This zine situates study itself as an act of defiance, remembrance and freedom work by tracing the enduring legacy of David Walker’s An Appeal to the Coloured Citizens of the World (1829), a radical pamphlet calling for Black resistance, self-determination, and liberation. Through archival photographs of Black people studying across generations―including images from Mariame Kaba’s personal newswire collection―Black Study meditates on the long lineage of intellectual and political struggle sparked by Walker’s words. Banned and denounced in its time, The Appeal nevertheless circulated widely, fueling abolitionist movements and shaping the philosophies of Black nationalism, civil rights, and direct action.

An illustrated history that celebrates the legacy of Black actors, films, and filmmakers from the silent era through today and explores the deeply embedded racism of the film industry, from the award-winning author of The Black Panther Party

In Black Film, Eisner Award-winning author David F. Walker presents an immersive dive into the crucial history of Black actors, films, and filmmakers. Following closely behind the very first moving picture captured by Eadward Muybridge in 1872, Thomas Edison's thirty-second "actualities" from the late 1890s, including A Watermelon Contest and Dancing Darkey Boy, are among the first short films to depict Black people. These can be considered the earliest examples of how the film industry would go on to exploit, appropriate, and shape the narrative of Black people for the duration of its development.

Divided by decade, each section of the book covers an important era and milestone for Black film, highlighting both difficulties and triumphs through time. For example:

* The harmful popularization of blackface and minstrel shows (1890-1914)
* The emergence of racist feature-length movies such as Birth of a Nation after the advancement of sound in film, countered by the success of pioneering Black filmmakers such as Oscar Michaeux and brothers George and Noble Johnson (1915-1928)
* The rise of trailblazing actors such as Sidney Poitier and Dorothy Dandridge (1950-1959)
* The roots of Blaxploitation as a subgenre and how Black people ultimately saved Hollywood during trying times (1970-1979)
* The exciting crossover of hip-hop music into film (1980-1989)
* The box office success of Marvel's The Black Panther, Moonlight's history-making Best Picture win, and more.

With gorgeous illustrations, film stills, and rare pieces of ephemera, Black Film celebrates the glowing contributions of Black actors and filmmakers, without shying away from discussing the racism that is rooted in Hollywood—an important reality to address in order to make progress.

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A bold and fascinating graphic novel history of the revolutionary Black Panther Party.

Founded in Oakland, California, in 1966, the Black Panther Party for Self-Defense was a radical political organization that stood in defiant contrast to the mainstream civil rights movement. This gripping illustrated history explores the impact and significance of the Panthers, from their social, educational, and healthcare programs that were designed to uplift the Black community to their battle against police brutality through citizen patrols and frequent clashes with the FBI, which targeted the Party from its outset.

Beautiful edition taking the reader through the origins and history of African nations and peoples, highlighting the roots of modern fiction in history, myth and fable.

Africa is a crucible of many civilizations, indeed of humanity. African peoples can be traced back 16,000 years or so to 5 ancestral civilisational groups based on their language families, such as the Nilo-Saharan and the Khoisan. A brand new, accessible and enlightening history by Robin Walker, African Ancient Origins tells the stories of African golden ages, of the key dynasties, individuals, cities, trade and achievements, going back to the first migrations, origin stories and myths. From the Kingdom of Kerma in Sudan to the Zulu Empire, we learn of the many cultures that existed for thousands of years before European invasion, of their complex histories that have left lasting legacies on modern African nations.

Flame Tree Collector's Editions present the foundations of speculative fiction: authors, myths, tales and history without which the imaginative literature of the twentieth century would not exist, bringing the best, most influential and most fascinating works into a striking and collectable library. Each book features a new Introduction and a Glossary of Terms or lists of Ancient Leaders.

In The Temple of My Familiar, Celie and Shug from The Color Purple subtly shadow the lives of dozens of characters, all dealing in some way with the legacy of the African experience in America. From recent African immigrants to a woman who grew up in the mixed-race rainforest communities of South America to Celie’s own granddaughter living in modern-day San Francisco, all must come to terms with the brutal stories of their ancestors in order to confront their own troubled lives.

As Alice Walker unfolds the experiences of these astonishing characters, she weaves a new mythology from old fables and history, creating a profoundly spiritual explanation for centuries of shared African American experience.

When the United States recently exploded with unprecedented demonstrations challenging racial violence and hatred, Alice Walker’s New York Times bestselling We Are the Ones We Have Been Waiting For was one of the books to which people turned for inspiration and solace. Called “stunningly insightful” and “a book that will inspire hope” by Publishers Weekly, this work by the author of The Color Purple is a clarion call to activism—spiritual ruminations with a progressive political edge, that offer a moment of care and solace.

Walker encourages readers to take faith in the fact that, despite our daunting predicaments, we are uniquely prepared to create positive change. Drawing on Walker’s spiritual grounding and her progressive political convictions, the book offers a cornucopia of the Pulitzer Prize winner’s writings and speeches on advocacy, struggle, and hope. Each chapter concludes with a recommended meditation to teach patience, compassion, and forgiveness.

Walker’s clear vision and calm meditative voice—truly “a light in darkness”—has struck a deep chord among a large and devoted readership. In her new introduction, Walker reflects on the contemporary political and spiritual crises in the post–Trump era United States, making this classic book relevant for the current moment.

When traditional remedies meet a new frontier of science — can long kept family secrets help the world, or doom us all to cosmic oblivion?

In a terrifying body horror reimagining of Madam CJ Walker’s life, Etta Knight must break a generational curse or succumb to the maw of madness!

At the turn of the 20th century, a young Black woman named Etta Knight picks up the tradition of her late mother for creating special medicines using natural ingredients and secrets passed down from generation to generation. Her mother has passed on a book of recipes and formulas, but it’s also full of strange symbols and dark musings that she doesn’t quite understand. Within her community, one of the problems she hopes to fix is counteracting the poisonous and abrasive solutions women of color are sold for straightening her hair.

So, when the Meridian Fellowship reaches out and offers her a spot at their institute in Savannah, GA, to use their facilities to do her research, Etta jumps at the chance. She packs up her mother’s book and heads to the school, but what she finds there is a secret society and a campus surrounded by natural wonders that may point the way to understanding the more mysterious parts of her mother’s work…if dark forces don’t claim her first.

Inspired by the life of Madame CJ Walker, this alternate history combines tradition with the supernatural for something truly modern and unique.

This volume collects issues 1-6 of Roots of Madness.

A collection of essays, fiction, journalism, folklore, and autobiography, preserving the legacy of one of the Harlem Renaissance’s greatest writers.

The foundational, classic anthology that revived interest in the author of Their Eyes Were Watching God—"one of the greatest writers of our time"—and made her work widely available for a new generation of readers (Toni Morrison).

During her lifetime, Zora Neale Hurston was praised for her writing but condemned for her independence and audacity. Her work fell into obscurity until the 1970s, when Alice Walker rediscovered Hurston's unmarked grave and anthologized her writing in this groundbreaking collection for the Feminist Press. 

I Love Myself When I Am Laughing... And Then Again When I Am Looking Mean and Impressive established Hurston as an intellectual leader for future generations of black writers. A testament to the power and breadth of Hurston's oeuvre, this edition—newly reissued for the Feminist Press's fiftieth anniversary—features a new preface by Walker.

"Through Hurston, the soul of the black South gained one of its most articulate interpreters." —The New York Times

For the first time, the edited journals of Alice Walker are gathered together to reflect the complex, passionate, talented, and acclaimed Pulitzer Prize winner of The Color Purple. She intimately explores her thoughts and feelings as a woman, a writer, an African-American, a wife, a daughter, a mother, a lover, a sister, a friend, a citizen of the world.

In an unvarnished and singular voice, she explores an astonishing array of events: marching in Mississippi with other foot soldiers of the Civil Rights Movement, led by Martin Luther King, Jr.; her marriage to a Jewish lawyer, defying laws that barred interracial marriage in the 1960s South; an early miscarriage; writing her first novel; the trials and triumphs of the Women’s Movement; erotic encounters and enduring relationships; the ancestral visits that led her to write The Color Purple; winning the Pulitzer Prize; being admired and maligned, sometimes in equal measure, for her work and her activism; and burying her mother. A powerful blend of Walker’s personal life with political events, this revealing collection offers rare insight into a literary legend.

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More than 30 acclaimed writers—including diverse voices such as Nikki Giovanni, David Omotosho Black, Natasha Trethewey, Barry Jenkins, Jacqueline Woodson, Tayari Jones, and Angela Flournoy—reflect on their experience and expertise in this unique book on the craft of writing that focuses on the Black creative spirit.

How We Do It is an anthology curated by Black writers for the creation and proliferation of Black thought. While a creator’s ethnicity does not solely define them, it is inherently part of who they are and how they interpret the world.

For centuries, Black creators have utilized oral and written storytelling traditions in crafting their art. But how does one begin the process of constructing a poem or story or character? How do Black writers, when faced with questions of “authenticity,” dive deep into the essence of their lives and work to find the inherent truth? How We Do It addresses these profound questions. Not a traditional “how to” writing handbook, it seeks to guide rather than dictate and to validate the complexity and range of styles—and even how one thinks about craft itself.

An outstanding list of contributors offer their insights on a range of important topics. Pulitzer Prize winner Jericho Brown explores the lives personified in poetry, while Pulitzer Prize winner Natasha Trethewey explores decolonizing enduring metaphors. National Book Award finalist Angela Flournoy illuminates the pain of grief in all forms and how it can be revealed in the act of creation, and iconoclast Nikki Giovanni offers an elegiac declaration on language.

New and previously published essays and interviews provide encouragement, examples, and templates, and offer lessons on everything from poetic form and plotting a story to the lessons inherent in the act of writing, trial & error, and finding inspiration in the works of others, including those of Toni Morrison, Shakespeare, and Edward P. Jones. A handbook and a reference tool, How We Do It is a thoughtful and welcome tool that offers direction to help Black artists establish their own creative practice while celebrating and widening the scope of the Black writer’s role in art, history, and culture.

Contributors include David Omotosho Black, Jericho Brown, Breena Clark, Rita Dove, Camille T. Dungy, W. Ralph Eubanks, Curdella Forbes, Angela Flournoy, Ernest Gaines, Nikki Giovanni, Marita Golden, Ravi Howard, Terrance Hayes, Mitchell S. Jackson, Barry Jenkins, Charles S. Johnson, Tayari Jones, Jamaica Kincaid, Tony Medina, E. Ethelbert Miller, Elizabeth Nunez, Carl Phillips, Jewell Parker Rhodes, Rion Amilcar Scott, Evie Shockley, Natasha Trethewey, Frank X Walker, Afaa M. Weaver, Crystal Wilkinson, Jacqueline Woodson, Tiphanie Yanique.

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In this exquisite book, Alice Walker’s first new collection of poetry since 1991, are poems that reaffirm her as “one of the best American writers of today” (The Washington Post). The forces of nature and the strength of the human spirit inspire the poems in Absolute Trust in the Goodness of the Earth. Alice Walker opens us to feeling and understanding, with poems that cover a broad spectrum of emotions. With profound artistry, Walker searches for, discovers, and declares the
fundamental beauty of existence, as she explores what it means to experience life fully, to learn from it, and to grow both as an individual and as part of a greater spiritual community.

About Walker’s Horses Make a Landscape Look More Beautiful, America said, “In the tradition of Whitman, Walker sings, celebrates and agonizes over the ordinary vicissitudes that link and separate all of humankind,” and the same can be said about this astonishing new collection, Absolute Trust in the Goodness of the Earth.

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New York Times Book Review Editors’ Choice • An award-winning author charts the poignant global journeys of African Americans as she explores her own transatlantic family odyssey in Beyond the Shores, a powerful history of living abroad while Black.
 
“By exploring the life of Black expats, creatives, and activists, Beyond the Shores enhances the stories of migration to reveal how race is lived in the United States and abroad.”—Marcia Chatelain, Pulitzer Prize–winning author of South Side Girls

Part historical exploration, part travel memoir, Beyond the Shores reveals poignant histories of a diverse group of African Americans who have left the United States over the course of the past century. Together, the interwoven stories highlight African Americans’ complicated relationship to the United States and the world at large.
 
Beyond the Shores is not just about where African Americans stayed or where they ate when they traveled but also about why they left in the first place and how they were treated once they reached their destinations. Drawing on years of research, Dr. Tamara J. Walker chronicles their experiences in atmospheric detail, taking readers from well-known capital cities to more unusual destinations like Yangiyul, Uzbekistan, and Kabondo, Kenya. She follows Florence Mills, the would-be Josephine Baker of her day, in Paris, and Richard Wright, the author turned actor and filmmaker, in Buenos Aires. Throughout Beyond the Shores, she relays tender stories of adventurous travelers, including a group of gifted Black crop scientists in the 1930s, a housewife searching for purpose in the 1950s, a Peace Corps volunteer discovering his identity in the 1970s, and her own grandfather, who, after losing his eye fighting in World War II and returning to a country that showed no signs of honoring his sacrifice, set out with his wife and children on a circuitous journey that sent them back and forth across the Atlantic. Tying these tales together is Walker’s personal account of her family’s, and her own, experiences abroad—in France, Brazil, Argentina, Austria, and beyond.
 
By sharing the accounts of those who escaped the racism of the United States to try their hands at life abroad, Beyond the Shores shines a light on the meaning of home and the search for a better life.