Nebula, Locus, and Alex Award-winner P. Djèlí Clark goes full length for the first time in his dazzling debut novel

A 2021 NEIBA Book Award Finalist!

Forty years ago in Egypt, the mystic and inventor Al-Jahiz pierced the veil between realms, sending magic into the world before he vanished into the unknown.

Now in 1912 Cairo, humans brush elbows with djinn in crowded tramcars and airships sail the skies. In this new world the Egyptian Ministry of Alchemy, Enchantments, and Supernatural Entities maintains an uneasy peace. When someone claiming to be Al-Jahiz "returned" murders a secret brotherhood dedicated to his legacy, however, that peace dissolves into disarray.

The Ministry’s youngest agent, Fatma el-Sha’arawi, has saved the world before. But this case is a special challenge. The imposter's dangerous magical abilities and revolutionary message threaten to tear apart the fabric of this new Egyptian society, and spill over onto the global stage. Can Agent Fatma unravel the mystery of Al-Jahiz in time to save the world—again?

The Dead Cat Tail Assassins are not cats. Nor do they have tails. But they are most assuredly dead. Nebula and Alex Award winner P. Djèlí Clark introduces a brand-new world and a fantastical city full of gods and assassins. Eveen the Eviscerator is skilled, discreet, professional, and here for your most pressing needs in the ancient city of Tal Abisi. Her guild is strong, her blades are sharp, and her rules are simple. Those sworn to the Matron of Assassins―resurrected, deadly, wiped of their memories―have only three unbreakable vows. First, the contract must be just. That’s above Eveen’s pay grade. Second, even the most powerful assassin may only kill the contracted. Eveen’s a professional. She’s never missed her mark. The third and the simplest: once you accept a job, you must carry it out. And if you stray? A final death would be a mercy. When the Festival of the Clockwork King turns the city upside down, Eveen’s newest mission brings her face-to-face with a past she isn’t supposed to remember and a vow she can’t forget.

Like a West African and African Diaspora-inspired Spirited Away, Abeni's Song follows a reluctant apprentice witch out of her village and into a world of spirits on a quest to save her friends. This is P. Djèlí Clark's kids' debut.

On the day of the spirits festival, the old woman who lives in the forest appears in Abeni's village with a terrible message:

You ignored my warnings. It’s too late to run. They are coming.

The old woman hasn't come to save them, only to collect one child as payment for her years of service and protection. When warriors with burning blades storm the village and a man with a cursed flute plays an impossibly alluring song, everyone Abeni has ever known and loved is captured and marched toward far-off ghost ships set for even more distant lands.

But not Abeni. Abeni escapes the warriors in the clutches of the old woman, magically whisked into the forest away from all she’s ever known. And there she begins her unwanted magical apprenticeship, her journey to escape the witch, and her impossible mission to bring her people home.

Abeni’s Song is the beginning of a timeless, enchanting fantasy adventure about a reluctant apprentice, a team of spirit kids, and the town they set out to save from the evil Witch Priest who enslaved Abeni’s people.

IN AMERICA, DEMONS WEAR WHITE HOODS.

In 1915, The Birth of a Nation cast a spell across America, swelling the Klan's ranks and drinking deep from the darkest thoughts of white folk. All across the nation they ride, spreading fear and violence among the vulnerable. They plan to bring Hell to Earth. But even Ku Kluxes can die.

Standing in their way is Maryse Boudreaux and her fellow resistance fighters, a foul-mouthed sharpshooter and a Harlem Hellfighter. Armed with blade, bullet, and bomb, they hunt their hunters and send the Klan's demons straight to Hell. But something awful's brewing in Macon, and the war on Hell is about to heat up.

Can Maryse stop the Klan before it ends the world?

Join us for an evening with Phenderson Djèlí Clark!

EVENT DEETS

When:  Monday, October 2 @ 7:30 PM CST

Where: Kindred Stories (2304 Stuart Street, HTX, 77004)

How: RSVP here for your free ticket or RSVP with book to reserve your book and support our programming

ABOUT THE BOOK

Like a West African and African Diaspora-inspired Spirited Away, Abeni's Song follows a reluctant apprentice witch out of her village and into a world of spirits on a quest to save her friends. This is P. Djèlí Clark's kids' debut.

On the day of the spirits festival, the old woman who lives in the forest appears in Abeni's village with a terrible message:

You ignored my warnings. It’s too late to run. They are coming.

The old woman hasn't come to save them, only to collect one child as payment for her years of service and protection. When warriors with burning blades storm the village and a man with a cursed flute plays an impossibly alluring song, everyone Abeni has ever known and loved is captured and marched toward far-off ghost ships set for even more distant lands.

But not Abeni. Abeni escapes the warriors in the clutches of the old woman, magically whisked into the forest away from all she’s ever known. And there she begins her unwanted magical apprenticeship, her journey to escape the witch, and her impossible mission to bring her people home.

Abeni’s Song is the beginning of a timeless, enchanting fantasy adventure about a reluctant apprentice, a team of spirit kids, and the town they set out to save from the evil Witch Priest who enslaved Abeni’s people.

ABOUT THE AUTHOR

Born in New York and raised mostly in Houston, P. DJÈLÍ CLARK spent the formative years of his life in the homeland of his parents, Trinidad and Tobago. He is the author of the novel A Master of Djinn, the novellas Ring Shout, The Black God’s Drums, and The Haunting of Tram Car 015, and a contributor to the #1 New York Times bestseller Black Boy Joy. He has won the Nebula, Locus, and Alex Awards and been nominated for the Hugo, World Fantasy, and Sturgeon Awards. His stories have appeared in online venues such as Tor.com, Daily Science Fiction, Heroic Fantasy Quarterly, Apex, Lightspeed, Beneath Ceaseless Skies, and in print anthologies, including Griots, Hidden Youth, and Clockwork Cairo. He is also a founding member of FIYAH Magazine of Black Speculative Fiction and an infrequent reviewer at Strange Horizons.

ABOUT THE INTERLOCUTOR

Stevens is a writer, organizer, and archivist. As part of the Kindred Stories family he is the Operations & Community Facilitator, and part-time Adjunct Professor. Stevens' current work and concentration is centered around his social-political analysis and its intersections with the arts, community, and revolutionary politics.

A stunning collection of Black American horror short stories curated by the prolific author-editor-scholar team of Maurice Broaddus and Dr. Chesya Burke.

Edited by award-winning writer, community organizer and educator Maurice Broaddus and scholar, professor and award-winning author Dr. Chesya Burke, with an introduction by Dr. Burke, Black Horror: Canonical Voices from Then to Now is a landmark anthology offering the evolution of Black American literary horror while boldly imagining its future. The stories within recognize the legacy of Black horror, its literary milestones, cultural roots, and innovative voices, while pushing the genre into new, daring territory. Authors featured in the anthology include: Tananarive Due, P. Djeli Clark, Linda D. Addison, Brandon Massey, Justina Ireland, Jewelle Gomez, Sheree Renee Thomas, Wrath James White and Victor Lavalle. It also includes a small selection of stories chosen from open submissions. This book revels in the power of horror to unsettle, illuminate, or transform, while drawing from Black American cultural histories, mythologies, and lived experiences; it will surprise you with fresh nightmares, folklore, and futures, honoring the past while writing fearlessly toward tomorrow.

The Flame Tree Beyond and Within short story collections bring together tales of myth and imagination by modern and contemporary writers, carefully selected by anthologists, and sometimes featuring short stories from a single author. Overall, the series presents a wide range of diverse and inclusive voices with myth, folkloric-inflected short fiction, and an emphasis on the supernatural, science fiction, the mysterious and the speculative. The books themselves are gorgeous, with foiled covers, printed edges and published only in hardcover editions, offering a lifetime of reading pleasure.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation.

A cop begins seeing huge, blinking eyes where the headlights of cars should be that tell him who to pull over. Two freedom riders take a bus ride that leaves them stranded on a lonely road in Alabama where several unsettling somethings await them. A young girl dives into the depths of the Earth in search of the demon that killed her parents. These are just a few of the worlds of Out There Screaming, Jordan Peele’s anthology of all-new horror stories by Black writers. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

Featuring stories by: Erin E. Adams, Violet Allen, Lesley Nneka Arimah, Maurice Broaddus, Chesya Burke, P. Djèlí Clark, Ezra Claytan Daniels, Tananarive Due, Nalo Hopkinson, N. K. Jemisin, Justin C. Key, L. D. Lewis, Nnedi Okorafor, Tochi Onyebuchi, Rebecca Roanhorse, Nicole D. Sconiers, Rion Amilcar Scott, Terence Taylor, and Cadwell Turnbull.

From the bestselling author of Everything Inside comes a vivid, timely story, moving from Haiti to Brooklyn to Miami, of a woman whose sense of self and family are called into question when she gets caught in a random act of violence one sunny Florida day.

“Is home the place where we are born? Or is it the place where we die?” These questions haunt Magnolia, a successful Haitian American real estate agent in Miami, after she hears the terrifying sounds of gunfire while shopping for her daughter’s first-ever cell phone; she takes shelter in a restaurant called Oasis, cowering with fellow shoppers and diners, each praying to their respective gods.

Once she’s safely home, Magnolia hides the fact that she was at the mall shooting from everyone close to her. But given her life back, she begins to see it all clearly, and as if for the first time—what the extraordinary bond she has with her daughter, Zoë, really means to her, and what Zoë may feel in return; what the nearly broken relationship she has with her partner, Harrison, has cost her, despite his love for her and their daughter; why her mentally troubled mother—whose unraveling patterns Magnolia worries she’s spiraling toward herself—might be so ghost-haunted; what the source of her father’s pain, and his reason for seeking solace in the arms of a mistress, really is. As Magnolia struggles through the labyrinth of her past, she must also come to terms with the losses sustained that traumatic day, losses that we all bear witness to all too often in our troubling times.

Can love, can family, protect us from harm? Does optimism or fear win out in one’s heart, one’s soul? Which side will win out for Magnolia—and where does she really belong? Pulled between these questions, and her beloved, high-stakes choices and worlds—Miami or Haiti, single or married, mortal or ghost, before or after—Magnolia is one of the most compelling characters that Danticat has ever created—a narrator who is "yon pati koukouy, part firefly": shimmering, flitting between choices, drawn to the light yet emitting her own.

Taking its title from the Creole word for mourning, Dèy is a profoundly warm and moving novel about the importance of sharing grief and leave-taking, but also of the ties of family—takeout dinners around a table, fresh dirt on a plant’s roots in the garden, swimming together in the azure seas. As Magnolia questions whether all has not yet been lost, Dèy celebrates the complexity of life in a brave and striking novel that is one of Danticat’s most powerful and deeply affecting works yet, told with a signature “unfaltering voice and evocative beauty” (The Boston Globe).

In an alternate New Orleans caught in the tangle of the American Civil War, the wall-scaling girl named Creeper yearns to escape the streets for the air – in particular, by earning a spot on-board the airship Midnight Robber. Creeper plans to earn Captain Ann-Marie’s trust with information she discovers about a Haitian scientist and a mysterious weapon he calls The Black God’s Drums.

But Creeper also has a secret herself: Oya, the African orisha of the wind and storms, speaks inside her head, and may have her own ulterior motivations.

Soon, Creeper, Oya, and the crew of the Midnight Robber are pulled into a perilous mission aimed to stop the Black God’s Drums from being unleashed and wiping out the entirety of New Orleans.

SCI-FI/FANTASY BOOK CLUB MEETING DEETS

When: Wednesday, September 18 @ 6:30 PM

Where: Kindred Stories (2304 Stuart Street, HTX, 77004)

How: RSVP ONLY to let us know you plan to attend and RSVP WITH BOOK to purchase your book and support the Sci-fi/Fantasy Book Club 

ABOUT THE DEAD CAT TAIL ASSASSINS