Virginia mining region foreshadow present dilemmas. The pressing and resisting social forces in this season of our discontent and the fatal paralysis of those of us unable or unwilling to act are clearly anticipated with the dependable second sight of a true artist."

First published in 1950, Beetlecreek stands as a moving condemnation of provincialism and fundamentalism. Both a critique of racial hypocrisy and a new direction for the African-American novel, it occupies fresh territory that is neither the ghetto realism of Richard Wright nor the ironic modernism of Ralph Ellison. Even after fifty years, more or less, William Demby said in 1998, "It still seems to me that Beetlecreek is about the absence of symmetry in human affairs, the imperfectibility of justice the tragic inevitability of mankind's inhumanity to mankind."

William Demby is the author of The Catacombs and Love Black. He lives in Sag Harbor, N. Y. James C. Hall, a professor of African-American Studies and English at the University of Illinois, Chicago, is the author of the forthcoming book, Mercy, Mercy, African-American Culture and the American Sixties, and editor of Langston A Collection of Poems.

This "thoroughly engaging" third novel by the author of Beetlecreek ("[a] quiet masterpiece" —Kirkus Reviews) follows a Black journalist in the 1970s whose bourgeois life is turned upside down by the subject of his writing assignment.

In the midst of the tumultuous 1970s, Edwards, a freelance writer and Black Studies professor at a small college in New York City, is assigned a story for New Black Woman magazine: a profile of Mona Pariss, an aging former singer whose popularity once rivaled Josephine Baker’s. With his creditors at the door, Professor Edwards beats a path to the crumbling Harlem apartment house where Mona Pariss, once the toast of Europe for her singing, now lives in squalid obscurity. As his interviews progress, Edwards is gradually drawn into Mona’s strange world. At the same time, he finds himself entering into an affair with Hortense, a beautiful young assistant at New Black Woman. From revolutionary downtown poetry readings to a hospital bed on the Continent and back, becoming entangled in the lives of both women might turn Edwards’s bourgeois life upside down for good.

Celebrate the release of Ashes at the Altar with LaDarrion Williams!

EVENT DEETS

When: Thursday, September 17 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

What: 

• Bookclub Discussion for Books 1 & 2 in the series
• Q&A with the author about Ashes at the Altar
• Activities and Games 
• Author Signing
• Giveaways

How:

• RSVP Only – Reserve your spot at the event.
• RSVP with Book – Reserve your spot and a copy of Ashes At The Altar
• RSVP with the Blood At The Root Trilogy Hardcover Bundle – Reserve your spot and receive a hardcover bundle of all three books in the Root Trilogy.

Please Note: Copies of Ashes at the Altar purchased from other retailers are not permitted inside the bookstore and are not eligible for the signing or photo line. To participate in the signing and photo opportunity, you must purchase the event book from Kindred Stories. If you have already purchased your copy from Kindred Stories, you may select the RSVP Only ticket option and bring your Kindred Stories copy to the event. You are also welcome to bring additional books by the author to be signed, but a Kindred Stories event book purchase is required to join the signing line.

If you purchase a ticket and are unable to attend the event, your ticket is non-refundable. If your ticket includes a book, an email will be sent to all attendees before and after the event with instructions on how to receive your book. Books must be claimed within 14 days following the event. If your book is not retrieved it will be returned to the publisher and will not be available for pick up in the future.

ABOUT THE BOOK

At a hidden magical HBCU a teen boy must confront evil spirits, family secrets and tested loyalties. In this haunting finale to the New York Times bestselling Blood at the Root trilogy, bloodlines, betrayal, and legacy collide in a battle that may cost everything.

Malik Baron has learned a lot since he first came to Caiman University: History is power. Family is more than just blood. You can't escape your past. And magic always comes with a price. 

But nothing he's been taught could have prepared him for what this semester will bring. Even after he risked it all to trap the evil spirit Marinette that has been possessing his mother, her power continues to grow. And with her and the Bokors still at large, the cracks in the magical community have reached a breaking point. Just as Malik begins to get to know his father's family, the Bonclairs' power is challenged, leaving him to decide where his loyalties lie. And it's not just the future of Caiman at stake, but the very magic that runs in his veins. 

In the propulsive and emotional conclusion to this powerful trilogy, the future and the family Malik has fought so hard to build and protect is in greater danger than ever. But with the power of ancestors and the strength of his loved ones behind him, can he fight for what the world has always said is impossible for a Black boy like him—a happy ending?

ABOUT THE AUTHOR

Hailing from the small town of Helena, Alabama, LaDarrion Williams is a self-taught playwright, filmmaker, author, and screenwriter committed to shaping a new era of Black fantasy. His theatrical work has garnered attention at notable venues, including the Echo Theatre Playwrights Lab, the Great Plains Theatre Conference in Omaha, TSU’s Black and Latino Playwrights Festival, and the Boise Contemporary Theater BIPOC Playwrights Festival.

Beyond theater, LaDarrion has directed three short films featured on YouTube and made his mark as a debut author with Blood at the Root, a New York Times and USA Today Bestseller. Through storytelling across multiple mediums, he continues to craft narratives that amplify Black voices, history, and imagination.