From acclaimed author Terah Shelton Harris comes a poignant story of survival and redemption that questions what it means to stop existing and start living.

Leigh is the last of the Wildes. She knows this because she watched them all die.

Grief never truly fades and even as the tragedy haunts her, Leigh carries on, because survival is in her blood. So, when the transport bus taking her to prison careens off the road, killing everyone onboard except her, she does what's in her nature. She survives. 

While searching for a place to hide, Leigh stumbles upon an unexpected sanctuary: a flower farm in rural Alabama tucked away from the world. What Leigh doesn't expect is the found family there who have built something from the wreckage of their own lives. Especially Jackson, the farm's owner, who sees through Leigh's defenses, offers her small moments of tenderness, encourages her to face her own tragedies. Slowly, Leigh finds peace with the hard pace and soft nature of the farm, taking comfort in the life blooming around her. Maybe she's not beyond redemption, not too broken for something good. And maybe, just maybe, Leigh starts to heal.

But the past isn't so easily buried.

No matter how far she runs, the truth of who she is and the ghosts of the Wildes follow. And when those secrets catch up to her, threatening everything she's come to love, Leigh will have to truly face what she can survive.

An explosive and emotional story of four siblings―each fighting their own personal battle―who return home in the wake of their father's death in order to save their family's home from being sold out from under them, from the author of One Summer in Savannah.

"Don't let the white man take the house."

These are the last words King Solomon says to his son before he dies. Now all four Solomon siblings must return to North Carolina to save the Kingdom, their ancestral home and 200 acres of land, from a development company, who has their sights set on turning the valuable waterfront property into a luxury resort.

While fighting to save the Kingdom, the siblings must also save themselves from the secrets they've been holding onto. Junior, the oldest son and married to his wife for eleven years, is secretly in love with another man. Second son Mance can't control his temper, which has landed him in prison more than once. CeCe, the oldest daughter and a lawyer in New York City, has embezzled thousands of dollars from her firm's clients. Youngest daughter Tokey wonders why she doesn't seem to fit into this family, which has left an aching hole in her heart that she tries to fill in harmful ways. As the Solomons come together to fight for the Kingdom, each of their façades begins to crumble and collide in unexpected ways.

Told in alternating viewpoints, Long After We Are Gone is a searing portrait on the power of family and letting go of things that no longer serve you, exploring the burden of familial expectations, the detriment of miscommunication, and the lessons and legacies we pass on to our children.

"Explosive and emotionally charged." ―Etaf Rum, New York Times bestselling author of A Woman is No Man and Evil Eye

"A tour de force of history, injustice, and the brutal, beautiful everlasting ties of family." ―Tara Conklin, New York Times bestselling author of The House Girl and The Last Romantics

Honorable Mention, 2026 Distinguished Book Award, given by the American Sociological Association, Sociology of Religion Section

Charts the changing dynamics of religion and spirituality among African Americans

Recent decades have ushered in a profound transformation within the American religious landscape, characterized by an explosion of religious diversification and individualism as well as a rising number of “nones.” The Contemporary Black Church makes the case that the story of this changing religious landscape needs to be told incorporating more data as it applies specifically to African Americans.

Jason E. Shelton draws from survey data as well as interviews with individuals from a wide variety of religious backgrounds to argue that social reforms and the resulting freedoms have paved the way for a pronounced diversification among African Americans in matters of faith. Many African Americans have switched denominational affiliations within the Black Church, others now adhere to historically White traditions, and a record number of African Americans have left organized religion altogether in recent decades. These changing demographics and affiliations are having a real and measurable effect on American politics, particularly as members of the historic Black Church are much more likely than those of other faiths to vote and to strongly support government policies aimed at bridging the racial divide.

Though not the first work to note that African Americans are not monolithic in their religious affiliation, or to argue that there is a trend toward secularism in Black America, this book is the first to substantiate these claims with extensive empirical data, charting these changing dynamics and their ramifications for American society and politics.

Charts the changing dynamics of religion and spirituality among African Americans

Recent decades have ushered in a profound transformation within the American religious landscape, characterized by an explosion of religious diversification and individualism as well as a rising number of “nones.” The Contemporary Black Church makes the case that the story of this changing religious landscape needs to be told incorporating more data as it applies specifically to African Americans.

Jason E. Shelton draws from survey data as well as interviews with individuals from a wide variety of religious backgrounds to argue that social reforms and the resulting freedoms have paved the way for a pronounced diversification among African Americans in matters of faith. Many African Americans have switched denominational affiliations within the Black Church, others now adhere to historically White traditions, and a record number of African Americans have left organized religion altogether in recent decades. These changing demographics and affiliations are having a real and measurable effect on American politics, particularly as members of the historic Black Church are much more likely than those of other faiths to vote and to strongly support government policies aimed at bridging the racial divide.

Though not the first work to note that African Americans are not monolithic in their religious affiliation, or to argue that there is a trend toward secularism in Black America, this book is the first to substantiate these claims with extensive empirical data, charting these changing dynamics and their ramifications for American society and politics.

Celebrate the release of Where The Wildflowers Grow with Terah Shelton Harris!

EVENT DEETS

When: Sunday, February 22 @ 5:30 PM

Where: Kindred Stories( 2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming

ABOUT THE BOOK

From acclaimed author Terah Shelton Harris comes a poignant story of survival and redemption that questions what it means to stop existing and start living.

Leigh is the last of the Wildes. She knows this because she watched them all die.

Grief never truly fades and even as the tragedy haunts her, Leigh carries on, because survival is in her blood. So, when the transport bus taking her to prison careens off the road, killing everyone onboard except her, she does what's in her nature. She survives. 

While searching for a place to hide, Leigh stumbles upon an unexpected sanctuary: a flower farm in rural Alabama tucked away from the world. What Leigh doesn't expect is the found family there who have built something from the wreckage of their own lives. Especially Jackson, the farm's owner, who sees through Leigh's defenses, offers her small moments of tenderness, encourages her to face her own tragedies. Slowly, Leigh finds peace with the hard pace and soft nature of the farm, taking comfort in the life blooming around her. Maybe she's not beyond redemption, not too broken for something good. And maybe, just maybe, Leigh starts to heal.

But the past isn't so easily buried.

No matter how far she runs, the truth of who she is and the ghosts of the Wildes follow. And when those secrets catch up to her, threatening everything she's come to love, Leigh will have to truly face what she can survive.

ABOUT THE AUTHOR

Terah Shelton Harris is an author and former librarian, who now writes upmarket fiction with bittersweet endings. She is the author of One Summer in Savannah and Long After We Are Gone. Her books have been chosen as a Target Book Club pick, LibraryReads pick, Kobo Best Book, Together We Read pick, Publisher’s Marketplace Buzz Book, and a Goodreads Choice Awards nominee for Best Debut. Terah was also named Target’s first Author of the Year. She lives in Alabama with her husband.

ABOUT THE CONVERSATION PARTNER