A call to courage and connection from prize-winning poet and champion for the arts and humanities Elizabeth Alexander.

“We send signals across vast distances, hoping to connect.” In luminous prose, Elizabeth Alexander embraces that hope, offering resources―life wisdom, historical perspective, poetry, and art―to embolden us to “reach beyond ourselves.” Her close readings of visionary poets, interwoven with extraordinary visual art, reveal how poetry and art can sustain us. Her stories of connection―as a daughter, wife, widow, and mother; as an aspiring dancer; on the dais at President Obama’s inauguration; in the hospital with her college-age son―deeply move us. She shines a light on our nation’s painful history of inequity, recounting in her Class Day speech to Yale students the thwarted dream destroyed in 1831 of a Black college in New Haven; she calls for a reckoning of centuries of injustice in historical memory and memorializing. She asks, What will we each do to make the dream of freedom, for everyone, real? Every page conveys her hope that we recognize the abundant resources we carry within: language, history, community, family, our bodies, our stories, love itself. Signals Across Vast Distances empowers us―in Alexander’s closing words―to lead with love.

12 color illustrations

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With a poet's precision and an intellectually adventurous spirit, Elizabeth Alexander explores a wide spectrum of contemporary African American artistic life through literature, paintings, popular media, and films, and discusses its place in current culture. In The Black Interior, she examines the vital roles of such heavyweight literary figures as Gwendolyn Brooks, Langston Hughes, and Rita Dove, as well as lesser known, yet vibrant, new creative voices. She offers a reconsideration of "afro-outré" painter Jean-Michel Basquiat, the concept of "race-pride" in Jet magazine, and her take on Denzel Washington's career as a complex black male icon in a post-affirmative action era. Also available is Alexander's much heralded essay on Rodney King, Emmett Till, and the collective memory of racial violence.

Alexander, who has been a professor at the University of Chicago and Smith College, and recently at Yale University, has taught and lectured on African American art and culture across the country and abroad for nearly two decades. In The Black Interior, she directs her scrupulous poet's eye to the urgent cultural issues of the day. This lively collection is a crucial volume for understanding current thinking on race, art, and culture in America.

Ninth House meets Legendborn in this thrilling dark academia novel following a new student fueled by questions about her prestigious university and the haunting answers she uncovers as her heart pulls her in two different, dangerous directions.

“Dark academia fans, get ready for your newest obsession.”―Nisha J. Tuli, USA Today bestselling author of Trial of the Sun Queen

Westfield University was supposed to be Sianna Adu’s dream school. But just when she’s on the cusp of attending the elite academic institution hidden in Virginia’s swampland, an unexpected tragedy changes everything. In one day, Sianna loses her family and gains an extraordinary power―the ability to see lifelines and witness other people’s pasts and futures.

With all she’s lost, Sianna puts her college dreams on pause and spends her days navigating dead-end jobs and a not-so-secret crush on her coworker. But when Kasem Saint James, the undeniably handsome heir to Westfield, approaches her with a strange request, the future Sianna has long deferred becomes a dangerous new reality. Worried that her powers are now tied to Kasem, she has no choice. Fate has called her to Westfield.

At an academy where secret societies abound, connections are everything, and an ominous history―stretching back centuries―determines the future, Sianna and Kasem must piece together the past to undo a curse that binds them to each other.

With a swoony romance and jaw-dropping twists, this layered dark academia novel introduces a university where nothing is quite as it seems.

In How We Write Now Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture.

Amy Sherald’s work, life, and significance for American art, as revealed in her powerful figurative paintings of Black subjects
 
Bringing together nearly all of her artwork to date, this lavishly illustrated volume situates the work of Amy Sherald (b. 1973) within the context of American realist and figurative painting. Encompassing the full arc of her career, from her poetic early works to the distinctive figure paintings and portraits that have become her hallmark, Amy Sherald: American Sublime unfolds her method of selecting individuals she meets on the street and using facial expression, body language, and clothing choices to create paintings that transcend portraiture and expand the canon of American art. Essays by curators Sarah Roberts and Rhea Combs; poet and writer Elizabeth Alexander; artist Dario Calmese; and renowned scholar Deborah Willis contextualize and illuminate Sherald’s creation of a new form of imaginative portraiture. Often depicting her subjects’ skin in gray monochrome, surrounded by few markers of place, time, or context beyond the clothes they wear, Sherald challenges the assumption that Black life is inextricably bound with struggle, creating images that engage in more expansive thinking about race and representation and the wide-open possibilities and complexities of every individual. Whether a passerby or the former first lady Michelle Obama, Sherald’s subjects are at ease with themselves, the world, and one another.
 
Published in association with the San Francisco Museum of Modern Art
 
Exhibition Schedule:
 
San Francisco Museum of Modern Art
(November 16, 2024–March 9, 2025)
 
Whitney Museum of American Art, New York
(April 9–August 3, 2025)
 
National Portrait Gallery, Washington, DC
(September 2025–January 2026)

In the tradition of Claudia Tate’s classic book, reenvisioned for the twenty-first century, Khadijah Queen showcases fifteen leading Black women writers who are influencing our cultural and literary future.

Like the luminaries Tate interviewed forty years ago, the writers in this collection demonstrate how their identities are integral to their creative processes in craft, thought, and imagination. Queen highlights the impacts and influence of social media, artificial intelligence, disability, the business of writing, and other subjects crucial to the imaginative and intellectual production of Black women writers at work today.

These poets, scientists, comic book artists, nonfiction writers, novelists, researchers, and playwrights provide a window into the connections between their lives and their art, offering an account of why and for whom they write.

Featuring conversations with: Elizabeth Alexander, Mahogany L. Browne, Rita Dove, Camille T. Dungy, Eve L. Ewing, Vievee Francis, Kaitlyn Greenidge, alexis pauline gumbs, Jzl Jmz, Morgan Parker, Imani Perry, Deesha Philyaw, Chanda Prescod-Weinstein, Treasure Shields Redmond, and Jesmyn Ward.

The two-time Pulitzer Prize winner and bestselling author of Harlem Shuffle continues his Harlem saga in a powerful and hugely-entertaining novel that summons 1970s New York in all its seedy glory.

It’s 1971. Trash piles up on the streets, crime is at an all-time high, the city is careening towards bankruptcy, and a shooting war has broken out between the NYPD and the Black Liberation Army. Amidst this collective nervous breakdown furniture store owner and ex-fence Ray Carney tries to keep his head down and his business thriving. His days moving stolen goods around the city are over. It’s strictly the straight-and-narrow for him — until he needs Jackson 5 tickets for his daughter May and he decides to hit up his old police contact Munson, fixer extraordinaire.  But Munson has his own favors to ask of Carney and staying out of the game gets a lot more complicated – and deadly.

1973. The counter-culture has created a new generation, the old ways are being overthrown, but there is one constant, Pepper, Carney’s endearingly violent partner in crime.  It’s getting harder to put together a reliable crew for hijackings, heists, and assorted felonies, so Pepper takes on a side gig doing security on a Blaxploitation shoot in Harlem.  He finds himself in a freaky world of Hollywood stars, up-and-coming comedians, and celebrity drug dealers, in addition to the usual cast of hustlers, mobsters, and hit men. These adversaries underestimate the seasoned crook – to their regret.

1976.  Harlem is burning, block by block, while the whole country is gearing up for Bicentennial celebrations.  Carney is trying to come up with a July 4th ad he can live with. ("Two Hundred Years of Getting Away with It!"), while his wife Elizabeth is campaigning for her childhood friend, the former assistant D.A and rising politician Alexander Oakes.  When a fire severely injures one of Carney’s tenants, he enlists Pepper to look into who may be behind it. Our crooked duo have to battle their way through a crumbling metropolis run by the shady, the violent, and the utterly corrupted.

CROOK MANIFESTO is a darkly funny tale of a city under siege, but also a sneakily searching portrait of the meaning of family.  Colson Whitehead’s kaleidoscopic portrait of Harlem is sure to stand as one of the all-time great evocations of a place and a time.

An urgent and clear-eyed look at the battles over reproductive control and women’s work in our tipping-point moment—and how to forge a path forward.

Reliable birth control has enabled the rising percentage of planned births over the past 35 years,allowing women to enter the paid workforce and civic life in significant numbers for the first time in recorded history. While many Americans embrace these changes, those who see themselves as benefiting from the old hierarchies resist this progress with divisive rhetoric.

In The Real Domestic Product, fertility researcher Elizabeth Gregory argues that our battles over abortion and LGBTQ bans, pronatalism, and DEI are economic at base—that conservatives seek to push women out of civic life through forced childbearing. Their goal? To maintain their discount on domestic labor (getting the work of childrearing done for “free”) and a steady supply of low-wage workers (desperate parents who must take any job to feed the baby).

By connecting the dots among shifting fertility patterns, economics, climate change, equitable work, expanding longevity, and the rising status of formerly excluded groups, Gregory counters reactionary narratives. She demonstrates that a caring democracy and an end to systemic poverty can engender critical advantages for our economy and for our fragile planet.

Never more urgently needed, The Real Domestic Product envisions the way forward to an economy of care for our planet and its people.

The Romare Bearden Reader brings together a collection of new essays and canonical writings by novelists, poets, historians, critics, and playwrights. The contributors, who include Toni Morrison, Ralph Ellison, August Wilson, Farah Jasmine Griffin, and Kobena Mercer, contextualize Bearden's life and career within the history of modern art, examine the influence of jazz and literature on his work, trace his impact on twentieth-century African American culture, and outline his art's political dimensions. Others focus on specific pieces, such as A Black Odyssey, or the ways in which Bearden used collage to understand African American identity. The Reader also includes Bearden's most important writings, which grant readers insight into his aesthetic values and practices and share his desire to tell what it means to be black in America. Put simply, The Romare Bearden Reader is an indispensable volume on one of the giants of twentieth-century American art.

Contributors. Elizabeth Alexander, Romare Bearden, Mary Lee Corlett, Rachel DeLue, David C. Driskell, Brent Hayes Edwards, Ralph Ellison, Henri Ghent, Farah Jasmine Griffin, Harry Henderson, Kobena Mercer, Toni Morrison, Albert Murray, Robert G. O’Meally, Richard Powell, Richard Price, Sally Price, Myron Schwartzman, Robert Burns Stepto, Calvin Tomkins, John Edgar Wideman, August Wilson

"Randall tricks the heart into feeling by using sleight of language...[and] explores what it means to try to fix the fractured bits of our emotional lives, regardless of age. A gift!" ―#1 New York Times-bestselling author Jason Reynolds

"Absolutely vibrating with energy and heart, Shook is a masterful middle-grade novel." ―Newbery Honoree Jasmine Warga

Shake's dream of making the varsity basketball team is in peril when he gets injured. Can he rebound and make his way back onto the court―and back to feeling like himself? For fans of Kwame Alexander and Jason Reynolds.

Beautifully designed with illustrations.

Malik Page―though unless you're his mama, call him "Shake"―dreams of making the Marshall Grove varsity basketball squad as an eighth grader. Then he'll be on his way to joining the ranks of Chicago legends like his pops and late Uncle Kenny. But when Shake fractures his ankle in a championship game, he's sidelined for the first time since his first dribble.

As his world is turned upside down, Shake feels like there’s ginger ale bubbling in his chest and sweat slicking on his palms. With a best friend who’s getting more distant by the day, a growing silence between him and his dad, and varsity tryouts fast approaching, Shake will have to cross up every obstacle to find a way back onto the court―and back to being himself. Thankfully in Marshall Grove, the sky is always full of hope.

"Readers, make permanent room on your shelves―and in your hearts― for this witty and poignant novel." ―National Book Award winner Elizabeth Acevedo

"Stunning. This book is powerful." ―Newbery Medalist Tae Keller

"Witty, electric and profound, Randall’s verse dribbles, twists and weaves highlighting the complicated inner world of a middle-school boy with nuance and care." ―National Book Award Finalist Amber McBride

Join us for a montly children's storytime at Kindred Stories. Each Story time will celebrate a special book and be read by a wondertful community mementer. IT also includes a story time. 

Featured Book: Daisy Helps With The Dress 

Featured Reader: Antonia Adams 

EVENT DEETS

When: Saturday, September 26 @ 11 AM CST 

Where: Kindred Stories (2310 Elgin St. Houston, TX 77004)

How: 

• RSVP ONLY to reserve your spot and let us know you are coming.

ABOUT DAISY HELPS WITH THE DRESS 

When Daisy tries to help with her cousin’s wedding, her misguided assists almost ruin the big day, until she finds a way to pull the dress—and her family—together in this charming picture book by award-winning author Olugbemisola Rhuday-Perkovich.

Daisy loves helping her family and she knows the best kind of helpers never wait to be asked. That’s why she doesn’t ask before adding finishing touches to her family’s special reused, re-tried, remixed things, like a leftover broccoli topping for Auntie Fontie’s cakes or a good bath for Nana DJ’s “back-in-the-day, rusty, dusty” vintage albums—much to their chagrin.

But what Daisy wants most is to help give her cousin Simone’s recycled wedding dress a little razzle dazzle. She knows just what the vintage dress needs: a little glitter here, a few stickers there to give the dress some flair.

But Daisy’s cousin Simone and the rest of the family are not so happy with her decorations. Can Daisy make things right and help find Simone a new re-lived, re-loved wedding dress?