Join us to commemorate Phillip B. Williams's first novel, Ours: A Novel!

EVENT DEETS

When: Sunday, October 27 @ 3PM CST

Where: Kindred Stories (2304 Stuart Street, HTX, 77004)

How: RSVP ONLY to reserve you seat (and bring your own copy) or RSVP WITH BOOK to reserve your copy. 

If you are student or in financial need, please reach out to inquire about a free ticket.

ABOUT THE BOOK

In this ingenious, sweeping novel, Phillip B. Williams introduces us to an enigmatic woman named Saint, a fearsome conjuror who, in the 1830s, annihilates plantations all over Arkansas to rescue the people enslaved there. She brings those she has freed to a haven of her own creation: a town just north of St. Louis, magically concealed from outsiders, named Ours.

It is in this miraculous place that Saint’s grand experiment—a truly secluded community where her people may flourish—takes root. But although Saint does her best to protect the inhabitants of Ours, over time, her conjuring and memories begin to betray her, leaving the town vulnerable to intrusions by newcomers with powers of their own. As the cracks in Saint’s creation are exposed, some begin to wonder whether the community’s safety might be yet another form of bondage.

Set over the course of four decades and steeped in a rich tradition of American literature informed by Black surrealism, mythology, and spirituality, Ours is a stunning exploration of the possibilities and limitations of love and freedom by a writer of capacious vision and talent.

ABOUT THE AUTHOR

Phillip B. Williams is from Chicago, Illinois, and is the author of two collections of poetry: Thief in the Interior, which was the winner of the Kate Tufts Discovery Award and a Lambda Literary Award, and Mutiny, which was a finalist for the PEN/Voelcker Award for Poetry Collection and the winner of a 2022 American Book Award. Williams is also the recipient of a Whiting Award and fellowships from the Radcliffe Institute for Advanced Study at Harvard University and the National Endowment for the Arts. He currently teaches in the MFA in creative writing program at New York University and the Randolph College low-residency MFA.

ABOUT THE CONVERSATION PARTNER

Kiese Laymon is a Black southern writer from Jackson, Mississippi. Laymon is the Libbie Shearn Moody Professor of English and Creative Writing at Rice University. Laymon is the author of Long Division, which won the 2022 NAACP Image Award for fiction, and the essay collection, How to Slowly Kill Yourself and Others in America, named a notable book of 2021 by the New York Times critics. Laymon’s bestselling memoir, Heavy: An American Memoir, won the Andrew Carnegie Medal for Excellence in Nonfiction, the Christopher Isherwood Prize for Autobiographical Prose, the Barnes and Noble Discovery Award, the Austen Riggs Erikson Prize for Excellence in Mental Health Media, and was named one of the 50 Best Memoirs of the Past 50 Years by The New York Times. The audiobook, read by the author, was named the Audible 2018 Audiobook of the Year. Laymon is the recipient of 2020-2021 Radcliffe Fellowship at Harvard. Laymon is at work on the books, Good God, and City Summer, Country Summer, and a number of other film and television projects. He is the founder of “The Catherine Coleman Literary Arts and Justice Initiative,” a program based out of the Margaret Walker Center at Jackson State University, aimed at aiding young people in Jackson get more comfortable reading, writing, revising and sharing on their on their own terms, in their own communities. Kiese Laymon was awarded a MacArthur Fellowship in 2022.

One World is proud to present THE 1619 PROJECT: A New Origin Story, a book that dramatically builds on the vision of the original magazine project with major expansions of the original essays, seven new essays by historians, and dozens of new poems and pieces of fiction. The book includes a significant elaboration of the project’s Pulitzer Prize-winning lead essay by Nikole Hannah-Jones and a new introduction that together offer a stirring rebuttal to critics. Hannah-Jones has also written a third essay that makes the case for reparative solutions to the legacy of injustice the project documents.

Edited by Hannah-Jones, along with New York Times Magazine editor-in-chief Jake Silverstein, features editor Ilena Silverman, and New York Times executive producer Caitlin Roper, the book offers work from some of the country’s most outstanding journalists, thinkers, historians and scholars, including: Michelle Alexander, Leslie Alexander, Carol Anderson, Jamelle Bouie, Anthea Butler, Matthew Desmond, Martha Jones, Ibram Kendi, Kevin Kruse, Trymaine Lee, Tiya Miles, Wesley Morris, Khalil Gibran Muhammad, Dorothy Roberts, Jeneen Interlandi, Bryan Stevenson, and Linda Villarosa.

Woven throughout the book are works of fiction and poetry that bring to life four hundred years of history with imaginative writing by Joshua Bennett, Reginald Dwayne Betts, Rita Dove, Camille Dungy, Cornelius Eady, Eve L. Ewing, Nikky Finney, Vievee Francis, Yaa Gyasi, Forrest Hamer, Terrance Hayes, Honorée Fanonne Jeffers, Barry Jenkins, Tyehimba Jess, Robert Jones, Jr., A. Van Jordan, Yusef Komunyakaa, Kiese Laymon, Jasmine Mans, Terry McMillan, Lynn Nottage, ZZ Packer, Gregory Pardlo, Darryl Pinckney, Claudia Rankine, Jason Reynolds, Evie Shockley, Tim Siebles, Clint Smith, Danez Smith, Patricia Smith, Tracy K. Smith, Nafissa Thompson-Spires, Natasha Trethewey, Jesmyn Ward and Sonia Sanchez.

The book also includes archival portrait photography of Black Americans paired with each essay, curated by Kimberly Annece Henderson.

A stunning visual homage to Black bookstores around the country along with profiles and essays that celebrate the history, community, activism, and culture these spaces embody, featuring an original foreword by Nikki Giovanni.

Black literature is perhaps the most powerful, polarizing force in the modern American zeitgeist. Today—as Black novels draw authoritarian ire, as Black memoirs shape public debates, as Black polemics inspire protest petitions—it’s more important than ever to highlight the places that center these stories: Black bookstores.

Traversing teeming metropolises and tiny towns, Prose to the People explores these spaces, chronicling the Black bookstore's past and present lives. Combining narrative prose, eye-catching photography, one-on-one interviews, original essays, and specially curated poetry, Prose to the People is a reader’s road trip companion to the world of Black books.

Thoughtfully curated by writer and Black bookstore owner Katie Mitchell, Prose to the People is a must-have addition to the shelves of anyone who loves book culture and Black history. A visually rich tribute, this dynamic book centers profiles of over fifty Black bookstores from the Northeast to the mid-Atlantic, the South, and the West Coast, complete with stunning original and archival photography.

Interspersed throughout are essays, poems, and interviews by New York Times bestsellers Kiese Laymon, Rio Cortez, Pearl Cleage, and many more journalists, activists, authors, academics, and poets that offer deeper perspectives on these bookstores' role throughout the diaspora. Complete with a foreword by world-renowned poet and activist Nikki Giovanni, Prose to the People is a beautiful tribute to these vital pillars of the Black community.

A lyrical picture book from the award-winning author of Heavy, about three Black boys who form a deep connection during a transformative summer trip down South to visit family.

On the ground of that garden, covered in vegetables and dirt, coated in laughter, I want to say that the Mississippi and New York in our Black boy bodies were indistinguishable.

Three Black boys spend one special summer exploring the Mississippi woods and woulds and coulds of sharing the kind of freeing friendship that is love.

Watched over and given space to discover by Grandmama and Mama Lara, New York, Country, and little C find camaraderie in their contrasts and all the unspoken things between them while playing games of marco polo in the thick garden and sledding on cardboard by the underpass.

With text brimming with love by award-winning author Kiese Laymon and deeply evocative illustrations by Ashley Franklin, City Summer, Country Summer illuminates the tenuous and tender bonds of friendship Black boys forge with one another.

Celebrate the release of Good Morning Means I Love You with Kendra Allen!

EVENT DEETS

When: Tuesday, July 7 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming.

Please note outside copies of the book will not be allowed in the bookstore and you will not be eligible for the signing/photo line. You must buy a book from Kindred Stories.

ABOUT THE BOOK

A couple years after Noon and I fall in love, we fall in love with Micah—and a couple years after that, I have both of their babies. We choose, this land and this life. We share, ourselves and our sons. We name them, Morning and Night.”

In her arresting first novel, Kendra Allen investigates love, partnership, motherhood, pleasure and the pursuit of freedom in one young woman’s defiantly unconventional terms. Rae has just returned to her family after leaving for a stretch and suddenly – that family being her two male partners and the sons, named Morning and Night, that she has mothered with each of them. In the span of one year, they will experience unfathomable depths of devastation—and joys they could never predict.

Good Morning Means I Love You follows Rae as she makes choices around sex, mothering, and partnership that are as stunning to everyone else as they are natural to herself. With pain and pleasure, she watches as her children learn to walk and give language to the world as her lovers contend with their own ideas of masculinity, personhood, and fatherhood. Along the way, Rae begins to understand the hardest and most beautiful truth: that we have only so much time on earth to make love, to make family, and to make good on the promise of this one, short life.
This is a novel of the self in all its simultaneities and a living portrait of intimacy written in poetic, bold, and sensual prose that shines a light on what it means to redefine expectation.

ABOUT THE AUTHOR

Kendra Allen is the author of the memoir Fruit Punch, the poetry collection The Collection Plate, and the essay collection When You Learn the Alphabet, which won the 2018 Iowa Prize for Literary Nonfiction, awarded by Kiese Laymon. She writes to music column “Make Love in My Car” for Southwest Review. She was born and raised in Dallas. 

ABOUT THE MODERATOR

Kamisha Escoto, PhD, is a Lecturer at Rice University who teaches graduate students how to communicate complex ideas clearly through writing. By day, she works in engineering communication; outside the classroom, she's an avid reader who views fiction as a way to explore the human side of how we think and relate to one another. She enjoys literary fiction and is especially drawn to stories about friendship, identity, and emotional ambiguity. A native Houstonian, she reads widely across genres with her son (and often aloud to her dog). 

A New York Times Notable Book

A revised collection with thirteen essays, including six new to this edition and seven from the original edition, by the “star in the American literary firmament, with a voice that is courageous, honest, loving, and singularly beautiful” (NPR).

Brilliant and uncompromising, piercing and funny, How to Slowly Kill Yourself and Others in America is essential reading. This new edition of award-winning author Kiese Laymon’s first work of nonfiction looks inward, drawing heavily on the author and his family’s experiences, while simultaneously examining the world—Mississippi, the South, the United States—that has shaped their lives. With subjects that range from an interview with his mother to reflections on Ole Miss football, Outkast, and the labor of Black women, these thirteen insightful essays highlight Laymon’s profound love of language and his artful rendering of experience, trumpeting why he is “simply one of the most talented writers in America” (New York magazine).

A rich and layered photographic exploration of the people and places that influenced Raven Jackson’s directorial debut film, Stories From a Place Where All Dirt Roads Taste of Salt, the companion book features lyrical writing, evocative photos, and contributions from voices that speak to the film’s quiet yet powerful themes and the rural Southern setting. Also includes the full script and incredible photography captured during the production. Includes a foreword by Kasi Lemmons; poetry by Alice Walker, Tracy K. Smith, Lucille Clifton, and Reginald Helms Jr.; essays and words by Sheila Atim, Kiese Laymon, Charleen McClure, Pamela Shepard, and many others; and an afterword by Marwa Helal.

*Paperback Release Date - 9/8/26*

A heartwarming and unforgettable collection of love stories set at Historically Black Colleges and Universities, exploring hope, endurance, and what it means to leave a legacy, from some of today’s most prominent Black writers and edited by the acclaimed author of Love Radio

Love can be messy, painful, and heartbreaking, but it can also be revolutionary, profound, and hopeful. For Celine, a forbidden crush on a professor evolves into a second chance at romance years later. Myra’s focus on a coveted audition for the Fisk Jubilee Singers is challenged by the handsome music major determined to help her. Kiese investigates the darker side to academia, love, and identity. Like most blessings, love emerges in the most unexpected places—in a training cockpit for new pilots, during a Mardi Gras celebration, or while gathering signatures to start the first-ever LGBTQ+ student organization officially recognized at an HBCU.

These are just a few of the heart-searing, tender, and transporting love stories collected in You’ve Got a Place Here, Too—a true celebration of Black love and the profound impact of HBCUs on the community.

Featuring stories by Elizabeth Acevedo, Jasmine Bell, Carla Bruce, Aaron Foley, Kai Harris, Ebony LaDelle, Kiese Laymon, Christine Platt, Farrah Rochon, Kennedy Ryan, Dawnie Walton, and Nicola Yoon.

*Paperback Release Date - 6/9/26*

From the Thurber Prize-winning author of What Doesn’t Kill You Makes You Blacker comes a pioneering collection of Black humor from some of the most acclaimed writers and performers at work today

A critic explores the paradox of finding community in “the dozens” while grieving. A violent town ritual causes an all-too-familiar moral panic. An email thread between friends on why we need an updated Green Book but for public toilets. All across the nation, “Karens” become illegal overnight. These are just a few of the hilarious worlds contained in Damon Young’s groundbreaking anthology featuring the best, funniest, and Blackest essays, short stories, letters, and rants.

With words that roast, ignite, and burn while connecting to and coalescing around a singular thesis, That's How They Get You emphasizes how and why Black American humor is uniquely transfixing. This is a mixture of not just observational anxieties and stream-of-consciousness lucidities but also acute political clarity about America. Edited and with an introduction by Damon Young, the critically acclaimed author of What Doesn’t Kill You Makes You Blacker, the collection features new material from an all-star roster of contributors, including Hanif Abdurraqib, Mahogany L. Browne, Wyatt Cenac, Kiese Laymon, Deesha Philyaw, Roy Wood Jr., and Nicola Yoon.

*ships in 5-7 business days*

From the legendary author of Native Son and Black Boy, the novel he was unable to publish during his lifetime—an explosive story of racism, injustice, brutality, and survival. "Not just Wright's masterwork, but also a milestone in African American literature . . . One of those indispensable works that reminds all its readers that, whether we are in the flow of life or somehow separated from it, above- or belowground, we are all human." (Gene Seymour, CNN.com)

“The Man Who Lived Underground reminds us that any ‘greatest writers of the 20th century’ list that doesn’t start and end with Richard Wright is laughable. It might very well be Wright’s most brilliantly crafted, and ominously foretelling, book.”—Kiese Laymon

Fred Daniels, a Black man, is picked up by the police after a brutal double murder and tortured until he confesses to a crime he did not commit. After signing a confession, he escapes from custody and flees into the city’s sewer system.

This is the devastating premise of Richard Wright's scorching novel, The Man Who Lived Underground, written between his landmark books Native Son (1940) and Black Boy (1945), at the height of his creative powers. Now, for the first time, by special arrangement with the author’s estate, the full text of the work that meant more to Wright than any other (“I have never written anything in my life that stemmed more from sheer inspiration”) is published in the form that he intended, complete with his companion essay, “Memories of My Grandmother.” Malcolm Wright, the author’s grandson, contributes an afterword.