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New Suns 2 brings you fresh visions of the strange, the unexpected, the shocking—breakthrough stories, stories shining with emerging truths, stories that pierce stale preconceptions with their beauty and bravery. Like the first New Suns anthology (winner of the World Fantasy, Locus, IGNYTE, and British Fantasy awards), this book liberates writers of many races to tell us tales no one has ever told.

Many things come in twos: dualities, binaries, halves, and alternates. Twos are found throughout New Suns 2, in eighteen science fiction, fantasy, and horror stories revealing daring futures, hidden pasts, and present-day worlds filled with unmapped wonders.

Including stories by Daniel H. Wilson, K. Tempest Bradford, Darcie Little Badger, Geetanjali Vandemark, John Chu, Nghi Vo, Tananarive Due, Alex Jennings, Karin Lowachee, Saad Hossain, Hiromi Goto, Minsoo Kang, Tlotlo Tsamaase, Rochita Loenen-Ruiz, Malka Older, Kathleen Alcalá, Christopher Caldwell and Jaymee Goh with a foreword by Walter Mosley and an afterword by Dr. Grace Dillon.

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‘Pieces of a Man’ brings together 25 years of street photographs by noted American photographer Jamel Shabazz.“Beginning in Brooklyn’s tight-knit neighborhoods, including his own, Jamel Shabazz captured a true reflection of people of color now revered as a form of social commentary.

His work resonates around the world because it is authentic. He has the authority to speak for us and yet he maintains genuine humility and respect for his people. From the streets of Brooklyn to Europe to Africa, Jamel’s work is inclusive and compassionate without imposing his views on how people should represent themselves. He gives his subjects control over their own image, and in that you see the dignity that he sees in them; turning everyday people into icons. While some celebrate an era or style, Jamel reminds us to celebrate the people, not just the image.”

Named a Best Fantasy and Sci-Fi Book of The Year by Elle!

Nominated for the Locus Award for Best Science Fiction Novel!

Kinning, the sequel to Nisi Shawl’s acclaimed debut novel Everfair, continues the stunning alternate history where barkcloth airships soar through the sky, varied peoples build a new society together, and colonies claim their freedom from imperialist tyrants.

The Great War is over. Everfair has found peace within its borders. But our heroes’ stories are far from done.

Tink and his sister Bee-Lung are traveling the world via aircanoe, spreading the spores of a mysterious empathy-generating fungus. Through these spores, they seek to build bonds between people and help spread revolutionary sentiments of socialism and equality―the very ideals that led to Everfair’s founding.

Meanwhile, Everfair’s Princess Mwadi and Prince Ilunga return home from a sojourn in Egypt to vie for their country’s rule following the abdication of their father King Mwenda. But their mother, Queen Josina, manipulates them both from behind the scenes, while also pitting Europe’s influenza-weakened political powers against one another as these countries fight to regain control of their rebellious colonies.

Will Everfair continue to serve as a symbol of hope, freedom, and equality to anticolonial movements around the world, or will it fall to forces inside and out?

From the critically acclaimed and award-winning creators of Crown and I Am Every Good Thing, Derrick Barnes and Gordon C. James, comes an illustrated nonfiction young adult homage to Black athlete activists throughout history.

This is not your typical book about sports. This one begins…
“AN ATHLETE PROTESTING THE MISTREATMENT OF AMERICAN CITIZENS DOES NOT MAKE THEM ANTI-AMERICAN.”
And through a series of powerful poems, freedom-oriented prose, and dynamic illustration, Derrick Barnes and Gordon C. James introduce young readers and change-makers to athletes such as Muhammad Ali, Curt Flood, and Elgin Baylor who used their voices and influence to shake up the landscape of American sports and justice.

* TIMELY AND TOPICAL: Teaches readers about a continued cultural discussion from a resonant and impactful perspective.
* MADE TO CAPTURE THE ATTENTION OF YOUNG READERS: With a mix of prose, poetry, quotes, and illustrations, readers can dive into important history that might otherwise go untold.
* FROM AN AWARD-WINNING TEAM: Caldecott Honoree Gordon C. James and Kirkus Prize, Coretta Scott King Honor, and Newbery Honor recipient Derrick Barnes have teamed up again to create a memorable, impactful, and important book---this time for young adults.

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Such Color collects the best poems from Smith’s award-winning books and culminates in thirty pages of brilliant, excoriating new poems. These new works confront America’s historical and contemporary racism and injustices, while they also rise toward the registers of the ecstatic, the rapturous, and the sacred—urging us toward love as a resistance to everything that impedes it. This magnificent retrospective affirms Smith’s place as one of the twenty-first century’s most treasured poets.

Time has never moved the same for everyone.

In Colored People Time, Manny Fidel explores how race, culture, and history shape not only our lives, but our sense of time itself. Through sharp, personal, and often humorous essays, Fidel interrogates the myth of linear progress, the politics of punctuality, and some of the ways people of color are forced to navigate a world that rarely moves at their pace or in their favor.

Whether it's a tongue-in-cheek argument that "CPT" should be legislatively supported, ruminations on our longing to return to the summer of 2016, or reflections about mortality through the advent of video game innovations, Fidel confronts the systems that structure time around identity and power. From the slow churn of racial justice to the private time loops of memory, nostalgia, grief, and joy, this book acts as an invitation to readers to question whether they are aware of the way time folds around them.

Colored People Time isn't solely about lateness. It's about how time works differently depending on who you are and where you stand.

A sweeping survey of Black quiltmaking in America with stunning archival photographs of quilters and quilting bees, as well as full-page reproductions of both significant historical quilts and bold contemporary creations.

This compelling volume gives Black quilting traditions long-overdue attention, highlighting the artistry, innovation, and community solidarity of quilters from the 1700s through today. The deeply researched text of scholar and artist Dr. Sharbreon Plummer explores quilts as an archive of collective and personal memory, delves into methods of Black quiltmaking―both distinctive and endlessly diverse―and demonstrates the power of quilts and quilting as medicine against grief and oppression.

* This book evokes the craftsmanship and tactile beauty of quilts with stunning archival and full-color photos.
* Discover the stories of scores of individual creators throughout history, including self-taught seamstresses, community organizers, and archivists of everyday life.
* Delve deeper into the stories behind world-renowned artists, past and present, like Bisa Butler, Faith Ringgold, and the Quilters of Gee’s Bend.
* Each profile illuminates the reasons behind the quilts: to honor heritage, express political beliefs, process grief, find peace, or simply create beauty.

Stories in the Seams celebrates the act of sewing in solitude or in community, as resistance or as rest. Whether you’re a veteran quilter, a textile arts appreciator, or a beginner exploring the art form, this is an informative, inspiring, and indispensable resource.

JOIN THE QUILTING MOMENT: Whether you've been wowed by major museum exhibitions of textile arts, just joined a local quilting circle, or are simply a fan of patchwork styles and nostalgic Americana aesthetics, now is the perfect time to enrich your knowledge of quilt history.

UNTOLD HISTORY: This book shares the often-ignored stories of self-taught artists, independent women creators, intergenerational collaborations, and more. From artists who created under enslavement in the early 1800s to sewing cooperatives formed in the 1960s, Dr. Plummer traces the story of quilts through a lens of personal and communal healing.

A VIBRANT AND THRIVING CREATIVE TRADITION: Black quiltmaking isn't limited to one style or frozen in the past. This book highlights the kaleidoscopic variety and continual innovation that define this art form.

Perfect for: 

* Quilters, sewists, and other crafters, makers, and collectors
* Art history buffs and readers of artist biographies
* Anyone interested in Black culture, history, and art
* Professional artists and designers, art students, and researchers
* Creatives interested in the intersection of art and activism

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More than 30 acclaimed writers—including diverse voices such as Nikki Giovanni, David Omotosho Black, Natasha Trethewey, Barry Jenkins, Jacqueline Woodson, Tayari Jones, and Angela Flournoy—reflect on their experience and expertise in this unique book on the craft of writing that focuses on the Black creative spirit.

How We Do It is an anthology curated by Black writers for the creation and proliferation of Black thought. While a creator’s ethnicity does not solely define them, it is inherently part of who they are and how they interpret the world.

For centuries, Black creators have utilized oral and written storytelling traditions in crafting their art. But how does one begin the process of constructing a poem or story or character? How do Black writers, when faced with questions of “authenticity,” dive deep into the essence of their lives and work to find the inherent truth? How We Do It addresses these profound questions. Not a traditional “how to” writing handbook, it seeks to guide rather than dictate and to validate the complexity and range of styles—and even how one thinks about craft itself.

An outstanding list of contributors offer their insights on a range of important topics. Pulitzer Prize winner Jericho Brown explores the lives personified in poetry, while Pulitzer Prize winner Natasha Trethewey explores decolonizing enduring metaphors. National Book Award finalist Angela Flournoy illuminates the pain of grief in all forms and how it can be revealed in the act of creation, and iconoclast Nikki Giovanni offers an elegiac declaration on language.

New and previously published essays and interviews provide encouragement, examples, and templates, and offer lessons on everything from poetic form and plotting a story to the lessons inherent in the act of writing, trial & error, and finding inspiration in the works of others, including those of Toni Morrison, Shakespeare, and Edward P. Jones. A handbook and a reference tool, How We Do It is a thoughtful and welcome tool that offers direction to help Black artists establish their own creative practice while celebrating and widening the scope of the Black writer’s role in art, history, and culture.

Contributors include David Omotosho Black, Jericho Brown, Breena Clark, Rita Dove, Camille T. Dungy, W. Ralph Eubanks, Curdella Forbes, Angela Flournoy, Ernest Gaines, Nikki Giovanni, Marita Golden, Ravi Howard, Terrance Hayes, Mitchell S. Jackson, Barry Jenkins, Charles S. Johnson, Tayari Jones, Jamaica Kincaid, Tony Medina, E. Ethelbert Miller, Elizabeth Nunez, Carl Phillips, Jewell Parker Rhodes, Rion Amilcar Scott, Evie Shockley, Natasha Trethewey, Frank X Walker, Afaa M. Weaver, Crystal Wilkinson, Jacqueline Woodson, Tiphanie Yanique.

An Anthology of Rural Stories by Writers of Color, 2025features writers of color whose stories explore rural or semi-rural spaces. From farms to trading posts, basketball courts to kitchens, houses to cafes, these stories-whose themes include complicated relationships, personified places, death, immigration, love, and loneliness-show the complicated experiences of those living in the underpopulated parts of the U.S.

With a New Introduction and Notes by Henry Louis Gates, Jr. and Richard J. Ellis

A fascinating fusion of two literary models of the nineteenth century, the sentimental novel and the slave narrative, Our Nig, apart from its historical significance, is a deeply ironic and highly readable work, tracing the trials and tribulations of Frado, a mulatto girl abandoned by her white mother after the death of the child's black father, who grows up as an indentured servant to a white family in nineteenth-century Massachusetts.

This definitive edition of Our Nig includes a new Introduction by Henry Louis Gates, Jr. and Richard J. Ellis and a set of appendices:  "Harriet Wilson's Career as a Spiritualist";  "Hattie E. Wilson in the Banner of Light and Spiritual Scientist" a collection of her extant contributions to these newspapers;  "Documents from Harriet Wilson's Life in Boston," and a compilation of primary source material relating to Wilson's identity.  There is also a new chronology of the life of Harriet Wilson by Richard J. Ellis, as well as an up-to-date Select Bibliography of current scholarship regarding Harriet Wilson. This edition gives the fullest account to date of the life of Harriet Wilson, filling out many critical points regarding her life after writing Our Nig, in particular when she became a "medium" who communicated with the dead and as an educator in the "Spiritualist" movement after the Civil War.

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Award-winning journalist Reni Eddo-Lodge was frustrated with the way that discussions of race and racism are so often led by those blind to it, by those willfully ignorant of its legacy. Her response, Why I’m No Longer Talking to White People About Race, has transformed the conversation both in Britain and around the world. Examining everything from eradicated black history to the political purpose of white dominance, from whitewashed feminism to the inextricable link between class and race, Eddo-Lodge offers a timely and essential new framework for how to see, acknowledge, and counter racism. Including a new afterword by the author, this is a searing, illuminating, absolutely necessary exploration of what it is to be a person of color in Britain today, and an essential handbook for anyone looking to understand how structural racism works.