Taking inspiration from a song by Marvin Tate, Gates personifies the city of Chicago through a grid of stone sculptures, tar paintings and performance activations

In Oh, You’ve Got to Come Back to the City, Chicago-based artist Theaster Gates (born 1973) brings together a new series of tar paintings, sculptures and installations to tell an allegory of the city in decay and the potential contained within its ruins. The exhibition’s title comes from a song by Chicago musician and poet Marvin Tate, in which the city, personified as a character, has cleaned up its act and attempts to lure its residents back from the suburbs. In this body of work, Gates wrestles with the burden brought on by aging infrastructure to create new narratives that build on the rich metaphors embedded in his materials―as tools of resistance, signs of excess and evidence of decline.

A masterpiece of identity horror and a dark reflection on America’s past and present, Us presents chilly atmospherics, psychological torment and old-world suspense-building plot twists. Whereas Get Out was considered more a mixture of drama and suspense, Peele leaned fully into the horror genre with his sophomore film, using urban legends such as doppelgangers to tease out the uniquely American perceptions of xenophobia and “othering.” Critic Monica Castillo wrote of the film: “Us is another thrilling exploration of the past and oppression this country is still too afraid to bring up. Peele wants us to talk, and he’s given audiences the material to think, to feel our way through some of the darker sides of the human condition.”
Published in conjunction with the fifth anniversary of the critically acclaimed film’s release, this companion paperback features Oscar®-winning director Jordan Peele’s screenplay, alternate endings and deleted scenes, and is richly illustrated with over 150 stills from the motion picture. Specially commissioned annotations by hannah baer, Theaster Gates, Jamieson Webster, Jared Sexton, Mary Ping, Shana Redmond and Leila Taylor present a cosmology of images, definitions and inspirations that extend the themes of the film. Continuing in the legacy of 1960s paperbacks that documented the era’s most significant avant-garde films―such as Kurosawa’s Rashomon, Godard’s Masculin Féminin and Antonioni’s L’Avventura―Us is an indispensable guide to a deeper understanding of this important film.
Jordan Peele (born 1979) is a writer, actor and filmmaker who rose to fame as half of the comedy duo Key & Peele. He has written and directed three feature films: Get Out (2017), Us (2019) and Nope (2022). He was the first Black screenwriter to win an Academy Award for Best Original Screenplay.

Selections from the extraordinary Studio Museum in Harlem Collection, accompanying the highly anticipated opening of the institution’s first-ever purpose-built museum

Meaning Matter Memory is a keepsake extension of the Studio Museum’s collection of artwork by artists of African descent. Beautiful illustrations of significant works by more than 250 artists are accompanied by original texts from more than 100 voices in the art world, including writers, scholars, artists, and critics.

Celebrating myriad voices and artistic media, styles, and eras, this handbook glimpses into the profound and manifold artistic achievements made by Black artists for over 200 years. The book exhibits and carries forward a principal tenet of the Studio Museum’s mission: to serve as the stewards of the work – old, new, and still to be created – by artists of African descent.

Featuring work by: Derrick Adams, Emma Amos, Jean-Michel Basquiat, Romare Bearden, Jordan Casteel, Elizabeth Catlett, Nick Cave, Samuel Fosso, Theaster Gates, Cy Gavin, Barkley L. Hendricks, Arthur Jafa, Rashid Johnson, Simone Leigh, Glenn Ligon, Julie Mehretu, Wangechi Mutu, Gordon Parks, Martin Puryear, Faith Ringgold, Betye Saar, Augusta Savage, Tschabalala Self, Lorna Simpson, Mickalene Thomas, Kara Walker, and Carrie Mae Weems, among many more.

An intimate look into the studios of twenty prominent Black artists working today, enlivening their art practice and creative lives through stunning photographs and exclusive interviews

‘Both a vital record of the present and a powerful testament to the legacies still being created.’ – Angela Bassett, actress, director, and producer

Another View: The Vibrant World of Contemporary Black Artists is a groundbreaking, intimate exploration of the studios, living spaces, and creative processes of twenty of today’s most notable Black artists. The book includes 150 never-before-published photographs taken by acclaimed artist Awol Erizku, presenting the ultimate behind-the-scenes tour of striking studios across the United States, works in progress by some of the world’s most creative people, and the objects and settings that inspire them. Exclusive profiles inspired by interviews with celebrated curator Isolde Brielmaier offer compelling personal advice and unique insights into the art world, giving readers an inside look at the role of art in society, perspectives on legacy, and what it means to be a Black artist today. An illuminating introduction by lauded scholar and critic Henry Louis Gates, Jr. explores the historical precedents and critical context that led to the exciting current moment of Black contemporary art in America.

Showcasing work across media – including painting, sculpture, textile, collage, photography, and more – the featured artists have won prestigious awards such as the Guggenheim Fellowship, MacArthur Fellowship, and National Endowment for the Arts grant, and are in the collections of leading institutions, including the Museum of Modern Art in New York, the Whitney Museum of American Art, the National Portrait Gallery, and the Guggenheim. These artists represent a pivotal moment in American art history, where Black artists are gaining unprecedented institutional recognition and also fundamentally changing conversations about identity, history, and representation in contemporary art. This book captures a crucial juncture – not only showcasing the ways these artists think about their work, but also highlighting important, personal conversations about how their influence will shape the next generation of artists and the broader cultural landscape for decades to come.

Featured artists: Nina Chanel Abney; Derrick Adams; Sanford Biggers; Jordan Casteel; Nick Cave; Renee Cox; Leonardo Drew; Theaster Gates; Rashid Johnson; Titus Kaphar; Glenn Ligon; Kerry James Marshall; Xaviera Simmons; Lorna Simpson; Shinique Smith; Hank Willis Thomas; Mickalene Thomas; Nari Ward; Carrie Mae Weems; and Fred Wilson.

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A multidisciplinary look at the foremost archive of Black American visual culture, as recast by Theaster Gates

This book features essays and other reflections commissioned in response to the Facsimile Cabinet of Women Origin Stories, a monumental participatory work by Theaster Gates (born 1973). The Cabinet includes nearly 3,000 framed images of women from the Johnson Publishing Company archive, and highlights from the collection appear in this edited volume.
Founded in 1942, Chicago-based Johnson Publishing chronicled the lives of Black Americans for more than seven decades through the magazines Ebony and Jet. Composed from arguably the most important archive of American Black visual culture in the 20th century, Gates’ work centers the essential and too often unsung role of women in this history.
When the Cabinet was exhibited at the Colby College Museum of Art, 12 women from a wide range of disciplines (including archivists, legal scholars, anthropologists and librarians, as well as curators, visual artists, filmmakers, writers and art historians) were invited to reflect on a work that brings a sisterhood of images to light.

Writings on black men’s cultural production and black masculinity by one of today’s leading historians of modern and contemporary art.
 
Collecting twenty years of incisive essays, articles, and interviews—including four published here for the first time—by art historian Huey Copeland, this book affirms the extraordinary depth of black men’s cultural production and the diversity of artistic practices that explore visual black masculinity in the United States. Part history, part memoir, part critical manifesto, Touched by the Mother offers a multi-faceted look at American art and discourse of the past fifty years, a personal meditation on navigating the world as a black gay man, and a feminist perspective on the ways transatlantic slavery continues to mark African and African diasporic men. Focusing on how the black maternal shapes black masculinity, Copeland confronts the dynamics that position African-American men—after their mothers—as sites of violence, creativity, and contestation in the cultural imagination.
 
Richly illustrated throughout, Touched by the Mother considers an exciting range of assemblage, painting, performance, photography, sculpture, and video works by more than twenty renowned practitioners, along with interviews featuring Hilton Als, Thelma Golden, Frank B. Wilderson, III, and other influential figures in contemporary art, culture, and criticism. Works by artists including Mark Bradford, Theaster Gates, David Hammons, Barkley L. Hendricks, Arthur Jafa, Glenn Ligon, Kerry James Marshall, Howardena Pindell, Sun Ra, and Lorna Simpson represent modes of making and thinking that are uniquely “touched by the mother,” Copeland argues, moving us toward the promise of black feminist futures.