In her heralded first novel, Gloria Naylor weaves together the stories of seven women living in Brewster Place, a bleak-inner city sanctuary, creating a powerful, moving portrait of the strengths, struggles, and hopes of black women in America. Vulnerable and resilient, openhanded and openhearted, these women forge their lives in a place that in turn threatens and protects—a common prison and a shared home. Naylor renders both loving and painful human experiences with simple eloquence and uncommon intuition. Adapted into a 1989 ABC miniseries starring Oprah Winfrey, The Women of Brewster Place is a touching and unforgettable read.

A powerful look at an affluent black community from Gloria Naylor (1950-2016), the National Book Award-winning author of The Women of Brewster Place

A world away from Brewster Place, yet intimately connected to it, lies Linden Hills. With its showcase homes, elegant lawns, and other trappings of Wealth, Linden Hills is not unlike other affluent black communities. But residence in this community is indisputable evidence of “making it.” Although no one knows what the precise qualifications are, everyone knows that only certain people get to live there - and that they want to be among them. In a resonant novel that takes as it’s model Dante’s Inferno, Gloria Naylor reveals the truth about the American dream - that the price of success may very well be on a journey down to the lowest circle of hell.

Set in a diner where the food isn't very good and the ambience veers between heaven and hell, this bestselling novel from the author of Mama Day and The Women of Brewster Place is a feast for the senses and the spirit. "A virtuoso orchestration of survival, suffering, courage and humor."--New York Times Book Review.

A Note From Chanecka 

In April 1983, Gloria Naylor’s Women of Brewster Place and Alice Walker’s The Color Purple won National Book Awards, one of America's most prestigious literary prizes.  Naylor’s debut novel won the award for First Novel while Walker’s novel  won the prize for overall Fiction. This was a historical moment in Black literature history that has mostly gone unnoticed. As we finish reading the works of Gloria Naylor, it feels necessary to honor these two women’s achievements as well as examine their work in context.

Meeting Details

When: August 21, 2022 at 2PM-4PM

Where: This meeting will be held online with the virtual conferencing platform, Zoom. 

How:  Be sure to register for this month's bonus meeting.

About Project Row Houses

Project Row Houses is a community platform that enriches lives through art with an emphasis on cultural identity and its impact on the urban landscape. We engage neighbors, artists, and enterprises in collective creative action to help materialize sustainable opportunities in marginalized communities. 

Project Row Houses occupies a significant footprint in Houston’s Historic Third Ward, one of the city’s oldest African-American neighborhoods. The site encompasses five city blocks and houses 39 structures that serve as home base to a variety of community-enriching initiatives, art programs, and neighborhood development activities. PRH programs touch the lives of under-resourced neighbors, young single mothers with the ambition of a better life for themselves and their children, small enterprises with the drive to take their businesses to the next level, and artists interested in using their talents to understand and enrich the lives of others. Although PRH’s African-American roots are planted deeply in Third Ward, the work of PRH extends far beyond the borders of a neighborhood in transition. The Project Row Houses model for art and social engagement applies not only to Houston, but also to diverse communities around the world.

From one of America's most cherished and celebrated poets, a landmark collection of Nikki Giovanni's early work from the transformational years of 1968-1998!

“Nikki Giovanni is one of our national treasures.”—Gloria Naylor

In celebration of the 250th anniversary of the United States, HarperCollins is proud to present this library of American classics drawn from our storied catalog. This timeless classic brings readers Nikki Giovanni's poems from her books Black Feeling Black Talk; Black Judgement; Re: Creation; My House; The Women and the Men; Cotton Candy on a Rainy Day; and Those Who Ride the Night Winds.

When Nikki Giovanni’s poems first emerged during the Black Arts Movement of the 1960s, she immediately took a place among the most celebrated and controversial artists of our time. More than 50 years later, Giovanni still stands as one of the most commanding, luminous voices to grace America’s political and poetic landscape.

Stirring, provocative, and resonant, these poems heralded the arrival of an indelible literary voice that resounds to this day.

The complete early work of the renowned poet—available for the first time ias a Harper Perennial Modern Classic. . . . “Nikki Giovanni is one of our national treasures.”—Gloria Naylor

Ackowledged by Oprah WInfrey as “one of the 25 women who changed her life,” Nikki Giovanni is a living legend. When her poems first emerged during the Black Arts Movement in the 1960s, Giovanni immediately became one of the most celebrated, controversial, and influential poets of the era. Today, Giovanni remains one of the most commanding and luminous voices to grace our political and poetic landscape.

This omnibus includes her first seven volumes of poetry from her early years, 1967 to 1983: Black Feeling Black Talk; Black Judgement; Re: Creation; My House; The Women and the Men; Cotton Candy on a Rainy Day; and Those Who Ride the Night Winds. A timeles classic, it is both a refelction of the changes in her own life and an evocation of a nation’s past and its present.

How Black maternal grief sustains, resists, and remakes Black life

In 1955, Mamie Till-Mobley’s decision to display her son’s brutalized body transformed private mourning into public activism, establishing a paradigm of "grief capital." In Mama, Don’t You Weep, Rhaisa Kameela Williams interrogates this phenomenon, arguing that Black maternal grief functions simultaneously as a political and financial commodity and a deeply embodied experience. Williams traces how Black women navigate the "murky waters" where their pain is leveraged as symbolic currency―reproducible, marketable, and subject to contract―while they simultaneously perform the quiet, ongoing labor of living with loss.

Spanning the years 1955 to 1986, Williams employs performance studies to analyze the shift from the racial liberalism of the Civil Rights era to the rise of liberal multiculturalism. She examines a diverse archive, contrasting the "grief tours" of Mamie Till-Mobley with the debt resistance of the National Welfare Rights Organization and the creative works of Toni Morrison and Gloria Naylor. Williams challenges the "frozen image" of the strong Black mother, distinguishing between grievance―the linear, legal demand for justice―and grief, which is cyclical, messy, and pervasive. By shifting focus away from the spectacle of murdered Black men and toward the material realities of the women left behind, Mama, Don’t You Weep reveals how Black maternal grief is generative, capacious, and inextricably bound to the nation’s political economy.

Otherworldly Mothering argues that literary works by Toni Morrison, Gloria Naylor, Paule Marshall, Audre Lorde, and Toni Cade Bambara reimagine subjectivity in processual and relational terms through a rewriting of maternal praxis, a technique that unveils the historical continuities between antebellum and neoliberal America. By refiguring materials drawn from the tradition of slave narratives, Black women’s literature of the 1970s and 1980s often conjures maternal otherworlds where it is possible to engage alternative modes of being.

In conversation with the work of Hortense Spillers, Sylvia Wynter, and Saidiya Hartman, Marika Ceschia analyzes how Black women writers find in the maternal a means of creatively reenvisioning the figure of the human. Morrison’s Song of Solomon, Naylor’s Linden Hills, Marshall’s Praisesong for the Widow, Lorde’s Zami, and Bambara’s The Salt Eaters each change the strictures that dictate how the human is performed. As these texts show, maternal praxis can have a transformative ontological effect: confronting the toll exerted by centuries of racial violence, these writers reclaim the maternal as a site of subject formation.

Otherworldly Mothering reassesses canonical works of twentieth-century Black women’s literature alongside theoretical debates around the ontology of the human, antiblackness, and Black motherhood. Ceschia proposes a reappraisal of maternal praxis that challenges neoliberal discourse and questions recent critical turns toward Afropessimism and posthumanism.

Learn about the art of coming home to your body with Lyvonne Briggs!

EVENT DEETS

When: April 5 @ 7PM CST

Where: 3719 Navigation Blvd, HTX 77003 (Holy Family HTX)

How: RSVP ONLY to grab your free ticket or support our programming, author, and store by RSVP WITH BOOK. 

ABOUT THE BOOK

ABOUT THE AUTHOR

Lyvonne Briggs, MDiv, ThM, an Emmy Award winner, is a body- and sex-positive womanist preacher, speaker, coach, and creator. Briggs is the host of the Sensual Faith podcast and the founder of beautiful scars, a healing- centered storytelling
agency focused on fostering pleasure and resiliency; visionary of The Proverbial Experience; and now curator of Sensual Faith Sunday, a series of virtual spiritual gatherings to nourish your soul. She has been featured in Essence, Cosmopolitan, Rolling Stone, and The Washington Post, and Sojourners named her one of “11 Women Shaping the Church.” Briggs, a New York City native and proud member of Delta Sigma Theta Sorority, Incorporated, is currently based in New Orleans, Louisiana.

ABOUT THE CONVERSATION PARTNER

Wale (@theehotgirlbooks)is a Licensed Mental Health Counselor working with folks in New York and Texas. She has a double masters degree in mental health counseling from Teachers College Columbia University. After practicing in New York for a few years, Wale moved back to her hometown Houston and started her own therapy practice in 2020. Wale currently works with individuals and couples on a weekly basis.