The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation.

A cop begins seeing huge, blinking eyes where the headlights of cars should be that tell him who to pull over. Two freedom riders take a bus ride that leaves them stranded on a lonely road in Alabama where several unsettling somethings await them. A young girl dives into the depths of the Earth in search of the demon that killed her parents. These are just a few of the worlds of Out There Screaming, Jordan Peele’s anthology of all-new horror stories by Black writers. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

Featuring stories by: Erin E. Adams, Violet Allen, Lesley Nneka Arimah, Maurice Broaddus, Chesya Burke, P. Djèlí Clark, Ezra Claytan Daniels, Tananarive Due, Nalo Hopkinson, N. K. Jemisin, Justin C. Key, L. D. Lewis, Nnedi Okorafor, Tochi Onyebuchi, Rebecca Roanhorse, Nicole D. Sconiers, Rion Amilcar Scott, Terence Taylor, and Cadwell Turnbull.

A masterpiece of identity horror and a dark reflection on America’s past and present, Us presents chilly atmospherics, psychological torment and old-world suspense-building plot twists. Whereas Get Out was considered more a mixture of drama and suspense, Peele leaned fully into the horror genre with his sophomore film, using urban legends such as doppelgangers to tease out the uniquely American perceptions of xenophobia and “othering.” Critic Monica Castillo wrote of the film: “Us is another thrilling exploration of the past and oppression this country is still too afraid to bring up. Peele wants us to talk, and he’s given audiences the material to think, to feel our way through some of the darker sides of the human condition.”
Published in conjunction with the fifth anniversary of the critically acclaimed film’s release, this companion paperback features Oscar®-winning director Jordan Peele’s screenplay, alternate endings and deleted scenes, and is richly illustrated with over 150 stills from the motion picture. Specially commissioned annotations by hannah baer, Theaster Gates, Jamieson Webster, Jared Sexton, Mary Ping, Shana Redmond and Leila Taylor present a cosmology of images, definitions and inspirations that extend the themes of the film. Continuing in the legacy of 1960s paperbacks that documented the era’s most significant avant-garde films―such as Kurosawa’s Rashomon, Godard’s Masculin Féminin and Antonioni’s L’Avventura―Us is an indispensable guide to a deeper understanding of this important film.
Jordan Peele (born 1979) is a writer, actor and filmmaker who rose to fame as half of the comedy duo Key & Peele. He has written and directed three feature films: Get Out (2017), Us (2019) and Nope (2022). He was the first Black screenwriter to win an Academy Award for Best Original Screenplay.

Jordan Peele and Jeff Vandermeer meet The Overstory in comedy writer Allison Mick’s darkly humorous debut eco-horror novel, as a Black woman returns home to the redwood forests of northern California, only to unearth the monsters that lurk among the trees…

Jasmine Bay is a nurse for an Oakland mental health facility, battling her own demons, caught in a spiral of suicidal despair. Estranged from her brother James and his wife Tilly, who was once her best friend, Jas has chosen self-isolation to protect herself—even if it means denying herself a hopeful future with co-worker and potential love interest Henry Lewis.

When her godmother dies, Jas returns to Redceder for the funeral, a logging town where her grandfather William Whipple made a living deforesting the countryside, ripping and raping apart nature’s very foundations for corporate profits. As trees fell to axes and chainsaws, so did dozens of lumberjacks, falling prey to the dangers of their job—and to the ecoterrorism of Jas’s grandfather who was lynched for his crimes.

And buried in the haunted woods are even more dark secrets perpetrated by Jas’s family. Unnatural acts giving birth to entities made of human flesh and petrified bark, seeking to avenge the devastation that ravaged their land. It is an inheritance that threatens to consume the remnants of Jas’s family, and her very sanity. . .

Celebrated comedy writer Allison Mick’s Humboldt Cut exposes the traumatic costs of environmental destruction in an energetic, darkly humorous horror adventure that combines the botanical terrors of VanderMeer’s Annihilation and the psychological horror of The Only Good Indians by Stephen Graham Jones with a dash of Jordan Peele.

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Every secret comes to haunt you in this YA horror that combines the swoony romance and emotional resonance of John Green with the surrealist horror imagery and razor-sharp wit of Jordan Peele.

Seventeen-year-old Hylee Williams didn’t ask to disappear. But she did disappear, and not only that, but when she vanished from our world, she materialized in a dark, twisted version of the night that changed her life forever: the night her older brother went missing.

Just as Hylee realizes this moment could be the key to unraveling the truth about her brother, she’s yanked away from the dark place back to our world. Craving a sense of normalcy, she goes to a party with her best friend—where she meets Eilam Roads. Tall, handsome, and undeniably, inexplicably familiar, Hylee can’t help the pull she feels towards him. It’s a classic teen girl-meets-boy situation, until it happens again. She disappears, right in front of him.

Together, Hylee and Eilam investigate the truth about time, space, and reality, with Hylee increasingly convinced her time travel holds the key to saving her brother. But the more they learn, the more Hylee begins to see darkness lurking in her world—and in herself.

The first monograph on Jordan Casteel, one of the most critically acclaimed artists working today

Jordan Casteel is a New York-based artist known for her larger-than-life paintings, which highlight the humanity of her subjects while affirming ideas of social justice.

At once tender and powerful, Casteel’s intimate portraits include friends, family members, and classmates as well as diverse subjects whom she meets and photographs on the streets of her neighborhood, thus effectively transforming strangers into close friends and collaborators. This near-anthropological pursuit puts viewers into a position where they are asked to contend with their preconceived notions of masculinity and race.

Casteel’s debut monograph features nearly 150 beautifully reproduced images, with sections specially conceived and designed by the artist herself.

The very first story collection from the critically acclaimed, visionary author of the novels Lakewood, The Women Could Fly, and Meet Me at the Crossroads

Over three genre-busting novels, Megan Giddings has emerged as one of the most celebrated and inspiring authors at work today. She has been compared to such luminaries as Ursula K. LeGuin, Octavia Butler, and Jordan Peele, yet her voice is singular and distinctive.
Now, at long last, she presents us with a story collection that fully demonstrates the breadth and sophistication of her talent. Over the course of thirteen stories, we navigate complex family relationships, romances both troubled and charmed, and events that straddle the supernatural and the all-too-real. Among the disintegrating husbands, seductive ghosts, and artists communing with the supernatural to find their voices, Giddings establishes herself as a true investigator of modern yearning. Funny, poignant, exquisitely-rendered, and deeply moving, the stories in Black Arts further establish Megan Giddings as one of our most eagle-eyed and groundbreaking literary talents.

Join us for a montly children's storytime at Kindred Stories. Each Story time will celebrate a special book and be read by a wondertful community mementer. IT also includes a story time. 

Featured Book: Daisy Helps With The Dress 

Featured Reader: Antonia Adams 

EVENT DEETS

When: Saturday, September 26 @ 11 AM CST 

Where: Kindred Stories (2310 Elgin St. Houston, TX 77004)

How: 

• RSVP ONLY to reserve your spot and let us know you are coming.

ABOUT DAISY HELPS WITH THE DRESS 

When Daisy tries to help with her cousin’s wedding, her misguided assists almost ruin the big day, until she finds a way to pull the dress—and her family—together in this charming picture book by award-winning author Olugbemisola Rhuday-Perkovich.

Daisy loves helping her family and she knows the best kind of helpers never wait to be asked. That’s why she doesn’t ask before adding finishing touches to her family’s special reused, re-tried, remixed things, like a leftover broccoli topping for Auntie Fontie’s cakes or a good bath for Nana DJ’s “back-in-the-day, rusty, dusty” vintage albums—much to their chagrin.

But what Daisy wants most is to help give her cousin Simone’s recycled wedding dress a little razzle dazzle. She knows just what the vintage dress needs: a little glitter here, a few stickers there to give the dress some flair.

But Daisy’s cousin Simone and the rest of the family are not so happy with her decorations. Can Daisy make things right and help find Simone a new re-lived, re-loved wedding dress?

Jordan Peele's celebrated screenplay combines horror and dark humor to reveal the terrifying realities of being Black in America

"Blending race-savvy satire with horror to especially potent effect, this bombshell social critique from first-time director Jordan Peele proves positively fearless."
–Peter Debruge, Variety

"An exhilaratingly smart and scary freak out about a black man in a white nightmare."
–Manohla Dargis, New York Times

"A major achievement, a work that deserves, in its own way, to be viewed alongside Barry Jenkins' Moonlight as a giant leap forward for the possibilities of black cinema; Get Out feels like it would have been impossible five minutes ago."
–Brandon Harris, New Yorker

A New York Times 2019 holiday gift guide pick

Jordan Peele's powerful thriller Get Out debuted in 2017 to enormous public and critical acclaim, a Guess Who's Coming to Dinner? for the age of Obama and Trump that scared audiences and skewered white liberal pieties at the same time. Rather than rely on popular archetypes, Peele weaves together the material realities and daily manifestations of horror with sociopolitical fears and elements of true suspense, and combines them with pitch-perfect satire and a timely cultural critique. This companion paperback to the film presents Peele's Oscar-winning screenplay alongside supplementary material.

Featuring an essay by author and scholar Tananarive Due and in-depth annotations by the director, this publication is richly illustrated with more than 150 stills from the motion picture and presents alternate endings, deleted scenes and an inside look at the concepts and behind-the-scenes production of the film. Continuing in the legacy of 1960s paperbacks that documented the era's most significant avant-garde films―such as Akira Kurosawa's Rashomon, Jean-Luc Godard's Masculin/Feminin and Michelangelo Antonioni's L'Avventura―Get Out is an indispensable guide to this pioneering and groundbreaking cinematic work.

Jordan Peele (born 1979) is an American writer, director and producer. Peele's directorial debut, Get Out (2017), earned him an Academy Award for Best Original Screenplay as well as nominations for Best Picture and Best Director. In 2012, Peele founded Monkeypaw Productions, which amplifies traditionally underrepresented voices and unpacks contemporary social issues, while cultivating artistic, thought-provoking projects across film, television and digital platforms, including Peele's follow-up to Get Out, the critically acclaimed horror epic, Us (2019).

Jordan Peele’s Us meets The School For Good Mothers in this horror-tinged intergenerational saga, as a single mother’s doppelganger forces her to confront the legacy of violence that has shaped every woman in their family.

Single mother Alice Chow is drowning. With a booming online cloth diaper shop, her resentful teenage daughter Luna, and her screen-obsessed son Luca, Alice can never get everything done in a day. It’s all she can do to just collapse on the couch with a bottle of wine every night.

It’s a relief when Alice wakes up one morning and everything has been done. The counters are clear, the kids’ rooms are tidy, orders are neatly packed and labeled. But no one confesses they’ve helped, and Alice doesn’t remember staying up late. Someone–or something–has been doing her chores for her.
Alice should be uneasy, but the extra time lets her connect with her children and with her hard-edged mother, who begins to share their haunted family history from Alice’s great-grandmother, a comfort woman during WWII, through to Alice herself. But the family demons, both real and subconscious, are about to become impossible to ignore.

Sharp and incisive, The Hunger We Pass Down traces the ways intergenerational trauma transforms from mother to daughter, and asks what it might take to break that cycle.

Winner of the Bram Stoker Award for Best Novel

In her quickly gentrifying rural lake town Jade sees recent events only her encyclopedic knowledge of horror films could have prepared her for in this latest chilling novel that “will give you nightmares. The good kind, of course” (BuzzFeed) from the Jordan Peele of horror literature, Stephen Graham Jones.

“Some girls just don’t know how to die…”

Shirley Jackson meets Friday the 13th in My Heart Is a Chainsaw, written by the New York Times bestselling author of The Only Good Indians Stephen Graham Jones, called “a literary master” by National Book Award winner Tananarive Due and “one of our most talented living writers” by Tommy Orange.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

Jade Daniels is an angry, half-Indian outcast with an abusive father, an absent mother, and an entire town that wants nothing to do with her. She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold.

Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges…a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body. My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph.

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In her first new book in seven years, Tananarive Due further cements her status as a leading innovator in Black horror and Afrofuturism

“Tananarive Due is the master of Black horror, even teaching a class where Jordan Peele guest-lectured. So her new collection, The Wishing Pool, out in mid-April, is a major treat, full of major scares. Due excels at twist endings but also brilliantly creates an atmosphere of creeping dread in which you know something terrible is coming. The Wishing Pool is helpfully divided into four sections, and each feels like a movement in a symphony. There are classic tales of horror, then a series of stories set in a Florida town where the swamp tends to swallow people up; the final two sections shift to science fiction about post-apocalyptic futures. (These last sections include pandemic stories, written before 2020, which hit harder now.) Due shows just how much territory she can cover in one short book and just how versatile terrifying tales can be.”
—Washington Post

American Book Award–winning author Tananarive Due’s second collection of stories includes offerings of horror, science fiction, and suspense—all genres she wields masterfully. From the mysterious, magical town of Gracetown to the aftermath of a pandemic to the reaches of the far future, Due’s stories all share a sense of dread and fear balanced with heart and hope.

In some of these stories, the monster is racism itself; others address the monster within, each set against the supernatural or surreal. All are written with Due’s trademark attention to detail and deeply drawn characters.

In addition to previously published work, this collection contains brand-new stories, including “Rumpus Room,” a supernatural horror novelette set in Florida about a woman’s struggle against both outer and inner demons.