Deja’s got a plan. The first in her large family to go to college, she wants to study chemistry and sell natural skin care products, like the ones she already creates from plants grown on her family’s North Carolina farm. It all starts with the Onward Bound summer program at the University of Maryland, the summer before school officially starts.

Raja’s got a dream. His traditional Nepali parents want him to study engineering and settle down in an arranged marriage, but his passion is art, and he wants to open his own tattoo parlor one day. In the meantime, he’s apprenticing at a tattoo shop in College Park, Maryland.

When Deja walks into the shop where Raja’s working, they both start crushing hard—over the course of the summer, they fall more and more deeply for one another. But the closer they get and the more their lives entwine, the more they find that dating someone who doesn’t match your parents’ expectations is harder than they ever imagined.

Can they bridge the divide between the vision their families have for their futures and the lives—and love—that are starting to feel like destiny?

A heartwarming and unforgettable collection of love stories set at Historically Black Colleges and Universities, exploring hope, endurance, and what it means to leave a legacy, from some of today’s most prominent Black writers and edited by the acclaimed author of Love Radio

Love can be messy, painful, and heartbreaking, but it can also be revolutionary, profound, and hopeful. For Celine, a forbidden crush on a professor evolves into a second chance at romance years later. Myra’s focus on a coveted audition for the Fisk Jubilee Singers is challenged by the handsome music major determined to help her. Kiese investigates the darker side to academia, love, and identity. Like most blessings, love emerges in the most unexpected places—in a training cockpit for new pilots, during a Mardi Gras celebration, or while gathering signatures to start the first-ever LGBTQ+ student organization officially recognized at an HBCU.

These are just a few of the heart-searing, tender, and transporting love stories collected in You’ve Got a Place Here, Too—a true celebration of Black love and the profound impact of HBCUs on the community.

Featuring stories by Elizabeth Acevedo, Jasmine Bell, Carla Bruce, Aaron Foley, Kai Harris, Ebony LaDelle, Kiese Laymon, Christine Platt, Farrah Rochon, Kennedy Ryan, Dawnie Walton, and Nicola Yoon.

Sixteen-year-old Ebony Jones is devastated when her family moves from Houston to her grandmother’s house in the country. There’s absolutely nothing for Ebony in Alula Lake, Texas. So she thinks.

*ships in 7 -10 business days*

Hot Comb offers a poignant glimpse into Black women’s lives and coming of age stories as seen across a crowded, ammonia-scented hair salon while ladies gossip and bond over the burn. The titular story “Hot Comb” is about a young girl’s first perm—a doomed ploy to look cool and to stop seeming “too white” in the all-black neighborhood her family has just moved to. In “Virgin Hair” taunts of “tender-headed” sting as much as the perm itself. It’s a scenario that repeats fifteen years later as an adult when, tired of the maintenance, Flowers shaves her head only to be hurled new put-downs. The story “My Lil Sister Lena” traces the stress resulting from being the only black player on a white softball team. Her hair is the team curio, an object to touched, a subject to be discussed and debated at the will of her teammates, leading Lena to develop an anxiety disorder of pulling her own hair out. Among the series of cultural touchpoints that make you both laugh and cry, Flowers recreates classic magazine ads idealizing women’s needs for hair relaxers and product. “Change your hair form to fit your life form” and “Kinks and Koils Forever” call customers from the page.

“Make a way out of no way” is just the way of life for Rue. But when her mother is shot dead on her doorstep, life for her and her younger sister changes forever. Rue's taken from her neighborhood by the father she never knew, forced to leave her little sister behind, and whisked away to Ghizon—a hidden island of magic wielders.

Rue is the only half-god, half-human there, where leaders protect their magical powers at all costs and thrive on human suffering. Miserable and desperate to see her sister on the anniversary of their mother’s death, Rue breaks Ghizon’s sacred Do Not Leave Law and returns to Houston, only to discover that Black kids are being forced into crime and violence. And her sister, Tasha, is in danger of falling sway to the very forces that claimed their mother’s life.

Worse still, evidence mounts that the evil plaguing East Row is the same one that lurks in Ghizon—an evil that will stop at nothing until it has stolen everything from her and everyone she loves. Rue must embrace her true identity and wield the full magnitude of her ancestors’ power to save her neighborhood before the gods burn it to the ground.

About the author: J. Elle was born in Houston, Texas, and is a first-generation college student with a bachelor’s in journalism and MA in educational administration and human development. An advocate for marginalized voices in both publishing and her community, J. Elle’s passion for empowering youth dates back to her first career in education. She’s worked as a preschool director, middle school teacher, and high school creative writing mentor. In her spare time, she volunteers at an alternative school, provides feedback for aspiring writers, loves on her three littles, and cooks up dishes true to her Texas and Louisiana roots. Wings of Ebony is her first novel.

Residual textures, patterns and structures of the abandoned Ebony and Jet offices represent both the spirit of a Black publishing empire and the sense of its loss

This book by photographer Barbara Karant commemorates the Johnson Publishing Company, publisher of the iconic Ebony and Jet magazines and the most influential Black-owned media corporation of its day. Karant spent more than three years documenting the company’s historic building at 820 S. Michigan Avenue in downtown Chicago, capturing the last vestiges of the original workspace after the company sold the building in 2010 and relocated in 2012. These vibrant interiors, which remained largely unchanged from 1972 to 2012, fostered the creativity of a staff working in a variety of media. Each floor of the 11-story building flaunted distinct color and pattern combinations, and its bold, contemporary design telegraphed JPC’s position at the forefront of Black American business and culture. Stripped of its furnishings, the interiors of the former JPC headquarters simultaneously represent the spirit of this landmark company and the sense of its loss, of a seminal moment in Black American history and the history of this nation.
Accompanying the approximately 125 color photographs by Karant are documentary images of the original interiors, along with other archival material.  A foreword by Deborah Willis and essays by Aaron Bryant, Cheryl Finley, Carla Williams, Jon Ott, Brenna Wynn Greer, and E. James West address JPC’s dominance as an image and tastemaker in mid- to late-20th century America, the landscape of American Black media, the Ebony in-house photo studio, and the site-specific lobby sculpture by Richard Hunt. Short texts by former employees who worked in the building contribute important documentation to JPC’s history. 820 Ebony/Jet is a tribute to the achievements of this remarkable American company.

Ebony Grace Livingston was raised to be flawless. A debutante-turned-elite event planner, she built a life around breathtaking galas, whispered exclusives, and the kind of connections money can’t buy. But when her husband’s betrayal turns her into high society’s juiciest scandal, Ebony decides she’s done curating perfection for everyone but herself.

With a high-profile wedding to pull off, a social media following obsessed with her every move, and a no-nonsense life coach reminding her that the real glow-up starts from within, Ebony is ready to write her next chapter — on her own terms. The only thing standing in her way? Lincoln Bridges, the maddeningly meticulous architect overseeing the historic venue she needs to transform. He’s stubborn, insufferably charming, and worst of all, the one man who saw through her marriage before she did.

Their creative clashes reignite old wounds, unfinished business, and the kind of chemistry that once felt inevitable. But in a world where power is played in private lounges, loyalty is measured in invitations, and champagne flows as freely as the gossip, Ebony will have to decide if rewriting her future means making room for something real.

Set in an exclusive world where wealth whispers, bottomless brunches double as battleground boardrooms, and reputation is the ultimate currency, Ebony is about to prove that reinvention isn’t just an option — it’s a luxury she’s finally ready to afford.

The official re-release of Ebony Stewart’s latest collection Home.Girl.Hood.

Rings on every finger. Hood and educated AF. You’ve met her. Wearing all her feelings and responding with a side-eye or a tongue-pop. You’ve seen her. At the grocery store. In restaurants. On the subway. At the bus stop. In a car you pulled up next to blaring whatever matches her mood. Hair in some natural or protective style for the Gods. Ebony Stewart. An around the way girl. One part human, all parts womxn. You know these poems because they be familiar. They be your grandmama, mama, auntie, and sis stories. Welcome to Home.Girl.Hood.