Deja’s got a plan. The first in her large family to go to college, she wants to study chemistry and sell natural skin care products, like the ones she already creates from plants grown on her family’s North Carolina farm. It all starts with the Onward Bound summer program at the University of Maryland, the summer before school officially starts.

Raja’s got a dream. His traditional Nepali parents want him to study engineering and settle down in an arranged marriage, but his passion is art, and he wants to open his own tattoo parlor one day. In the meantime, he’s apprenticing at a tattoo shop in College Park, Maryland.

When Deja walks into the shop where Raja’s working, they both start crushing hard—over the course of the summer, they fall more and more deeply for one another. But the closer they get and the more their lives entwine, the more they find that dating someone who doesn’t match your parents’ expectations is harder than they ever imagined.

Can they bridge the divide between the vision their families have for their futures and the lives—and love—that are starting to feel like destiny?

In this radiant and incisive debut novel in the tradition of works by ZZ Packer and Toni Cade Bambara, a Black woman fights to reclaim—and reinvent—her world after a little understood illness and a public health crisis threatens to upend everything she has.

Forty-seven-year-old Harmony Johnston is not suited for New York City life in 2019. From shampoos to synthetics to cell phones—the ubiquitous staples of modern daily life cause her physical pain, for reasons no one, including Harmony, understand. Doctors deny her illness is real, after seven years of enduring this private war, Harmony has her doubts too. Betrayed by her body and mind, as well as those closest to her—her obstinate physician sister, her sneaky best friend, and a spectral aunt who appears and disappears at whim—Harmony clings to the one doctor who offers hope.

In war, there are sacrifices: hair, boyfriend, sleep. Conditioned to place the comfort of others above her own needs, Harmony strives to be accommodating in an increasingly inhospitable world. But when the prestigious non-profit she works for relocates to an office with new wiring, painting, and carpeting (and the same old racial tensions) that exacerbate her pain, she quits her job and begins to set firm boundaries that upend her life, make her universe a little smaller, and magnify her loneliness.

As Harmony grows increasingly ill threatening her relationship with her one sympathetic doctor, she cuts herself off completely from the outside world and plunges into depression and literal darkness. When she eventually resurfaces, the world is irreversibly altered. With everyone now nearly as isolated as she is, Harmony resolves to re-connect with all she has lost. But can things ever really go back to normal?

At turns devastating, funny, and affirming, I Can Feel It All Over is an unforgettable debut novel about bodily autonomy, art, connection, and the pursuit of an authentic life amid the world's confines.

A new edition of a landmark work on Black women’s intellectual traditions.
 
An astonishing wealth of literary and intellectual work by nineteenth-century Black women is being rediscovered and restored to print in scholarly and popular editions. In Kristin Waters’s and Carol B. Conaway’s landmark edited collection, Black Women’s Intellectual Traditions: Speaking Their Minds, sophisticated commentary on this rich body of work chronicles a powerful and interwoven legacy of activism based in social and political theories that helped shape the history of North America. The book meticulously reclaims this American legacy, providing a collection of critical analyses of the primary sources and their vital traditions. Written by leading scholars, Black Women’s Intellectual Traditions is particularly powerful in its exploration of the pioneering thought and action of the nineteenth-century Black woman lecturer and essayist Maria W. Stewart, abolitionist Sojourner Truth, novelist and poet Frances Ellen Watkins Harper, educator Anna Julia Cooper, newspaper editor Mary Ann Shadd Cary, and activist Ida B. Wells. The distinguished contributors are Hazel V. Carby, Patricia Hill Collins, Karen Baker-Fletcher, Kristin Waters, R. Dianne Bartlow, Carol B. Conaway, Olga Idriss Davis, Vanessa Holford Diana, Evelyn Simien, Janice W. Fernheimer, Michelle N. Garfield, Joy James, Valerie Palmer-Mehta, Carla L. Peterson, Marilyn Richardson, Evelyn M. Simien, Ebony A. Utley, Mary Helen Washington, Melina Abdullah, and Lena Ampadu. The volume will interest scholars and readers of African-American and women’s studies, history, rhetoric, literature, poetry, sociology, political science, and philosophy. This updated edition features a new preface by the editors in the light of new developments in current scholarship.

“Who would black women get to be if we did not have to create from a place of resistance?”

Hip Hop Womanist writer and theologian EbonyJanice’s book of essays center a fourth wave of Womanism, dreaming, the pursuit of softness, ancestral reverence, and radical wholeness as tools of liberation. 

All The Black Girls Are Activists is a love letter to Black girls and Black women, asking and attempting to offer some answers to “Who would black women get to be if we did not have to create from a place of resistance?” by naming Black women’s wellness, wholeness, and survival as the radical revolution we have been waiting for.

About the Author: EbonyJanice is a dynamic lecturer, transformational speaker, passionate multi-faith preacher, and creative focused on Decolonizing Authority, Hip Hop Scholarship, Womanism as a Political and Spiritual/Religious tool for Liberation, Blackness as Religion, Dialogue as central to professional development and personal growth, and Women and Gender Studies focused on black girlhood.

EbonyJanice holds a B.A. in Cultural Anthropology and Political Science and a Master of Arts in Social Change with a concentration in Spiritual Leadership, Womanist Theology, and Racial Justice. She is the founder of Black Girl Mixtape, a multi-platform safe think-space centering the intellectual and creative authority of black women in the form of a lecture series, an online learning institute, and a creative collaborative.

EbonyJanice is also the founder of Dream Yourself Free, a Spiritual Mentoring project focused on black women's healing, dreaming, ease, play, and wholeness as their activism and resistance work.

“We turn to poetry in our greatest moments of joy and sorrow to help us tune in to our emotions and connect with others,” writes Johnston. In Praisesong for the People, poetry brings us together to celebrate the people across the state who make this land feel like home.

Edited by Amanda Johnston, the 61st Texas Poet Laureate and first Black woman to receive this honor, this vibrant anthology collects the work of 70 emerging and established poets across the state. Commissioned to write original poems celebrating everyday people, the poets in Praisesong for the People: Poems from the Heart and Soul of Texas are as diverse as the landscapes they inhabit, and reflect the intersecting identities of Texas’s population across age, gender, BIPOC, LGBTQIA+, disability, and immigrant communities. In these poems, their voices gather in a heartfelt chorus to praise the people in their communities who offer small kindnesses, asking nothing in return. 

Praise the bus driver who ferries us safely across town. Praise the abuela who dries our tears. Praise the librarian who protects young curiosity. Praise the therapist with an open door, the teacher fluent in the language of affirmation. With story, testimony, and song, these poets give our unsung community heroes their flowers.

With an introduction by Texas Poet Laureate Amanda Johnston. 

Featuring praise poems by Kendra Allen, C. Prudence Arceneaux, Sara Bawany, Gaby Benitez, Claire Bowman, Lauren Brazeal Garza, KB Brookins, drea brown, Marie Brown, Jenny Browne, Joe Brundidge, Cloud Delfina Cardona, Paola Carrasco, Camari Carter Hawkins, Avery C. Castillo, Julieta Corpus, Victor Leo Cruz, Logen Cure, Terry Dawson, Audrea Diaz, Tarfia Faizullah, Icess Fernandez Rojas, Carrie Fountain, Mag Gabbert, Jasmine Games, Daniel García Ordaz, Chera Hammons, Alicia Harmon, SG Huerta, Amanda Johnston, Katelin Kelly, Aris Kian, Ella Kim, Jennine “DOC” Krueger, Dr. Rosalee Martin, Kaitlyn Marzetta McClung, Jasminne Mendez, Lupe Mendez, Zell Miller III, Jonathan Moody, Bo Hee Moon, Lisa L. Moore, Deborah D.E.E.P. Mouton, mónica teresa ortiz, Sebastian Páramo, Bianca Alyssa Pérez, Emmy Pérez, Phillip Periman, Kenan Phillip, Julie Poole, Amanda Puryear El, Octavio Quintanilla, jo reyes-boitel, Gerard Robledo,  Andrea “Vocab” Sanderson, Jan Seale, ire’ne lara silva, Shasparay, Naomi Shihab Nye, Ebony Stewart, Nomi Stone, Robert Tinajero, Sam Treviño, Pat Tyrer, Alexandra van de Kamp, Eddie Vega, Annar Veröld-Miranda, Edward Vidaurre, April Sojourner Truth Walker, and Sasha West. 

Channeling their own experiences, sixteen exceptional authors subvert mental health stereotypes in a powerful and uplifting collection of fiction.

A teen activist wrestles with protest-related anxiety and PTSD. A socially anxious vampire learns he has to save his town by (gulp) working with people. As part of her teshuvah, a girl writes letters to the ex-boyfriend she still loves, revealing that her struggle with angry outbursts is related to PMDD. A boy sheds uncontrollable tears but finds that in doing so he’s helping to enable another’s healing. In this inspiring, unflinching, and hope-filled mixed-genre collection, sixteen diverse and notable authors draw on their own lived experiences with mental health conditions to create stunning works of fiction that will uplift and empower you, break your heart and stitch it back together stronger than before. Through powerful prose, verse, and graphics, the characters in this anthology defy stereotypes as they remind readers that living with a mental health condition doesn’t mean that you’re defined by it. Each story is followed by a note from its author to the reader, and comprehensive back matter includes bios for the contributors as well as a collection of relevant resources.

With contributions by:
Mercedes Acosta * Karen Jialu Bao * James Bird * Rocky Callen * Nora Shalaway Carpenter * Alechia Dow * Patrick Downes * Anna Drury * Nikki Grimes * Val Howlett * Jonathan Lenore Kastin * Sonia Patel * Marcella Pixley * Isabel Quintero * Ebony Stewart * Francisco X. Stork

The official re-release of Ebony Stewart’s latest collection Home.Girl.Hood.

Rings on every finger. Hood and educated AF. You’ve met her. Wearing all her feelings and responding with a side-eye or a tongue-pop. You’ve seen her. At the grocery store. In restaurants. On the subway. At the bus stop. In a car you pulled up next to blaring whatever matches her mood. Hair in some natural or protective style for the Gods. Ebony Stewart. An around the way girl. One part human, all parts womxn. You know these poems because they be familiar. They be your grandmama, mama, auntie, and sis stories. Welcome to Home.Girl.Hood.

WASH brutally dissects black womxnhood for all its blood, beauty, sacrifice and strength. Ebony Stewart's praise and pleas for the lives of black womxn create a devotional space for healing.

Stewart's third collection is uncompromising and emotionally raw. Through trauma and recovery, black girlhood comes of age in WASH, journeying through moments of self-discovery, mental illness, love and heartbreak. Stewart reckons traditional definitions of womxnhood, exploring its complications, its communities, and its queerness.

With a distinct, lyrical poetic voice, WASH tells a story of queer, black womxnhood that perseveres. A collection that will bring you to tears and brighten your day, Ebony Stewart's WASH cannot be missed!

BloodFresh is a creative collection of honest poems and short stories that take risks in pulling itself out of disappointment, loss, and trauma only to operate in triumph by way of survival. This body of work speaks to the inner child, the everyday person, and future happy self told through Ebony Stewart also known as the Gully Princess. Welcome to BloodFresh.

Celebrate the release of CORD SWELL with brittny ray crowell!

EVENT DEETS

When: Wednesday, January 7 @ 7PM

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming.

ABOUT THE BOOK

ABOUT THE AUTHOR

brittny ray crowell is an assistant professor of English at Clark Atlanta University, where she teaches courses in poetry and composition. She is a recipient of the Inprint Donald Barthelme Prize in Poetry and the Lucy Terry Prince Prize. She lives in Atlanta, Georgia.

ABOUT THE MODERATOR

Aris Kian (she/her) is a Houston enthusiast and student of abolition. Her poems are published with Button Poetry, West Branch, Obsidian Lit, and elsewhere. As an Inprint C. Glenn Cambor Fellow, she received her MFA from the University of Houston. Her team Smoke Slam coached by Ebony Stewart ranked #1 at the 2025 Bigfoot Regional Poetry Slam and #1 at the 2024 Southern Fried Poetry Slam. She previously served as the 2023-2025 Houston Poet Laureate and was chosen as a 2025 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellow.

An electrifying novel about the meteoric rise of an iconic interracial rock duo in the 1970s, their sensational breakup, and the dark secrets unearthed when they try to reunite decades later for one last tour.

A GOOD MORNING AMERICA BUZZ PICK
NAMED A BEST BOOK OF 2021 BY BARACK OBAMA * THE WASHINGTON POST *NPR* ESQUIRE * ENTERTAINMENT WEEKLY * GOODREADS * THE MILLIONS * READER’S DIGEST * PHILADELPHIA INQUIRER * EERIE READER * PUBLIC RADIO TULSA * CHICAGO PUBLIC LIBRARY * KIRKUS REVIEWS

“Feels truer and more mesmerizing than some true stories. It’s a packed time capsule that doubles as a stick of dynamite.” —THE NEW YORK TIMES BOOK REVIEW

Opal is a fiercely independent young woman pushing against the grain in her style and attitude, Afro-punk before that term existed. Coming of age in Detroit, she can’t imagine settling for a 9-to-5 job—despite her unusual looks, Opal believes she can be a star. So when the aspiring British singer/songwriter Neville Charles discovers her at a bar’s amateur night, she takes him up on his offer to make rock music together for the fledgling Rivington Records.

In early seventies New York City, just as she’s finding her niche as part of a flamboyant and funky creative scene, a rival band signed to her label brandishes a Confederate flag at a promotional concert. Opal’s bold protest and the violence that ensues set off a chain of events that will not only change the lives of those she loves, but also be a deadly reminder that repercussions are always harsher for women, especially black women, who dare to speak their truth.

Decades later, as Opal considers a 2016 reunion with Nev, music journalist S. Sunny Shelton seizes the chance to curate an oral history about her idols. Sunny thought she knew most of the stories leading up to the cult duo’s most politicized chapter. But as her interviews dig deeper, a nasty new allegation from an unexpected source threatens to blow up everything.

Provocative and chilling, The Final Revival of Opal & Nev features a backup chorus of unforgettable voices, a heroine the likes of which we’ve not seen in storytelling, and a daring structure, and introduces a bold new voice in contemporary fiction.

Celebrate the release of We Exist in the Whisper with Lupe Mendez!

EVENT DEETS

When: Wednesday, August 5 @ 7 PM CST

Where: Kindred Stories (2310 Elgin St. Houston, TX 77004)

How:

• RSVP ONLY to reserve your seat.
• RSVP WITH BOOK to reserve your seat and purchase a copy of the book, supporting both the author and our store programming.
• RSVP (I ALREADY HAVE THE BOOK) if you plan to bring a copy you previously purchased from another bookseller.

Please note outside copies of the book will not be allowed in the bookstore and you will not be eligible for the signing/photo line. You must buy a book from Kindred Stories or purchase the RSVP ( I ALREADY HAVE THE BOOK) ticket. 

ABOUT THE BOOK

"One day all these classrooms / will no longer hold any of us. / Leave no evidence we were here. / We exist in the whisper…." Lupe Mendez's innovative new collection captures a unique time in Houston, Texas, "a sliver of a moment for Mexican-American and Mexican communities in the early 1970s," that explores Houston ISD's racist plan to integrate schools by sending Mexican-American children-labeled as white-to predominantly African-American schools, thereby satisfying federal desegregation laws.

Incensed that its children would have to travel to schools that were no better than the ones they could walk to, the Chicano community resisted by instituting a walkout, or huelga, and creating its own schools in churches, homes and neighborhood centers. Weaving poetry and history, the book contains "found" poems created from newspaper articles about the strike; oral history interviews with teachers, principals and students; notes from visits the author made to the sites where classes were held more than 50 years ago; docupoems created from official Huelga School papers; and historical documents such as photographs, charts, fliers and letters.

In his illuminating notes about the book, Mendez describes the methodology for creating this collection and includes a list of best practices for the "poethnographer." His research revealed the racism that existed in this era, perpetuated by the majority white population and between brown and black populations forced to compete for every resource. Ultimately, Mendez asserts the Huelga School strike had a critical impact on Houston, both in the development of Mexican-American leaders who got their start in these "freedom schools" and the nascent collaborations between diverse communities. This creative, thought-provoking volume is a must-read for anyone interested in education, history and Mexican Americans' fight for equality.

ABOUT THE AUTHOR

Originally from Galveston, TX, Lupe Mendez is a Writer, Editor, Educator, and Artivist…  
He is the author several books poetry and multi-genre works, including WHY I AM LIKE TEQUILA (Willow Books, 2019), winner of the 2019 John A. Robertson Award for Best First Book of Poetry, PRAYER HOLDING NIGHT: NEW & SELECTED WORKS (Texas Christian University Press, 2025) and WE EXIST IN THE WHISPER: HUELGA SCHOOL WORKS (Arte Publico Press, 2026). He is the founder of Tintero Projects which works with emerging Latinx writers and other writers of color within the Texas Gulf Coast Region, with Houston as its hub.

Lupe earned his Masters of Fine Arts from the University of Texas @ El Paso and currently serves as Poetry Editor for the Texas Observer  and Huizache: the Magazine of a New America and Associate Editor for the Acentos Review.  He has been awarded residencies and fellowships from CantoMundo, Macondo, the National Association of Latino Arts & Cultures, the Poetry Foundation + Crescendo Literary Poetry Incubator, the Betsy Hotel Writer’s Room and was one of twenty-five recipients of the inaugural Houston BIPOC Arts Network Fund (now HOUSTON IN COLOR) Artist Award for 2023. . Lupe is a 20+ year veteran in education having served classrooms across K through College in public, private and charter school settings.  Mendez is Texas Poet Laureate Emeritus (Texas Poet Laureate 2022 - 2023).

ABOUT THE CONVERSATION PARTNER

Aris Kian (she/her) is a Houston enthusiast and student of abolition. Her poems are published with Button Poetry, West Branch, Obsidian Lit, and elsewhere. As an Inprint C. Glenn Cambor Fellow, she received her MFA from the University of Houston. Her team Smoke Slam coached by Ebony Stewart ranked #1 at the 2025 Bigfoot Regional Poetry Slam and #1 at the 2024 Southern Fried Poetry Slam. She previously served as the 2023-2025 Houston Poet Laureate and was chosen as a 2025 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellow.