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With a poet's precision and an intellectually adventurous spirit, Elizabeth Alexander explores a wide spectrum of contemporary African American artistic life through literature, paintings, popular media, and films, and discusses its place in current culture. In The Black Interior, she examines the vital roles of such heavyweight literary figures as Gwendolyn Brooks, Langston Hughes, and Rita Dove, as well as lesser known, yet vibrant, new creative voices. She offers a reconsideration of "afro-outré" painter Jean-Michel Basquiat, the concept of "race-pride" in Jet magazine, and her take on Denzel Washington's career as a complex black male icon in a post-affirmative action era. Also available is Alexander's much heralded essay on Rodney King, Emmett Till, and the collective memory of racial violence.

Alexander, who has been a professor at the University of Chicago and Smith College, and recently at Yale University, has taught and lectured on African American art and culture across the country and abroad for nearly two decades. In The Black Interior, she directs her scrupulous poet's eye to the urgent cultural issues of the day. This lively collection is a crucial volume for understanding current thinking on race, art, and culture in America.

Amy Sherald’s work, life, and significance for American art, as revealed in her powerful figurative paintings of Black subjects
 
Bringing together nearly all of her artwork to date, this lavishly illustrated volume situates the work of Amy Sherald (b. 1973) within the context of American realist and figurative painting. Encompassing the full arc of her career, from her poetic early works to the distinctive figure paintings and portraits that have become her hallmark, Amy Sherald: American Sublime unfolds her method of selecting individuals she meets on the street and using facial expression, body language, and clothing choices to create paintings that transcend portraiture and expand the canon of American art. Essays by curators Sarah Roberts and Rhea Combs; poet and writer Elizabeth Alexander; artist Dario Calmese; and renowned scholar Deborah Willis contextualize and illuminate Sherald’s creation of a new form of imaginative portraiture. Often depicting her subjects’ skin in gray monochrome, surrounded by few markers of place, time, or context beyond the clothes they wear, Sherald challenges the assumption that Black life is inextricably bound with struggle, creating images that engage in more expansive thinking about race and representation and the wide-open possibilities and complexities of every individual. Whether a passerby or the former first lady Michelle Obama, Sherald’s subjects are at ease with themselves, the world, and one another.
 
Published in association with the San Francisco Museum of Modern Art
 
Exhibition Schedule:
 
San Francisco Museum of Modern Art
(November 16, 2024–March 9, 2025)
 
Whitney Museum of American Art, New York
(April 9–August 3, 2025)
 
National Portrait Gallery, Washington, DC
(September 2025–January 2026)

In How We Write Now Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture.

After years away from home, Summer Graves is back in Austin, Texas, to accept a new teaching position. Of all the changes to the old neighborhood, the most dispiriting one is the slated demolition of the high school her grandmother founded. There’s no way she can let developers destroy her memories and her family legacy. But the challenge stirs memories of another kind.

On the architectural team revitalizing the neighborhood, hometown girl Aiko Holt is all about progress. Then she sees Summer again. Some things never change.

Neither can forget the kiss they shared at their senior-year dance. Neither can back down from her unwavering beliefs about what’s right for the neighborhood.

For now, the only thing Summer and Aiko are willing to give in to is a heat that still burns. But can two women with so much passion—for what once was and what could be—agree to disagree long enough to fall in love?

Amazon Editors' Pick - August 2024
Gizmodo's New Sci-Fi, Fantasy, and Horror Books Releasing in August
Screenrant #1 Most Anticipated Book in Sci-fi Coming Out in August

⭐ "Readers will devour this." —Publishers Weekly (starred review)
⭐ "While this book may be short, its impact is anything but small." —Kirkus (starred review)

Part science fiction, part fantasy, and entirely infused with West African culture and spirituality, this novella offers an intimate glimpse into the life of a teenager whose coming of age will herald a new age for her world. Set in the universe Africanfuturist luminary Nnedi Okorafor first introduced in the World Fantasy Award-winning Who Fears Death, this is the first in the She Who Knows trilogy

When there is a call, there is often a response.

Najeeba knows.

She has had The Call. But how can a 13-year-old girl have the Call? Only men and boys experience the annual call to the Salt Roads. What’s just happened to Najeeba has never happened in the history of her village. But it’s not a terrible thing, just strange. So when she leaves with her father and brothers to mine salt at the Dead Lake, there’s neither fanfare nor protest. For Najeeba, it’s a dream come true: travel by camel, open skies, and a chance to see a spectacular place she’s only heard about. However, there must have been something to the rule, because Najeeba’s presence on the road changes everything and her family will never be the same.

Small, intimate, up close, and deceptively quiet, this is the beginning of the Kponyungo Sorceress.

I can read a man before he even opens his mouth. I know which ones are starving to be understood, which ones hide their scars in designer suits, and which ones will hand me exactly what I need just for the privilege of feeling seen. I’ve been running this game long enough to turn conversations into currency and eye contact into opportunities.

Every move I make is calculated. When I dance, my movements speak to their thoughts before I ever open my mouth. I tell their secrets with the arch of my back, answer their questions with the roll of my hips while I strip them bare mentally.

But then there’s Kendrix Givelle. A man who doesn’t ask questions, just studies the way my shoulders drop when I’m tired, the way my smile fades when the weight gets heavy.

I’ve built my world on control. On never needing anyone to hold it up for me. And yet… one look from him, and I start to wonder.. What if I’ve finally met the man who speaks my body language as fluently as I do?

Three years ago, I decided to have my first one-night stand. The plan was simple: research how to do it and meet a man at the bar before nerves playing with my guts got the best of me. I wanted to ring in the new year between a stranger's legs. Someone with good hygiene and exceptional tensile strength to take the edge off of studying mechanical engineering.

Then he walked in.

I'd heard whispers about "a night with Knight," tales of toe cramps and matted hair. Antonio is the biggest player and not the man to relieve me of my pent-up tension. His thick thighs, veiny forearms, and charming smile promised a trip to the hospital.

I shouldn't have followed him back to his condo, but I did.

Dinner turned into a kiss, and that kiss led to accidental humping. That's how we ended up in the emergency room. He had a broken nose, and my wig was stuck on his watch.

Three years and a PhD later, Antonio has cemented himself in my life as my best friend. Moving to the city where my sister lives-and where he plays professional rugby-wasn't a big deal at first. But everything changed when we hugged. His cologne surrounded me, and his eyes stayed locked on mine.

Our friendship is platonic, ironclad after the one-night stand gone wrong. So why can't I shake the feeling that we've barely scratched the surface?

A dramatic and thought-provoking novel of one family's triumph in the face of the hardships and challenges of the post-Civil War South, from the award-winning author of Family

"Rendered with compassion and beautiful simplicity."--The Washington Post Book World

"[A] provocative and at times painful family portrait . . . It should be required reading."--Detroit Free Press

Opening in Texas during the waning years of the Civil War, The Wake of the Wind tells the epic story of a remarkable heroine, Lifee, and her husband, Mor. When news of Emancipation finally comes to Texas, Mor, Lifee, and their family set out in search of hope and a piece of land they can work and call their own. Miraculously, they manage not only to survive but to succeed--their crops grow, their children thrive, they educate themselves and others. But the South during Reconstruction is not a place that takes kindly to the achievements of former slaves, and as lynchings and injustices become a plague across the region, time and time again they must make the anguished decision to leave their land in search of a safer place.

Land, however, is the least of their worldly possessions. Lifee and Mor are the descendants of a long and vital line. Having used their intelligence, strength, and ingenuity to make their place in the new post-Civil War world, they in turn pass those talents along to their children--the next generation to surge forward, accomplishing more than their parents could ever dream.

At once tragic and triumphant, The Wake of the Wind is a penetrating look at the challenges that generations of African Americans have had to overcome in order to carve out a home and a future for themselves and their families.

The beloved novel about a New York City girlhood that heralded a renaissance in Black women’s literature, with a new foreword by Nicole Dennis-Benn, the bestselling author of Patsy and Here Comes the Sun

One of The New York Times Magazine’s 25 Most Significant New York City Novels from the Last 100 Years

A Penguin Classic

Selina Boyce comes of age in 1940s New York as the daughter of two immigrants from Barbados: a free-spirited father she adores and who dreams of returning to his Caribbean island home, and a disciplined, hardworking mother she admires and who is determined to purchase their Brooklyn brownstone. When her father comes into an unexpected inheritance, Selina is torn between his nostalgia for the past and her mother’s ambition for the future, all while negotiating racism, sexuality, Depression-era poverty, and the competing values of African Americans and her West Indian immigrant community.

First published in 1959, Brown Girl, Brownstones opened a window into the rich inner life of Black women and today ranks with A Tree Grows in Brooklyn as one of the great New York City novels. With her autobiographical debut, Paule Marshall paved the way for Toni Morrison, Alice Walker, Audre Lorde, June Jordan, and Maya Angelou—and took her place in the American literary canon.

Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

This lyrical celebration of Juneteenth, deeply rooted in Black American history, spans centuries and reverberates loudly and proudly today.

After 300 years of forced bondage;
hands bound, descendants of Africa
picked up their souls—all that they owned—
leaving shackles where they fell on the ground,
headed for the nearest resting place to be found.

Deeply emotional, evocative free verse by poet and activist Sojourner Kincaid Rolle traces the solemnity and celebration of Juneteenth from its 1865 origins in Galveston, Texas to contemporary observances all over the United States. This is an ode to the strength of Black Americans and a call to remember and honor a holiday whose importance reverberates far beyond the borders of Texas.

From one of our most distinguished historians comes a groundbreaking new examination of the myths and realities of the period after the Civil War.

Drawing on a wide range of long-neglected documents, Eric Foner places a new emphasis on black experiences and roles during the era. We see African Americans as active agents in overthrowing slavery, in shaping Reconstruction, and creating a legacy long obscured and misunderstood. He compellingly refutes long-standing misconceptions of Reconstruction, and shows how the failures of the time sowed the seeds of the Civil Rights struggles of the 1950s and 60s. Richly illustrated and movingly written, this is an illuminating and essential addition to our understanding of this momentous era.