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One of the most dynamic and globally recognized entertainment forces of our time opens up fully about his life, in a brave and inspiring book that traces his learning curve to a place where outer success, inner happiness, and human connection are aligned. Along the way, Will tells the story in full of one of the most amazing rides through the worlds of music and film that anyone has ever had.

Will Smith’s transformation from a fearful child in a tense West Philadelphia home to one of the biggest rap stars of his era and then one of the biggest movie stars in Hollywood history, with a string of box office successes that will likely never be broken, is an epic tale of inner transformation and outer triumph, and Will tells it astonishingly well. But it’s only half the story.

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Clint Smith’s vibrant and compelling new collection traverses the vast emotional terrain of fatherhood, and explores how becoming a parent has recalibrated his sense of the world. There are poems that interrogate the ways our lives are shaped by both personal lineages and historical institutions. There are poems that revel in the wonder of discovering the world anew through the eyes of your children, as they discover it for the first time. There are poems that meditate on what it means to raise a family in a world filled with constant social and political tumult. Above Ground wrestles with how we hold wonder and despair in the same hands, how we carry intimate moments of joy and a collective sense of mourning in the same body. Smith’s lyrical, narrative poems bring the reader on a journey not only through the early years of his children’s lives, but through the changing world in which they are growing up—through the changing world of which we are all a part.

Above Ground is a breathtaking collection that follows Smith's first award-winning book of poetry, Counting Descent.

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Such Color collects the best poems from Smith’s award-winning books and culminates in thirty pages of brilliant, excoriating new poems. These new works confront America’s historical and contemporary racism and injustices, while they also rise toward the registers of the ecstatic, the rapturous, and the sacred—urging us toward love as a resistance to everything that impedes it. This magnificent retrospective affirms Smith’s place as one of the twenty-first century’s most treasured poets.

Finalist for the National Book Award for Poetry
Winner of the Forward Prize for Best Collection

“[Smith's] poems are enriched to the point of volatility, but they pay out, often, in sudden joy.”―The New Yorker

Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don’t Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality―the dangers experienced in skin and body and blood―and a diagnosis of HIV positive. “Some of us are killed / in pieces,” Smith writes, “some of us all at once.” Don’t Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America―“Dear White America”―where every day is too often a funeral and not often enough a miracle.

A fierce exposé of the resistance to believing Black people and its devastating effects throughout American history.

From Reconstruction to Redemption, from the enactment of landmark civil rights legislation to the execution of the Southern strategy, from 2020’s multiracial protests to the swift elimination of policies etching out a more inclusive society, Americans regularly experience periods of racial reckoning followed by walloping retrenchment.

In Black Evidence, political scientist Candis Watts Smith shows that this pattern is the result of an American habit: denying the truths about our society that Black people experience and remember. Smith then delivers a warning: the effects of this habit ripple out, dulling our ability to identify the signs of authoritarianism and heightening our tolerance for cruelty. Still, she shows how these same truths offer models to overcome our repeated predicament.

Through a curation of critical moments across four centuries, Smith invites us to review the evidence that has been obscured, distorted, and denied. She rigorously investigates the practices that turn Black witnesses into liars in the court room, Black patients into superbodies that don’t feel pain in health care settings, Black people into subhumans in scientific experiments, and Black children into superpredators. She reveals what happens when Black voices are subject to exclusion―their communities are terrorized, their memories are refuted, and their resistance is pathologized.

Written with compassion and tempered optimism, Black Evidence prescribes a cure and encourages readers to practice the skills needed to build a truly multiracial democracy: confront our past, acknowledge the damage of inequality in our present, and listen to the voices of those who experience the problems we wish to solve for an equitable future.

FINALIST FOR THE 2020 NATIONAL BOOK CRITICS CIRCLE AWARD FOR POETRY
FINALIST FOR THE 2021 NAACP IMAGE AWARD FOR POETRY

Danez Smith is our president

Homie is Danez Smith’s magnificent anthem about the saving grace of friendship. Rooted in the loss of one of Smith’s close friends, this book comes out of the search for joy and intimacy within a nation where both can seem scarce and getting scarcer. In poems of rare power and generosity, Smith acknowledges that in a country overrun by violence, xenophobia, and disparity, and in a body defined by race, queerness, and diagnosis, it can be hard to survive, even harder to remember reasons for living. But then the phone lights up, or a shout comes up to the window, and family―blood and chosen―arrives with just the right food and some redemption. Part friendship diary, part bright elegy, part war cry, Homie is the exuberant new book written for Danez and for Danez’s friends and for you and for yours.

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Brave, clear-eyed, and passionate, Stakes Is High is the book we need to guide us past crisis mode and through an uncertain future.

The events of the past decade have forced us to reckon with who we are and who we want to be. We have been invested in a set of beliefs about our American identity: our exceptionalism, the inevitable rightness of our path, the promise that hard work and determination will carry us to freedom. But in Stakes Is High, Mychal Denzel Smith confronts the shortcomings of these stories -- and with the American Dream itself -- and calls on us to live up to the principles we profess but fail to realize.

One night of passion and possibly one more chance at love…

Determined, motivated, goal-driven, and eternally single, Dr. Taylor James is an accomplished university administrator in San Francisco determined to get his campus successfully through an upcoming accreditation process. The process could set him up for his ultimate career goal–to be one of the only Black and openly queer university presidents in the US. Taylor gives himself just one day a week to have fun and let loose with friends–a one and done Sunday Funday brunch in the Castro District.

Dustin McMillan is a consultant and project manager who reluctantly returns to the Bay Area, his hometown, for an assignment. The first in his family to finish college, earn a healthy six-figure income, and have choice and agency in his life’s direction, Dustin is fearful that returning home could mean falling back into roles that he’d thought he’d resolved by moving miles away…and equally fearful of falling back into bed with one sexy and toxic ex-boyfriend who still lingers in his memories.

One chance encounter. One night of passion. Will Taylor and Dustin leave it at one and done?

Written after two years of artistic silence, during which the world came to a halt due to the COVID-19 pandemic and Minneapolis became the epicenter of protest following the murder of George Floyd, Bluff is Danez Smith’s powerful reckoning with their role and responsibility as a poet and with their hometown of the Twin Cities. This is a book of awakening out of violence, guilt, shame, and critical pessimism to wonder and imagine how we can strive toward a new existence in a world that seems to be dissolving into desolate futures.

Smith brings a startling urgency to these poems, their questions demanding a new language, a deep self-scrutiny, and virtuosic textual shapes. A series of ars poetica gives way to “anti poetica” and “ars america” to implicate poetry’s collusions with unchecked capitalism. A photographic collage accrues across a sequence to make clear the consequences of America's acceptance of mass shootings. A brilliant long poem―part map, part annotation, part visual argument―offers the history of Saint Paul’s vibrant Rondo neighborhood before and after officials decided to run an interstate directly through it.

Bluff is a kind of manifesto about artistic resilience, even when time and will can seem fleeting, when the places we most love―those given and made―are burning. In this soaring collection, Smith turns to honesty, hope, rage, and imagination to envision futures that seem possible.

Amid the current firestorm of interest in women’s basketball, Natasha Howard reveals the tremendous obstacles she overcame to become a three-time WNBA champion who continues to excel on the hardwood.

THE PAST THREE YEARS HAVE SEEN A WORLDWIDE EXPLOSION of interest in women’s basketball and the rise of young superstars like Caitlin Clark, Angel Reese, and Paige Bueckers. As the audience grows exponentially, the public is hungry to know more about some of the women who have ushered the sport into this bright spotlight, including elite and still-active veterans like Breanna Stewart, A’ja Wilson, Natasha Howard, Napheesa Collier, and others.

Before Natasha Howard was a three-time WNBA champion, before she was named Defensive Player of the Year, she was a thoughtful girl growing up in very difficult circumstances. Her mother faced challenges of her own while shepherding her four children between cities, and sometimes in and out of homeless shelters. 

Young Natasha’s life changed when her uncle Greg introduced her to basketball―with a bribe that included candy. Tash was instantly hooked. But what does a basketball player do when her school doesn't have a girls' team? She joins together with a friend to demand that they be allowed to try out for the boys' team. Which is what Tash did―and then became a starter.

In 2025 Natasha Howard was named MVP of the 2025 WNBA Commissioner’s Cup. She currently plays with the Minnesota Lynx and shows no signs of slowing down at the age of thirty-four. The Vision Through My Lens is her powerful story of building a life for herself through basketball. As a gay, Black woman, she used all her strength to forge forth, to triumph over an astonishing array of obstacles. Coauthored by Deyscha Smith, this memoir tells an unusually empowering tale of a strong girl becoming a stronger woman.

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Deeply personal and powerfully moving, a short and timely series of reflective essays by one of the most clear-sighted and essential writers of our time.

Written during the early months of lockdown, Intimations explores ideas and questions prompted by an unprecedented situation. What does it mean to submit to a new reality--or to resist it? How do we compare relative sufferings? What is the relationship between time and work? In our isolation, what do other people mean to us? How do we think about them? What is the ratio of contempt to compassion in a crisis? When an unfamiliar world arrives, what does it reveal about the world that came before it?

Suffused with a profound intimacy and tenderness in response to these extraordinary times, Intimations is a slim, suggestive volume with a wide scope, in which Zadie Smith clears a generous space for thought, open enough for each reader to reflect on what has happened--and what should come next.

The author will donate her royalties from the sale of Intimations to charity.