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A searing and tender novel about a young Black journalist’s search for answers in the unsolved murder of her great-grandfather in segregated Birmingham, Alabama decades ago – inspired by the author’s own family history.

Birmingham, 1929: Robert Lee Harrington, a master carpenter, has just moved to Alabama to pursue a job opportunity, bringing along his pregnant wife and young daughter. Birmingham is in its heyday, known as the “Magic City” for its booming steel industry, and while Robert and his family find much to enjoy in the city’s busy markets and vibrant night life – it’s also a stronghold for the Klan. And with his beautiful, light-skinned wife and snazzy car, Robert begins to worry that he might be drawing the wrong kind of attention. 

2019: Meghan Mackenzie, the youngest reporter at the Detroit Free Press, has grown up hearing family lore about her great-grandfather’s murder—but no one knows the full story of what really happened back then, and his body was never found. Determined to find answers to her family’s long-buried tragedy, and spurred by the urgency of the Black Lives Matter movement, Meghan travels to Birmingham. But as her investigation begins to uncover dark secrets that spider across both the city and time, her life may be in danger.  

Inspired by true events, Time’s Undoing is both a passionate tale of one woman’s quest for the truth behind the racially motivated trauma that has haunted her family for generations, and, as newfound friends and supporters in Birmingham rally around Meghan’s search, the uplifting story of a community coming together to fight for change.

The riveting story of the McKissack family—the founders of the leading Black design and construction firm in the United States, from its beginnings in the mid-1800s to its thriving status today—in a moving celebration of resilience and innovation.

Captured in his native West Africa and enslaved on American shores by a North Carolina plantation owner, Moses McKissack I began to build his way to emancipation right from the start. Becoming an enslaved craftsman, he picked up the trade his family would become famous for in the earliest years of the 19th century, passing his learnings down to his children and seeing them off to freedom after the Civil War.

The family would settle in Tennessee, getting its bearings in the building trades despite rampant discrimination, establishing a foothold that now sees its latest generations working at the absolute peak of its industry.

The family’s fingerprints have been left all across the United States, spanning from Reconstruction to contemporary times, through projects like the Morris Memorial Building, Capers C.M.E. Church, John F. Kennedy International Airport, and Philadelphia’s Lincoln Financial Field.

Here, Cheryl McKissack Daniel, CEO and president of McKissack & McKissack, reveals the full fascinating story of her family. So much more than an exploration of architectural achievements, The Black Family Who Built America is also a compelling illustration of how history rhymes and reverberates, and a celebration of the human spirit’s ability to overcome adversity and drive change. From Moses’s humble beginnings to Cheryl’s current role as a trailblazer and champion of diversity, the family’s journey underscores the importance of perseverance, innovation, and strategic vision in shaping a legacy that continues to inspire and impact the construction industry.

Come out and celebrate the release of Time's Undoing with author, Cheryl A. Head. 

EVENT DEETS

When: March 9 at 6:30 PM CST

Where: Kindred Stories Reading Garden(2304 Stuart Street, Houston, Texas 77004)

How: RSVP for free or with book to support the author and bookstore. 

About the Book

About the Author 

Cheryl A. Head is a writer, television producer, filmmaker, broadcast executive and media funder. When not writing fiction, Head consults on a wide range of diversity issues. She is a Senior Associate at Livingston Associates, a member of Crime Writers of Color, Mystery Writers of America, Sisters in Crime, and a member of the Bouchercon Board of Directors. 

About the Conversation Partner

Jennifer Maritza McCauley is a writer, poet, and university professor. She has been awarded fellowships from the National Endowment for the Arts, Kimbilio, CantoMundo and the Sundress Academy for the Arts. She holds an MFA from Florida International University and a PhD in creative writing and literature from the University of Missouri. The author of the cross-genre collection SCAR ON/SCAR OFF, she is an assistant professor of literature and creative writing at the University of Houston-Clear Lake.

Evil spreads throughout the Kingdom, and the one woman who can save them may be the key to their survival ... or their destruction.  

Anyi is the gem of the Countless Clans. Their Queens make lifeblood, a magical substance used for everything from medicine to weapons. Once, Anyi had so much lifeblood that they gave it away. Now their Queen is dying, none of her daughters, the Diviewe, can produce lifeblood and the gods that guide the clan have gone silent.In the Empire of Ka, Anyi native Aseye dreams of leaving her work at the imperial armory to strike out on her own. Kwame, a spy with a hidden heritage, is a charming distraction. A man of conflicting loyalties, he’s not to be trusted with Aseye’s heart – or her secret, buried so deep that even she doesn’t remember it. A secret that could end her life.As Anyi’s lifeblood dwindles, the Diviewe beg the Elders to unleash an ancient weapon to save the clan. The Elders refuse. The Diviewe take matters into their own hands. But the weapon is not what they thought it would be, and it’s not the only thing to wake…

Cheryl S. Ntumy is a Ghanaian writer of speculative fiction, young adult fiction, and romance. Her work has appeared in FIYAH Literary Magazine; Apex Magazine; World Literature Today; Best of World SF Vol. 3 and Year’s Best African Speculative Fiction 2022, among others. Her work has also been nominated for the Nommo Award for African Speculative Fiction, the British Science Fiction Association Award, the Commonwealth Writers Short Story Prize and the Miles Morland Foundation Scholarship. She is part of the Sauútiverse Collective, which created a shared universe for Afrocentric speculative fiction, and a member of Petlo Literary Arts, an organization that develops and promotes creative writing in Botswana. Her Sauútiverse novella Songs for the Shadows was released in 2024 by Atthis Arts and her short story collection Black Friday: Short Stories from Africa (Beyond and Within) was published in April 2025 by Flame Tree Press.

The politics and music of the sixties and early seventies have been the subject of scholarship for many years, but it is only very recently that attention has turned to the cultural production of African American poets. 

In "After Mecca," Cheryl Clarke explores the relationship between the Black Arts Movement and black women writers of the period. Poems by Gwendolyn Brooks, Ntozake Shange, Audre Lorde, Nikki Giovanni, Sonia Sanchez, Jayne Cortez, Alice Walker, and others chart the emergence of a new and distinct black poetry and its relationship to the black community's struggle for rights and liberation. Clarke also traces the contributions of these poets to the development of feminism and lesbian-feminism, and the legacy they left for others to build on. 

She argues that whether black women poets of the time were writing from within the movement or writing against it, virtually all were responding to it. Using the trope of "Mecca," she explores the ways in which these writers were turning away from white, western society to create a new literacy of blackness.
 

Provocatively written, this book is an important contribution to the fields of African American literary studies and feminist theory.

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Welcome to the ultimate literary parlor game—a collection of unattributed erotic stories written by a stellar list of authors, including winners of the Pulitzer Prize, National Book Awards, PEN Awards, the Women’s Prize for Fiction, Edgar Awards, and more. Anthology editors Hillary Jordan and Cheryl Lu-Lien Tan present an elegant, international collection of erotica, that explores the diverse spectrum of desire. There are stories of sexual obsession and sexual love, of domination and submission. There’s revenge sex, unrequited sex, funny sex, tortured sex, fairy tale sex, and even sex in the afterlife.

This seductive anthology is true to its name: while the authors are listed in alphabetical order at the beginning of the book, none of the stories are attributed, providing readers with a glimpse into the landscape of sexuality as explored by twenty-seven of today’s best-known authors.

Contributors include: Robert Olen Butler, Catherine Chung, Trent Dalton, Heidi Durrow, Tony Eprile, Louise Erdrich, Jamie Ford, Julia Glass, Peter Godwin, Hillary Jordan, Rebecca Makkai, Valerie Martin, Dina Nayeri, Chigozie Obioma, Téa Obreht, Helen Oyeyemi, Mary-Louise Parker, Victoria Redel, Jason Reynolds, S.J. Rozan, Meredith Talusan, Cheryl Lu-Lien Tan, Souvankham Thammavongsa, Jeet Thayil, Paul Theroux, Luis Alberto Urrea, Edmund White

Black Internationalist Feminism examines how African American women writers affiliated themselves with the post-World War II Black Communist Left and developed a distinct strand of feminism. This vital yet largely overlooked feminist tradition built upon and critically retheorized the postwar Left's "nationalist internationalism," which connected the liberation of Blacks in the United States to the liberation of Third World nations and the worldwide proletariat. Black internationalist feminism critiques racist, heteronormative, and masculinist articulations of nationalism while maintaining the importance of national liberation movements for achieving Black women's social, political, and economic rights.

Cheryl Higashida shows how Claudia Jones, Lorraine Hansberry, Alice Childress, Rosa Guy, Audre Lorde, and Maya Angelou worked within and against established literary forms to demonstrate that nationalist internationalism was linked to struggles against heterosexism and patriarchy. Exploring a diverse range of plays, novels, essays, poetry, and reportage, Higashida illustrates how literature is a crucial lens for studying Black internationalist feminism because these authors were at the forefront of bringing the perspectives and problems of black women to light against their marginalization and silencing.

In examining writing by Black Left women from 1945–1995, Black Internationalist Feminism contributes to recent efforts to rehistoricize the Old Left, Civil Rights, Black Power, and second-wave Black women's movements.