As seen on TikTok, Daniel Black’s Perfect Peace is the heartbreaking portrait of a large, rural southern family’s attempt to grapple with their mother’s desperate decision to make her newborn son into the daughter she will never have―“a complex, imaginative story of one unforgettable black family in mid-twentieth century Arkansas” (Atlanta Magazine).

When the seventh child of the Peace family, named Perfect, turns eight, her mother Emma Jean tells her bewildered daughter, “You was born a boy. I made you a girl. But that ain’t what you was supposed to be. So, from now on, you gon’ be a boy. It’ll be a little strange at first, but you’ll get used to it, and this’ll be over after while.”

From this point forward, Perfect’s life becomes a bizarre kaleidoscope of events―while the rest of his family is forced to question everything they thought they knew about gender, sexuality, unconditional love, and fulfillment.

“A morality tale of the consequences of letting our selfish needs trap the ones we love into roles they weren’t born to play. The characters here are as flawed, their sins numerous, as any living human being held under the lens, but the author brings a compassion and understanding to their plights.”―Mat Johnson, award-winning author of Invisible Things

“Part cautionary tale, part folk tale, part fable, Daniel Black’s Perfect Peace is a complete triumph…In Emma Jean Peace, Dr. Black has created a character as complex, equivocal and unforgettable as Scarlett O'Hara.”―Larry Duplechan, Lambda Literary Award-winning author of Got ’Til It’s Gone

"The Coming is powerful. And beautiful...This is a work to be proud of."--Charles Johnson, National Book Award winner for Middle Passage

Lyrical, poetic, and hypnotizing, The Coming tells the story of a people's capture and sojourn from their homeland across the Middle Passage--a traumatic trip that exposed the strength and resolve of the African spirit. Extreme conditions produce extraordinary insight, and only after being stripped of everything do they discover the unspeakable beauty they once took for granted. This powerful, haunting novel will shake readers to their very souls.

"Part homage to the proud and diverse cultures of Africa, part nightmare of the people stolen from those lands, The Coming seduces us with poetry, then breaks our hearts, but ultimately inspires us to celebrate the indomitable soul of humanity." ―George Weinstein, author of Hardscrabble Road

Inspired by the murder of Emmett Till, this novel offers a powerful and profound exploration of black pain, suffering, and strength in the segregated South.

In the summer of 1955, fourteen-year-old Clement enters a general store in Money, Mississippi to purchase a soda. Unaware of the consequences of flouting the rules governing black-white relations in the South, this Chicago native defies tradition, by laying a dime on the counter and turns to depart. Miss Cuthbert, the store attendant, demands that he place the money in her hand, but he refuses, declaring, "I ain't no slave!" and exits with a sense of entitlement unknown to black people at the time. His behavior results in his brutal murder. This event sparks a war in Money, forcing the black community to galvanize its strength in pursuit of equality.

The beloved author of Don’t Cry for Me and Perfect Peace returns with a poignant, emotionally exuberant novel about a young queer Black man finding his voice in 1980s Chicago—a novel of family, forgiveness and perseverance, for fans of The Great Believers and On Earth We're Briefly Gorgeous

Isaac is at a crossroads in his young life. Growing up in Missouri, the son of a caustic, hard-driving father, he was conditioned to suppress his artistic pursuits and physical desires, notions that didn’t align with a traditional view of masculinity. But now, in late ’80s Chicago, Isaac has finally carved out a life of his own. He is sensitive and tenderhearted and has built up the courage to seek out a community. Yet just as he begins to embrace who he is, two social catalysts—the AIDS crisis and Rodney King’s attack—collectively extinguish his hard-earned joy.

At a therapist’s encouragement, Isaac begins to write down his story. In the process, he taps into a creative energy that will send him on a journey back to his family, his ancestral home in Arkansas and the inherited trauma of the nation’s dark past. But a surprise discovery will either unlock the truths he’s seeking or threaten to derail the life he’s fought so hard to claim.

Poignant, sweeping and luminously told, Isaac's Song is a return to the beloved characters of Don’t Cry for Me and a high-water mark in the career of an award-winning author.

The classic, New York Times-bestselling book on the psychology of racism that shows us how to talk about race in America.

Walk into any racially mixed high school and you will see Black, White, and Latino youth clustered in their own groups. Is this self-segregation a problem to address or a coping strategy? How can we get past our reluctance to discuss racial issues?

Beverly Daniel Tatum, a renowned authority on the psychology of racism, argues that straight talk about our racial identities is essential if we are serious about communicating across racial and ethnic divides and pursuing antiracism. These topics have only become more urgent as the national conversation about race is increasingly acrimonious. This fully revised edition is essential reading for anyone seeking to understand dynamics of race and racial inequality in America.

Rival Chicago photographers are forced to collaborate on a body-positive lingerie campaign, but they might have to readjust their focus when sparks fly.

Photographer Cassie Harris loves her job—her company Buxom Boudoir makes people look beautiful and feel empowered with her modern twist on classic pinup photography. Cassie’s best friend, Dana, is about to launch her own dangerously dreamy lingerie line and wants Cassie to shoot and direct the career-changing national campaign. But company politics and Dana’s complicated pregnancy interfere, and Cassie finds herself—a proud plus size Black woman—not behind the camera but in front of it.

Though she’s never modeled herself, Cassie’s pretty sure she can handle the sheer underwear and caution tape bralettes. She’s not sure she can work so intimately with the chosen photographer, her long-time competitor in the Chicago photography scene, Reid Montgomery. Their chemistry is undeniable on set, however, and feelings can develop faster than film…

A riveting, kaleidoscopic portrait of the American compulsion toward cruelty and our power to subvert it from an award-winning contributor to The Guardian and The New York Times.

In How to Look Away, Daniel Peña explores how fringe elements of his Texas childhood—AM radio, conspiracy theories, Post-Cold War paranoia—came to dominate the American political discourse and contributed to our extreme tolerance of human rights abuses against migrants from Latin America and elsewhere. He asks: What compels us to look away from these abuses? And how do we wake ourselves into action?

These evocative essays braid journalism, cultural criticism, and memoir, roaming from the vestigial Comanche War battlefields of his native Austin, to the black markets of Mexico City, to the home of a cartel hitman’s family doomed to live in the unglamorous aftermath of his crimes. Writing from both Mexico and the United States, Daniel Peña reflects on two childhood fears: demons and the death penalty. Or the answer to the question, “Do you ever really belong to yourself?” A question that serves as the looking glass through which Peña meditates on American citizenship and the kinds of people we are willing to disappear in the name of the American project.

How to Look Away conjures disquiet and longing beside clarity and hope as it offers a haunting account of the strange bond between two nations, this American moment, and the land upon which our bodies stand.

The first book from artist Danielle Mckinney, featuring 50 prompts for self-reflection written by her mother and a 44-page journal for the reader to respond

Danielle Mckinney is a rising star in the art world. Her tender, intimate representations of Black women at rest have garnered her a broad and devoted following. 

This innovative debut book is a mother-daughter collaboration: 50 of Mckinney’s paintings appear in dialogue with journal prompts written by the artist’s mother, Barbara Mckinney, an educator who embraces the art of creative expression. Journal pages in the back of the book offer readers a chance to write out their responses to the prompts, inspiring a meditative practice. 

Beautifully designed and produced, Danielle Mckinney: Beyond the Brushstroke draws new inspiration from the work of this fresh voice in contemporary American art.

*Paperback Release Date - 3/9/2027*

The first in a vivid and charming crime series set in the Louisiana bayou, introducing the hilariously uncensored amateur sleuth Glory Broussard. Perfect for fans of Richard Osman’s Thursday Murder Club.

It’s a hot and sticky Sunday in Lafayette, Louisiana, and Glory has settled into her usual after-church routine, meeting gamblers at the local coffee shop, where she works as a small-time bookie. Sitting at her corner table, Glory hears that her best friend—a nun beloved by the community—has been found dead in her apartment.

When police declare the mysterious death a suicide, Glory is convinced that there must be more to the story and, with her reluctant daughter, with troubles of her own, in tow, launches a shadow investigation in a town of oil tycoons, church gossips, and a rumored voodoo priestess.

As a Black woman of a certain age who grew up in a segregated Louisiana, Glory is used to being minimized and overlooked. But she’s determined to make her presence known as the case leads her deep into a web of intrigue she never realized Lafayette could harbor. Danielle Arcenaux’s riveting debut brings for an unforgettable character that will charm and delight crime fans everywhere and leave them hungry for her next adventure.

Uncovers a haunting yet vital record of bodies commodified, archived, and performed Currencies of Cruelty is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America. Danielle Bainbridge traces how the transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers - often denied traditional labor opportunities - became highly lucrative attractions. At the heart of this powerful study are conjoined twins Millie Christine McKoy, born into slavery and later emancipated, and the so-called "original Siamese Twins," Chang and Eng Bunker, who navigated the freak show circuit not only as performers but also as enslavers. Their stories reveal how archival practices surrounding enslavement and performance labor worked in tandem, creating a system where unfree and newly freed bodies were simultaneously valued and devalued-exploited for their spectacle yet rendered abject within traditional labor economies. Blending historical analysis with innovative archival theory, Currencies of Cruelty challenges conventional narratives of labor, freedom, and human worth. Bainbridge introduces the concept of the "future perfect" archive-one that anticipates what will have been rather than merely recording the past-offering a radical new way to engage with histories of enslavement, disability, and performance. A gripping exploration of race, commerce, and bodily spectacle, this book sheds crucial light on how histories of subjugation continue to shape our understanding of value and visibility today.

A life affirming story of rehabilitation and hope after prison. The third novel from multi-award-winning Danielle Jawando, perfect for fans of Angie Thomas and Elizabeth Acevedo.
 
‘Jawando’s writing is incredibly raw and real; I felt completely immersed’ Alice Oseman, author of the Heartstopper series
 
When fifteen-year-old Tyrell Forrester gets caught up in a high-profile armed robbery, he's sentenced to eighteen months in a young offenders’ prison. Now he’s getting out, and he’s determined to turn his life around. Despite his release, systemic discrimination makes it difficult for Ty to truly be free. Inspired by a visiting poet while inside, Ty discovers a whole new world through spoken word and is finally finding his voice. But will society ever see him as anything other than a criminal?

Praise for And the Stars Were Burning Brightly:

'An outstanding and compassionate debut' Patrice Lawrence, author of Orangeboy

'One of the brightest up and coming stars of the YA world' Alex Wheatle, author of Crongton Knights

‘An utter page turner from a storming new talent. Passionate, committed and shines a ray of light into the darkest places - the YA novel of 2020!’ Melvin Burgess, author of Junk

Praise for When Our Worlds Collided:
 
'A raw, unflinching and powerful story that will stay with me for a long time’ Manjeet Mann, author of The Crossing
 
‘A beautiful ode to found family, and a compassionate look at the power of connection borne from the ashes of tragedy and apathy’ Christina Hammonds Reed, author of The Black Kids
 
‘Hard-hitting yet still hopeful, this is an emotional powerhouse of a book’ Alexandra Sheppard, author of Oh My Gods

Warning - this novel contains themes that some readers may find upsetting, including suicide and self harm.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation.

A cop begins seeing huge, blinking eyes where the headlights of cars should be that tell him who to pull over. Two freedom riders take a bus ride that leaves them stranded on a lonely road in Alabama where several unsettling somethings await them. A young girl dives into the depths of the Earth in search of the demon that killed her parents. These are just a few of the worlds of Out There Screaming, Jordan Peele’s anthology of all-new horror stories by Black writers. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

Featuring stories by: Erin E. Adams, Violet Allen, Lesley Nneka Arimah, Maurice Broaddus, Chesya Burke, P. Djèlí Clark, Ezra Claytan Daniels, Tananarive Due, Nalo Hopkinson, N. K. Jemisin, Justin C. Key, L. D. Lewis, Nnedi Okorafor, Tochi Onyebuchi, Rebecca Roanhorse, Nicole D. Sconiers, Rion Amilcar Scott, Terence Taylor, and Cadwell Turnbull.