Seeran and Lettle are no longer prisoners to the fae court, but now they’re bound by shackles of their hearts, in this sequel to Faebound from the national bestselling author.

United by war.
Betrayed by destiny.
Cursed by love.

Yeeran was born for war but is unprepared for love. She has left her new lover, the Queen of the fae, to return to her homeland, only to find that her former lover now threatens war against the fae.

Left behind, her sister Lettle is determined to break the curse that binds the fae to their realm. When a stranger appears in the city, Lettle is convinced he’s the key. But the Fates that once spoke to her have fallen silent.

Can Lettle and Yeeran discover the secret behind the curse—and unite these two worlds before they destroy each other?

Book Two of the Faebound Trilogy

Don’t miss any of Saara El-Arifi’s magical Faebound Trilogy:
FAEBOUND • CURSEBOUND

Murder. Secrets. Sacrifice: Three women seek the truth of the empire’s past. And the truth they find will have the power to ignite a war, in the sequel to The Final Strife, the continuation of a visionary fantasy trilogy inspired by the myths of Africa and Arabia.

“[A] riveting high-fantasy series . . . intense and compelling.”—Booklist

AN AUTOSTRADDLE BEST BOOK OF THE YEAR

Anoor is the first blue-blooded ruler of the Wardens’ Empire. But when she is accused of a murder she didn’t commit, her reign is thrown into turmoil. She must solve the mystery and clear her name without the support of her beloved, Sylah.

Sylah braves new lands to find a solution for the hurricane that threatens to destroy her home. But in finding answers, she must make a decision: Should she sacrifice her old life in order to raise up her sword once more?

Hassa’s web of secrets grows ever thicker as she finds herself on the trail of crimes in the city. Her search uncovers the extent of the atrocities of the empire’s past and present. Now she must guard both her heart and her land.

The three women find their answers, but not the answers they wanted. The drumbeat of change thrums throughout the world.

And it sings a song of war.

Ready we will be, when the Ending Fire comes,
When the Child of Fire brings the Battle Drum,
The Battle Drum,
The Battle Drum.
Ready we will be, for war will come.

Book Two of The Ending Fire Trilogy

Don’t miss any of Saara El-Arifi’s searing Ending Fire Trilogy:
THE FINAL STRIFE • THE BATTLE DRUM • THE ENDING FIRE

Rebellions are like fires—something needs to burn to make a flame. Return to the Wardens’ Empire in this riveting conclusion to the visionary fantasy trilogy inspired by the mythology of Africa and Arabia.

The Wardens’ Empire is falling. A vigilante known only as the Truthsayer is raising an army against the wardens. Sylah and Hassa must navigate the politics of this new world, all the while searching for Anoor.

Across the sea, the Blood Forged prepare for war, requesting aid from other governments. Jond’s role as major general sees him training soldiers for combat, but matters of the heart will prove to be the hardest battlefield.

The Zalaam celebrate the arrival of the Child of Fire, heralding the start of the final battle. Anoor’s doubts are eclipsed by the powers of her new god. Soon the Zalaam will set off on their last voyage—and few expect to return.

Do you feel it? Cresting the horizon? The darkness drawing in, the shadows elongating . . .

The Ending Fire comes.

Book Three of the Ending Fire Trilogy

Don’t miss any of Saara El-Arifi’s searing Ending Fire Trilogy:
THE FINAL STRIFE • THE BATTLE DRUM • THE ENDING FIRE

In the first book of a visionary fantasy trilogy with its roots in the mythology of Africa and Arabia that “sings of rebellion, love, and the courage it takes to stand up to tyranny” (Samantha Shannon, author of The Priory of the Orange Tree), three women band together against a cruel empire that divides people by blood.

“A game-changing new voice in epic fantasy . . . There are no Chosen Ones here, only bad choices and blood.”—Tasha Suri, author of The Jasmine Throne

ONE OF THE BEST BOOKS OF THE YEAR: Oprah Daily, Autostraddle

Red is the blood of the elite, of magic, of control.
Blue is the blood of the poor, of workers, of the resistance.
Clear is the blood of the slaves, of the crushed, of the invisible.

Sylah dreams of days growing up in the resistance, being told she would spark a revolution that would free the empire from the red-blooded ruling classes’ tyranny. That spark was extinguished the day she watched her family murdered before her eyes.

Anoor has been told she’s nothing, no one, a disappointment, by the only person who matters: her mother, the most powerful ruler in the empire. But when Sylah and Anoor meet, a fire burns between them that could consume the kingdom—and their hearts. 

Hassa moves through the world unseen by upper classes, so she knows what it means to be invisible. But invisibility has its uses: It can hide the most dangerous of secrets, secrets that can reignite a revolution. And when she joins forces with Sylah and Anoor, together these grains of sand will become a storm. 

As the empire begins a set of trials of combat and skill designed to find its new leaders, the stage is set for blood to flow, power to shift, and cities to burn. 
 
Book One of The Ending Fire Trilogy

Don’t miss any of Saara El-Arifi’s searing Ending Fire Trilogy:
THE FINAL STRIFE • THE BATTLE DRUM • THE ENDING FIRE

Two elven sisters become imprisoned in the intoxicating world of the fae, where danger and love lie in wait. Faebound is the first book in an enchanting new trilogy from the Sunday Times bestselling author of The Final Strife.

“A romantic fantasy of epic proportions, crackling with magic and passion.”—Samantha Shannon, bestselling author of The Priory of the Orange Tree

Yeeran was born on the battlefield, has lived on the battlefield, and one day, she knows, she’ll die on the battlefield.

As a warrior in the elven army, Yeeran has known nothing but violence her whole life. Her sister, Lettle, is trying to make a living as a diviner, seeking prophecies of a better future.

When a fatal mistake leads to Yeeran’s exile from the Elven Lands, both sisters are forced into the terrifying wilderness beyond their borders. 

There they encounter the impossible: the fae court. The fae haven’t been seen for a millennium. But now Yeeran and Lettle are thrust into their seductive world, torn among their loyalties to each other, their elven homeland, and their hearts.

Yeeran and Lettle’s world has been shaken by a revelation from the Fates that changes everything: the obeah are not what they seem. Return to the intoxicating realm of the fae one last time in the final installment of the #1 Sunday Times bestselling Faebound series.

Broken by love.
Trapped by war.
Bound by magic.

Lettle is on a quest to uncover the truth. Along with the human Alder, the last of his kind, she sets off on an arduous journey of discovery. But after a painful separation from King Rayan, she is struggling to find her way.

Alder is determined to learn more about his origins. With no memories of his childhood, he retraces his steps to the cave where it all began. But what he finds there may shake him to the core.

Back in the fae court, Yeeran has other priorities. The warrior-turned-ambassador must negotiate a peace treaty with the elven army to save them all. But it’s hard to bargain with a duplicitous enemy. And it’s even harder to negotiate with a broken heart.

Secrets ripple like an earthquake across the land and love and power is at the core of them all…

Don’t miss any of Saara El-Arifi’s magical Faebound Trilogy:
FAEBOUND • CURSEBOUND• EARTHBOUND

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Made at a critical juncture in Betye Saar’s (born 1926) career, the enigmatic assemblage Black Girl’s Window (1969) was recognized by the artist as a crucial link between her past and future even at the time she made it. Saar has drawn upon family history, spirituality, astrology and politics consistently throughout her 60-year career, and all are present in the prints, drawings and found material neatly ensconced within the gridded panes of the antique window frame that is the work’s defining element.

This in-depth study by curators Christophe Cherix and Esther Adler expands our understanding of Saar’s early career and casts light on all that followed. Drawing on new research into the work’s construction and materials, and on firsthand discussions with the artist regarding the making of Black Girl’s Window and the themes behind her evocative imagery, this concise, generously illustrated volume explores one of Saar’s best-known and most iconic works.

From theatrical costumes to leather accessories and jewelry, Saar’s early wearable artworks are as transformative as her assemblages

Organized around Betye Saar’s early work in costume and jewelry design during the 1960s and 1970s, Let’s Get It On explores how this formative period profoundly shaped her pioneering work in assemblage and installation. Through original drawings, essays, archival materials and installation images, the book traces Saar’s evolution from designer to artist, revealing the enduring connections between her wearable creations and her broader visual language. It features newly commissioned scholarship alongside rare photographs, sketches, jewelry, garments and ephemera from Saar’s personal archives, offering fresh insight into the artist’s lifelong engagement with materials, memory and Black cultural expression. The book also includes a custom-designed sewing pattern by Betye Saar, inspired by her studio practice. This set features comprehensive instructions, precision-cut pattern pieces and an exclusive artist-designed iron-on: everything you need to spark your own creative journey. Let’s Get It On provides an invaluable resource for understanding the full scope of Saar’s creative practice and her influence across generations.
Betye Saar (born 1926) is renowned for pioneering Black feminism and West Coast assemblage in her visionary artistic practice, through dense, complexly referential objects. For over seven decades, Saar’s work has led dialogues on race and gender, reflecting changing cultural and political contexts. Most recently, solo presentations have been hosted by the Museum of Modern Art, New York, and the Los Angeles County Museum of Art. Saar’s work was prominently featured in We Wanted a Revolution: Black Radical Women, 1965–85 at the Brooklyn Museum and in Soul of a Nation: Art in the Age of Black Power at Tate Modern.

Celebrate the release of If This World We're Mine with Arriel Vinson!

EVENT DEETS

When: Thursday, January 28 @ 7 PM CST

Where: Kindred Stories (2310 Elgin St. Houston, TX 77004)

How: 

• RSVP ONLY to reserve your seat.

• RSVP WITH BOOK to reserve your seat and purchase a copy If This World We're Mine, supporting both the author and our store programming. The book will be available for pickup at the event.

Please Note: Books purchased from other retailers are not permitted in the bookstore and are not eligible for the signing or photo line. To participate in the signing and photo opportunity, you must purchase a copy from Kindred Stories.If you already have a copy from Kindred Stories feel free to choose the RSVP only option. 

If you purchase a ticket and are unable to attend the event, your ticket is non-refundable. If your ticket includes a book, an email will be sent to all attendees before and after the event with instructions on how to receive your book. Books must be claimed within 14 days following the event. If your book is not retrieved it will be returned to the publisher and will not be available for pick up in the future.

ABOUT THE BOOK

ABOUT THE AUTHOR

Arriel Vinson is a Midwesterner who writes about being young, Black, and in search of freedom. Her debut YA novel-in-verse, Under the Neon Lights, is a 2026 Coretta Scott King/John Steptoe New Talent Award winner, a Reese’s Book Club LitUp selection, and a Junior Library Guild Gold Selection. Arriel earned her MFA in Fiction from Sarah Lawrence College and is a Tin House YA Scholar, Highlights Foundation scholarship recipient, and Walter Grant recipient. Her sophomore novel, If This World Were Mine, is forthcoming in spring 2027. You can connect with her on social media at @arriwrites and find her work at arriwrites.com

ABOUT THE CONVERSATION PARTNER

LIARA TAMANI grew up in Houston, Texas, where every spring meant one thing: rodeo season. She loved getting decked out in her best cowgirl gear and soaking up the music, food, and electric energy of the rodeo, a joy she now shares with her daughter and husband. Her deep Texas roots shine through her storytelling, capturing the spirit and rhythms of the state in all her acclaimed novels: Calling My Name, All the Things We Never Knew, and What She Missed. Before becoming a writer, she attended Harvard Law School and worked as a marketing coordinator for the Houston Rockets and Comets, television production assistant, home accessories designer, floral designer, and yoga and dance teacher. She holds an MFA in writing from Vermont College of Fine Arts and a BA from Duke University.

Originally published in 2005, former NBA star Etan Thomas’s first poetry collection defies the stereotype of the apolitical athlete; featuring brand-new poems by Thomas and his son―and University of Dayton basketball star―Malcolm Thomas

RETIRED NBA STAR, AUTHOR, AND OUTSPOKEN POLITICAL ACTIVIST, Etan Thomas is more than an athlete. In this, his first collection of poems―originally published in 2005 and reissued here with many new poems―the former center for the NBA’s Washington Wizards defies the stereotype of the apolitical athlete, and plants his roots in his budding literary career. With the conviction of a Bill Russell, and the poetic finesse of Muhammad Ali, Thomas takes on controversial topics such as the Death Penalty, the GOP, and racism. 

This fiery poet approaches his work fearlessly, writing in the strong, historical lineage of his literary elders Amiri Baraka and Sonia Sanchez, and in the tradition of more contemporary poets Ras Baraka, Tony Medina, and asha bandele. More Than an Athlete is not just a book of poetry; it’s a statement about new generations not being confined to a box, a definition, or a label. Some people play ball, and some people write poems. Etan Thomas has mastered the art of both.

The reimagined 2027 edition features brand-new poems by Thomas as well as his son Malcolm, who is following in his father’s footsteps on the court as a collegiate athlete, and on―and off―the page as a poet and activist.

A globe-spanning jigsaw puzzle of a novel about what it is to be human during this nervous, catastrophic moment in time.

Dionne Brand’s brief, powerful small life has the dazzling, hypnotic rhythm of a series of waves, tossing together multiple narrators and stories in time and space. The novel works through affective momentum, through gathering velocity, through multiplying and quickening voices and stories. None of these vividly alive characters know one another, but all exist inside this nervous moment in time.

Throughout the novel, characters’ voices recur in random ways, each around their own “small life.” Each person is in the middle of an action or a demand or a situation or a misunderstanding, and each is attempting to find a life, to know a life, to navigate the precarity of life. These lives are unfolding anywhere in the world: leaving the outskirts of Cartagena, working the streets of Madrid, caught in a toxic flood, hanging on to the edge of a boat in the Mediterranean, cleaning a stall in a North American airport, setting off to work on an oil platform, refusing eviction from an apartment. Their stories build and braid through inference, familiarity, and emotion―shock, realization, small joy―offering glimpses of the innermost workings of human beings in our contemporary, catastrophic zeitgeist.

Cleopatra tells her own story in this evocative and sensuous historical epic from the bestselling and award-winning author of Faebound and The Final Strife.

This stunning edition includes designed endpapers and a custom case stamp.

YOU KNOW MY NAME, BUT YOU DO NOT KNOW ME.

Your historians call me seductress, but I was ever in love's thrall.

Your playwrights speak of witchcraft, but my talents came from the gods themselves.

Your poets sing of my bloodlust, but I was always protecting my children.

How wilfully they refuse to concede that a woman could be powerful, strategic, and divinely blessed to rule.

Death will silence me no longer.

This is not the story of how I died. But how I lived.