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Long-listed for the Booker Prize

A radiant, intimate novel of the longing that blooms between two boys over the course of one summer―about family, desire, and what we inherit.

When his grandfather dies, Jay travels south with his family to the property they’ve inherited, a once-flourishing farm that has fallen into disrepair. The trees are diseased, the fields parched from months of drought.

Jay’s father, Jack, sends him out to work the land, or whatever land is left. Over the course of these hot, dense days, Jay finds himself drawn to Chuan, the son of the farm’s manager, different from him in every way except for one.

Out in the fields, and on the streets into town, the charge between the boys intensifies. Inside the house, the other family members begin to confront their own secrets and regrets. Jack is a professor at a struggling local college whose failures might have begun when he married his student, Sui Ching. Sui Ching does her best to keep the family together, though she too wonders what her life could have been. And Fong, the manager, refuses to look at what is: at Chuan, at the land, at the global forces that threaten to render his whole life obsolete.

At once sweeping and compressed, Tash Aw’s The South is a family novel of change and desire―a story of what happens when public and private lives collide, told with uncommon grace and beauty.

A bold vision for a Black and Indigenous future rooted in real solidarity, a future that exists beyond the confines of the liberal imagination

Current advocates of reparations for slavery and land back often fail to scrutinize racial capitalism and settler colonialism, instead accepting that their destinies will forever be tied to US empire. But as scholar Kyle T. Mays insists in When We Are Kin, we can and should demand a kind of repair that goes beyond a white supremacist idea of what justice can be. 

In a series of short essays, Mays traces the history of alliances between Black and Indigenous movements; outlines the limitations of certain demands for reparations, including cash payments, that do not fundamentally critique racial-settler capitalism; and interrogates contemporary land back initiatives that fail to fully address decolonization. Along the way, he asks, What does solidarity look like between Black and Indigenous peoples in the United States? Can we find ways to co-belong and co-resist on Turtle Island?

Drawing on the Anishinaabe philosophy of mino-bimaadiziwin (the good life), Mays argues that we can resist as kin only when we center the land in building our collective futures.

Serial the podcast meets The Other Black Girl in a haunted house, as young African author disappears after being invited to an exclusive writing residency, and her sister is left only with a true crime podcast to help her uncover the truth about what really happened…

Anaya Sebeya is missing.

Before her disappearance, Anaya was a brilliant writer: a rising star. Invited to a prestigious writing residency at Günter Huis, an eerie colonial mansion on the slopes of Devil’s Peak, Anaya was supposed to craft the next great African literary masterpiece—and so were four other young, emerging writers, all competing for the grand prize. But Anaya never made it home.

When a sensationalized true crime podcast about Anaya emerges, claiming to reveal everything that happened at Günter Huis, her sister Ranewa is both skeptical and furious. But with each surreal episode, Ranewa begins to piece together a truth worse than she ever could have imagined…

At Günter Huis, Anaya’s nightmares consume her. Time slips away from her. Günter Huis inflicts distorted visions and terrible supernatural visitations, pushing Anaya to tell a story no one dares. But exorcising the house’s endless cycle of evil requires a sacrifice that neither Anaya nor her fellows are ready to make.

In House of Margins, award-winning Motswana author Tlotlo Tsamaase delivers a mesmerizing story of a young generation facing colonialism’s cultural legacy in Africa.

A young woman discovers that dancers at a local discotheque are being driven to acts of insane violence.

“The place was full of swarming, pugnacious, dangerous missellneous reptile’s… Teenager’s everywhere pounded their way on top of each other crazily strangling, biting and slashing each other’s with broken glass, smashed records or sharpened blades… ”

16-year-old Jennifer Gibbons (1963–1993) wrote Discomania in 1980, alongside her twin sister June-Alison, who was also writing her own novel, The Pepsi Cola Addict, in the bedroom that they shared.

Jennifer offered Discomania to the same English vanity press who would publish June-Alison’s book, but Discomania was turned down for being “too violent, too sexual, and too futuristic.”

Long thought to have been lost or destroyed, June-Alison had in fact preserved the typescript of this unique, furious, funny, and strange novel, which we present with her blessing, alongside additional texts from June-Alison, and editors David Tibet and Ania Goszczyńska.

For fans of Oge Mora and Ezra Jack Keats comes a poetic and joyful tale about a young boy who runs errands with his grandfather in town, by critically acclaimed author, Gary R. Gray, Jr. (I’m From), and award-winning artist, Rahele Jomepour Bell.

“What are we doing today, Granddad?”
“How about a trip to town? Nan needs some things for dinner.”
“Let’s go!”
“How far to the market, Granddad?”
“No rush, son! We’re just spendin’ time.”

Upbeat lyricism and cheerful illustration bring to life this kid-friendly meditation on appreciating every moment—big or small—spent with the people you love.

A stellar addition to the Amistad list: a beautiful coming-of-age novel from MWA Grand Master and PEN and Edgar Award-winner Walter Mosley that explores love in all forms—romantic, familial, and platonic, centered on one Black family, including a neurodivergent man, and the found bonds that helps ground them.

One of the most acclaimed writers working today, Walter Mosley spins magic once again in this beautiful novel that explores the lives of Black characters and one remarkable family through a lens both universal and unique. It touches on the lives of those whose deepest thoughts and motivations are seldom explored—including the neurodivergent, the incarcerated, and the immigrant tortured by their past—characters who will stay with you and change how you see the world.

Ghalen, a brilliant young Black man, is the son of two seemingly mismatched parents. His mother, a gifted scientist, whose own mother expected her to exceed all the achievements in her family, and his father, a gentle cook at a small vegetarian restaurant, whose idiosyncratic nature shows the young woman a radically different love and understanding of life, despite his inexperience and lack of education.

His parents’ grand love story starts it all off, setting us up to follow Ghalen and his family so deeply, that each new twist and turn feels personal.

The journey through Ghalen’s coming-of-age tale, as he ventures out into the world, is marked with peaks and valleys and such a drive that you can’t help but strap in for it all, while not wanting it to end.

Lush and cinematic, with the narrative drive and indelible power of Barbara Kingsolver’s Demon Copperhead andPaul Murray’s The Bee Sting, Ghalen is one of this bestselling, prize-winning writer’s finest achievements.

The New York Times bestselling author of Begin Again confronts America’s unfinished story in this blistering reassessment of race, freedom, and the myths that bind us.

Celebrated public intellectual Eddie S. Glaude, Jr. presents a groundbreaking analysis of the vicious cycles of American history and the country’s enduring refusal to face its true nature—especially at the moments when national anniversaries steer us back toward the mythology meant to disguise the truth.

America, U.S.A., deliberately formulated and beautifully written, details a heart-wrenching exploration of America’s legacy. It is a magnificently complex combination of lessons and voices—from W.E.B. DuBois and John Dos Passos to Herman Melville and Martin Luther King, Jr.—that, together, paint a sprawling and honest tableau of the United States, its complicated past, and ever more tenuous future. Glaude’s is a powerful voice of conscience in our tumultuous world. He pulls no punches, calling on us to interrogate our conceptions of innocence and freedom and the stories we tell ourselves about our past and present.

Centered around the major celebrations of America’s milestone birthdays across 250 years of history, the book offers a riveting look at the battles over who has a stake in writing the American story. Devastatingly candid, profoundly moving, and deeply reflective, America, U.S.A. is a shining meditation on how we must reckon with a grim past in order to strive for the better angels of our future.

From the award-winning author of Fiebre Tropical, an electric, highly anticipated novel set in Colombia’s underground queer scene.

Isolated in a dreary Bogotá apartment, Ignacio’s light has dimmed, leaving his teenage daughter Valentina to raise herself in the wake of her mother’s death. Valentina longs to discover the details of her mother’s drowning and for Ignacio to snap out of his depression―his listless afternoons spent smoking cigarettes in long blonde wigs, telenovelas humming in the background, haunted by memories of the young man he loved and betrayed.

From Ignacio’s dark past emerges the luminous Mamadora Eléctrica, the wise travesti who introduced Ignacio to the city’s queer scene years prior. Stepping into a maternal role for Valentina, Mamadora fears the worst: that Ignacio’s self-loathing may have unleashed a curse on them all. A profound and irreverent story about coming undone, Pretend You’re Dead and I Carry You affirms Julián Delgado Lopera as a brilliant and singular voice―“a writer who is grinding their own colors” (Dwight Garner, The New York Times).

A suffocating and sharp narrative horror novel for fans of Victor LaValle and The Reformatory from "addictive" (Publishers Weekly) horror author Neena Viel, I’ll Watch Your Baby is a haunting reimagining of Linda Taylor--known as the original Welfare Queen―pursued, scrutinized, celebrated and vilified, and the impact her image has had for generations.

1974. Lottie Turner is already infamous. Running a wheel of schemes and scams, she’s willing to work for what she wants in…creative ways. But no business is more lucrative than desperate families looking to adopt a child―and there’s only one way to procure children quickly.

And the only way to take what’s owed you is to cross the line no one else is willing to cross.

1994. Bless has finally found the family she deserved. After suffocating slowly with lackluster parents and a non-starter past, she’s found the friends that means everything to her. That she’d live and die for. As they make their way across the country, one smash and grab at a time, Bless is used to acting fast and thinking on her feet.

But someone is playing a long game. Someone has unfinished business. Soon Bless is trapped in a web of horrors past and present, where the only escape hatch is a path only she can walk, if she finds the courage to take it.