A tender, searching collection that breaks open notions of faith to ask how a daughter, alienated from kin, can find love and a home in the world, from the award-winning author of If They Come for Us and When We Were Sisters

at the edge of an edge
is an edge. at that edge
is a cliff. beyond that cliff
is me.

Exiled from ancestral homelands, how can one find a place for themself in the world? In this stunning sophomore collection, the acclaimed poet Fatimah Asghar unweaves residual grief to reckon with their relationship to Allah, long-estranged but deeply loved kin, the landscape of their ancestors, and love itself.

In meditative poems, Daughter of the Mountains grapples with multiple facets of fulfillment, betrayal, love, loss, and longing, illustrating how place, lineage, and environment inform the practice of spirituality and vice versa. With wisps of humor, imagery that is as beautiful as it is startling, and powerfully disruptive formal invention, this is an intimately lyrical and explosive collection.

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An orphan grapples with gender, siblinghood, family, and coming-of-age as a Muslim in America in this lyrical debut novel from the acclaimed author of If They Come For Us

In this heartrending, lyrical debut work of fiction, Fatimah Asghar traces the intense bond of three orphaned siblings who, after their parents die, are left to raise one another. The youngest, Kausar, grapples with the incomprehensible loss of her parents as she also charts out her own understanding of gender; Aisha, the middle sister, spars with her "crybaby" younger sibling as she desperately tries to hold on to her sense of family in an impossible situation; and Noreen, the eldest, does her best in the role of sister-mother while also trying to create a life for herself, on her own terms.
 
As Kausar grows up, she must contend with the collision of her private and public worlds, and choose whether to remain in the life of love, sorrow, and codependency she's known or carve out a new path for herself. When We Were Sisters tenderly examines the bonds and fractures of sisterhood, names the perils of being three Muslim American girls alone against the world, and ultimately illustrates how those who’ve lost everything might still make homes in each other.

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A BreakBeat Poets anthology of writings by Muslims who are women, queer, genderqueer, nonbinary, or trans.

The collected poems dispel the notion that there is one correct way to be a Muslim by holding space for multiple, intersecting identities while celebrating and protecting those identities.

Halal If You Hear Me features poems by Safia Elhillo, Fatimah Asghar, Warsan Shire, Tarfia Faizullah, Angel Nafis, Beyza Ozer, and many others.

Fatimah Asghar is the creator of the Emmy-Nominated web series Brown Girls, now in development for HBO. She is the author of If They Come For Us and a recipient of a 2017 Ruth Lilly and Dorothy Sargent Rosenberg Fellowship. She is a member of the Dark Noise Collective and a Kundiman fellow. In 2017, she was listed on Forbes’s 30 Under 30 list.

Safia Elhillo is the author of The January Children. Sudanese by way of Washington, DC and a Cave Canem fellow, she holds an MFA from the New School. In 2018, she was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation.

The soul-stirring intersectional biography of the most famous Islamic woman scholar working today, from the two-time Pulitzer Prize finalist author of If the Oceans Were Ink and Home, Land, Security.

“A testament to what it means to labor for justice from inside a faith tradition—to love it enough to transform it . . . The Lady Imam is right on time to ignite our courage.”—Valarie Kaur, bestselling author of See No Stranger and Sage Warrior

A feminist scholar-activist, single mother of five, and queer advocate, amina wadud has led a struggle against Islam’s patriarchal establishment that’s been felt keenly all over the world. Like Martin Luther King, Jr. and Malcolm X before her, wadud has mobilized faith’s potential as an engine of equality. Yet this American trail-blazer’s story has never been told in book form—until now.

Born Mary Teasley, the daughter of a Methodist preacher, wadud grew up in Maryland with a rare vantage on socioeconomic divides, living through poverty and her sister’s death from an illegal abortion. A gifted student, teenage wadud was sent to live with affluent white families in Weston, Massachusetts. After cross-country hitchhiking and a stint in a Buddhist ashram, she converted to Islam as a twenty-year-old Ivy League student.

wadud devoted her life to studying the Qur’an and challenged centuries of patriarchal interpretations, finding in it equality for all. In Manhattan in 2005, she became the world’s most famous—and infamous—Islamic scholar when she became the first woman in 1400 years to lead men and women together in public Friday prayers.

The Lady Imam chronicles the life of a singular figure not only in Islam, but also in feminism, Black history, and gender studies. With unprecedented access through years of interviews and archival research, Carla Power has written the definitive account of wadud's extraordinary life while shedding light on our deepest questions about faith, family, and social justice.

A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition

What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant.

Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place.

Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time.

Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever.

“Ahmad’s compassion, her deep care for the psychological and emotional nuances of her characters, never wavers.” – The New York Times Book Review

In a searing collection by the award-winning author of The Return of Faraz Ali, characters seek to make their futures their own in a Pakistan riven by class, gender and religion

In these seven powerful stories, Aamina Ahmad finds a world of pathos in the narrowest circumstances, from the fugitive intimacies of villages where nothing escapes notice to the crevices where city dwellers seek refuge from urban striving and indifference. Capturing the plight of ordinary people caught between love and duty, freedom and social constraint—a man who witnesses an illicit moment of tenderness, a police officer who must choose whether to follow the laws of God or of man, a woman who takes matters into her own hands in the face of an unexpected pregnancy—July Sun more than sustains the promise of Ahmad’s sure-footed debut.

What does it mean to be queer and Muslim in a world that insists you cannot be both?

Queer and Muslim is a powerful collection by and for LGBTQ+ Muslims navigating layered identities across lines of faith, family, culture, and community. With contributions spanning essays, poems, letters to past and future selves, and more, the book explores the emotional and spiritual dimensions of queer Muslim life and challenges the perception that faith and queerness are inherently incompatible.

These raw accounts confront the psychological toll of grappling with tensions between religious expectations and queer identity and offer rare insight into the ways mental health is lived, expressed, and supported across diverse cultural and theological landscapes. They tell of building chosen families and reconnecting with birth families, radical healing, cultivating spaces of belonging, and reclaiming faith on your own terms.

In an era of rising Islamophobia and escalating threats to queer and trans lives, the stories contained within Queer and Muslim―stories of resilience, grief, pleasure, rage, and joy―are vital, each of them an affirmation of the multiplicity of queer Muslim identities. Queer and Muslim invites readers to listen deeply, think expansively, and care more courageously.

Featuring the masterful prose of some of today's most accomplished writers, Forged in FIYAH is a celebration of Black speculative fiction unlike anything seen before!

Forged in FIYAH showcases the extraordinary talent and innovation of contemporary Black science fiction and fantasy. Coinciding with the tenth anniversary of FIYAH Magazine of Black Speculative Fiction, this collection of eighteen stories features tales from mainstays of genre fiction alongside the dynamic, groundbreaking work of several of FIYAH's most promising newcomers.

From pop-up funeral homes between worlds to magical healing silks; from second chance afterlives to creepy, sinister dolls; and from kindhearted killing machines to a vampire with a conscience, these stories of science fiction, fantasy, and horror are unlike anything you have read before.

Hopeful, defiant, glorious, and joyful, Forged in FIYAH is a landmark celebration of everything Black speculative fiction has to offer!

Featuring stories by: Maurice Broaddus, MH Ayinde, Tonja K Johnson, C.L. Clark, Suyi Davies Okungbowa, WC Dunlap, Veronica G. Henry, Sheree Renée Thomas, Tonya R. Moore, Brent Lambert, Tobi Ogundiran, Tade Thompson, Nelson Rolon, Eden Royce, Eboni Dunbar-Scott, Yvette Ndlovu, Emmalia Harrington, and LD Lewis

The 40th anniversary edition of a celebrated poetry anthology, with selections from the work of twenty poets ranging from Kahlil Gibran and Ameen Rihani to Naomi Shihab Nye, Etel Adnan, and more.

Arab American poetry is an especially rich, people-involved, passionate literature that has been spawned, at least until recently, in isolation from the

American mainstream. This highly-praised anthology reflects the renaissance in the literature of what may be the latest ethnic community to assert itself. Twenty poets are represented in this collection. The editors include a brief biography of each poet, together with a selection of each poet’s work. The short bios offer fascinating glimpses into Arab American literary history.

It starts with Kahlil Gibran and Ameen Rihani and includes celebrated contemporaries who write in Arabic or English or both. Contributors include:

Kahlil Gibran, Ameen Rihani, Jamil Holway, Mikhail Naimy, Elia Abu Madi, Etel Adnan, Naomi Shihab Nye, D.H. Melhem, Samuel Hazo, Joseph Awad, Eugene Paul Nasser, H.S. (Sam) Hamod, Jack Marshall, Fawaz Turki, Doris Safie, Ben Bennani, Sharif Elmusa, Lawrence Joseph, Gregory Orfalea, and Elmaz Abinader.

The cult drama of The Girls meets Yellowface’s searing exploration of lies, immigration, and identity in this propulsive literary thriller debut.

A grieving actor-turned-memoirist reimagines his mother’s encounter with Jim Jones, the deadliest cult leader of all time—the only problem is, it’s mostly all lies . . .

Actor Jal Persad is enjoying moderate success when the death of his mother, Rita, sends him into a tailspin—after all, how could he grieve a woman he barely knew? Rita had grown up in Guyana during the rise and fall of the Jonestown cult, but never spoke of her home to Jal, always keeping him at a distance.

After months of avoiding work, a misunderstanding at lunch with his manager leads Jal into a web of lies. He soon finds himself writing a memoir of his mother’s adolescence, one that places her in direct contact with Jim Jones himself. There’s just one issue–Rita never met the man. Suddenly, the book goes viral, and Jal must face the looming threat of exposure, and his own guilt.

Alternating between Jal’s rapid rise and Rita’s distorted story, False Prophet confronts the intergenerational legacy of colonialism, the allure of power, and the age-old question–how much of yourself are you willing to lose in order to succeed?

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From an award-winning, innovative poet, a bold reimagination of Arab American womanhood in the modern military age

In her second full-length collection, Maya Salameh offers a profound exploration of Arab American identity, weaving together themes of myth, science, and cultural heritage. This daring collection deploys psychological evaluation forms, ritual incantations, and captivating visual poetry. 

Salameh transcends simple narratives of shame or violence to offer a nuanced portrayal of identity, exploring both the privileges and heartbreaks of diasporic exile. Her multilingual poetry bridges Arabic and English, enriching the poems’ sonic texture. Salameh scrutinizes established academic and cultural narratives, inviting readers to rethink their own understandings of history and identity.