Seeran and Lettle are no longer prisoners to the fae court, but now they’re bound by shackles of their hearts, in this sequel to Faebound from the national bestselling author.

United by war.
Betrayed by destiny.
Cursed by love.

Yeeran was born for war but is unprepared for love. She has left her new lover, the Queen of the fae, to return to her homeland, only to find that her former lover now threatens war against the fae.

Left behind, her sister Lettle is determined to break the curse that binds the fae to their realm. When a stranger appears in the city, Lettle is convinced he’s the key. But the Fates that once spoke to her have fallen silent.

Can Lettle and Yeeran discover the secret behind the curse—and unite these two worlds before they destroy each other?

Book Two of the Faebound Trilogy

Don’t miss any of Saara El-Arifi’s magical Faebound Trilogy:
FAEBOUND • CURSEBOUND

Yeeran and Lettle’s world has been shaken by a revelation from the Fates that changes everything: the obeah are not what they seem. Return to the intoxicating realm of the fae one last time in the final installment of the #1 Sunday Times bestselling Faebound series.

Broken by love.
Trapped by war.
Bound by magic.

Lettle is on a quest to uncover the truth. Along with the human Alder, the last of his kind, she sets off on an arduous journey of discovery. But after a painful separation from King Rayan, she is struggling to find her way.

Alder is determined to learn more about his origins. With no memories of his childhood, he retraces his steps to the cave where it all began. But what he finds there may shake him to the core.

Back in the fae court, Yeeran has other priorities. The warrior-turned-ambassador must negotiate a peace treaty with the elven army to save them all. But it’s hard to bargain with a duplicitous enemy. And it’s even harder to negotiate with a broken heart.

Secrets ripple like an earthquake across the land and love and power is at the core of them all…

Don’t miss any of Saara El-Arifi’s magical Faebound Trilogy:
FAEBOUND • CURSEBOUND• EARTHBOUND

Cleopatra tells her own story in this evocative and sensuous historical epic from the bestselling and award-winning author of Faebound and The Final Strife.

This stunning edition includes designed endpapers and a custom case stamp.

YOU KNOW MY NAME, BUT YOU DO NOT KNOW ME.

Your historians call me seductress, but I was ever in love's thrall.

Your playwrights speak of witchcraft, but my talents came from the gods themselves.

Your poets sing of my bloodlust, but I was always protecting my children.

How wilfully they refuse to concede that a woman could be powerful, strategic, and divinely blessed to rule.

Death will silence me no longer.

This is not the story of how I died. But how I lived.

Murder. Secrets. Sacrifice: Three women seek the truth of the empire’s past. And the truth they find will have the power to ignite a war, in the sequel to The Final Strife, the continuation of a visionary fantasy trilogy inspired by the myths of Africa and Arabia.

“[A] riveting high-fantasy series . . . intense and compelling.”—Booklist

AN AUTOSTRADDLE BEST BOOK OF THE YEAR

Anoor is the first blue-blooded ruler of the Wardens’ Empire. But when she is accused of a murder she didn’t commit, her reign is thrown into turmoil. She must solve the mystery and clear her name without the support of her beloved, Sylah.

Sylah braves new lands to find a solution for the hurricane that threatens to destroy her home. But in finding answers, she must make a decision: Should she sacrifice her old life in order to raise up her sword once more?

Hassa’s web of secrets grows ever thicker as she finds herself on the trail of crimes in the city. Her search uncovers the extent of the atrocities of the empire’s past and present. Now she must guard both her heart and her land.

The three women find their answers, but not the answers they wanted. The drumbeat of change thrums throughout the world.

And it sings a song of war.

Ready we will be, when the Ending Fire comes,
When the Child of Fire brings the Battle Drum,
The Battle Drum,
The Battle Drum.
Ready we will be, for war will come.

Book Two of The Ending Fire Trilogy

Don’t miss any of Saara El-Arifi’s searing Ending Fire Trilogy:
THE FINAL STRIFE • THE BATTLE DRUM • THE ENDING FIRE

Rebellions are like fires—something needs to burn to make a flame. Return to the Wardens’ Empire in this riveting conclusion to the visionary fantasy trilogy inspired by the mythology of Africa and Arabia.

The Wardens’ Empire is falling. A vigilante known only as the Truthsayer is raising an army against the wardens. Sylah and Hassa must navigate the politics of this new world, all the while searching for Anoor.

Across the sea, the Blood Forged prepare for war, requesting aid from other governments. Jond’s role as major general sees him training soldiers for combat, but matters of the heart will prove to be the hardest battlefield.

The Zalaam celebrate the arrival of the Child of Fire, heralding the start of the final battle. Anoor’s doubts are eclipsed by the powers of her new god. Soon the Zalaam will set off on their last voyage—and few expect to return.

Do you feel it? Cresting the horizon? The darkness drawing in, the shadows elongating . . .

The Ending Fire comes.

Book Three of the Ending Fire Trilogy

Don’t miss any of Saara El-Arifi’s searing Ending Fire Trilogy:
THE FINAL STRIFE • THE BATTLE DRUM • THE ENDING FIRE

In the first book of a visionary fantasy trilogy with its roots in the mythology of Africa and Arabia that “sings of rebellion, love, and the courage it takes to stand up to tyranny” (Samantha Shannon, author of The Priory of the Orange Tree), three women band together against a cruel empire that divides people by blood.

“A game-changing new voice in epic fantasy . . . There are no Chosen Ones here, only bad choices and blood.”—Tasha Suri, author of The Jasmine Throne

ONE OF THE BEST BOOKS OF THE YEAR: Oprah Daily, Autostraddle

Red is the blood of the elite, of magic, of control.
Blue is the blood of the poor, of workers, of the resistance.
Clear is the blood of the slaves, of the crushed, of the invisible.

Sylah dreams of days growing up in the resistance, being told she would spark a revolution that would free the empire from the red-blooded ruling classes’ tyranny. That spark was extinguished the day she watched her family murdered before her eyes.

Anoor has been told she’s nothing, no one, a disappointment, by the only person who matters: her mother, the most powerful ruler in the empire. But when Sylah and Anoor meet, a fire burns between them that could consume the kingdom—and their hearts. 

Hassa moves through the world unseen by upper classes, so she knows what it means to be invisible. But invisibility has its uses: It can hide the most dangerous of secrets, secrets that can reignite a revolution. And when she joins forces with Sylah and Anoor, together these grains of sand will become a storm. 

As the empire begins a set of trials of combat and skill designed to find its new leaders, the stage is set for blood to flow, power to shift, and cities to burn. 
 
Book One of The Ending Fire Trilogy

Don’t miss any of Saara El-Arifi’s searing Ending Fire Trilogy:
THE FINAL STRIFE • THE BATTLE DRUM • THE ENDING FIRE

Palestinian women are an essential—often silenced—part of global struggles for freedom. They are at the forefront of the anti-colonial struggle against Israel’s occupation of their lands, as well as being comrades in intersecting movements worldwide.

This series of interviews with Palestinian women living across Palestine and in the diaspora include a journalist on the front line of resistance against settlers and the Israeli army in the West Bank, a BDS activist, a doctor exposing Israel’s deliberate targeting of medical infrastructure as part of its genocidal assault on Gaza, an organiser who critiques the Palestinian Authority’s repression of social media and those making their voices heard in the diaspora, and others.

Everything We Thought Was Beautiful: Interviews with Radical Palestinian Women broadcasts these women’s struggles in their own words and on all fronts—against colonialism, white supremacy, conservatism, patriarchy, state control—and Israel’s occupation. They discuss their politics, the fight for freedom, and their hope for the future.

Complied by Shoal Collective, a co-operative of independent writers and researchers writing for social justice and a world beyond capitalism, the voices include Ayah Al-Ghazzawi, Lina Nabulsy, Samah Fadil, Diana Khwaelid, Shahd Abusalama, Sireen Khudairy, Lama Suleiman, Shrouq Aila, Rana Abu Rahmah, Shatha Abu Srour, Ghada Hamdan, Mona Al-Farra, and Faiza Abu Shamsiyah with a Foreword by Huwaida Arraf.

*ship in 7-10 business days

Made at a critical juncture in Betye Saar’s (born 1926) career, the enigmatic assemblage Black Girl’s Window (1969) was recognized by the artist as a crucial link between her past and future even at the time she made it. Saar has drawn upon family history, spirituality, astrology and politics consistently throughout her 60-year career, and all are present in the prints, drawings and found material neatly ensconced within the gridded panes of the antique window frame that is the work’s defining element.

This in-depth study by curators Christophe Cherix and Esther Adler expands our understanding of Saar’s early career and casts light on all that followed. Drawing on new research into the work’s construction and materials, and on firsthand discussions with the artist regarding the making of Black Girl’s Window and the themes behind her evocative imagery, this concise, generously illustrated volume explores one of Saar’s best-known and most iconic works.

From theatrical costumes to leather accessories and jewelry, Saar’s early wearable artworks are as transformative as her assemblages

Organized around Betye Saar’s early work in costume and jewelry design during the 1960s and 1970s, Let’s Get It On explores how this formative period profoundly shaped her pioneering work in assemblage and installation. Through original drawings, essays, archival materials and installation images, the book traces Saar’s evolution from designer to artist, revealing the enduring connections between her wearable creations and her broader visual language. It features newly commissioned scholarship alongside rare photographs, sketches, jewelry, garments and ephemera from Saar’s personal archives, offering fresh insight into the artist’s lifelong engagement with materials, memory and Black cultural expression. The book also includes a custom-designed sewing pattern by Betye Saar, inspired by her studio practice. This set features comprehensive instructions, precision-cut pattern pieces and an exclusive artist-designed iron-on: everything you need to spark your own creative journey. Let’s Get It On provides an invaluable resource for understanding the full scope of Saar’s creative practice and her influence across generations.
Betye Saar (born 1926) is renowned for pioneering Black feminism and West Coast assemblage in her visionary artistic practice, through dense, complexly referential objects. For over seven decades, Saar’s work has led dialogues on race and gender, reflecting changing cultural and political contexts. Most recently, solo presentations have been hosted by the Museum of Modern Art, New York, and the Los Angeles County Museum of Art. Saar’s work was prominently featured in We Wanted a Revolution: Black Radical Women, 1965–85 at the Brooklyn Museum and in Soul of a Nation: Art in the Age of Black Power at Tate Modern.

New Yorker Mara Bader moves to Zambia to teach teens Lifeskillz through soccer. Zambia offers her everything she was missing from her life in America–a sense of community and humanity. Enchanted, Mara wants to be Zambian. She learns to cook nshima like her Zambian sisters, dresses in local fabrics and falls in love with the charming, unpredictable son of an ex-minister.

Kezzy unlocks the door to Zambian culture for her, in more ways than one. They marry, with two sons following in short order. Six years later, and Mara’s already an expert in ignoring the click click click sound coming from behind the bathroom door as Kezzy texts his girlfriend. When Loveness, his mistress, confronts her, Mara makes an unusual, ill-fated choice.

Salaula Sisters explores the vagaries of modern-day Zambia, a cross-cultural marriage, and an unusual alliance.

An assembly of refusals portraying the radical power of “no” by the renowned scholar and author of The Feminist Killjoy Handbook, Sara Ahmed.

To be heard as complaining is not to be heard, writes Sara Ahmed. In her sweeping exploration of complaint as a means of resistance, Ahmed attunes her “feminist ear” to those who seek to challenge powerful institutions. She shows how complaints can unbury past complaints, getting them out of filing cabinets or from behind closed doors, allowing us to see institutions more clearly—how they work, and for whom they work.

Where complaints live, how complaints are made, who receives them, who buries them and where—Ahmed’s accessible, attentive writing brings to life the lessons learned from people knocking at closed doors, teaching us how to collectively resist the glacial weight of institutional power. This book inspires all of us to persist, to say “No!” and to build new collectivities that break down brick walls together.

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From superstar athlete, record breaker, entrepreneur, philanthropist (and mama) Serena Williams, comes a magical picture book in which a little girl learns to believe in herself with the help of her doll and best friend, Qai Qai.

“Don’t be scared, Best Friend! I’m right here with you, always!”

“But what if I’m not good enough?”

“Girl!” Qai Qai answered. “You’re already good enough when you walk in the door! Come on, let me show you.”

Baby Girl has a dance recital coming up, and she can't help but worry. She's practiced and practiced, but what if something goes wrong? What if she forgets the steps or freezes up during her solo?

Luckily, her best friend Qai Qai the doll has her back! When Qai Qai comes to life, they go on a magical journey that shows Baby Girl that she’s ready for the stage.

This heartwarming picture book from beloved athlete Serena Williams shows readers the power of believing -in your best friend and in yourself.