A groundbreaking new direction for Claudia Rankine, the best-selling author of Citizen and Just Us

Claudia Rankine has widened contemporary literature with her consciousness-raising, genre-defying works. In her first book after her celebrated American trilogy, presented with full-color visuals, Rankine shifts into sustained narrative, memory, criticism, and essay to offer her most personal and emotionally resonant writing yet.

Triage follows the turbulent friendship between two composite characters, the narrator and the theorist, self-identified sisters struggling to define their wounded histories and their shared but separate lives. During college, they invent a game of collapse: Every time they see each other, they have to stop and fall to the ground. As their kinship continues off and on for decades, “collapse” takes on new meanings that are seen and felt in the violence of their pasts, artworks depicting couches where someone might ease their exhaustion, the ongoing devastation in Gaza, and the antagonism of their conversation and their love for each other.

Triage is an argument for the necessity of grieving and the demand for action in our time of relentless loss. “No matter our posture,” Rankine writes, “we are all among the rubble.” This is a book for those complicated but beautiful friendships that we come to rely on to unsettle us, to make us better.

From the New York Times bestselling author of What’s Mine and Yours, a rich, panoramic exploration of female friendship, class, new motherhood, and independence

Val and Milly fell in love with France at the same time they fell in love with each other and became immediate best friends. Then, they bonded as the only Black students on a study-abroad trip. Now, they are in their thirties, each married and with a baby girl on the way. When Milly suggests Val move to New York to raise their daughters together after a decade apart, it’s a resounding yes.

Despite their excitement, the pair secretly wonder if their friendship has always worked best as a trio. From that first trip to France, these two motherless daughters were taken under the wing of an older woman named Helene. She showered them with money, love and attention, and showed them the possibilities of a meaningful future. But without Helene, who are Milly and Val?

Milly, a successful influencer married to restaurant royalty, is occupied with her desire for independence. Val, a brilliant journalist, is struggling to write her first book and fit into her old friend’s new world. The realities of class and social capital, of strained marriages and the demands of motherhood, serve as constant reminders of how far apart they’ve grown. And no matter how much they try to avoid it, everything comes back to the rift that began all those years ago in France. What they’ve long tried to bury may finally destroy their sisterhood.

Weaving between Brooklyn brownstones and the glittering beaches of southern France, Take What You Can is a dazzling novel exploring what it means to be a mother when you have none, a sister without blood ties, and a woman in pursuit of the life she wants. With her signature sharply-observed prose, Coster illustrates what it means to be—and to stay—someone’s person through all phases of life.

A Black couple leaves their downtown Chicago condo for a new suburban subdivision, only to find themselves at the center of a maelstrom in this gripping page-turner from the award-winning author of Three Girls from Bronzeville.

Tired of the daily drama in his emergency room, Dr. Langdon Blaque is in search of a place where he can leave the world behind. He loves his job and has no delusions about the suburbs being perfect, but he wants peace and quiet. His wife Josephine, a lawyer, grew up listening to her father’s stories about the Jim Crow South, and sundown towns. She prefers the city. Still, she agrees to move with the caveat that they stay for a year and reassess.

The tight-knit, predominantly white group of neighbors in Majestic Hills initially welcomes them with open arms. But beneath the veneer of privileged harmony, tensions simmer. When a horrifying crime rocks the community, the illusion of safety is shattered, and Josephine and Langdon find themselves at the heart of a brewing storm that pits neighbor against neighbor, exposes deeply ingrained prejudices, and threatens to implode into violence.

As their experiment in suburban living ticks toward the one-year mark, the Blaques are pushed to a breaking point. Can they find a way to make a home in Majestic Hills? Or has the move put their future, their marriage, and even their safety in jeopardy?

An urgent and clear-eyed look at the battles over reproductive control and women’s work in our tipping-point moment—and how to forge a path forward.

Reliable birth control has enabled the rising percentage of planned births over the past 35 years,allowing women to enter the paid workforce and civic life in significant numbers for the first time in recorded history. While many Americans embrace these changes, those who see themselves as benefiting from the old hierarchies resist this progress with divisive rhetoric.

In The Real Domestic Product, fertility researcher Elizabeth Gregory argues that our battles over abortion and LGBTQ bans, pronatalism, and DEI are economic at base—that conservatives seek to push women out of civic life through forced childbearing. Their goal? To maintain their discount on domestic labor (getting the work of childrearing done for “free”) and a steady supply of low-wage workers (desperate parents who must take any job to feed the baby).

By connecting the dots among shifting fertility patterns, economics, climate change, equitable work, expanding longevity, and the rising status of formerly excluded groups, Gregory counters reactionary narratives. She demonstrates that a caring democracy and an end to systemic poverty can engender critical advantages for our economy and for our fragile planet.

Never more urgently needed, The Real Domestic Product envisions the way forward to an economy of care for our planet and its people.

From the author of Hide and Seeker comes a new thriller where an iconic childhood game turns creepy.

Keenan is used to running. He loves it. He is good at it. He is a track star, after all. Now he and his mother are escaping his father, trying to start a new life in Tennessee.

But he has never been on the run like this before. This new town has monsters of its own. The students in his school seem to be under some sort of trance, and Keenan is the only one who isn’t affected. Which means he is the only one who can do anything about it.

It’s time for Keenan to stop running and face his fears.

He cannot let the monsters win.

"Randall tricks the heart into feeling by using sleight of language...[and] explores what it means to try to fix the fractured bits of our emotional lives, regardless of age. A gift!" ―#1 New York Times-bestselling author Jason Reynolds

"Absolutely vibrating with energy and heart, Shook is a masterful middle-grade novel." ―Newbery Honoree Jasmine Warga

Shake's dream of making the varsity basketball team is in peril when he gets injured. Can he rebound and make his way back onto the court―and back to feeling like himself? For fans of Kwame Alexander and Jason Reynolds.

Beautifully designed with illustrations.

Malik Page―though unless you're his mama, call him "Shake"―dreams of making the Marshall Grove varsity basketball squad as an eighth grader. Then he'll be on his way to joining the ranks of Chicago legends like his pops and late Uncle Kenny. But when Shake fractures his ankle in a championship game, he's sidelined for the first time since his first dribble.

As his world is turned upside down, Shake feels like there’s ginger ale bubbling in his chest and sweat slicking on his palms. With a best friend who’s getting more distant by the day, a growing silence between him and his dad, and varsity tryouts fast approaching, Shake will have to cross up every obstacle to find a way back onto the court―and back to being himself. Thankfully in Marshall Grove, the sky is always full of hope.

"Readers, make permanent room on your shelves―and in your hearts― for this witty and poignant novel." ―National Book Award winner Elizabeth Acevedo

"Stunning. This book is powerful." ―Newbery Medalist Tae Keller

"Witty, electric and profound, Randall’s verse dribbles, twists and weaves highlighting the complicated inner world of a middle-school boy with nuance and care." ―National Book Award Finalist Amber McBride

NAMED A MOST ANTICIPATED BOOK OF 2026 BY THE NEW YORK TIMES, TIME, and LITERARY HUB

Beloved author and winner of The Story Prize, Paul Yoon, is back with the unforgettable story of a working dog, Etna, who, after a devastating war, embarks on an odyssey in the hopes of returning home.

Set in a fictional country in the present day, this is a story told through the eyes of an ex-military dog, Etna. After surviving years of a devastating war, Etna decides one night to leave the men he has fought alongside for years and return home—to the place where he was taken from when he was young, in the thin but persistent hope that if a home exists for him, it might be there.

Thus begins an exhilarating odyssey told through the eyes of a dog as he traverses across ruined landscapes and fights to survive in a world that, even in peacetime, proves to be just as precarious. Along the way, he encounters other animals and humans who are attempting to figure out how to start again. What makes a life when there is no home to go back to? How do we begin to trust each other again after such profound loss?

This is a novel about the power of an idea, about never giving up, and ultimately a novel about finding hope in the most dire of times.

In this inspiring memoir, a Black woman pilot leading the way for other aviatrixes shares her journey of fulfilling a lifelong dream to fly—and how she rediscovered her passion in the face of tragedy and adversity.

Before being cleared for takeoff, Captain Nia Gilliam witnesses the World Trade Center attacks from the co-pilot’s seat on the runway of Newark Airport. Struggling with the harrowing sights unfolding before her, she finds the composure to take off as smoke billows from the Twin Towers. In a moment that changed everything, for her and the world, Gilliam's dedication to the skies is forever shaken and she resolves to never fly again.

Now, Gilliam traces her path to the pilot’s seat, from the moment her mother showed her an article of Black aviation pioneer Bessie Coleman to the day she ditched school to pay her respects at the funeral of Janet Harmon Bragg, the first Black woman to earn a commercial pilot’s license, where she ultimately met her future mentor. Alongside the grit and determination to work towards her dream, Gilliam captures the challenges, both personal and societal, and triumphs of earning her spot in the pilot’s seat. But just as Gilliam’s life begins to soar, the aftermath of 9/11 thrusts her into a moment of unforeseen decisions. As she finds the fortitude to stand strong after a national tragedy, she confronts bias as the first pregnant pilot at her airline, fights to overcome postpartum depression, and navigates a career transition that would take her away from the life she’d worked so hard for.

Cleared for Takeoff is a deeply affecting story, tracing Gilliam’s roots to navigating a male-dominated industry and illuminating one woman’s unwavering faith in herself.

From the preeminent scholar on Black masculinity in America, Save a Seat for Me is Mark Anthony Neal's attempt to bring his scholarship on fatherhood to a broader audience.

Save a Seat for Me embraces the nuances of how contemporary frameworks of masculinity informed by unprecedented advances in women and LGBTQ communities have necessitated a reimagining of the societal expectations a father plays in the public and private sectors of their homes.

The soul of this book centers on Neal's confrontation of the various political, cultural, historical narratives and messages that inform the role of Black fatherhood, and fatherhood at large, which has put him at odds with the way he fathers his own children.

Raised by a working class father, during a time when American society conceived of the role of father as protector, provider, and disciplinarian, Neal struggles with these expectations as his education (a doctorate's degree), profession (tenured professor at one of the best colleges in the country), and financial position (making more money than his father ever did) are drastically different than that of his father. Linking his father to his own fathering of his two daughters, Neal grounds his intellectual arguments about Black fatherhood in experience and emotion makes for a vulnerable read, as well as a transformative one.

In our culture, the public performance of fatherhood keeps us from wondering what the practice of being a father looks like in private. Neal is opening a long overdue door to the interiority that Black men particularly--and men living in a patriarchal society generally--have only learned existed in the last twenty years.

A magnetic, stirring debut novel about an adrift young woman whose growing fascination with her boyfriend’s cat ushers her into the possibilities of her own life—but not without first threatening to unravel it.

Katie is far from home and fresh out of college, desperate to skirt adulthood’s demands, and all too willing to let her wealthy boyfriend James make decisions for them both. It doesn’t help that she’s no longer speaking to her mother, who resents her for leaving Little Rock. Or that her roommate has abruptly moved out of their New York City apartment. But when James takes Katie on vacation to his family’s seaside house, he brings Silver, his childhood cat, and Katie discovers a sudden, strange, and giddy sense of connection.

Silver doesn’t mind that Katie can’t seem to get a job, hold her own at dinner parties, or make amends with her mother. Silver, who gets to lie around all day, misbehave spectacularly, be cute, gross, and still get fed, seems to have the life Katie increasingly longs for. Soon enough, they’re inseparable, and something inside Katie begins to crack open, or maybe just…crack.

Because if Katie has learned anything from her estranged mother, it’s that devotion comes at a price. As Katie's affection for Silver deepens, all of her other relationships begin to falter. Soon, Katie must confront what it is she desires from her life, and what she might have to risk to get it.

Both darkly playful and unexpectedly heartfelt, this debut from a major new voice in fiction is a timeless reckoning with the uncertainty of becoming a person in a world that is as disorienting as it is full of hope and promise.

Begun by Donald Barthelme and Phillip Lopate, Gulf Coast is the nationally-distributed journal housed within the University of Houston's English Department, home to one of the US's top ranked creative writing programs. The journal spent its nascent years (1982-1985) as Domestic Crude, a name that nodded to the major industry of the Houston area. It was a 64-page (magazine-formatted) student-run publication, with editorial advising coming from Mr. Lopate, who also contributed work to the first issues.

In 1986, the name Gulf Coast premiered. It stuck. After some experimenting, the journal found its dimensions and, eventually, its audience. The journal has since moved beyond the student body of the University of Houston and into the larger world. Our readership of the print journal currently exceeds 3,000, with more and more coming to our ever-expanding website. The print journal comes out each April and October.

Gulf Coast is still student-run. We seek to promote and publish quality literature in our local and national communities while simultaneously teaching excellence in literary publishing to graduate and undergraduate students. While we are committed to providing a balanced combination of literary approaches and voices, all of the editorial positions are two-year terms, thus ensuring a regular turnover in the specific personality and style of the journal.

In addition, Gulf Coast differs from many other literary journals in its commitment to exploring visual art and critical art writing. The journal has always featured portfolios by two artists, along with short introductions from critics familiar with their work. Since October 2013, Gulf Coast commits sixteen pages to full-color visual art features and twenty-four pages to critical art writing in each issue. This expansion was made possible by Gulf Coast's merger with Texas art journal Art Lies, a publication with a respected history of putting artists, curators, scholars, and critics in dialogue with their colleagues around the world.

The journal has enhanced its community presence thanks to the Gulf Coast Reading Series, a monthly gathering at Lawndale Art Center in the Museum District neighborhood of Houston, as well as with its annual Spring Issue Release Party. These events continue to bring esteemed writers, editors, publishers and, of course, readers to the Houston area.

Gulf Coast: A Journal of Literature and Fine Arts is a 501(c)3 nonprofit organization, generously funded by grants from the Brown Foundation, Inc.; theThe Cynthia Woods Mitchell Center for the Arts; Inprint, Inc.; Houston Endowment, Inc.; the City of Houston through the Houston Arts Alliance; theTexas Commission on the Arts; the University of Houston English Department; and the National Endowment for the Arts, as well as through the support of individual contributions.

Ty and his friend build new worlds and more in this latest book of the Geisel Honor–winning series!

Join Ty on his imaginative adventures in Ty's Travels: Block by Block, a My First I Can Read book by acclaimed author and illustrator team Kelly Starling Lyons and Niña Mata. Creativity, collaboration, and play are highlighted, making this perfect for sharing with emerging readers!

Ty has a playdate with his friend Jazz. They both love to create with blocks. Time to build!

Ty wants to build a city. Jazz wants to build a castle. But what could they build block by block... together?

With simple, rhythmic text and joyful, bright art, this My First series is perfect for shared reading with a child. Books at this level feature basic language, word repetition, and whimsical illustrations, ideal for sharing with emergent readers. The active, engaging stories have appealing plots and lovable characters, encouraging children to continue their reading journey.

Don’t miss these other books in the series:

· Ty's Travels: Super Ty!

· Ty's Travels: Showtime!

· Ty's Travels: Camp-Out

· Ty's Travels: Lab Magic

· Ty's Travels: Winter Wonderland

· Ty's Travels: Beach Day!

· Ty's Travels: Zip, Zoom!

· Ty’s Travels: A 5-Book Reading Collection