Houston was Boomtown USA in the 1970s, growing through tremendous immigration of people and through frequent annexation of outlying areas. But in the shadow of the high-rise "petropolis" was another city ignored by and invisible to Houston municipal boosters and the national media. Black Houston, the largest black community in the South, remained largely untouched by the benefits of the boom but bore many of the burdens.

Robert D. Bullard systematically explores major demographic, social, economic, and political factors that helped make Houston the "golden buckle" of the Sunbelt. He then chronicles the rise of Houston's black neighborhoods and analyzes the problems that have accrued to the black community over the years, concentrating on the boom era of the 1970s and the dwindling of the economy and of government commitment to affirmative action in the late 1980s. Case studies conducted in Houston's Third Ward--a microcosm of the larger black community--provide data on housing patterns, discrimination, pollution, law enforcement, and leadership, issues that the author discusses and relates to the larger ones of institutional racism, poverty, and politics.

During Houston's rapid growth, freeways were built over black neighborhoods and municipal services were stretched away from the inner city and poverty pockets to the new, far-flung, and mostly white city limits. Businesses thrived, but many jobs called for advanced education and skills, while black youth still suffered from inadequate schools, inexperienced teachers, and, later, unemployment rates nearly double those of whites. When the oil-based economy collapsed in the early eighties, many blacks again bore a heavier share of the burdens.

Invisible Houston describes the rich cultural history of the South's largest black community and analyzes the contemporary issues that offer the chance for black Houston to become visible to itself, to the larger community, and to the nation.

“This Great Hospital Fight” – Dr. Drake

At the height of racial and political tensions in early twentieth-century Houston, two unlikely figures became allies. Dr. William M. Drake, a pioneering surgeon and Black community leader, and Joseph Cullinan, a White oil magnate and founder of the company that became Texaco, united in a desperate effort to save a hospital that symbolized hope. The Houston Negro Hospital was born from America’s Black Hospital Movement. Dedicated Juneteenth 1926, it embodied a bold experiment to bring dignity and healthcare access to a community systematically denied both in the Jim Crow south.

Journalist and storyteller Carlton Houston―whose ancestors played a role in this remarkable heritage―reveals the untold, human drama behind the institution that would become Riverside General. Recount the vision, conflict, and resilience that shaped a century of healthcare through the struggle of those determined to save lives.

Celebrate the release of The Houston Negro Hospital with Carlton Houston!

EVENT DEETS

When: Monday, June 15 @ 6PM

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to get your copy of The Houston Negro Hospital and to support our store programming. If you already have a copy of the book that you bought from Kindred Stories, please use RSVP BUT I BOUGHT FROM KINDRED STORIES. If you bought your book from another retailer, you are required to register using RSVP BUT I BOUGHT THE BOOK SOMEWHERE ELSE.

Please note that copies of The Houston Negro Hospital not purchased at Kindred Stories will not be allowed in the event unless you register using RSVP BUT I BOUGHT THE BOOK SOMEWHERE ELSE.

ABOUT THE BOOK

At the height of racial and political tensions in early twentieth-century Houston, two unlikely figures became allies. Dr. William M. Drake, a pioneering surgeon and Black community leader, and Joseph Cullinan, a white oil magnate and founder of the company that became Texaco, united in a desperate effort to save a hospital that symbolized hope. The Houston Negro Hospital was born from America’s Black hospital movement. Dedicated on Juneteenth 1926, it embodied a bold experiment to bring dignity and health care access to a community that was systematically denied both in the Jim Crow South.

Journalist and storyteller Carlton Houston—whose ancestors played a role in this remarkable heritage—reveals the untold, human drama behind the institution that would become Riverside General. Discover the vision, conflict, and resilience that shaped a century of health care through the struggle of those determined to save lives.

ABOUT THE AUTHOR

Carlton Houston is an Emmy Award–winning journalist and storyteller whose work is distinguished by its clarity, restraint, and cinematic precision. A former television reporter and anchor, he is known for transforming complex histories into narratives that reveal both human vulnerability and structural truth. Shaped in part by a family legacy tied to Houston’s historic medical community, Houston's writing is marked by a commitment to illuminating stories that have long existed in the margins of American history. Houston Negro Hospital, the Untold Legacy of Riverside General is his debut work of long-form narrative nonfiction.

ABOUT THE MODERATOR

Dr. Michelle Watts is a native Houstonian and humanities educator who is committed to using humanist literature to bring diverse groups of people together to find common ground. Over the years, Dr. Watts has taught a full range of students – from Kindergarten to graduate school- and delights in her students’ achievements and efforts to effect substantive change in the world around them.

Mount Holyoke College which was fertile ground for her interests and activism and while there, she began her lifelong journey with the theory and practice of Black feminism. After graduating from Mount Holyoke College, Michelle returned to Houston to study American Literature and Culture at Rice University, where she earned both a Master’s and Doctorate. She went on to teach at Miami University in Oxford, OH and the University of Cincinnati. While at Miami, she was recognized as an Honored Professor for her ‘remarkable commitment to students.’ She has extensive experience in the public sector where she has worked to advance educational equity and social justice causes in youth-serving organizations. She is currently at work on a research project on African American children’s and young adult literature, and is the New Member Coordinator for the Society of Children’s Book Writers and Illustrators Houston Chapter.

Celebrate the release of Slavery, Segregation, and the Second Founding of Rice University with Alexander X. Byrd  and  W. Caleb McDaniel!

EVENT DEETS

When: Wednesday, February 11 @ 7PM

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004).

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming.

Please note outside copies of the book will not be allowed in the bookstore and you will not be eligible for the signing/photo line. You must buy a book from Kindred Stories or purchase the RSVP (BUT I HAVE THE BOOK) ticket. 

ABOUT THE BOOK

During the first quarter of the twenty-first century, more than one hundred institutions of higher education in the United States launched projects to study and share their histories concerning slavery, segregation, and racial injustice. Slavery, Segregation, and the Second Founding of Rice University joins these wider efforts. Authored by award-winning historians Alexander X. Byrd and W. Caleb McDaniel, the book engages questions specific to Rice’s history as the last major private research university in the country to begin desegregation. Although Rice did not open its doors for classes until 1912, it was connected to the history of slavery through the life of its first founder and namesake, William Marsh Rice, whose fortune was deeply intertwined with the enslavement of Black people.

Byrd and McDaniel place the history of one of the nation’s most renowned universities within a longer and larger context, showing that desegregation required changes to Rice so fundamental that they amounted to a “second founding” of the school. Following the story from slavery through segregation to the second founding, they highlight pivotal points of intersection between the history of Black Houston and the history of Rice University, revealing the seldom acknowledged roles of Black students, Black communities, and HBCUs in creating change at and around Rice. Their study challenges readers to consider anew who counts as a university’s founder—a question relevant to ongoing discussions about statues, naming, and the history of higher education. They also reveal what higher education institutions do at their best: create new knowledge and forge solutions to trenchant social problems, thus providing guidance for those committed to doing the valuable work of the “second founding” at colleges and universities today.

ABOUT THE AUTHOR

Alexander X. Byrd is associate professor of history and Vice Provost at Rice University. He is the author of Captives and Voyagers: Black Migrants across the Eighteenth-Century British Atlantic World, which won the Wesley-Logan Prize.

W. Caleb McDaniel is the Mary Gibbs Jones Professor of the Humanities and professor of history at Rice University. He is the author of Sweet Taste of Liberty: A True Story of Slavery and Restitution in America, which won the Pulitzer Prize in history.

ABOUT THE MODERATOR

April M. Frazier is a native Houstonian and a graduate of Prairie View A&M
University, and Rice University. She spent 15 years as an IT professional with Shell
Oil company and managed global implementations of enterprise systems. April is
the creator of research projects, exhibitions, and other visual presentations that use
photography and other art mediums as a vehicle to share history. Her dedication to
research and authentic storytelling was rewarded with a Texas Historical Marker and
designation in 2024 for her family’s land in Wharton, Texas.

April regularly contributes to projects that broaden access and appreciation to
diverse historical narratives such as partnering with Getty Images to launch their
Black History and Culture Photography Collection, providing art and insight to the
SlaveVoyages website redesign project, and published texts including, “Frame of
Reference: A Socio-Economic View of the African American in Texas Through the
Lens of Photography, 20th Century to the Present”. April is the current Assistant
Director of the Community Artists’ Collective and is a member of several
organizations that support equitable access to artistic and educational opportunities.