Twelve-year-old Hoodoo Hatcher was born into a family with a rich tradition of practicing folk magic: hoodoo, as most people call it. But even though his name is Hoodoo, he can't seem to cast a simple spell.        Then a mysterious man called the Stranger comes to town, and Hoodoo starts dreaming of the dead rising from their graves. Even worse, he soon learns the Stranger is looking for a boy. Not just any boy. A boy named Hoodoo. The entire town is at risk from the Stranger’s black magic, and only Hoodoo can defeat him. He’ll just need to learn how to conjure first.        Set amid the swamps, red soil, and sweltering heat of small town Alabama in the 1930s, Hoodoo is infused with a big dose of creepiness leavened with gentle humor.

A gripping, richly imagined fantasy set in an alternate ancient African world in which a Black girl finds her power and saves her people from evil, by the Coretta Scott King/John Steptoe New Talent Award-winning author of Black Panther: The Young Prince. 

In the land of Alkebulan, twelve-year-old Asha is an orphan, raised by Madame S, the proprietor of a traveling carnival. When Madame S is attacked by ghoulish creatures, she manages to tell Asha before she dies, “Seek the Underground Kingdom, where the black flowers bloom.”

Asha doesn’t understand the mysterious words, but they launch her onto a page-turning quest to protect her people and stop an ancient evil. Along the way, she uncovers shocking secrets about the family she never knew and begins to find her place in the world as she discovers her own untapped powers.

In collaboration with JVL Media—a captivating exploration of why many high-performing Black business leaders attribute their transformational leadership qualities to their experiences growing up in the Black Church and how we can foster these skills in younger generations despite waning church attendance.

The Black church in the U.S. has long been a “one-stop shop” for developing Black leaders, teaching them many of the qualities required to lead effectively in today’s ultra-competitive, digital, and swiftly transforming corporate world. Many high-performing Black leaders benefited from their experiences growing up in this cultural institution steeped in rich history.

Merging cultural study with applied neuroscience and tenets of positive psychology, L. Michelle Smith dissect how these qualities are demonstrated by leaders across industries, from resiliency to their sense of undeniable purpose, their ability to build community and collaborative environments, the delivery and language of their speaking style to their unique leadership flair. She reveals how this historic institution has served as a timeless wellspring of leadership development, empowerment, and cultural preservation and ultimately, is Black leaders’ “secret sauce.”

Call and Response also explores whether the Black Church will be able to continue to ingrain these skills in future generations. Smith examines how cultural shifts have resulted in a decline in church attendance, how online attendance has risen since the Covid pandemic, and finally, how Black leaders may—or may not—be passing these traditions down to their children.

A young Black man feels called irresistably to farmland he's never seen, where a fateful feud simmers between a pastor and his protégé. A thunderous instant classic, this novel reimagines David and Goliath as the story of one unforgettable family, living in the era of the Great Migration and in the heart of the American South.

"PLEASE READ THIS MASTERPIECE." —Kiese Laymon, author of Heavy

In 1910, at the tender age of fourteen, David Jeremiah Lightfoot inherits his father’s farm in Mississippi: a barren, cursed plot of land once known as Goliath. David has never lived outside Chicago, but he is determined to claim and farm the land more effectively than his father ever could. Once there, David confronts both literal and figurative giants. And soon a high-stakes struggle with the burden of his ancestors’ legacy will intertwine his fate with that of his family, the land, and the surrounding community.

Narrating this saga is David’s youngest son, Little Bit, a uniquely sensitive storyteller with immense love for his parents, his grandfather Big Man, his uncle Jonathan, his cousin, and his brothers and sister. Little Bit charts the dramatic twists and turns of his father's rise to a precarious pinnacle of wealth and power, studded as it was with quiet moments of sweetness, joy, and transcendent beauty.

At once a profound, heartfelt story about one tight-knit family and an elegant, propulsive tragedy, Goliath weaves together themes of destiny and redemption. It is a revelatory meditation on the deep, troubled ties between Black Americans and the very ground on which past generations toiled and lived.

The Spider-Man you know is one of many. Meet ten Spider-Heroes in this new short story collection from acclaimed, best-selling authors writing across the Spider-Verse. There is a Spider-Verse filled with Spider-Heroes, each on their own world: Spider-Punk, as adept at the guitar as he is at fighting crime. Spider-UK, who’s juggling Eid celebrations and a super-villain threat to her London neighborhood. And Web-Weaver, whose latest fashion event is threatened by a citywide storm of hallucinations. Some, like Miles Morales and Gwen Stacy, have already crossed from one universe to the next. Others are still discovering they’re not alone. And now ten acclaimed best-selling authors, including New York Times bestselling authors Tui Sutherland, Frederick Joseph, and Faridah Àbíké-Íyímídé, and many more, tell the stories of these amazing Spider-Heroes—just as a mystery villain rises to threaten the entire Spider-Verse. The full list of authors: Faridah Àbíké-Íyímídé David Betancourt Preeti Chhibber Steve Foxe Frederick Joseph Jessica Kim Alex Segura Ronald L. Smith Tui T. Sutherland Caroline M. Yoachim

From everyday apps to complex algorithms, Ruha Benjamin cuts through tech-industry hype to understand how emerging technologies can reinforce White supremacy and deepen social inequity.

Benjamin argues that automation, far from being a sinister story of racist programmers scheming on the dark web, has the potential to hide, speed up, and deepen discrimination while appearing neutral and even benevolent when compared to the racism of a previous era. Presenting the concept of the “New Jim Code,” she shows how a range of discriminatory designs encode inequity by explicitly amplifying racial hierarchies; by ignoring but thereby replicating social divisions; or by aiming to fix racial bias but ultimately doing quite the opposite. Moreover, she makes a compelling case for race itself as a kind of technology, designed to stratify and sanctify social injustice in the architecture of everyday life.

This illuminating guide provides conceptual tools for decoding tech promises with sociologically informed skepticism. In doing so, it challenges us to question not only the technologies we are sold but also the ones we ourselves manufacture.

Weaving ancestral wisdom with contemporary insight, Black Women Rising speaks directly to Black women’s lived realities of racial trauma, chronic stress, care fatigue, and resilience through a wholistic lens.

Filling a long-standing gap in the self-help and wellness market, Black Women Rising is a culturally grounded, deeply resonant guide created specifically for Black women seeking balance, purpose, and grounding in perilous times. This bold, African-centered book arrives at a moment of profound urgency. Informed by the authors’ expertise in African-centered social work and trauma-informed psychotherapy, each chapter brings to life one of the 18 Principles—rooted in Ma’at and the Nguzo Saba (Kwanzaa)—and closes with an action-oriented exercise readers can immediately apply.

Moving beyond reflection to action, this book offers clear pathways to healing and sustained liberation. Positioned at the intersection of race, gender, and mental health, the book meets a growing demand for self-care that is culturally intentional and affirming. With far-reaching impact in wellness, mental health, and social justice spaces, giving Black women a self-help book that sees and supports their capacity to rise and thrive individually and in community.

Black Women Rising positions healing as sacred and care as a powerful force for renewal and transformation, making it a timely, standout title in wellness, mental health, and cultural nonfiction.

A visionary new collection by former poet laureate of the United States and winner of the Pulitzer Prize Tracy K. Smith

The forest in Tracy K. Smith’s brilliant new work is and is not a metaphor. While these poems strive to hear and to heed the voices of the earth and its nations of trees, they also test a discomfiting view of humanity, not as divided and opposing factions but as a vast cacophonous family connected by a single deep root.

The Forest grapples with violence, cynicism, and injustice by tapping into the ecstatic for much-needed insight, humility, and conviction. Enlivened by slow time and spiritual desire, Smith’s poems are political and devotional conduits that bear witness to meditative visions and channeled conversations with ancestors and ascended guides. Several poems honor motherhood and the particular care bound up in mothering Black sons. Others come to terms with grief and a failed marriage now so distant as to be another life. Hovering always near, the divine feminine is a figure called forth to refute the God of War.

The Forest is a magnificent act of foresight beyond the granular realities of partisan depravity, polarization, and indifference. Smith reaches an exhilarating new height, in contact with the mythic and the rapturous.

A sweeping history of the African American struggle against police brutality, exposing how state violence underpins the capitalist economy and tracing the long resistance movement in pursuit of racial justice and freedom for all

Rekia Boyd, Timothy Thomas, Jonathan Sanders, Breonna Taylor, Jordan Neely, and Michael Brown were casualties of war. Whether we call it a war on crime, a war on militants, or a war on drugs, law enforcement at every level has made Black neighborhoods across the country into killing fields and open-air prisons, stripping vulnerable people of equal rights, freedom of movement, and even protection from torture. In a smoldering indictment, Robin D. G. Kelley excavates the deep history of this war through the lives of the victims and their communities, drawing a direct line from today’s fatalities to the “blood at the root”―the racial terror at the heart of America’s system of exploitation and wealth accumulation.

It is a system, Kelley shows, that depends on racial and economic inequality and is maintained through not only tools of force but also tools of wealth extraction, from lynch law in Georgia to segregated housing in St. Louis to gentrification, predatory lending, civil forfeiture, and even today’s militarization of ICE.

At the same time, Making a Killing is a history of the counterwar, the legacy of collective Black resistance―the movements, tactics, thinkers, and leaders―that has long been a catalyst for change and the tip of the spear in a broader fight against rising fascism. Demanding not only justice for Black victims but also vast and visionary social transformation, these movements, from Reconstruction to the present day, hold out the possibility that we may lay to rest the America we know so that a new world may be born.

A hidden history of twentieth-century American modernity that re-examines a mere twelve-block area on Manhattan’s Upper West Side with Thelonious Monk as its guiding star. 

The Jungles reclaims the largely forgotten world of San Juan Hill, a predominantly Black neighborhood on Manhattan’s West Side, was one of the most fertile centers of American cultural life in the twentieth century.

At once a biography, an urban history, and a cultural reckoning, Howard W. French’s The Jungles reveals how the neighborhood that would encompass Lincoln Center, previously known as the Jungles, fostered numerous pathbreaking Black artists, among them a young Thelonious Sphere Monk (1917–1982).

The story opens in Cuba in 1898, where we watch as Teddy Roosevelt’s forces triumph on San Juan Hill, with close to one-fifth of the overall invading force consisting of Black soldiers whose valor went largely unrecognized. After returning to the US, these veterans joined a broader wave of Black migrants moving northward, eventually settling in a Manhattan -neighborhood that would take the battle’s name. San Juan Hill became a lively, artistic Black community that preceded the Harlem Renaissance and inspired some of the highest twentieth- century creative triumphs―giving rise to the stride piano style and nurturing the genius of Monk, whose mold-breaking artistry struggled to gain traction in an industry then dominated by white producers.

As Robert Moses began tearing down the neighborhood under the guise of “urban renewal,” Monk became its most famous holdout, staying put in his cramped apartment in the Phipps Houses at 243 West 63rd Street, his upright piano protruding from his bedroom into the kitchen as he continued to make his iconic music.

By the late 1950s, Monk’s genius had finally been recognized, but the erasure already felt irreversible, extending even to the musical West Side Story, which reimagined the neighborhood’s streets as Latino gang territory, whitewashing the predominantly Black and Caribbean community that had actually lived there.

A compelling history from one of our finest American historians, The Jungles ultimately emerges as a new way of telling the history of music, of New York, and of America. The cradle of jazz was not only in New Orleans but also in San Juan Hill, and French’s magnificent recreation of that vanished world, and of the miraculous life of Thelonious Monk, restores to American cultural memory what erasure nearly stole for good.

12 illustrations

From computer scientist, astrophysicist, and dreamer, Terysa Ridgeway, comes a story of two starry-eyed sisters who shine in STEM together!

Eight-year-old Terysa is a born problem-solver with a galaxy of ideas―and she's determined to win the school science fair. There's just one tiny problem… she has too many brilliant ideas to choose from!

Luckily, her big sister, Shana, is an astronomy whiz. When Shana shares the inspiring story of Dorothy Vaughan―NASA's first Black supervisor and a trailblazing computer programming pioneer―Terysa is inspired. Together, the sisters dive into coding, teamwork, and a little trial-and-error to design a project that moves all on its own. It's creative. It's unique. It's out of this world. But will it be enough to win first place?

Perfect for readers who love:

* STEM-inspired stories for kids.
* Strong, curious girls in science.
* Coding and beginner programming concepts.
* Inspiring real-life role models like Dorothy Vaughan.
* Sister relationships and teamwork.