African futurism, gothic romance, ghost story, parable, psychological thriller, inner-space fiction—Dumas’s stories form a vivid, expansive portrait of Black life in America.

Henry Dumas’s fabulist fiction is a masterful synthesis of myth and religion, culture and nature, mask and identity, the present and the ancestral. From the Deep South to the simmering streets of Harlem, his characters embark on real, magical, and mythic quests. Humming with life, Dumas’s stories create a collage of mid-twentieth-century Black experiences, interweaving religious metaphor, African cosmologies, diasporic folklore, and America’s history of slavery and systemic racism.

Alexandre Dumas’s epic tale of suffering and retribution, inspired by a real-life case of wrongful imprisonment—nominated as one of America’s best-loved novels by PBS’s The Great American Read

Thrown in prison for a crime he has not committed, Edmond Dantes is confined to the grim fortress of If. There he learns of a great hoard of treasure hidden on the Isle of Monte Cristo, and he becomes determined not only to escape, but also to unearth the treasure and use it to plot the destruction of the three men responsible for his incarceration.

Robin Buss’s lively translation is complete and unabridged, and remains faithful to the style of Dumas’s original. This edition includes an introduction, explanatory notes, and suggestions for further reading.

Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A fun middle-grade contemporary fantasy with an all-BIPOC cast, about a social-media-loving tween who gets sent to an ultra-private witch camp

Hasani’s post-seventh-grade summer to-do list is pretty simple: get a bigger following for her makeup YouTube channel and figure out how to get her parents back together. What she does NOT expect is that an emotional outburst will spark a latent magical ability in her. Or that the magic will be strong enough to attract the attention of witches. Or that before she can say #BlackGirlMagic, she’ll be shipped off on a scholarship to a fancy finishing school for talented young ladies.

Les Belles Demoiselles is a literal charm school. Here, generations of young ladies from old-money witch families have learned to harness their magic, and alumnae grow to become some of the most powerful women across industries, including politicians, philanthropists, CEOs, entrepreneurs—and yes, even social media influencers. Needless to say, admission to the school is highly coveted, very exclusive . . . and Hasani sticks out like a weed in a rose bouquet.

While the other girls have always known they were destined to be witches, Hasani is a Wildseed––a stray witch from a family of non-witches, with no background knowledge, no way to control her magic, and a lot to catch up on. "Wildseed" may be an insult that the other girls throw at her, but Wildseeds are more powerful than they know. And Hasani will learn that there are ways to use magic and thrive that can never be taught in a classroom.

Fortunes & Frenemies is the third book in Marti Dumas’s Creole tradition inspired, fun middle-grade contemporary Wildseed Witch fantasy series, about a social-media-loving tween witch

In the past year, Hasani has learned she’s a witch, been accepted by Les Belles Demoiselles, and formed her own coven—and her YouTube followers for her makeup channel are growing every day. Now that she’s in eighth grade, she’s ready to rule the school with all her witch powers and best friends by her side.

But frenemy LaToya is still at Riverbend Middle causing trouble, both magically and socially. LaToya’s determined to befriend every single possible witch at school (and turn them against Hasani), and Hasani can’t help but wonder if she’s got another scheme going.

Witches aren’t supposed to interfere in each others’ business—but what if LaToya is going to hurt someone? Or herself? Hasani and her friends Dee, Angelique, and Luz have to figure out for themselves when it’s right to let things lie—and when it’s their responsibility to stand up for their community.

The Wildseed Witch series:
Wildseed Witch (Book 1)
Charmed Life (Book 2)
Fortunes & Frenemies (Book 3)

Inspired by creole traditions, Charmed Life is the second book in Marti Dumas’s fun, middle-grade contemporary fantasy Wildseed Witch series with an all BIPOC cast, about a social media–loving tween—and witch!

After a summer of being the worst witch at a fancy witch school, Hasani can’t wait to get back to the peace and normalcy of Riverbend Middle where she knows all the rules and is destined to be captain of the Mathletes.

There are a few little hiccups to work out—like how she’s going to tell her best friend that she’s a witch—but even though the other two members of Hasani’s coven have joined her friend group and her school, there’s no reason to think that eighth grade won’t be smooth sailing . . . that is until her former friend (and fellow witch) LaToya shows up.

LaToya starts trying to take her friends and make Hasani seem like the bad guy. To make matters worse, strange things begin happening around the school—including a termite infestation—and Hasani is so sure that LaToya is to blame. However, when Miss Lafleur comes to visit to help deal with the termites and investigate the magic, she helps Hasani to channel her powers more and realize just how strong her magic has become.

But Miss Lafleur also isn’t convinced that LaToya could have caused all this chaos on her own—so Hasani sets out to prove it, and heads to a magical market, 3Thirteen, to find the ingredients she needs to do so. But in all her focus on proving she’s right and learning more about her magic, is Hasani losing sight of the people and things that are most important to her?

The Wildseed Witch series:
Wildseed Witch (Book 1)
Charmed Life (Book 2)
Fortunes & Frenemies (Book 3)

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A groundbreaking A-Z survey of the work of over 300 modern and contemporary artists born or based in Africa

Modern and Contemporary African art is at the forefront of the current curatorial and collector movement in today’s art scene. This groundbreaking new book, created in collaboration with a prestigious global advisory board, represents the most substantial appraisal of contemporary artists born or based in Africa available. Features the work of more than 300 artists, including El Anatsui, Marlene Dumas, David Goldblatt, Lubaina Himid, William Kentridge, Julie Mehretu, Wangechi Mutu, and Robin Rhode, as well as lesser-known names from across Africa, with stunning and surprising examples of their art paired with insightful texts that demonstrate their contribution to the painting, sculpture, installation, photography, moving image, and performance art.

A dazzlingly inventive account of kinship and dispossession by a two-time Minnesota Book Award–winning author

In his first work of nonfiction, poet chaun webster blends memoir, archival research, visual poetics, and cultural criticism to trace the ways structural anti-Black violence has shaped his inheritance, and grapples with the question of how to know―and mourn―the kin he was never able to meet.

webster is particularly drawn to his grandfather Reginald, who worked for years as a Pullman porter, who was denied rest while his labor enabled rest for others, and who died without receiving a pension before webster was born. Returning to the figures of Reginald and the train, webster explores the relationship between comportment and confinement, speaking in tongues in the Pentecostal church, the ancestral meeting place of dreams, his fraught relationship with his mother, and moments with his own child. Throughout, webster also reflects on nonbiological kinship, tethering his and his predecessors’ lives to those of several historical Black figures―Harriet Jacobs, John Henry, Henry “Box” Brown, and Henry Dumas, a writer who was killed by New York City police while riding the subway.

Attempting to exhaust the possibilities of the sentence and the grammar of anti-Blackness, webster riffs and rails on the debris within reach. Part elegy, part archival detective story, and part visual poem, Without Terminus is a philosophically rigorous and deeply moving text that takes us beyond the archive of loss.

Winner, 2025 Hugh J. Silverman Book Prize, Association for Philosophy and Literature

Finalist, 2025 PEN Open Book Award, PEN America

An ambitious genre-crossing exploration of Black speculative imagination, The Dark Delight of Being Strange combines fiction, historical accounts, and philosophical prose to unveil the extraordinary and the surreal in everyday Black life.

In a series of stories and essays, James B. Haile, III, traces how Black speculative fiction responds to enslavement, racism, colonialism, and capitalism and how it reveals a life beyond social and political alienation. He reenvisions Black technologies of freedom through Henry Box Brown’s famed escape from slavery in a wooden crate, fashions an anticolonial “hollow earth theory” from the works of H. G. Wells and Jules Verne, and considers the octopus and its ability to camouflage itself as a model for Black survival strategies, among others. Looking at Black life through the lens of speculative fiction, this book transports readers to alternative worlds and spaces while remaining squarely rooted in present-day struggles. In so doing, it rethinks historical and contemporary Black experiences as well as figures such as Harriet Tubman, Frederick Douglass, Booker T. Washington, W. E. B. Du Bois, Henry Dumas, and Toni Morrison.

Offering new ways to grasp the meanings and implications of Black freedom, The Dark Delight of Being Strange invites us to reimagine history and memory, time and space, our identities and ourselves.