When you're black and female in America, society's rules were never meant to make you safe or free. In this "flawlessly executed work [that] reinvigorates the short fiction genre," Camille Acker's relatable yet unexpected characters break down the walls of respectability politics, showing that the only way for black women to be free is to be themselves (BUST).

In her debut short story collection, Camille Acker unleashes the irony and tragic comedy of respectability onto a wide-ranging cast of characters, all of whom call Washington, DC, home. A "woke" millennial tries to fight gentrification, only to learn she's part of the problem; a grade school teacher dreams of a better DC, only to take out her frustrations on her students; and a young piano player wins a competition, only to learn the prize is worthless. 

Ultimately, they are confronted with the fact that respectability does not equal freedom. Instead, they must learn to trust their own conflicted judgment and fight to create their own sense of space and self.

In Washington, D.C.’s powerful Black elite, legacy is everything. When a young heir to one of the city’s most influential institutions seeks funding to cement her future, a shadowy organization offers to help—but it could cost her far more than she’s willing to give.

“A biting satire about the ever-shifting ways to perform Blackness. This is a very special book.”—Bridgett M. Davis, author of The World According to Fannie Davis

Nina Johnson has always taken pride in belonging to The Tenth. After all, she’s following in the footsteps of her ancestors: Her great-great-grandmother founded the prestigious DC society—a space for influential African Americans—just forty years after the Emancipation Proclamation. Nina’s been elected to helm the organization, but she’s determined to escape the influence of her mother, who has led the organization with a steadfast commitment to tradition, all while keeping Nina under her freshly manicured thumb. Nina’s determined to forge her own path and do things differently: fewer stuffy, out-of-touch meetings and boring galas, more young people, and a swankier headquarters.

To realize her ambitions, Nina needs funding. So, when a wealthy white benefactor named Sienna Masters offers financial support in exchange for her participation in a mysterious project at a former public housing complex, The Orchard, Nina ignores her initial skepticism and agrees to a partnership. But as Nina and those closest to her piece together Sienna's true motives, they discover far more sinister forces at play, ones that exploit Nina's community for profit, with stakes that extend far beyond her ambitions for The Tenth. But how far is Nina willing to go to shape her future? And what is she willing to sacrifice along the way?

A whip-smart and sly social commentary on the complex interplay of race, class, and family legacy, A Very Special Episode will keep you on the edge of your seat.

Camille has worked her way up from the Guadeluopean lakou where she was born and raised to the heights of Orlando, where she is a successful motivational speaker. Her assistant, Evelyn, is struggling as a single mother, especially since she has been keeping the existence of her son a secret from her family in Jamaica. As Camille relates the story of her life to Evelyn, she urges Evelyn to see her difficult life as one of great fortune—“My girl, a woman falls, but she never despairs”—and to fully share her joys and successes with her loved ones.

Camille’s Lakou tells the story of Camille, a young Caribbean girl living with her single‑parent mother in a 1960s urbanized zone at the edge of Pointe‑à‑Pitre, Guadeloupe, following her through her adult life as a Caribbean migrant in Florida. Author Marie Léticée explores neocolonial culture clash and identity conflict themes that will be familiar to readers of the Francophone Caribbean coming‑of‑age novel and its revisions by women writers such as Capécia, Lacrosil, Manicom, Schwarz‑Bart, Condé, Pineau, and others. Léticée makes it her own by fleshing out a time and place not well‑represented in Guadeloupean literature. While previous bildungsromane from the writers mentioned here typically focus on rural peasant or urban bourgeois settings, Camille’s Lakou shifts location to an impoverished urban environment. “Lakou” is translated as “courtyard” or, more colloquially, “yard.” The author explores the culture and politics of lakou society while raising the issue of how this social dynamic is transformed through the impact of globalization and dispersal into a diasporic experience outside the island milieu of Camille’s childhood.

In a collaborative translation effort between the author and Kevin Meehan, Camille’s Lakou will bring the realities and joys of Léticée’s Guadeloupe to an English audience for the first time.

EVENT DEETS: 

When: December 5 at 630 PM

Where: Kindred Stories (2304 Stuart Street, HTX 77004)

How: RSVP for your time with Glory. Please purchase On Girlhood if you have not to support our programming. 

About The Book

Proudly introducing the Well-Read Black Girl Library Series, On Girlhood is a lovingly curated anthology celebrating short fiction from such luminaries as Rita Dove, Alice Walker, Toni Morrison, and more.

Featuring stories by: Jamaica Kincaid, Toni Morrison, Dorothy West, Rita Dove, Camille Acker, Toni Cade Bambara, Amina Gautier, Alexia Arthurs, Dana Johnson, Alice Walker, Gwendolyn Brooks, Edwidge Danticat, Shay Youngblood, Paule Marshall, and Zora Neale Hurston.

“When you look over your own library, who do you see?” asks Well-Read Black Girl founder Glory Edim in this lovingly curated anthology. Bringing together an array of “unforgettable, and resonant coming-of-age stories” (Nicole Dennis-Benn), Edim continues her life’s work to brighten and enrich American reading lives through the work of both canonical and contemporary Black authors—from Jamaica Kincaid and Toni Morrison to Dana Johnson and Alexia Arthurs. Divided into four themes—Innocence, Belonging, Love, and Self-Discovery—On Girlhood features fierce young protagonists who contend with trials that shape who they are and what they will become. At times heartbreaking and hilarious, the stories within push past flat stereotypes and powerfully convey the beauty of Black girlhood, resulting in an indispensable compendium for every home library.

About The Author

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A meddling app says she’s about to meet her match, but which of the four possibilities is the one—and more importantly, is she ready for love? Find out in this novel about family, soul mates, and chasing dreams by the author of Have We Met?

Tiwanda Harris’s thirtieth birthday is a turning point. Gifted her late mother’s journal, Tiwanda is finally getting a glimpse of who her mother was as an adult. Shortly after, the budding entrepreneur receives a grant to jump-start a delicious business opportunity—and her sweet dreams don’t end there. Tiwanda’s been sent a dating app called Met that promises four matches, and among them, her soul mate. All Tiwanda has to do is tap “Yes”…

Though she’s doubtful about fitting romance into her life, the choices are hers. As the matches begin to surface, Tiwanda is surprised to find that maybe there is some future potential there after all. But which one could lead to real love? Only time will tell. That is, if she can find the time.

With her focus split between launching her career, helping heal old family rifts, maintaining friendships while building new ones, and also trying to open her heart to romantic love, chasing so many dreams is leaving Tiwanda breathless. But who knows? With destiny on her side, maybe there’s a chance all those dreams could come true.