*Ships in 7-10 business days*

Everyone has something to hide...

Ellice Littlejohn seemingly has it all: an Ivy League law degree, a well-paying job as a corporate attorney in midtown Atlanta, great friends, and a “for fun” relationship with a rich, charming executive, who just happens to be her white boss. But everything changes one cold January morning when Ellice arrives in the executive suite and finds him dead with a gunshot to his head.

And then she walks away like nothing has happened. Why? Ellice has been keeping a cache of dark secrets, including a small-town past and a kid brother who’s spent time on the other side of the law. She can’t be thrust into the spotlight—again.

But instead of grieving this tragedy, people are gossiping, the police are getting suspicious, and Ellice, the company’s lone black attorney, is promoted to replace her boss. While the opportunity is a dream-come-true, Ellice just can’t shake the feeling that something is off.

When she uncovers shady dealings inside the company, Ellice is trapped in an impossible ethical and moral dilemma. Suddenly, Ellice’s past and present lives collide as she launches into a pulse-pounding race to protect the brother she tried to save years ago and stop a conspiracy far more sinister than she could have ever imagined…

Award-winning author Wanda Morris returns with a powerful, haunting thriller following a lawyer who after the mysterious disappearance of a local landowner and the death of his sister just months before, uncovers a conspiracy that dates back to Reconstruction and persists in half the United States today.

Deena Wood’s life has fallen apart in the aftermath of losing her beloved mother, her marriage, and her prestigious job at an Atlanta law firm. She needs what the Geechee people of coastal Georgia call a “dayclean,” a fresh start.

She returns to her childhood home in Brunswick, Georgia, to heal. But her return is anything but the respite she thought it might be. To make peace with all her loss, she often drives through the city. One day, she unwittingly finds herself on the oceanfront property of a loner widower who is fighting to keep land that has been in his family since the end of the Civil War. He threatens her and warns her to never return. But shortly after, he disappears, and his very expensive property is quickly put up for sale. Curious about what has happened to the man, Deena digs into his disappearance and finds a family legacy at risk. What starts out as a bit of curious snooping, turns into a deadly game of illegal land grabs and property redevelopment in poor and rural communities with dark and powerful forces at work.

Without realizing it, Deena finds herself caught up in a nightmarish scheme that threatens her community and her family. She’ll need help and finds it in a close but unlikely source because she knows she must do whatever it takes to stop the sinister forces at play before she becomes their next target.

Celebrate the release of Positive Obsession with Susana M. Morris!

EVENT DEETS

When: Friday, February 27 @ 7PM

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004).

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming.

Please note outside copies of the book will not be allowed in the bookstore and you will not be eligible for the signing/photo line. You must buy a book from Kindred Stories or purchase the RSVP (BUT I HAVE THE BOOK) ticket. 

ABOUT THE BOOK

A magnificent cultural biography that charts the life of one of our greatest writers, situating her alongside the key historical and social moments that shaped her work. 

As the first Black woman to consistently write and publish in the field of science fiction, Octavia Butler was a trailblazer. With her deft pen, she created stories speculating the devolution of the American empire, using it as an apt metaphor for the best and worst of humanity—our innovation and ingenuity, our naked greed and ambition, our propensity for violence and hierarchy. Her fiction charts the rise and fall of the American project—the nation’s transformation from a provincial backwater to a capitalist juggernaut—made possible by chattel slavery—to a bloated imperialist superpower on the verge of implosion. 

In this outstanding work, Susana M. Morris places Butler’s story firmly within the cultural, social, and historical context that shaped her life: the Civil Rights Movement, Black Power, women’s liberation, queer rights, Reaganomics. Morris reveals how these influences profoundly impacted Butler’s personal and intellectual trajectory and shaped the ideas central to her writing. Her cautionary tales warn us about succumbing to fascism, gender-based violence, and climate chaos while offering alternate paradigms to religion, family, and understanding our relationships to ourselves. Butler envisioned futures with Black women at the center, raising our awareness of how those who are often dismissed have the knowledge to shift the landscape of our world. But her characters are no magical martyrs, they are tough, flawed, intelligent, and complicated, a reflection of Butler’s stories. 

Morris explains what drove Butler: She wrote because she felt she must. “Who was I anyway? Why should anyone pay attention to what I had to say? Did I have anything to say? I was writing science fiction and fantasy, for God’s sake. At that time nearly all professional science-fiction writers were white men. As much as I loved science fiction and fantasy, what was I doing? Well, whatever it was, I couldn’t stop. Positive obsession is about not being able to stop just because you’re afraid and full of doubts. Positive obsession is dangerous. It’s about not being able to stop at all.”

ABOUT THE AUTHOR

Susana M. Morris is a Black feminist scholar and a cultural critic who has dedicated her career to studying the interior lives of Black women. She is an associate professor of Literature, Media, and Communication at Georgia Tech and the co-founder of The Crunk Feminist Collective. A former Anschutz Distinguished Fellow at Princeton University and Norman Freeling Visiting Professor at the University of Michigan, she is the author of Positive Obsession: The Life and Times of Octavia E. Butler. Her other works include Close Kin and Distant Relatives: The Paradox of Respectability in Black Women's Literature, the co-edited collection The Crunk Feminist Collection, and the co-authored young adult handbook Feminist AF: The Guide to Crushing Girlhood. Her writing has appeared in Gawker, Long Reads, Cosmopolitan, and Ebony, and she has been featured in venues such as NPR, the BBC, the New York Times, and Essence magazine. 

ABOUT THE CONVERSATION PARTNER

Melanye Price is the inaugural Director of The Ruth J. Simmons Center for Race and Justice at Prairie View A&M University. Dr. Price is an Endowed Professor of Political Science and served as the Principal Investigator for the African American Studies Initiative and the HBCU Student Voting Rights Lab. She has secured grants for the Simmons Center and her own research from various foundations including Mellon, Ford, LUMINA, and others. Price is the author of two books: The Race Whisperer: Barack Obama and the Political Uses of Race (NYU, 2016) and Dreaming Blackness: Black Nationalism and African American Public Opinion (NYU, 2009). She is currently working on her third book project on the five decade history of voting rights activism at Prairie View. She also served as a Special Assistant to Ruth J. Simmons in her last year as President of Prairie View.

Dr. Price completed her B.A. magna cum laude in geography at Prairie View A&M University and her MA and PhD in political science at The Ohio State University. Dr. Price was recently named the 2024 Anschutz Distinguished Fellow in the Effron Center for the Study of America at Princeton University. Price has been a Black History Month lecturer for the US Embassy in Germany where she lectured at universities and community organizations across the country. Professor Price was one of the contributors to Stanley Nelson’s documentary, Obama: Through the Fire, which aired on BET. She has been a regular contributor for The New York Times Opinion section and also done political commentary for various local and national outlets. Dr. Price has also served as a consultant and commenter for the audio tour of two major exhibits at the Museum Fine Arts Houston—Philip Guston Now and Kehinde Wiley’s Archaeology of Silence.

In her free time, Melanye is an avid watcher of television, supporter of all things Black and Houston, and intrepid gardener!

"Makes a valuable contribution to the ever-widening field of Morrison studies by exploring the intricacies of Morrison's African references, giving critics the ability to make more informed readings of the novels."--Canadian Review of American Studies

"A study of African cosmology and epistemology in Morrison’s writings that draws on the academic author's experience in the Kongo and Yoruba traditions."--Chronicle Review

"Addresses a real need: a scholarly and ritually informed reading of spirituality in the work of a major African American author. No other work catalogues so thoroughly the grounding of Morrison’s work in African cosmogonies. Zauditu-Selassie's many readings of Ba Kongo and Yoruba spiritual presence in Morrison's work are incomparably detailed and generally convincing."--Keith Cartwright, University of North Florida

While others have studied the African spiritual ideas and values encoded in Morrison's work, African Spiritual Traditions in the Novels of Toni Morrison is the most comprehensive. In this volume, K. Zauditu-Selassie explores a wide range of complex concepts, including African deities, ancestral ideas, spiritual archetypes, mythic trope, and lyrical prose representing African spiritual continuities. She delves deeply into African spiritual traditions, clearly explaining the meanings of African cosmology and epistemology as manifest in Morrison’s novels.

Zauditu-Selassie is uniquely positioned to write this book, as she is not only a literary critic but also a practicing Obatala priest in the Yoruba spiritual tradition and a Mama Nganga in the Kongo spiritual system. The result is a comprehensive, tour-de-force critical investigation of such works as The Bluest Eye, Sula, Song of Solomon, Tar Baby, Paradise, Love, Beloved, and Jazz.

An illuminating, electrifying exploration of the work of Toni Morrison by an award-winning novelist and Harvard professor

Toni Morrison, Nobel Laureate and one of our most beloved writers, has inspired generations of readers. But her artistic genius is often overshadowed by her monumental public persona, perhaps because, as Namwali Serpell puts it, “she is our only truly canonical black, female writer—and her work is highly complex.” In On Morrison, Serpell brings her unique experience as both an award-winning writer and professor who teaches a course on Morrison to illuminate her masterful experiments with literary form.

This is Morrison as you’ve never encountered her before, a journey through her oeuvre—her fiction and criticism, as well as her lesser-known dramatic works and poetry—with contextual guidance, archival discoveries, and original close readings. At once accessible and uncompromisingly rigorous, On Morrison is a primer not only on how to read one of the most significant American authors of all time, but also on how to read great works of literature in general. This dialogue on the page between two black women artist-readers is stylish, edifying, and thrilling in its scope and intelligence.