A poet watches the limbs of a eucalyptus tree get sawed off: the image persists, refracting and recurring across poems of art, language, selfhood, memory, and loss.

Joan Mitchell said, When I talk about love, I mean loving a tree. When I talk about love, I mean loving where a tree used to be.

Men assess the eucalyptus tree growing on the poet’s street; a crane arrives. The sound of a chainsaw rings in the air and branches begin to fall. This tree-cutting haunts the poet and becomes the locus from which the rest of the collection spirals. It refracts across works by artists such as Pablo Picasso, Joan Mitchell, and Hilma af Klint, whose painting series lends the collection its title and who becomes a model for engaging with the world. At the core of the collection, the long poem “Eureka” examines the violent 1885 expulsion of Chinese Americans from the eponymous California town. Roving, evocative, and intricate, Tree of Knowledge is rooted in Victoria Chang’s crystalline voice and generous, probing gaze, and by certain images ―trees, a hanging figure, a branch, fingertips, a briefcase―that resurface like apparitions.

"Groundbreaking . . . Chang's lyrical experiment memorably evokes an individual family's time capsule and an artist's timeless yearning to shape carbon dust into incandescent gem." —NPR

Now in paperback, from the poet who “resurrects mediums” (The Millions), a collection of literary letters and mementos on the art of remembering across generations.

For Victoria Chang, memory “isn’t something that blooms, but something that bleeds internally.” It is willed, summoned, and dragged to the surface. The remembrances in this collection of letters are founded in the fragments of stories her mother shared reluctantly and in the silences of her father. They are whittled and sculpted from an archive of family relics: a marriage license, a letter, a visa petition, a photograph. And, just as often, they are built on questions that can no longer be answered.

Dear Memory is not a transcription but a process of shaping and being shaped, knowing that when a writer dips their pen into history, what emerges is poetry. In letters to family, past teachers, fellow poets, and to the imagination itself, Victoria Chang offers a model for what it looks like to find ourselves in our histories.

From multi Grammy-award winning artist and songwriter Victoria Monét comes a lyrical picture book that's perfect for children with separation anxiety, while also offering some healing for hard working parents.

I’ll always be your moon
You’ll always be my star

Just keep me in your heart and
I’ll be everywhere you are

In this melodic picture book from chart-topping musical sensation Victoria Monét, a gentle moon comforts a young star as night ends and they separate. Paired with the whimsical and imaginative art of Alea Marley, Everywhere You Are reminds us that even when someone isn’t right next to us, their love still carries on in our hearts.

From the creator of the beloved @PoetryIsNotaLuxury Instagram account,a gorgeously wrought poetry anthology that is a gift and a guide for readers through every season of life.

Inspired by writer and philosopher Audre Lorde’s famous claim: “Poetry is not a luxury,” this anthology proves the vitality of poetry as a crucial source of inspiration, comfort, and delight.

In a first section, “Summer,” you’ll find lush landscapes and love poems for weddings and anniversaries, alongside poems on travel, protest, and expressions of sheer joy and exhilaration. “Autumn” ushers in nostalgic poems about home and family and friendship, fall leaves, nesting and gratitude. You may turn to “Winter” should you require a poem for mourning, some lyrics for loneliness, or an ode to comfort. Rounding out a year’s worth of verse is “Spring,” in which you’ll discover celebratory poems, in the form of praise for rain and flowers, new beginnings, and all that the future might hold.

Each poem within has been chosen from centuries of verse from around the world, with an emphasis on living poets. Friends old and new await, with selections from Rita Dove, Victoria Chang, Ross Gay, Naomi Shihab Nye, C.D. Wright, Eileen Myles, Ada Limón,Ross Gay, Ilya Kaminsky, Jos Charles, and more.

From love poems to elegies, from the heights of new love to the furrows of anxiety, from special occasions to a morning pick-me-up, there is something here for longtime poetry lovers and novices, in any season of need.

For readers of Vanessa Miller, Sheila Williams, Victoria Christopher Murray and Tracy Chevalier, the story of an unconventional woman who overcame adversity to create enduring tributes in stone to her race and times. The life of pioneering Black Neoclassical sculptor Edmonia Lewis – from the Civil War-era Midwest to Boston’s abolitionist circles, to Rome’s expatriate community – is resurrected in this stunning debut biographical novel.

“I plan to be a sculptor, to memorialize forever the great men and women of my race, and those who have fought for our cause.”

At the age of 8, orphaned, precocious Wildfire seems fated to a life of toil selling her handmade crafts to Niagara Falls tourists alongside her Ojibwe aunts. But Wildfire’s older half-brother, Samuel, has been making other plans for his gifted sibling. Soon, she is set on a new trajectory—and with it comes her birth name, Edmonia, and a revelation about her true origins.

Ensconced at the home of a trusted benefactor while Samuel makes his fortune in California, Edmonia flourishes—despite her abhorrence for etiquette lessons. Privately nurturing artistic ambitions, she advances through the abolitionist’s prep school and lands at Oberlin College. But at Oberlin lies a devastating trap: Edmonia is accused of poisoning, nearly fatally, two friends, with tainted wine.

What ensues is a headline-making trial, a vicious attack by a white mob—and a bold journey that will lead Edmonia from a crucial introduction in Boston to a vibrant community of celebrated expatriate women artists in Rome, and encounters with such distinguished figures as President Ulysses S. Grant, Pope Pius IX, and Frederick Douglass.

Still, Edmonia’s success is plagued by stinging critiques, potent racism, and haunting self-doubt. She must decide, too, whether to abandon her romantic entanglements, or devote herself to bringing to life her visions of beauty and justice—and hopefully, forge her place in a rapidly changing world.

*please note Ryan Dennis and Assata Richards will no longer be moderating. 

Celebrate the first monograph dedicated to Rick Lowe's art practice! 

EVENT DEETS

When: Wednesday, May 22 at 7PM

Where: The Eldorado Ballroom (2310 Elgin Street, HTX, 77004)

How: RSVP ONLY to save your seat. RSVP WITH BOOK to get a copy of Rick Lowe's book. Limited books will be available onsite.

ABOUT THE BOOK

 
Houston-based artist Rick Lowe is widely known for his pioneering contributions to the development of “social practice art,” work that landed him a MacArthur fellowship in 2014. What few people realize is that he was originally trained as a landscape painter. In recent years, Lowe has increasingly turned back to painting, producing complex multi-panel and quasi-abstract images that are deeply rooted in thirty years of work creating “social sculptures,” recalling the urban fabric of cities around the world that have formed the backdrop of many of his community-based art projects. This book, which brilliantly reproduces Lowe’s paintings, is the first dedicated to the work of this important American artist, focusing on his painterly practice and its origins in his work in the public sphere.

ABOUT THE ARTIST

Rick Lowe was born in 1961 in rural Russell County, Alabama, and lives and works in Houston. 

Collections include the Brooklyn Museum, New York; Whitney Museum of American Art, New York; Institute of Contemporary Art, Miami; High Museum of Art, Atlanta; Nerman Museum of Contemporary Art, Overland Park, KS; Menil Collection, Houston; Museum of Fine Arts, Houston; and the UBS Art Collection. Solo exhibitions include Art League Houston (2020–21). He also participated in Documenta 14, Athens (2017). 

Among Lowe’s numerous community art projects are Project Row Houses, Houston (1993–2018); Watts House Project, Los Angeles (1996–2012); Borough Project (with Suzanne Lacy and Mary Jane Jacob), Charleston, SC (2003); Small Business/Big Change, Anyang Public Art Program, Korea (2010); Trans.lation, Dallas (2013); Victoria Square Project, Athens (2017–18); Greenwood Art Project, Tulsa, OK (2018–21); and Black Wall Street Journey, Chicago (2021–). 

In 2013 President Barack Obama appointed Lowe to the National Council on the Arts, and in 2014 he was named a Mac Arthur Fellow. Lowe was a Visiting Fellow at the Neubauer Collegium for Culture and Society from 2019-2021. He is currently a professor of interdisciplinary practice at the University of Houston.

ABOUT THE CONVERSATION PARTNERS

Ryan N. Dennis is Senior Curator and Director of Public Initiatives at Contemporary Arts Museum Houston (CAMH). Her recent projects include Leonardo Drew’s City in the Garden (2020), Betye Saar: Call & Response (2021), Dusti Bonge: Piercing the Inner Wall (2021), and organizing CAPE Artist-in-Resident Shani Peter’s Collective Care for Black Mothers and Caretakers with the local Jackson community. She is the co-curator of the critically acclaimed exhibition, A Movement in Every Direction: Legacies of the Great Migration. Prior to joining the MMA, she served as the Cura­tor and Programs Director at Project Row Houses (PRH) in Houston, where she worked with over 100 BIPOC artists to exhibit their work in the shot-gun houses, she led the creation of the 2:2:2 Exchange Residency Program with the Hyde Park Art Center in Chi­cago and established Project/Site, a temporary, site-specific, commission-based public art program. In 2017, she launched the PRH Fellowship with the Center for Art and Social Engagement at the University of Houston’s Kathrine G. McGovern College of the Arts. Dennis earned her master’s degree in Arts and Cultural Management from Pratt Institute with a focus in Curatorial Practice. Her writings have appeared in online and print catalogs, journals and publications nationally and internationally. She has been a visiting lecturer and critic at a number of art schools and institutions and has taught courses on community-based practices and contemporary art at the University of Houston. Most recently she was the co-curator of the 2021 Texas Biennial titled A New Landscape, A Possible Horizon (2021) and the guest art editor for Gulf Coast: A Journal of Literature and Fine Arts.

Assata Richards is a native of Houston, Texas and received much of her education in East Texas in the community known as “County Line”. After completing her Bachelor’s Degree from the University of Houston, she earned a Master’s and PhD from Pennsylvania State University in Sociology with a concentration on political and community participation, research methods and mass incarceration. After serving as a faculty member at University of Pittsburgh, Assata returned to her community of Third Ward in Houston, Texas, where she is living and working with Project Row Houses and serving as an Adjunct Professor at the University of Houston. As a scholar and community organizer, she is fulfilling her lifelong commitment to social change and justice. Assata also serves as the Vice Chair of the Board of Commissioners for Houston Housing Authority, as a appointee of Mayor Annise Parker.