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In the series of linked stories at the heart of Filthy Animals, set among young creatives in the American Midwest, a young man treads delicate emotional waters as he navigates a series of sexually fraught encounters with two dancers in an open relationship, forcing him to weigh his vulnerabilities against his loneliness. In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty.

One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as “a writer who wields his craft in absolutely unforgettable ways.” With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.

A long-overdue corrective to the history of rock ‘n’ roll and alternative music, repopulating it with the extraordinary Black artists and influential figures who steered its course, from an author, journalist, and front woman of the British post punk band Big Joanie.

The history of rock and roll and alternative music is often told in bold, sweeping, isolated moments that are removed from the context of their time. Upon closer inspection, however, it becomes clear that the stories we tell center primarily on the achievements of white men like Elvis Presley, The Ramones, Nirvana, and David Bowie. White men who were the stars, white men who supposedly changed the game, white men who seemingly were at the forefront of every musical innovation in the 20th and 21st centuries. These rock and roll retellings perpetuate the belief that white men were the most important people to wield a guitar, strut on stage, or pound out a pummeling drumbeat. What is missing in these stories is everything in between—the people, the places, and the scenes that connect the dots—and you can’t tell the history of any music scene, let alone alternative music, without the Black community.

From the genre's earliest moments, Black musicians—like gospel entertainer Sister Rosetta Tharpe in the 1930s-40s and rock and roll legend Chuck Berry in the 1950s—have consistently pushed musical boundaries that forever impacted the music that followed. Throughout the decades, numerous Black entertainers continued to add their take on rock and alternative genres, expanding and building on what was already there to create what we know as alternative music today: look no further than the electric fire of Jimi Hendrix’s guitar licks in the '60s, the kaleidoscopic melee of hardcore and reggae that was Bad Brains in the late '70s, and the funkadelic swagger of Living Colour in the '80s.

Despite their groundbreaking contributions, why have Black musicians been so neglected from the historical canon? Is alternative music still seen as a white genre, and how are Black musicians and fans making space for themselves in the music scenes they love? We Were Here tells the story of Black artists performing in alternative genres from punk to rock and roll, indie to new wave, alongside their Black fans. Through brand new interviews and meticulous research, Phillips documents the history of Black people’s influence on these genres, highlighting the key players, assessing the legacy of their work, and drawing attention to those who have been obscured from history.

Where rock magazines and music books previously omitted or misunderstood the stories of Black artists and fans, this book centers their voices and attempts to right the wrongs of the past. Along the way, Phillips infuses her own coming-of-age story as a Black female musician in the punk scene, alongside a cultural analysis of rock and alternative music history.

Watch out world, Artemis Owusu is entering her villain era...
Artemis 'Temz' Owusu has bags of confidence, and plenty of opportunity for hook-ups; she fiercely embraces her beautiful size 26 body and expects any man to do the same. Her marketing career is on fire, and she has a thriving side-hustle as a 'plantfluencer'.

But for some reason, her romantic relationships just won't stick.

So, when sexy California-based tech entrepreneur Ruben slides into her DMs looking for plant care advice, Temz doesn't waste an opportunity. Soon their long-distance digital flirtation is growing roots - until, in an out-of-character bout of self-doubt, Temz commits the cardinal online sin...

Suddenly she's embroiled in a web of deception as her relationship with Ruben gets increasingly serious. When her job lands her the opportunity to visit her man's stomping ground in Oakland, could it be a chance for her to finally come clean - or it could lead to total chaos?
For fans of Bolu Babalola, Bethany Rutter and Candice Carty-Williams, CHAOTIC ENERGY is a romcom with a difference.

America’s most popular sports media figure tells it like it is in this surprisingly personal book, not only dishing out his signature, uninhibited opinions but also revealing the challenges he overcame in childhood as well as at ESPN, and who he really is when the cameras are off.

Stephen A. Smith has never been handed anything, nor was he an overnight success. Growing up poor in Queens, the son of Caribbean immigrants and the youngest of six children, he was a sports-obsessed kid who faced a number of struggles, from undiagnosed dyslexia to getting enough cereal to fill his bowl. As a basketball player at Winston-Salem State University, he got a glimmer of his true calling when he wrote a newspaper column arguing for the retirement of his own Hall of Fame coach, Clarence Gaines.

Smith hustled and rose up from a high school reporter at Daily News (New York) to a general sports columnist at The Philadelphia Inquirer in the 1990s, before getting his own show at ESPN in 2005. After he was unceremoniously fired from the network in 2009, he became even more determined to fight for success. He got himself rehired two years later and, with his razor-sharp intelligence and fearless debate style, found his role on the show he was destined to star in: First Take, the network’s flagship morning program.

In Straight Shooter, Smith writes about the greatest highs and deepest lows of his life and career. He gives his thoughts on Skip Bayless, Ray Rice, Colin Kaepernick, the New York Knicks, the Dallas Cowboys, and former President Donald Trump. But he also pulls back the curtain and talks about life beyond the set, sharing authentic stories about his negligent father, his loving mother, being a father himself, his battle with life-threatening COVID-19, and what he really thinks about politics and social issues. He does it all with the same intelligence, humor, and charm that has made him a household name.

Provocative, moving, and eye-opening, this book is the perfect gift for lovers of sports, television, and anyone who likes their stories delivered straight to the heart.

What will Maya be when she grows up? A rocket scientist like Annie Easley? An Olympic athlete like Alice Coachman? A brain surgeon like Alexa Canady?

In this heart-warming and funny story, Maya discovers the achievements of some amazing Black women . . . but it's a brave Nigerian princess who really captures her imagination! 

With humor and zeal, Stephanie Taylor celebrates the lives of incredible Black women in this moving and funny, feminist narrative, while award-winning illustrator Jade Orlando's colorful art perfectly captures the warm and charming mother-daughter relationship. 

A young girl and her father share an early morning horseback ride around their city in My Daddy Is a Cowboy, a picture book celebration of “just-us time,” perfect for fans of My Papi Has a Motocycle.
 
Tall. High as the clouds.
Strong as a horse’s back.
Like a cowboy.
 
In the early hours before dawn, a young girl and her father greet their horses and ride together through the waking city streets. As they trot along, Daddy tells cowboy stories filled with fun and community, friendship, discovery, and pride. Seeing her city from a new vantage point and feeling seen in a new way, the child discovers that she too is a cowboy—strong and confident in who she is.
 
Thoughtfully and lyrically written by debut author Stephanie Seales, with vibrant illustrations from award-winning artist C. G. Esperanza, this beautiful picture book is a celebration of Black joy, outdoor play, and quality time spent between child and parent.

Bridging women’s history, the history of the South, and African American history, this book makes a bold argument about the role of white women in American slavery. Historian Stephanie E. Jones-Rogers draws on a variety of sources to show that slave‑owning women were sophisticated economic actors who directly engaged in and benefited from the South’s slave market. Because women typically inherited more slaves than land, enslaved people were often their primary source of wealth. Not only did white women often refuse to cede ownership of their slaves to their husbands, they employed management techniques that were as effective and brutal as those used by slave‑owning men. White women actively participated in the slave market, profited from it, and used it for economic and social empowerment. By examining the economically entangled lives of enslaved people and slave‑owning women, Jones-Rogers presents a narrative that forces us to rethink the economics and social conventions of slaveholding America.

Spring is in the air, and love is on the page. Join D.W. Brooks, Alexandra Lechelle, and Zee Renee at Kindred Stories for a celebration of local romance authors.

EVENT DEETS

When: Saturday, May 23 @ 6PM

Where: Kindred Stories: (2310 Elgin St, Houston, TX 77004)

How: RSVP WITH BOOK to support the authors and our store programming. There are four options available: you can choose to support an individual author or select the Romance In Spring Bundle, which includes one book from all participating authors.

ABOUT THE AUTHORS

D. W. Brooks

D. W. Brooks  is an author who has independently published three romantic suspense books and two contemporary romance novels. In addition to writing books, D. W. is also a retired ophthalmologist and a kidney transplant recipient of over eight years. She is originally from Alabama but now lives in Texas with her husband and daughter.

Alexandrea LeChelle

Alexandrea LeChelle is a contemporary romance author whose stories explore love, grief, healing, and the complicated beauty of human connection.

Her novels unfold between Houston and Louisiana and center Black characters navigating family legacies, emotional vulnerability, and the quiet courage it takes to love deeply and unapologetically.

Through rich, emotional storytelling and cinematic detail, Alexandrea writes the kind of love stories she rarely saw growing up and entering adulthood. Stories where Black characters are allowed to be flawed, passionate, and deeply human.

What began as a way to process emotions and channel creativity through her own healing journey, slowly evolved into something much bigger: an urge to create and share stories about love, healing, and the complicated paths of life that bring people together.

Her stories often explore themes such as emotional healing, family dynamics, grief and growth, healthy Black love, the courage to begin again. Every story is planted in the belief that love, in all its forms, has the power to change us for the better.

When she’s not reading, Alexandrea can be found working her way through her own TBR, journaling or planning new creative projects, adding recipes to her personal cookbook, and listening to playlists that eventually inspire new stories.

At the heart of everything she creates is a simple hope: That readers will find pieces of themselves in her stories.

Zee Renee

Writing is where Zee thrives, finding peace and purpose. Her journey began at thirteen with a black-and-white composition book, later blossoming on Wattpad, where she captivated over two million readers. In December 2023, she released her debut novel, All In, and was nominated for the 2023 Black Girl Who Writes Best New Author award. By November 2024, Zee became a National Best-Selling Author with the release of When He’s Not There, her third book.

Crafting urban fiction and romance, Zee transforms raw emotions into powerful stories. Her characters are deeply personal, each carrying a piece of her spirit. She is grateful for the opportunity to share her God-given talent and hopes readers will feel the same passion in her words as she does in writing them.

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