One World is proud to present THE 1619 PROJECT: A New Origin Story, a book that dramatically builds on the vision of the original magazine project with major expansions of the original essays, seven new essays by historians, and dozens of new poems and pieces of fiction. The book includes a significant elaboration of the project’s Pulitzer Prize-winning lead essay by Nikole Hannah-Jones and a new introduction that together offer a stirring rebuttal to critics. Hannah-Jones has also written a third essay that makes the case for reparative solutions to the legacy of injustice the project documents.

Edited by Hannah-Jones, along with New York Times Magazine editor-in-chief Jake Silverstein, features editor Ilena Silverman, and New York Times executive producer Caitlin Roper, the book offers work from some of the country’s most outstanding journalists, thinkers, historians and scholars, including: Michelle Alexander, Leslie Alexander, Carol Anderson, Jamelle Bouie, Anthea Butler, Matthew Desmond, Martha Jones, Ibram Kendi, Kevin Kruse, Trymaine Lee, Tiya Miles, Wesley Morris, Khalil Gibran Muhammad, Dorothy Roberts, Jeneen Interlandi, Bryan Stevenson, and Linda Villarosa.

Woven throughout the book are works of fiction and poetry that bring to life four hundred years of history with imaginative writing by Joshua Bennett, Reginald Dwayne Betts, Rita Dove, Camille Dungy, Cornelius Eady, Eve L. Ewing, Nikky Finney, Vievee Francis, Yaa Gyasi, Forrest Hamer, Terrance Hayes, Honorée Fanonne Jeffers, Barry Jenkins, Tyehimba Jess, Robert Jones, Jr., A. Van Jordan, Yusef Komunyakaa, Kiese Laymon, Jasmine Mans, Terry McMillan, Lynn Nottage, ZZ Packer, Gregory Pardlo, Darryl Pinckney, Claudia Rankine, Jason Reynolds, Evie Shockley, Tim Siebles, Clint Smith, Danez Smith, Patricia Smith, Tracy K. Smith, Nafissa Thompson-Spires, Natasha Trethewey, Jesmyn Ward and Sonia Sanchez.

The book also includes archival portrait photography of Black Americans paired with each essay, curated by Kimberly Annece Henderson.

A young Dominican girl is excited for her first Carnaval with her parents.

Flor, Papi, and Mami zip through the streets! They're off to Carnaval! When they arrive, the plaza is bursting with sights and sounds—people shouting and laughing, fried food sizzles, and the aroma of funnel cake wafts through the air.

Flor's feet can hardly keep still as the music of tambores and trumpets thump out a rhythmic beat. Papi lifts Flor on his shoulders so she doesn't miss a thing. Below her, the Carnaval is a brilliant swirl of pinks, purples, oranges, and blues. There's so much to see!

From los lechones de Santiago, who spin in circles, dancing their African and Latin dances. They sway and shake like palmas in the wind. Flor throws her arms in the air and swings them left to right. When Los Taínos appear, their grass skirts swish in the wind, their painted bodies telling stories of the ancestors. Everything about them seems from some other time and place, but Flor knows they are apart of her.

Next comes Roba la gallina in his rainbow dress, singing and throwing candy to the crowd, telling Flor to keep her ancestors alive and strong by telling their stories. El Diablo Cojuelo is not far behind. He taunts and teases, but Flor stands tall and brave. She knows it's all just fun and games.

But then El Diablo invites her to join show! Finally! Flor, dances, whisked away by myth and magic, surrounded by Black and Brown beauty everywhere.

We're Off to Carnaval! is a joyous homage to a tradition that celebrates freedom, heritage and connection.

*Paperback Release Date - 1/7/27*

The Pura Belpré Honor Award winning author of Aniana del Mar Jumps In makes her YA debut with a powerful novel-in-verse about a Texas teen who is battling racism in her theatre program and book banning efforts by her town’s school board.

Yulieta Lopez is angry. Angry at her racist drama teacher who refuses to cast Black students in lead roles. Angry at the school board threatening her favorite teacher for teaching works of literature that they deem “controversial.” Angry that she has to keep quiet until she can head to college and leave Texas forever.

Yuli is accustomed to playing various roles: the diligent daughter, the honorable hija, the good girl who serves everyone else before serving herself. But as the fire of Yuli's rage spreads and lights her up, she can no longer be silent. Determined to find a way to fight back, Yuli and her friends start a guerilla theatre club which stirs things up and gets people talking, and finally, Yuli steps into the role she was always meant to play.

An illustrated edition of The 1619 Project, with newly commissioned artwork and archival images, The New York Times Magazine's award-winning reframing of the American founding and its contemporary echoes, placing slavery and resistance at the center of the American story.

Here, in these pages, Black art provides refuge. The marriage of beautiful, haunting and profound words and imagery creates an experience for the reader, a wanting to reflect, to sit in both the discomfort and the joy, to contemplate what a nation owes a people who have contributed so much and yet received so little, and maybe even, to act. --Nikole Hannah-Jones, from the Preface

Curated by the editors of The New York Times Magazine, led by Pulitzer Prize-winning journalist Nikole Hannah-Jones, this illustrated edition of The 1619 Project features seven chapters from the original book that lend themselves to beautiful, engaging visuals, deepening the experience of the content. The 1619 Project: A Visual Experience offers the same revolutionary idea as the original book, an argument for a new national origin story that begins in late August of 1619, when a cargo ship of enslaved people from Africa arrived on the shores of Jamestown, Virginia. Only by reckoning with this difficult history and understanding its powerful influence on our present can we prepare ourselves for a more just future.

Filled with original art by thirteen Black artists like Carrie Mae Weems, Calida Rawles, Vitus Shell, Xaviera Simmons, on the themes of resistance and freedom, a brand-new photo essay about slave auction sites, vivid photos of Black Americans celebrating their own forms of patriotism, and a collection of archival images of Black families by Black photographers, this gorgeous volume offers readers a dynamic new way of experiencing the impact of The 1619 Project.

Complete with many of the powerful essays and vignettes from the original edition, written by some of the most brilliant journalists, scholars, and thinkers of our time, The 1619 Project: A Visual Experience brings to life a fuller, more comprehensive understanding of American history and culture.

Una poderosa novela escrita en verso sobre una nadadora dominicano-estadounidense de 12 años a quien le diagnostican artritis juvenil.
 
Aniana del Mar pertenece al agua como un delfín al océano, pero mantiene en secreto sus clases de natación. Hace años, a su mamá se le ahogó un ser querido y no se ha recuperado de la pérdida.
 
Un día, la artritis juvenil obliga a Aniana a guardar reposo. Entonces confiesa lo importante que es para ella nadar y, aunque el doctor cree que la natación puede ayudarla a mejorar, su mamá lo prohíbe.
 
Esta es la historia de una niña que debe crecer como las mareas para encontrar su fuerza y defender lo que ama.

The 1619 Project’s lyrical picture book in verse chronicles the consequences of slavery and the history of Black resistance in the United States, thoughtfully rendered by Pulitzer Prize-winning journalist Nikole Hannah-Jones and Newbery honor-winning author Renée Watson. 

I can read a man before he even opens his mouth. I know which ones are starving to be understood, which ones hide their scars in designer suits, and which ones will hand me exactly what I need just for the privilege of feeling seen. I’ve been running this game long enough to turn conversations into currency and eye contact into opportunities.

Every move I make is calculated. When I dance, my movements speak to their thoughts before I ever open my mouth. I tell their secrets with the arch of my back, answer their questions with the roll of my hips while I strip them bare mentally.

But then there’s Kendrix Givelle. A man who doesn’t ask questions, just studies the way my shoulders drop when I’m tired, the way my smile fades when the weight gets heavy.

I’ve built my world on control. On never needing anyone to hold it up for me. And yet… one look from him, and I start to wonder.. What if I’ve finally met the man who speaks my body language as fluently as I do?

A heart-wrenching yet vividly hopeful novel about a Black girl's struggle to find the quiet beauty in life and friendship amid the chaos of grief and mental illness by New York Times, USA Today, and Indie bestselling author Frederick Joseph.

"Frederick is such a grounded and beautiful voice of not just this moment but all the moments. Everything's Not Lost cements him firmly as a much needed and stunning voice inside the world of YA literature." —Jacqueline Woodson, winner of the Hans Christian Andersen Award

As a sixteen-year-old Black girl with bipolar disorder, Ella Washington has plenty stacked against her. But following her beloved sister’s unexpected death and its turbulent aftermath, Ella is desperate to find any sense of normalcy. Worse still, someone at her school is determined to drive her deeper into despair.

It feels nearly impossible to find her way out of the fog of grief and loneliness, but through her love of art, some unlikely new friends, and the memory of her sister, Ella slowly learns that the pursuit of happiness and forgiveness is an endeavor that is more than worthwhile.

Told in Frederick Joseph’s perceptive and lyrical voice, Everything’s Not Lost is an achingly relatable story about finding points of light even in the darkest of times.

EVENT DEETS

When: February 26 at 6:00 PM CST

Where: Kindred Stories (2304 Stuart Street, HTX 77004)

How: RSVP to save your spot. Books will be on sale at the event!

ABOUT THE EVENT

ABOUT POETS

Jasminne Mendez is a Dominican-American poet, playwright, educator and award-winning author. Mendez has had poetry and essays published by The Acentos Review, The New England Review, Kenyon Review, Gulf Coast, and others. She is an alumni of the Rainier Writing Workshop at Pacific Lutheran University and the author of several books for children and adults including Island of Dreams which won an International Latino Book Award in 2015. She is a faculty member with the Goddard College MFA Creative Writing Program and she lives in Houston, TX. 

Yesenia Montilla is an Afro-Latina poet & a daughter of immigrants. She received her MFA from Drew University in Poetry & Poetry in translation. She is CantoMundo graduate fellow and a 2020 NYFA fellow. Her work has been published in Academy of American Poets Poem-a-Day, Prairie Schooner, Gulf Coast and in Best of American Poetry 2021 and forthcoming in Best of American Poetry 2022. Her first collection The Pink Box is published by Willow Books & was longlisted for a PEN award. Her second collection Muse Found in a Colonized Body is forthcoming from Four Way Books, 2022. She lives in Harlem, NY.

Raina J. León, PhD is Black, Afro-Boricua from Philadelphia (Lenni Lenape ancestral lands). She is a mother, daughter, sister, madrina, comadre, partner, poet, writer, and teacher educator. She believes in collective action and community work, the profound power of holding space for the telling of our stories, and the liberatory practice of humanizing education. She seeks out communities of care and craft and is a member of the Carolina African American Writers Collective, Cave Canem, CantoMundo, Macondo. She is the author of Canticle of Idols, Boogeyman Dawn,  sombra : (dis)locate, and the chapbooks, , profeta without refuge and Areyto to Atabey: Essays on the Mother(ing) Self. She publishes across forms in visual art, poetry, nonfiction, fiction, and scholarly work.  She has received fellowships and residencies with the Obsidian Foundation, Community of Writers, Montana Artists Refuge, Macdowell, Kimmel Harding Nelson Center for the Arts, Vermont Studio Center, the Tyrone Guthrie Center in Annamaghkerrig, Ireland and Ragdale, among others. She is a founding editor of The Acentos Review, an online quarterly, international journal devoted to the promotion and publication of Latinx arts. She educates our present and future agitators/educators as a full professor of education at Saint Mary’s College of California, only the third Black person (all Black women) and the first Afro-Latina to achieve that rank there.  She is additionally a digital archivist, emerging visual artist, writing coach, and curriculum developer.