*ship in 7-10 business days

From New York Times Bestselling Author Mariame Kaba, a poignant, beautifully illustrated story of a little girl’s worries when her Mama goes to jail, and the love that bridges the distance between them.

Even though I’m away,
My love is always here to stay.
See you soon, Queenie.
Love, Mama

Queenie loves living with Mama and Grandma Louise. Together, they go to the grocery store, eat ice cream, and play games in the park. Mama braids Queenie’s hair and helps her with her homework.

Sometimes, when Mama is sick, she has to go away. One day, Queenie and Grandma ride the bus with Mama to the county jail.

Queenie is worried about what will happen when Mama goes to jail. She’s afraid to ask questions, and overcome with feelings of worry and sadness. Does Mama have a warm bed to sleep in? When will Queenie see her again?

Soon after she and Grandma return home, Queenie opens a letter from Mama, and savors every word. She knows her Mama loves her, and looks forward to their upcoming visit. 

*Ships in 7-10 Business Days*

A persuasive primer on police abolition from two veteran organizers

“One of the world’s most prominent advocates, organizers and political educators of the [abolitionist] framework.” —NBCNews.com on Mariame Kaba

In this powerful call to action, New York Times bestselling author Mariame Kaba and attorney and organizer Andrea J. Ritchie detail why policing doesn’t stop violence, instead perpetuating widespread harm; outline the many failures of contemporary police reforms; and explore demands to defund police, divest from policing, and invest in community resources to create greater safety through a Black feminist lens.

Centering survivors of state, interpersonal, and community-based violence, and highlighting uprisings, campaigns, and community-based projects, No More Police makes a compelling case for a world where the tools required to prevent, interrupt, and transform violence in all its forms are abundant. Part handbook, part road map, No More Police calls on us to turn away from systems that perpetrate violence in the name of ending it toward a world where violence is the exception, and safe, well-resourced and thriving communities are the rule.

From Mariame Kaba, New York Times-bestselling author of We Do This ‘Til We Free Us, and social worker Jane Ball comes a powerful book showing the harm that prisons cause and exploring alternatives, gorgeously illustrated by Olly Costello.

Prisons, they do no good.
They do not help. 
They do not teach.

On a moonlit road, tucked away from prying eyes, a child sees a prison complex―cinder blocks, watch towers, barbed wire. Page by page, we come to see the prison as a child sees it. 

Prisons hurt people and leave them lonely, without loved ones to comfort them or lend a listening ear.

As dandelion stars float up in the air, this dreamscape becomes a hope-scape, where love transcends the prison walls. All the families and friends of the people in the prison march and protest in beautiful song, march together to a new way and a new dawn―in this case a cooperative housing and community center, next to a neighborhood greenhouse for restoration and healing. A new world, where connection and repair are fundamental, and even tangible, as people around a table quilt messages, “I hear you. I’m sorry for what I did. How can I make it better?”

In Prisons Must Fall, Mariame Kaba, a longtime activist, together with co-author Jane Ball, present solutions that do not involve incarceration, such as meeting people’s basic needs, restorative justice, and community support―seeds for a safe world. Illustrator Olly Costello provides textured images of a global majority community and a grey, monotone backdrop that is overtaken by joyful colors. A gentle but effective addition to all social justice bookshelves and libraries. Discussion questions included.

Perfect for:

* Parents, teachers, and librarians looking for books on the prison industrial complex and prison reform
* Kids who are interested in fairness and social justice
* Readers who love exceptional and sophisticated illustration

A political vision for a future ripe with alternatives to imprisonment and punishment.

Born from sustained organizing, and rooted in Black and women of color feminisms, disability justice, and other movements, abolition calls for an end to our reliance on imprisonment, policing and surveillance, and to imagine a safer future for our communities.

Lessons in Liberation: An Abolitionist Toolkit for Educators offers entry points to build critical and intentional bridges between educational practice and the growing movement for abolition. Designed for educators, parents, and young people, this toolkit shines a light on innovative abolitionist projects, particularly in pre-K–12 learning contexts.

Sections are dedicated to entry points into Prison Industrial Complex abolition and education; the application of the lessons and principles of abolition; and stories about growing abolition outside of school settings. Topics addressed throughout include student organizing, immigrant justice in the face of ICE, approaches to sex education, arts-based curriculum, and building abolitionist skills and thinking in lesson plans.

The result of patient and urgent work, and more than five years in the making, Lessons in Liberation invites educators into the work of abolition.

Contributors include Black Organizing Project, Chicago Women’s Health Center, Mariame Kaba and Project NIA, Bettina L. Love, the MILPA Collective, and artists from the Justseeds Collective, among others.

Amazon Editors' Pick - August 2024
Gizmodo's New Sci-Fi, Fantasy, and Horror Books Releasing in August
Screenrant #1 Most Anticipated Book in Sci-fi Coming Out in August

⭐ "Readers will devour this." —Publishers Weekly (starred review)
⭐ "While this book may be short, its impact is anything but small." —Kirkus (starred review)

Part science fiction, part fantasy, and entirely infused with West African culture and spirituality, this novella offers an intimate glimpse into the life of a teenager whose coming of age will herald a new age for her world. Set in the universe Africanfuturist luminary Nnedi Okorafor first introduced in the World Fantasy Award-winning Who Fears Death, this is the first in the She Who Knows trilogy

When there is a call, there is often a response.

Najeeba knows.

She has had The Call. But how can a 13-year-old girl have the Call? Only men and boys experience the annual call to the Salt Roads. What’s just happened to Najeeba has never happened in the history of her village. But it’s not a terrible thing, just strange. So when she leaves with her father and brothers to mine salt at the Dead Lake, there’s neither fanfare nor protest. For Najeeba, it’s a dream come true: travel by camel, open skies, and a chance to see a spectacular place she’s only heard about. However, there must have been something to the rule, because Najeeba’s presence on the road changes everything and her family will never be the same.

Small, intimate, up close, and deceptively quiet, this is the beginning of the Kponyungo Sorceress.

I can read a man before he even opens his mouth. I know which ones are starving to be understood, which ones hide their scars in designer suits, and which ones will hand me exactly what I need just for the privilege of feeling seen. I’ve been running this game long enough to turn conversations into currency and eye contact into opportunities.

Every move I make is calculated. When I dance, my movements speak to their thoughts before I ever open my mouth. I tell their secrets with the arch of my back, answer their questions with the roll of my hips while I strip them bare mentally.

But then there’s Kendrix Givelle. A man who doesn’t ask questions, just studies the way my shoulders drop when I’m tired, the way my smile fades when the weight gets heavy.

I’ve built my world on control. On never needing anyone to hold it up for me. And yet… one look from him, and I start to wonder.. What if I’ve finally met the man who speaks my body language as fluently as I do?

Leading Binnizá and Maya Ch'orti' scientist Jessica Hernandez, PhD, weaves together Indigenous knowledge, environmental science, and personal family stories in her highly anticipated follow-up to the LA Times best-seller Fresh Banana Leaves.

Not every environmental problem is a result of climate change, but every environmental and climate change problem is a result of colonialism.

Dr. Jessica Hernandez offers readers an Indigenous, Global-South lens on the climate crisis, delivering a compelling and urgent exploration of its causes—and its costs. She shares how the impacts of colonial climate catastrophe—from warming oceans to forced displacement of settler ontologies—can only be addressed at the root if we reorient toward Indigenous science and follow the lead of Indigenous peoples and communities.

Growing Papaya Trees explores:

* Energy as a sociopolitical issue
* The interconnectedness of natural disasters, sociopolitical turmoil, and forced migration
* Our oceans, our forests, and our Indigenous futures
* Moving Indigenous science from mere acknowledgement into real action
* How to nourish Indigenous roots when displaced beyond borders

Dr. Hernandez asks: what does it mean to be Indigenous when we’re separated from our lands? How do we nurture future generations knowing they, too, will have to live away from their ancestral places? She illuminates that cultures are not lost, even amid genocide, turmoil, war, and climate displacement—and shows us how to be better kin to each other against the ecological violence, colonial oppression, and distorted status quo of the Global North.

The Emancipation Proclamation is one of the most important documents in American history. As we commemorate its 150th anniversary, what do we really know about those who experienced slavery?

In their pioneering book, Envisioning Emancipation, renowned photographic historian Deborah Willis and historian of slavery Barbara Krauthamer have amassed 150 photographs—some never before published—from the antebellum days of the 1850s through the New Deal era of the 1930s. The authors vividly display the seismic impact of emancipation on African Americans born before and after the Proclamation, providing a perspective on freedom and slavery and a way to understand the photos as documents of engagement, action, struggle, and aspiration.

Envisioning Emancipation illustrates what freedom looked like for black Americans in the Civil War era. From photos of the enslaved on plantations and African American soldiers and camp workers in the Union Army to Juneteenth celebrations, slave reunions, and portraits of black families and workers in the American South, the images in this book challenge perceptions of slavery. They show not only what the subjects emphasized about themselves but also the ways Americans of all colors and genders opposed slavery and marked its end.

Filled with powerful images of lives too often ignored or erased from historical records, Envisioning Emancipation provides a new perspective on American culture.

A dramatic and thought-provoking novel of one family's triumph in the face of the hardships and challenges of the post-Civil War South, from the award-winning author of Family

"Rendered with compassion and beautiful simplicity."--The Washington Post Book World

"[A] provocative and at times painful family portrait . . . It should be required reading."--Detroit Free Press

Opening in Texas during the waning years of the Civil War, The Wake of the Wind tells the epic story of a remarkable heroine, Lifee, and her husband, Mor. When news of Emancipation finally comes to Texas, Mor, Lifee, and their family set out in search of hope and a piece of land they can work and call their own. Miraculously, they manage not only to survive but to succeed--their crops grow, their children thrive, they educate themselves and others. But the South during Reconstruction is not a place that takes kindly to the achievements of former slaves, and as lynchings and injustices become a plague across the region, time and time again they must make the anguished decision to leave their land in search of a safer place.

Land, however, is the least of their worldly possessions. Lifee and Mor are the descendants of a long and vital line. Having used their intelligence, strength, and ingenuity to make their place in the new post-Civil War world, they in turn pass those talents along to their children--the next generation to surge forward, accomplishing more than their parents could ever dream.

At once tragic and triumphant, The Wake of the Wind is a penetrating look at the challenges that generations of African Americans have had to overcome in order to carve out a home and a future for themselves and their families.

The beloved novel about a New York City girlhood that heralded a renaissance in Black women’s literature, with a new foreword by Nicole Dennis-Benn, the bestselling author of Patsy and Here Comes the Sun

One of The New York Times Magazine’s 25 Most Significant New York City Novels from the Last 100 Years

A Penguin Classic

Selina Boyce comes of age in 1940s New York as the daughter of two immigrants from Barbados: a free-spirited father she adores and who dreams of returning to his Caribbean island home, and a disciplined, hardworking mother she admires and who is determined to purchase their Brooklyn brownstone. When her father comes into an unexpected inheritance, Selina is torn between his nostalgia for the past and her mother’s ambition for the future, all while negotiating racism, sexuality, Depression-era poverty, and the competing values of African Americans and her West Indian immigrant community.

First published in 1959, Brown Girl, Brownstones opened a window into the rich inner life of Black women and today ranks with A Tree Grows in Brooklyn as one of the great New York City novels. With her autobiographical debut, Paule Marshall paved the way for Toni Morrison, Alice Walker, Audre Lorde, June Jordan, and Maya Angelou—and took her place in the American literary canon.

Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Three years ago, I decided to have my first one-night stand. The plan was simple: research how to do it and meet a man at the bar before nerves playing with my guts got the best of me. I wanted to ring in the new year between a stranger's legs. Someone with good hygiene and exceptional tensile strength to take the edge off of studying mechanical engineering.

Then he walked in.

I'd heard whispers about "a night with Knight," tales of toe cramps and matted hair. Antonio is the biggest player and not the man to relieve me of my pent-up tension. His thick thighs, veiny forearms, and charming smile promised a trip to the hospital.

I shouldn't have followed him back to his condo, but I did.

Dinner turned into a kiss, and that kiss led to accidental humping. That's how we ended up in the emergency room. He had a broken nose, and my wig was stuck on his watch.

Three years and a PhD later, Antonio has cemented himself in my life as my best friend. Moving to the city where my sister lives-and where he plays professional rugby-wasn't a big deal at first. But everything changed when we hugged. His cologne surrounded me, and his eyes stayed locked on mine.

Our friendship is platonic, ironclad after the one-night stand gone wrong. So why can't I shake the feeling that we've barely scratched the surface?