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In A Black Gaze, Tina Campt examines Black contemporary artists who are shifting the very nature of our interactions with the visual through their creation and curation of a distinctively Black gaze. Their work—from Deana Lawson’s disarmingly intimate portraits to Arthur Jafa’s videos of the everyday beauty and grit of the Black experience, from Khalil Joseph’s films and Dawoud Bey’s photographs to the embodied and multimedia artistic practice of Okwui Okpakwasili, Simone Leigh, and Luke Willis Thompson—requires viewers to do more than simply look; it solicits visceral responses to the visualization of Black precarity.

Passports 2012–2025 presents an intimate body of work by Keisha Scarville taken from an ongoing series centered around her father’s earliest passport photograph. The artist has reinterpreted the photograph over three hundred times to date, each iteration reworked and collaged with varying materials and found imagery – paints, beads, photograph fragments of Black bodies, gold leaf, glitter – to form a deeply textured act of photomontage. Interwoven with the passport works are archival images taken between the 1960s and 1980s in Guyana and New York City, where her father settled in the US, his self-portraits, Scarville’s own photographs of him and of Guyana’s striking landscape, and short transcripts of their conversations. Together these works excavate untold histories and disrupt the false neutrality of the passport image in an interrogation of citizenship and personhood, absence and materiality. Drawing on all these strands, the book examines and reimagines diaspora, bureaucratic images, and the archive, asking what it means to understand a person, especially a loved one, through an image. With a new text by Tina M. Campt, Professor of Humanities at Princeton University

Richly illustrated catalogue of the works of one of the most significant contemporary artists practicing today. In his both powerful and lyrical works, Jafa consistently reflects on the ontology of race and of blackness. Over several decades, Arthur Jafa has constructed a compelling body of work that defies categorization. Both powerful and lyrical, his practice combines a profoundly unsettling blend of images and histories. Bringing together affective memories that touch on the history of the United States of America, violence, repression, modalities of survival, and how these exist in the production and dissemination of images, music, sound, and time-based media, Jafa reflects on the ontology of race and of blackness. The catalogue explores the philosophical, historical, and artistic implications of Jafa’s work, featuring essays and a series of conversations between Jafa and key practitioners working in the fields of cinema, arts, and theory. Text: Norman Ajari, Tina M. Campt, Liam Gillick, Ernest Hardy, Saidiya Hartman, R.A. Judy, Nathaniel Mackey, Fred Moten, Julian Myers, Vassilis Oikonomopoulos, Peter Saville, James A. Snead, Greg Tate, and Peter Watts.

A glorious chronicle of a life like none other—enlightening, entertaining, surprising, empowering—and a testament to the world-changing power of Black motherhood

“You are Celestine,” she said. She squatted to push the hair off my face and pull leaves off my pajama legs. “Like my sister and my grandmother.” And there under the pecan tree, as she did countless times, that day my mother told me stories of the mothers and daughters that went before me.

Tina Knowles, the mother of iconic singer-songwriters Beyoncé Knowles-Carter, Solange Knowles, and bonus daughter Kelly Rowland, is known the world over as a Matriarch with a capital M: a determined, self-possessed, self-aware, and wise woman who raised and inspired some of the great artists of our time. But this story is about so much more than that.

Matriarch begins with a precocious, if unruly, little girl growing up in 1950s Galveston, the youngest of seven. She is in love with her world, with extended family on every other porch and the sounds of Motown and the lapping beach always within earshot. But as the realities of race and the limitations of girlhood set in, she begins to dream of the world beyond. Her instincts and impulsive nature drive her far beyond the shores of Texas to discover the life awaiting her on the other side of childhood.

That life’s journey—through grief and tragedy, creative and romantic risks and turmoil, the nurturing of superstar offspring and of her own special gifts—is the remarkable story she shares with readers here. This is a page-turning chronicle of family love and heartbreak, of loss and perseverance, and of the kind of creativity, audacity, and will it takes for a girl from Galveston to change the world. It’s one brilliant woman’s intimate and revealing story, and a multigenerational family saga that carries within it the story of America—and the wisdom that women pass on to each other, mothers to daughters, across generations.

A landmark survey of Black American photojournalism spanning 1945 to 1984, chronicling a critical period in the civil rights movements in the United States

This volume presents work by 57 Black photographers and contributions from scholars such as Joy Bivins, Tina M. Campt and Gerald Horne, chronicling historic events and daily life in the United States from the conclusion of World War II in 1945 to the presidential campaigns of 1984, including the civil rights movements through the 1950s, '60s and '70s. Drawn from archives and collections in the care of journalists, libraries, museums, newspapers, photographers and universities, the photographs in the catalog were circulated and reviewed in publishing offices across the country.
Responding to a dearth of stories about Black lives told from the perspectives of Black people, Black publishers and their staff created groundbreaking editorial and photojournalistic methods and news networks. During a period of urgent social change and civil rights advocacy, newspapers and magazines, including the Afro American News, Atlanta Daily World, Pittsburgh Courier, Chicago Defender and Ebony, transformed how people were able to access seeing themselves and their communities. Their impact on the media landscape continues into the digital present.
The catalog is published on the occasion of the exhibition of the same name at Carnegie Museum of Art. The exhibition and catalog are both designed by artist David Hartt, and organized and edited by Charlene Foggie-Barnett, Charles ""Teenie"" Harris, community archivist, and Dan Leers, curator of photography, in dialogue with an expanded network of archivists, curators, historians and scholars.
Photographers include: Harry Adams, Anthony Barboza, Kwame Brathwaite, Don Hogan Charles, Adger Cowans, Guy Crowder, Roy DeCarava, Doris Derby, Bob Douglas, Louis Draper, Theodore Gaffney, Charles "Teenie" Harris, Chester Higgins, Kojo Kamau, Jeanne Moutoussamy-Ashe, Marilyn Nance, Gordon Parks, Ming Smith, Bruce Talamon, Deborah Willis-Ryan.

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Ty makes his I Can Read! Comics debut! Join Ty on his imaginative camping adventures in Ty’s Travels: Camp Out, a Geisel Honor–winning series with rhythmic text by Kelly Starling Lyons and joyful art by Niña Mata.

Rain, rain go away!

When wet weather cancels his family camp out, Ty uses his big imagination! They pitch a tent, go fishing, look at the stars, and roast s’mores. Yum! Camping in is so much fun.

Join Ty on his camping adventure in this Level One I Can Read! Comic, perfect for shared reading. 

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The first authorized pictorial autobiography for the trade by the legendary Tina Turner, containing iconic as well as never-before-seen candid photos, letters, and other personal items of The Queen of Rock 'n' Roll, from her early career to today.

Tina Turner has always been a glorious force to be reckoned with; for more than sixty years, Tina has captivated audiences all over the world. For the first time, Tina has assembled an exceptional collection of images and ephemera to mark her eightieth birthday. Lavishly illustrated, Tina Turner: That's My Life features the work of world-renowned photographers including Peter Lindbergh, Annie Leibovitz, Bruce Weber, Anton Corbijn, Herb Ritts, Andy Warhol, Lord Snowdon, and Paul Cox among others. Also showcased are illustrations by fashion designers who were inspired by Tina, including Christian Louboutin, Antonio, and Bob Mackie.
Additionally, Tina delved into her personal archive, and That's My Life showcases some of Tina's most famous dresses, wigs, and shoes. Comments handwritten by Tina Turner herself are included, and as well as handwritten letters from such friends as Beyoncé, Giorgio Armani, Bryan Adams, Oprah Winfrey, and Mick Jagger and others. Tina Turner: That's My Life is a comprehensive window into the world of Tina Turner, and is the perfect celebration of this storied performer that is sure to wow longtime and new fans alike.

'Deana Lawson', the first scholarly publication on the artist Deana Lawson, surveying fifteen years of her photography, will be published to accompany the first comprehensive museum survey exhibition featuring Lawson’s artwork. A singular voice in contemporary photography, Lawson has been investigating and challenging conventional representations of black identities in the African American and African diaspora for over fifteen years. Her work samples numerous photographic languages, including the family album, studio portraiture, staged tableaux, documentary pictures, and found images, creating narratives of family, love, and desire. Lawson’s photographs are made in collaboration with her subjects, who are sometimes nude, embracing, and directly confronting the camera, destabilizing the notion of photography as a passively voyeuristic medium. Whether in posed photographs or assembled collages, Lawson’s works channel broader ideas about personal and social histories of black life, love, sexuality, family, and spiritual beliefs. This publication will include selections from Lawson’s personal family photographs and archives of vernacular images that have profoundly informed her work. Accompanies an exhibition at ICA/Boston from 3 November, 2021 - 27 February, 2022; MoMA PS1 from 14 April - 5 September, 2022; and High Museum of Art from 7 October, 2022 - 19 February, 2023. Includes essays by Eva Respini and Peter Eleey (curators of the exhibition), Kimberly Juanita Brown (Professor at Dartmouth College), Tina M. Campt (Professor at Brown University), Alexander Nemerov (Professor at Stanford University), Greg Tate (writer, musician, and producer), and a conversation between the artist and Deborah Willis (Professor at New York University).