Two half sisters, Effia and Esi, unknown to each other, are born into different villages in eighteenth-century Ghana.

Effia is married off to an Englishman and will live in comfort in the palatial rooms of Cape Coast Castle, raising children who will be sent abroad to be educated before returning to the Gold Coast to serve as administrators of the empire. Esi, imprisoned beneath Effia in the Castle’s women’s dungeon and then shipped off on a boat bound for America, will be sold into slavery.

Stretching from the wars of Ghana to slavery and the Civil War in America, from the coal mines in the American South to the Great Migration to twentieth-century Harlem, Yaa Gyasi’s novel moves through histories and geographies and captures—with outstanding economy and force—the troubled spirit of our own nation. She has written a modern masterpiece.

A stunning first novel about two young Black artists in London falling in and out of love by a new literary virtuoso, and finalist for the BBC Short Story Award, twenty-six-year old writer and photographer Caleb Azumah Nelson

A stunning first novel about two young Black artists in London falling in and out of love by a new literary virtuoso and finalist for the BBC Short Story Award, twenty-six-year-old writer and photographer Caleb Azumah Nelson

“Open Water is tender poetry, a love song to Black art and thought, an exploration of intimacy and vulnerability between two young artists learning to be soft with each other in a world that hardens against Black people.” —Yaa Gyasi, author of Homegoing

In a crowded London pub, two young people meet. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists—he a photographer, she a dancer—and both are trying to make their mark in a world that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence, and over the course of a year they find their relationship tested by forces beyond their control.

Narrated with deep intimacy, Open Water is at once an achingly beautiful love story and a potent insight into race and masculinity that asks what it means to be a person in a world that sees you only as a Black body; to be vulnerable when you are only respected for strength; to find safety in love, only to lose it. With gorgeous, soulful intensity, and blistering emotional intelligence, Caleb Azumah Nelson gives a profoundly sensitive portrait of romantic love in all its feverish waves and comforting beauty.

This is one of the most essential debut novels of recent years, heralding the arrival of a stellar and prodigious young talent.

One World is proud to present THE 1619 PROJECT: A New Origin Story, a book that dramatically builds on the vision of the original magazine project with major expansions of the original essays, seven new essays by historians, and dozens of new poems and pieces of fiction. The book includes a significant elaboration of the project’s Pulitzer Prize-winning lead essay by Nikole Hannah-Jones and a new introduction that together offer a stirring rebuttal to critics. Hannah-Jones has also written a third essay that makes the case for reparative solutions to the legacy of injustice the project documents.

Edited by Hannah-Jones, along with New York Times Magazine editor-in-chief Jake Silverstein, features editor Ilena Silverman, and New York Times executive producer Caitlin Roper, the book offers work from some of the country’s most outstanding journalists, thinkers, historians and scholars, including: Michelle Alexander, Leslie Alexander, Carol Anderson, Jamelle Bouie, Anthea Butler, Matthew Desmond, Martha Jones, Ibram Kendi, Kevin Kruse, Trymaine Lee, Tiya Miles, Wesley Morris, Khalil Gibran Muhammad, Dorothy Roberts, Jeneen Interlandi, Bryan Stevenson, and Linda Villarosa.

Woven throughout the book are works of fiction and poetry that bring to life four hundred years of history with imaginative writing by Joshua Bennett, Reginald Dwayne Betts, Rita Dove, Camille Dungy, Cornelius Eady, Eve L. Ewing, Nikky Finney, Vievee Francis, Yaa Gyasi, Forrest Hamer, Terrance Hayes, Honorée Fanonne Jeffers, Barry Jenkins, Tyehimba Jess, Robert Jones, Jr., A. Van Jordan, Yusef Komunyakaa, Kiese Laymon, Jasmine Mans, Terry McMillan, Lynn Nottage, ZZ Packer, Gregory Pardlo, Darryl Pinckney, Claudia Rankine, Jason Reynolds, Evie Shockley, Tim Siebles, Clint Smith, Danez Smith, Patricia Smith, Tracy K. Smith, Nafissa Thompson-Spires, Natasha Trethewey, Jesmyn Ward and Sonia Sanchez.

The book also includes archival portrait photography of Black Americans paired with each essay, curated by Kimberly Annece Henderson.

Celebrate the release of Black Women In Bloom with Anayo Awuzie!

EVENT DEETS

When: Thursday, November 5 @ 7 PM CST

Where: 2310 Elgin St. Houston, TX 77004

How: 

• RSVP ONLY to reserve your seat.

• PAID RSVP ONLY to reserve your seat.to reserve your seat and support our store programming.
  

• RSVP WITH BOOK to reserve your seat and purchase a copy Black Women In Bloom, supporting both the author and our store programming. The book will be available for pickup at the event.

Please Note: Copies of Black Women in Bloom purchased from other retailers are not permitted in the bookstore and are not eligible for the signing or photo line. To participate in the signing and photo opportunity, you must purchase a copy from Kindred Stories. If you already purchased your book from Kindred Stories, you may select the RSVP Only ticket option and bring your Kindred Stories copy to the event.

If you purchase a ticket and are unable to attend the event, your ticket is non-refundable. If your ticket includes a book, an email will be sent to all attendees before and after the event with instructions on how to receive your book. Books must be claimed within 14 days following the event. If your book is not retrieved it will be returned to the publisher and will not be available for pick up in the future.

ABOUT THE BOOK

Black Women in Bloom is a limited-edition coffee table book and global storytelling experience celebrating the becoming journeys of Black women across the diaspora.

Featuring over 30 essays by writers from around the world, alongside stunning photography and original illustrations, the book traces Black women’s stories through the many stages of growth.

Curated and edited by Carefree Magazine founder Anayo Awuzie, Black Women in Bloom is both a work of art and an intimate reading experience. Designed to live on your coffee table but meant to be slowly savored, the book captures the quiet, powerful transformations that too often go unseen: taking risks, choosing softness, seeking healing, and blooming into themselves—unapologetically and on their own terms.

ABOUT THE AUTHOR

Anayo is an editor, storyteller, and creative marketer exploring the in-between spaces of Black womanhood—where healing, identity, and everyday life unfold. She is the founder of Carefree Magazine, a slow storytelling platform sharing personal essays from Black women on life, love, and adventure, and the editor of Black Women in Bloom, a coffee table book featuring over 30 essays from Black women across the diaspora on their journeys of becoming. With a background spanning brand, experiential, and creator marketing, her work sits at the intersection of story and strategy—building worlds that feel as intentional as they are honest. She currently lives in Los Angeles, where she is constantly on the hunt for new restaurants and live shows.

ABOUT THE CONVERSATION PARTNER

Bria Lauren (b. 1993) is a transdisciplinary visual artist, community architect, and Third Ward, Houston native. Her practice bridges portraiture, storytelling, creative writing, and arts activism, centering Black women while building infrastructures of radical care and liberation around their livelihoods and futures.

Bria engages community building as a political and cultural practice of resistance. As a curatorial visionary, she centers ancestral memory, Black mother-daughter relationships, and the dimensions of Black women’s relationships with one another alongside community preservation, working across multimedia installation and community programming to honor the interior lives of Black femmehood without censorship.

In 2022, Bria founded Gold Was Made Fa’ Her (GWMFH), a 501(c)(3) arts and healing movement. It grew from a question she carried after her 2021 solo exhibition Gold Was Made Fa’ Her at Lawndale Art Center, a body of work dedicated to her mother and Black hood women on the Southside of Houston: What do Black women need more than being seen?

Join us for our monthly book club. Our August pick is Zyla and Kia by Kristina Forest.

Book club will happen Wednesday, September 25 at 7:00 PM in the Kindred Stories Reading Garden. RSVP required. See ya'll there!

About the Book

A fresh love story about the will they, won't they—and why can't they—of first love. 

While on a school trip to the Poconos Mountains (in the middle of a storm) high school seniors, Zyla Matthews and Kai Johnson, run away together leaving their friends and family confused. As far as everyone knows, Zyla and Kai have been broken up for months. And honestly? Their break up hadn't surprised anyone. Zyla and Kai met while working together at an amusement park the previous summer, and they couldn't have been more different.
 
Zyla was a cynic about love. She'd witnessed the dissolution of her parents' marriage early in life, and it left an indelible impression. Her only aim was graduating and going to fashion school abroad. Until she met Kai.
 
Kai was a serial dater and a hopeless romantic. He'd put a temporary pause on his dating life before senior year to focus on school and getting into his dream HBCU. Until he met Zyla.
 
Alternating between the past and present, we see the love story unfold from Zyla's and Kai's perspectives: how they first became the unlikeliest of friends over the summer, how they fell in love during the school year, and why they ultimately broke up... Or did they?
 
Romantic, heart-stirring, and a little mysterious, Zyla & Kai will keep readers guessing until the last chapter. 

Celebrate the bond between parent and child in this touching picture book.

This touching story from bestselling author Doloris Jordan celebrates the blessings new parents wish for their babies all through their lives. With a strong emphasis on the bonds families share, the inspirational text is accompanied by exquisite art from renowned illustrator James E. Ransome. From infancy to adulthood, there is always a place for Baby Blessings.

When Precious is left home alone with a stomachache, she's got nothing but a warning from Mama -- "Don't let nothing or nobody into this house" -- to keep her company. You see, "nothing or nobody" could turn out to be something awful: the Boo Hag! The Boo Hag's got a voice that rumbles like thunder and hair that shoots out like lightning. And she can disguise herself to look like anything. So when the Boo Hag comes calling, will Precious be clever enough to outwit even the trickiest trickster?
Here's an oh-so-funny -- and not-too-scary -- story from Newbery Honor-winning author Patricia C. McKissack and Onawumi Jean Moss that's paired with spirited, folksy illustrations by Kyrsten Brooker.

"Come join me as I take you back to Charleston, South Carolina, to my father's forge in the early 1800's. Sit with me on the woodpile as he tells a tale of faith, hope, or love."
In this extraordinary collection, Charlotte Jefferies and her father Price, a former slave, introduce us to twelve best loved Bible tales, from Genesis to Daniel, and reveal their significance in the lives of African Americans--and indeed of all oppressed peoples.
When Charlotte wants to understand the cruel injustices of her time, she turns to her father. Does the powerful slaveholder, Mr. Sam Riley, who seems to own all that surrounds them, also own the sun and moon? she wonders. Price's answer is to tell the story of Creation. How can God allow an evil like slavery to exist? she asks. Price responds by telling the story of the Hebrews' Exodus -- and shows Charlotte that someday their people, too, will be free.
With exquisite clarity, Patricia and Fredrick McKissack and James Ransome -- a Newbery Honor winner and all Coretta Scott King Award winners -- brilliantly illuminate the parallels between the stories of the Jews and African-American history. Let My People Go is a triumphant celebration of both the human spirit and the enduring power of story as a source of strength.
Our hope is that this book will be like a lighthouse that can guide young readers through good times and bad....The ideas that these ancient stories hold are not for one people, at one time, in one place. They are for all of us, for all times, everywhere.
--from the Authors' Note to Let My People Go

Celebrate the beauty of Black hair creations through the rhyming text and vibrant collage art of lauded Coretta Scott King Award winners Carole Boston Weatherford and Ekua Holmes.

Our hair is a lioness, born to be wild.
We pride ourselves on flair and style.

Cornrows forming complex patterns. Shells and beads on boxy braids. A flowery ’fro that’s wash and go. A regal pouf that scrapes the sky. Black hair styles embody beauty and loving ritual, culture and community, expression and strength, patience and boundless creativity. Carole Boston Weatherford and Ekua Holmes bring this array of gorgeous hair designs—and the individuals who wear them—to bold and powerful life. Readers curious to know more can find an author’s note about the five Black women who made history in 2019 as title holders of five major beauty pageants, as well as a glossary describing some twenty hair styles (from Afro to updo) and other terms related to the glory of Black hair.