44 results for “by Toni Tone”

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  • Song of Solomon

    by Toni Morrison

    $17.00
    NEW YORK TIMES BESTSELLER • An official Oprah Winfrey’s “The Books That Help Me Through” selection • With this brilliantly imagined novel, the acclaimed Nobel Prize winner transfigures the coming-of-age story as audaciously as Saul Bellow or Gabriel García Márquez.

    Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. As Morrison follows Milkman from his rustbelt city to the place of his family’s origins, she introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized Black world.
  • The Bluest Eye

    by Toni Morrison

    $17.00
    NATIONAL BESTSELLER • A PARADE BEST BOOK OF ALL TIME • From the acclaimed Nobel Prize winner—a powerful examination of our obsession with beauty and conformity that asks questions about race, class, and gender with characteristic subtly and grace.
     
    In Morrison’s acclaimed first novel, Pecola Breedlove—an 11-year-old Black girl in an America whose love for its blond, blue-eyed children can devastate all others—prays for her eyes to turn blue: so that she will be beautiful, so that people will look at her, so that her world will be different. This is the story of the nightmare at the heart of her yearning, and the tragedy of its fulfillment.
  • Beloved

    by Toni Morrison

    $18.00
    The magnificent Pulitzer Prize–winning work that brought the wrenching experience of slavery into the literature of our time, enlarging our comprehension of America’s original sin.

    Upon the original publication of Beloved in 1987, John Leonard wrote in the Los Angeles Times: “I can’t imagine American literature without it.” Nearly two decades later, The New York Times chose Beloved as the best American novel of the previous fifty years.

    Set in post–Civil War Ohio, it is the story of Sethe, an escaped slave who has lost a husband and buried a child; who has withstood savagery and not gone mad. Sethe, who now lives in a small house on the edge of town with her daughter, Denver, her mother-in-law, Baby Suggs, and a disturbing, mesmerizing apparition who calls herself Beloved.

    Sethe works at “beating back the past,” but it makes itself heard and felt incessantly: in her memory; in Denver’s fear of the world outside the house; in the sadness that consumes Baby Suggs; in the arrival of Paul D, a fellow former slave; and, most powerfully, in Beloved, whose childhood belongs to the hideous logic of slavery and who has now come from the “place over there” to claim retribution for what she lost and for what was taken from her.

    Sethe’s struggle to keep Beloved from gaining possession of the present—and to throw off the long-dark legacy of the past—is at the center of this spellbinding novel. But it also moves beyond its particulars, combining imagination and the vision of legend with the unassailable truths of history.
  • A Mercy cover image

    Toni Morrison

    $17.00

    NATIONAL BESTSELLER • In “one of Morrison’s most haunting works” (The New York Times),the acclaimed Nobel Prize winner reveals what lies beneath the surface of slavery. But at its heart, like Beloved, it is the story of a mother and a daughter—a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment.

    One of the New York Times’s 100 Best Books of the 21st Century

    In the 1680s the slave trade in the Americas is still in its infancy. Jacob Vaark is an Anglo-Dutch trader and adventurer, with a small holding in the harsh North. Despite his distaste for dealing in “flesh,” he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, who can read and write and might be useful on his farm. Rejected by her mother, Florens looks for love, first from Lina, an older servant woman at her new master's house, and later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives.

  • Beloved (Contemporánea) cover image

    Toni Morrison

    $17.95

    La obra maestra de la premio Nobel de Literatura Toni Morrison, «la mejor novela norteamericana de los últimos cincuenta años» según The New York Times, ganadora del Premio Pulitzer y del American Book Award

    «No puedo imaginar la literatura norteamericana sin esta novela.»
    John Leonard, Los Angeles Times

    Para escribir esta magnífica historia, merecedora del Premio Pulitzer, Toni Morrison se inspiró en la vida real de una esclava afroamericana, Margaret Garner, que en 1856 escapó de una plantación en Kentucky y consiguió llegar al estado libre de Ohio. A punto de ser recapturada, Margaret tomó la trágica decisión de sacrificar a su hija para salvarla de una vida en cautiverio.

    En estas páginas, Sethe es la esclava prófuga que vendió su cuerpo para grabar el nombre de su hija muerta en la lápida: diez minutos por «Beloved», veinte por «Querida Beloved». Muchos años después, Sethe vive en Ohio con Denver, su hija adolescente, y Paul D., un viejo amigo que también fue esclavo. Todos intentan prosperar y olvidar el pasado, hasta que un día aparece una joven que dice llamarse Beloved. Tiene la edad que tendría su hija si viviese y sabe ciertas cosas que sugieren que podría serlo.

    Beloved se convirtió de inmediato en un clásico cuando se publicó en 1987. El crítico John Leonard escribió en Los Angeles Times: «No concibo la literatura norteamericana sin esta novela». Casi dos décadas después, The New York Times la eligió como la mejor novela norteamericana de los últimos cincuenta años.

    Reseñas:
    «Uno de los libros por lo que vale la pena volver a la biblioteca (aunque sea virtual). Obra esencial de la Premio Nobel de Literatura.»
    Begoña Alonso, Elle

    «Imbricando un realismo desabrido con una poderosa imaginación fantástica, [...] Beloved se convirtió de inmediato en un clásico».
    Zenda

    «Toni Morrison fue un gigante de su época y de la nuestra. Todo el mundo debería

    leer Beloved.»
    Margaret Atwood, The New York Times

    «Beloved es la gran novela norteamericana no escrita del siglo XIX, trata de cosas sobre las que jamás se escribió y que laten sin embargo en el fondo de novelas sí escritas, por Melville, por Poe.»
    A. S. Byatt

    «Una maravillosa artesana a la que la gente tiende a pasar por alto. Es tan genial e innovadora como Faulkner, García Márquez y Woolf.»
    The New York Times

    «La mejor obra de Toni Morrison. [...] Muestra su prodigioso talento.»
    Chicago Sun-Times

    «Si hay una novela con la que empezar a leer a Toni Morrison, es Beloved. [...] Morrison es un tesoro norteamericano.»
    Biblioteca Pública de Nueva York

    «He terminado una segunda vuelta de Beloved, la misteriosa y tan fascinante novela de Toni Morrison, donde el mundo de los esclavos negros se vuelve un asunto íntimo y a la vez mágico. [...] Y las protagonistas son las mujeres, que todo lo desafían, y son ellas mismas la libertad.»
    Sergio Ramírez, Babelia

    «Su obra es un bello y significativo desafío a nuestras conciencias y nuestra imaginación moral.»
    Barack Obama

    «Beloved te hace sentir que todo lo que has escrito es aburrido y sin vida. El nivel de destreza, la perfección y la belleza de las oraciones, el alcance de la imaginación, el orden del lenguaje en torno al dolor indescriptible. Es buenísimo. Además, es nuestra historia de terror más estadounidense. [...] Sé que Morrison no escribía para mí, pero moldeó mi escritura y le estoy eternamente agradecida.»
    Carmen María Machado

  • On Morrison cover image

    Namwali Serpell

    $32.00

    An illuminating, electrifying exploration of the work of Toni Morrison by an award-winning novelist and Harvard professor

    Toni Morrison, Nobel Laureate and one of our most beloved writers, has inspired generations of readers. But her artistic genius is often overshadowed by her monumental public persona, perhaps because, as Namwali Serpell puts it, “she is our only truly canonical black, female writer—and her work is highly complex.” In On Morrison, Serpell brings her unique experience as both an award-winning writer and professor who teaches a course on Morrison to illuminate her masterful experiments with literary form.

    This is Morrison as you’ve never encountered her before, a journey through her oeuvre—her fiction and criticism, as well as her lesser-known dramatic works and poetry—with contextual guidance, archival discoveries, and original close readings. At once accessible and uncompromisingly rigorous, On Morrison is a primer not only on how to read one of the most significant American authors of all time, but also on how to read great works of literature in general. This dialogue on the page between two black women artist-readers is stylish, edifying, and thrilling in its scope and intelligence.

  • Those Bones Are Not My Child: A Novel

    by Toni Cade Bambara

    $24.00
    ONE OF TIME MAGAZINE'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • This suspenseful novel portrays a community--and a family--under siege, during the shocking string of murders of black children in Atlanta in the early 1980s.

    Written over a span of twelve years, and edited by Toni Morrison, who calls Those Bones Are Not My Child the author's magnum opus, Toni Cade Bambara's last novel leaves us with an enduring and revelatory chronicle of an American nightmare.

    Having elected its first black mayor in 1980, Atlanta projected an image of political progressiveness and prosperity. But between September 1979 and June 1981, more than forty black children were kidnapped, sexually assaulted, and brutally murdered throughout "The City Too Busy to Hate." Zala Spencer, a mother of three, is barely surviving on the margins of a flourishing economy when she awakens on July 20, 1980 to find her teenage son Sonny missing. As hours turn into days, Zala realizes that Sonny is among the many cases of missing children just beginning to attract national attention. Growing increasingly disillusioned with the authorities, who respond to Sonny's disappearance with cold indifference, Zala and her estranged husband embark on a desperate search. Through the eyes of a family seized by anguish and terror, we watch a city roiling with political, racial, and class tensions.
  • Paradise

    by Toni Morrison

    $18.00
    Paradise opens with one of Morrison’s most raw and Faulknerian scenes: early one morning in 1976, nine men from the town of Ruby, Oklahoma—population 360, all black—unleash an assault upon a convent seventeen miles away. The misfortunes suffered in Ruby, the men believe, come from the convent women, who are rumored to engage in witchcraft and abortion. From this fateful moment of collision, Morrison takes us back to the town’s origins in 1890, when it was founded by former slaves. She then guides us through Ruby’s tumultuous journey through the twentieth century, as generations are born and lost, as racial turmoil shakes the nation. As time wears on, the residents of Ruby become ever more convinced that they must isolate themselves in order to preserve their freedom and dignity. Richly imagined and elegantly composed, Paradise is a deeply resonant allegory, one of Morrison’s most ambitious works.
  • Tar Baby

    by Toni Morrison

    $17.00
    The author of Song of Solomon now sets her extraordinary novelistic powers on a striking new course. Tar Baby, audacious and hypnotic, is masterful in its mingling of tones—of longing and alarm, of urbanity and a primal, mythic force in which the landscape itself becomes animate, alive with a wild, dark complicity in the fates of the people whose drama unfolds. It is a novel suffused with a tense and passionate inquiry, revealing a whole spectrum of emotions underlying the relationships between black men and women, white men and women, and black and white people.

    The place is a Caribbean island. In their mansion overlooking the sea, the cultivated millionaire Valerian Street, now retired, and his pretty, younger wife, Margaret, go through rituals of living, as if in a trance. It is the black servant couple, who have been with the Streets for years—the fastidious butler, Sydney, and his strong yet remote wife—who have arranged every detail of existence to create a surface calm broken only by sudden bursts of verbal sparring between Valerian and his wife. And there is a visitor among them—a beautiful young black woman, Jadine, who is not only the servant’s dazzling niece, but the protegée and friend of the Streets themselves; Jadine, who has been educated at the Sorbonne at Valerian’s expense and is home now for a respite from her Paris world of fashion, film and art.

    Through a season of untroubled ease, the lives of these five move with a ritualized grace until, one night, a ragged, starving black American street man breaks into the house. And, in a single moment, with Valerian’s perverse decision not to call for help but instead to invite the man to sit with them and eat, everything changes. Valerian moves toward a larger abdication. Margaret’s delicate and enduring deception is shattered. The butler and his wife are forced into acknowledging their illusions. And Jadine, who at first is repelled by the intruder, finds herself moving inexorably toward him—he calls himself Son; he is a kind of black man she has dreaded since childhood; uneducated, violent, contemptuous of her privilege.

    As Jadine and Son come together in the loving collision they have both welcomed and feared, the novel moves outward—to the Florida backwater town Son was raised in, fled from, yet cherishes; to her sleek New York; then back to the island people and their protective and entangling legends. As the lovers strive to hold and understand each other, as they experience the awful weight of the separate worlds that have formed them—she perceiving his vision of reality and of love as inimical to her freedom, he perceiving her as the classic lure, the tar baby set out to entrap him—all the mysterious elements, all the highly charged threads of the story converge. Everything that is at risk is made clear: how the conflicts and dramas wrought by social and cultural circumstances must ultimately be played out in the realm of the heart.

    Once again, Toni Morrison has given us a novel of daring, fascination, and power.
  • Sula (Contemporánea) cover image

    Toni Morrison

    $14.95

    Una obra maestra de la ganadora del Premio Nobel de Literatura 1993.

    Esta es la historia de Sula y Nel, dos niñas que crecen juntas en un barrio de negros, compartiendo sus sueños e ilusiones. Ambas son precoces y curiosas, hijas de familias pobres. Pero el tiempo pasa y, cuando Nel se casa, Sula se marcha del suburbio para ir a la universidad y viajar por el país. Diez años después, Sula regresa e involuntariamente destruye la familia y la felicidad de Nel. A partir de entonces, los pintorescos habitantes del suburbio la consideran una bruja malvada...

    Ambientada en los EE.UU. en el período de entreguerras, Sula es un portentoso retrato del poder de lo femenino en una comunidad pobre y rural de negros, donde las mujeres reinan como madres, hechiceras y depositarias de la tradición oral.

    Reseña:
    «Un aullido de amor y rabia, travieso y divertido, duro y amargo.»
    The New York Times

  • Tar Baby

    by Toni Morrison

    $35.00
    The author of Song of Solomon now sets her extraordinary novelistic powers on a striking new course. Tar Baby, audacious and hypnotic, is masterful in its mingling of tones—of longing and alarm, of urbanity and a primal, mythic force in which the landscape itself becomes animate, alive with a wild, dark complicity in the fates of the people whose drama unfolds. It is a novel suffused with a tense and passionate inquiry, revealing a whole spectrum of emotions underlying the relationships between black men and women, white men and women, and black and white people.

    The place is a Caribbean island. In their mansion overlooking the sea, the cultivated millionaire Valerian Street, now retired, and his pretty, younger wife, Margaret, go through rituals of living, as if in a trance. It is the black servant couple, who have been with the Streets for years—the fastidious butler, Sydney, and his strong yet remote wife—who have arranged every detail of existence to create a surface calm broken only by sudden bursts of verbal sparring between Valerian and his wife. And there is a visitor among them—a beautiful young black woman, Jadine, who is not only the servant’s dazzling niece, but the protegée and friend of the Streets themselves; Jadine, who has been educated at the Sorbonne at Valerian’s expense and is home now for a respite from her Paris world of fashion, film and art.

    Through a season of untroubled ease, the lives of these five move with a ritualized grace until, one night, a ragged, starving black American street man breaks into the house. And, in a single moment, with Valerian’s perverse decision not to call for help but instead to invite the man to sit with them and eat, everything changes. Valerian moves toward a larger abdication. Margaret’s delicate and enduring deception is shattered. The butler and his wife are forced into acknowledging their illusions. And Jadine, who at first is repelled by the intruder, finds herself moving inexorably toward him—he calls himself Son; he is a kind of black man she has dreaded since childhood; uneducated, violent, contemptuous of her privilege.

    As Jadine and Son come together in the loving collision they have both welcomed and feared, the novel moves outward—to the Florida backwater town Son was raised in, fled from, yet cherishes; to her sleek New York; then back to the island people and their protective and entangling legends. As the lovers strive to hold and understand each other, as they experience the awful weight of the separate worlds that have formed them—she perceiving his vision of reality and of love as inimical to her freedom, he perceiving her as the classic lure, the tar baby set out to entrap him—all the mysterious elements, all the highly charged threads of the story converge. Everything that is at risk is made clear: how the conflicts and dramas wrought by social and cultural circumstances must ultimately be played out in the realm of the heart.

    Once again, Toni Morrison has given us a novel of daring, fascination, and power.
  • Playing in the Dark

    by Toni Morrison

    $16.00
    An immensely persuasive work of literary criticism that opens a new chapter in the American dialogue on race—and promises to change the way we read American literature—from the acclaimed Nobel Prize winner

    Morrison shows how much the themes of freedom and individualism, manhood and innocence, depended on the existence of a black population that was manifestly unfree--and that came to serve white authors as embodiments of their own fears and desires. According to the Chicago Tribune, Morrison "reimagines and remaps the possibility of America." Her brilliant discussions of the "Africanist" presence in the fiction of Poe, Melville, Cather, and Hemingway leads to a dramatic reappraisal of the essential characteristics of our literary tradition. 

    Written with the artistic vision that has earned the Nobel Prize-winning author a pre-eminent place in modern letters, Playing in the Dark is an invaluable read for avid Morrison admirers as well as students, critics, and scholars of American literature.

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