A call to courage and connection from prize-winning poet and champion for the arts and humanities Elizabeth Alexander.

“We send signals across vast distances, hoping to connect.” In luminous prose, Elizabeth Alexander embraces that hope, offering resources―life wisdom, historical perspective, poetry, and art―to embolden us to “reach beyond ourselves.” Her close readings of visionary poets, interwoven with extraordinary visual art, reveal how poetry and art can sustain us. Her stories of connection―as a daughter, wife, widow, and mother; as an aspiring dancer; on the dais at President Obama’s inauguration; in the hospital with her college-age son―deeply move us. She shines a light on our nation’s painful history of inequity, recounting in her Class Day speech to Yale students the thwarted dream destroyed in 1831 of a Black college in New Haven; she calls for a reckoning of centuries of injustice in historical memory and memorializing. She asks, What will we each do to make the dream of freedom, for everyone, real? Every page conveys her hope that we recognize the abundant resources we carry within: language, history, community, family, our bodies, our stories, love itself. Signals Across Vast Distances empowers us―in Alexander’s closing words―to lead with love.

12 color illustrations

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With a poet's precision and an intellectually adventurous spirit, Elizabeth Alexander explores a wide spectrum of contemporary African American artistic life through literature, paintings, popular media, and films, and discusses its place in current culture. In The Black Interior, she examines the vital roles of such heavyweight literary figures as Gwendolyn Brooks, Langston Hughes, and Rita Dove, as well as lesser known, yet vibrant, new creative voices. She offers a reconsideration of "afro-outré" painter Jean-Michel Basquiat, the concept of "race-pride" in Jet magazine, and her take on Denzel Washington's career as a complex black male icon in a post-affirmative action era. Also available is Alexander's much heralded essay on Rodney King, Emmett Till, and the collective memory of racial violence.

Alexander, who has been a professor at the University of Chicago and Smith College, and recently at Yale University, has taught and lectured on African American art and culture across the country and abroad for nearly two decades. In The Black Interior, she directs her scrupulous poet's eye to the urgent cultural issues of the day. This lively collection is a crucial volume for understanding current thinking on race, art, and culture in America.

In the tradition of Claudia Tate’s classic book, reenvisioned for the twenty-first century, Khadijah Queen showcases fifteen leading Black women writers who are influencing our cultural and literary future.

Like the luminaries Tate interviewed forty years ago, the writers in this collection demonstrate how their identities are integral to their creative processes in craft, thought, and imagination. Queen highlights the impacts and influence of social media, artificial intelligence, disability, the business of writing, and other subjects crucial to the imaginative and intellectual production of Black women writers at work today.

These poets, scientists, comic book artists, nonfiction writers, novelists, researchers, and playwrights provide a window into the connections between their lives and their art, offering an account of why and for whom they write.

Featuring conversations with: Elizabeth Alexander, Mahogany L. Browne, Rita Dove, Camille T. Dungy, Eve L. Ewing, Vievee Francis, Kaitlyn Greenidge, alexis pauline gumbs, Jzl Jmz, Morgan Parker, Imani Perry, Deesha Philyaw, Chanda Prescod-Weinstein, Treasure Shields Redmond, and Jesmyn Ward.

Ninth House meets Legendborn in this thrilling dark academia novel following a new student fueled by questions about her prestigious university and the haunting answers she uncovers as her heart pulls her in two different, dangerous directions.

“Dark academia fans, get ready for your newest obsession.”―Nisha J. Tuli, USA Today bestselling author of Trial of the Sun Queen

Westfield University was supposed to be Sianna Adu’s dream school. But just when she’s on the cusp of attending the elite academic institution hidden in Virginia’s swampland, an unexpected tragedy changes everything. In one day, Sianna loses her family and gains an extraordinary power―the ability to see lifelines and witness other people’s pasts and futures.

With all she’s lost, Sianna puts her college dreams on pause and spends her days navigating dead-end jobs and a not-so-secret crush on her coworker. But when Kasem Saint James, the undeniably handsome heir to Westfield, approaches her with a strange request, the future Sianna has long deferred becomes a dangerous new reality. Worried that her powers are now tied to Kasem, she has no choice. Fate has called her to Westfield.

At an academy where secret societies abound, connections are everything, and an ominous history―stretching back centuries―determines the future, Sianna and Kasem must piece together the past to undo a curse that binds them to each other.

With a swoony romance and jaw-dropping twists, this layered dark academia novel introduces a university where nothing is quite as it seems.

Amy Sherald’s work, life, and significance for American art, as revealed in her powerful figurative paintings of Black subjects
 
Bringing together nearly all of her artwork to date, this lavishly illustrated volume situates the work of Amy Sherald (b. 1973) within the context of American realist and figurative painting. Encompassing the full arc of her career, from her poetic early works to the distinctive figure paintings and portraits that have become her hallmark, Amy Sherald: American Sublime unfolds her method of selecting individuals she meets on the street and using facial expression, body language, and clothing choices to create paintings that transcend portraiture and expand the canon of American art. Essays by curators Sarah Roberts and Rhea Combs; poet and writer Elizabeth Alexander; artist Dario Calmese; and renowned scholar Deborah Willis contextualize and illuminate Sherald’s creation of a new form of imaginative portraiture. Often depicting her subjects’ skin in gray monochrome, surrounded by few markers of place, time, or context beyond the clothes they wear, Sherald challenges the assumption that Black life is inextricably bound with struggle, creating images that engage in more expansive thinking about race and representation and the wide-open possibilities and complexities of every individual. Whether a passerby or the former first lady Michelle Obama, Sherald’s subjects are at ease with themselves, the world, and one another.
 
Published in association with the San Francisco Museum of Modern Art
 
Exhibition Schedule:
 
San Francisco Museum of Modern Art
(November 16, 2024–March 9, 2025)
 
Whitney Museum of American Art, New York
(April 9–August 3, 2025)
 
National Portrait Gallery, Washington, DC
(September 2025–January 2026)

In How We Write Now Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture.

Winner of the National Book Award for Young People’s Literature, the Michael L. Printz Award, and the Pura Belpré Award.

“A story that will slam the power of poetry and love back into your heart.” —Laurie Halse Anderson, author of Speak and Chains

In celebration of the 250th anniversary of the United States, HarperCollins is proud to present this library of American classics drawn from our storied catalog. The Poet X is the astonishing New York Times-bestselling novel-in-verse by an award-winning slam poet, about an Afro-Latina heroine who tells her story with blazing words and powerful truth.

Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking.

But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about.

With Mami’s determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school’s slam poetry club, she doesn’t know how she could ever attend without her mami finding out. But she still can’t stop thinking about performing her poems.

Because in the face of a world that may not want to hear her, Xiomara refuses to be silent.

An urgent and clear-eyed look at the battles over reproductive control and women’s work in our tipping-point moment—and how to forge a path forward.

Reliable birth control has enabled the rising percentage of planned births over the past 35 years,allowing women to enter the paid workforce and civic life in significant numbers for the first time in recorded history. While many Americans embrace these changes, those who see themselves as benefiting from the old hierarchies resist this progress with divisive rhetoric.

In The Real Domestic Product, fertility researcher Elizabeth Gregory argues that our battles over abortion and LGBTQ bans, pronatalism, and DEI are economic at base—that conservatives seek to push women out of civic life through forced childbearing. Their goal? To maintain their discount on domestic labor (getting the work of childrearing done for “free”) and a steady supply of low-wage workers (desperate parents who must take any job to feed the baby).

By connecting the dots among shifting fertility patterns, economics, climate change, equitable work, expanding longevity, and the rising status of formerly excluded groups, Gregory counters reactionary narratives. She demonstrates that a caring democracy and an end to systemic poverty can engender critical advantages for our economy and for our fragile planet.

Never more urgently needed, The Real Domestic Product envisions the way forward to an economy of care for our planet and its people.

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A powerful novel in verse by award-winning and bestselling author Elizabeth Acevedo, about two sisters grieving the devastating loss of their father who learn about each other after his death and must grapple with what this bittersweet new bond means for them.

Camino Rios lives for the summers, when her father visits her in the Dominican Republic. But this year, on the day when his plane is supposed to land, Camino arrives at the airport to see crowds of crying people…

In New York City, Yahaira Rios is called to the principal’s office, where her mother is waiting to tell her that her father, her hero, has died in a plane crash.

Separated by distance—and Papi’s secrets—the two girls are forced to face a new reality in which their father is dead and their lives are forever altered.

And then, when it seems like they’ve lost everything of their father, they learn of each other.

“In a time of increasing loneliness, this book provides a steady guide, teaching us how to foster closeness, show up intentionally, and genuinely care for the people in our lives."—Nedra Glover Tawwab, author of Set Boundaries, Find Peace

From New York Times bestselling author Alexandra Elle comes a vulnerable exploration of the friendships that shape us, stretch us, and sometimes wound us. With her trademark wisdom and storytelling, Alex invites us to not only celebrate but to examine the relationships in our lives, from the friends who matter most to the ones we should re-examine.

This book offers hard-won wisdom on:

* Recognizing when people-pleasing and self-silencing have become a pattern.

* Understanding that honesty—while sometimes painful—is a bridge to real intimacy or necessary endings.

* Letting go of the belief that we earn love by shrinking ourselves.

* Honor the sacred friendships that restore and heal us.

The Company We Keep offers readers permission to evolve in their friendships and reminds us that the people we surround ourselves with are not only mirrors, but key companions on the lifelong journey of healing, self-trust, and belonging. Alex shares her unflinching journey of learning to stop abandoning herself in the name of loyalty, to take ownership of the energy she brought into relationships, and to tell the truth—even when it cost her comfort. The Company We Keep is not just about cultivating our most meaningful friendships—it’s about becoming a better friend to ourselves first.

After years away from home, Summer Graves is back in Austin, Texas, to accept a new teaching position. Of all the changes to the old neighborhood, the most dispiriting one is the slated demolition of the high school her grandmother founded. There’s no way she can let developers destroy her memories and her family legacy. But the challenge stirs memories of another kind.

On the architectural team revitalizing the neighborhood, hometown girl Aiko Holt is all about progress. Then she sees Summer again. Some things never change.

Neither can forget the kiss they shared at their senior-year dance. Neither can back down from her unwavering beliefs about what’s right for the neighborhood.

For now, the only thing Summer and Aiko are willing to give in to is a heat that still burns. But can two women with so much passion—for what once was and what could be—agree to disagree long enough to fall in love?