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Clint Smith’s vibrant and compelling new collection traverses the vast emotional terrain of fatherhood, and explores how becoming a parent has recalibrated his sense of the world. There are poems that interrogate the ways our lives are shaped by both personal lineages and historical institutions. There are poems that revel in the wonder of discovering the world anew through the eyes of your children, as they discover it for the first time. There are poems that meditate on what it means to raise a family in a world filled with constant social and political tumult. Above Ground wrestles with how we hold wonder and despair in the same hands, how we carry intimate moments of joy and a collective sense of mourning in the same body. Smith’s lyrical, narrative poems bring the reader on a journey not only through the early years of his children’s lives, but through the changing world in which they are growing up—through the changing world of which we are all a part.

Above Ground is a breathtaking collection that follows Smith's first award-winning book of poetry, Counting Descent.

Beginning in his own hometown of New Orleans, Clint Smith leads the reader through an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—that offer an intergenerational story of how slavery has been central in shaping our nation’s collective history, and ourselves.

It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving over 400 people on the premises. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned maximum security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers.

In a deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country’s most essential stories are hidden in plain view-whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods—like downtown Manhattan—on which the brutal history of the trade in enslaved men, women and children has been deeply imprinted.

Informed by scholarship and brought alive by the story of people living today, Clint Sm

Adapted from Clint Smith's #1 New York Times bestselling and universally acclaimed How the Word Is Passed, this must-read narrative takes readers to historical sites across America, exploring the legacy of slavery to help readers make sense of our nation's past and present, and be better stewards of their own future.

Beginning in his own hometown of New Orleans, Clint Smith leads young readers through an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—offering an intergenerational story of how slavery has been central in shaping our nation’s collective history, and ourselves.

How the Word Is Passed illustrates how some of our country’s most essential stories are hidden in plain view—whether in places we might drive by on our way to school, holidays such as Juneteenth, or entire neighborhoods (like downtown Manhattan) on which the brutal history of the trade in enslaved people has been deeply imprinted.

Informed by scholarship and brought alive by the story of people living today, this adaptation of Clint Smith’s #1 bestselling, award-winning work of nonfiction offers kids a new understanding of the hopeful role that memory and history can play in making sense of our country, and shows how they can reckon with the past and present to become better stewards of their future.

"I have been waiting for a book like this, and I’m so glad it's here." — Clint Smith, author of How the Word is Passed

Since the nation’s founding, Black Americans have had a unique perspective on the U.S. experience—a “second sight”—that reveals the truth about the nation to itself. As renowned media scholar Sarah J. Jackson charts in this bold and daring masterwork, at the center of this effort has been an extraordinary cast of Black journalists, photographers, filmmakers, radio hosts, podcasters and other mediamakers who have drawn on the visionary tradition of second sight to advance democracy and broaden our most fundamental American values.

When Black mediamakers raise their voices and speak uncomfortable truths about America, they shape memories of the nation and push us toward a future more closely aligned with our espoused values. For two centuries, this “second sight” has been an overlooked engine of American democracy.

Drawing from W.E.B. Du Bois’s philosophical work, along with deep historical analysis and dozens of interviews with today’s most active Black mediamakers, A Second Sight shows these visionaries positioned at the margins of their industries and navigating fraught relationships to power. They’ve warned of the greatest dangers to democracy—from slavery to Nazism, and mass incarceration to misinformation. Their work is central to our culture and politics. Yet it is devalued, met with violent censure, or achieved only via ingenious work-arounds. This tension has sharpened their commitments to truth.

Now one of our nation’s foremost scholars of American media, Sarah J. Jackson, presents an appraisal that situates Black mediamakers at the vanguard of telling the American story. Brilliant, urgent and illuminating, A Second Sight is an authentic and candid grappling with a discordant thread in the American fabric and, in tracing a bolder vision for the nation, presents a way forward.

One World is proud to present THE 1619 PROJECT: A New Origin Story, a book that dramatically builds on the vision of the original magazine project with major expansions of the original essays, seven new essays by historians, and dozens of new poems and pieces of fiction. The book includes a significant elaboration of the project’s Pulitzer Prize-winning lead essay by Nikole Hannah-Jones and a new introduction that together offer a stirring rebuttal to critics. Hannah-Jones has also written a third essay that makes the case for reparative solutions to the legacy of injustice the project documents.

Edited by Hannah-Jones, along with New York Times Magazine editor-in-chief Jake Silverstein, features editor Ilena Silverman, and New York Times executive producer Caitlin Roper, the book offers work from some of the country’s most outstanding journalists, thinkers, historians and scholars, including: Michelle Alexander, Leslie Alexander, Carol Anderson, Jamelle Bouie, Anthea Butler, Matthew Desmond, Martha Jones, Ibram Kendi, Kevin Kruse, Trymaine Lee, Tiya Miles, Wesley Morris, Khalil Gibran Muhammad, Dorothy Roberts, Jeneen Interlandi, Bryan Stevenson, and Linda Villarosa.

Woven throughout the book are works of fiction and poetry that bring to life four hundred years of history with imaginative writing by Joshua Bennett, Reginald Dwayne Betts, Rita Dove, Camille Dungy, Cornelius Eady, Eve L. Ewing, Nikky Finney, Vievee Francis, Yaa Gyasi, Forrest Hamer, Terrance Hayes, Honorée Fanonne Jeffers, Barry Jenkins, Tyehimba Jess, Robert Jones, Jr., A. Van Jordan, Yusef Komunyakaa, Kiese Laymon, Jasmine Mans, Terry McMillan, Lynn Nottage, ZZ Packer, Gregory Pardlo, Darryl Pinckney, Claudia Rankine, Jason Reynolds, Evie Shockley, Tim Siebles, Clint Smith, Danez Smith, Patricia Smith, Tracy K. Smith, Nafissa Thompson-Spires, Natasha Trethewey, Jesmyn Ward and Sonia Sanchez.

The book also includes archival portrait photography of Black Americans paired with each essay, curated by Kimberly Annece Henderson.

In the tradition of The Immortal Life of Henrietta Lacks, a page-turning 93-year history of Crownsville Hospital, one of the nation’s last segregated asylums, that New York Times bestselling author Clint Smith describes as “a book that left me breathless.”

On a cold day in March of 1911, officials marched twelve Black men into the heart of a forest in Maryland. Under the supervision of a doctor, the men were forced to clear the land, pour cement, lay bricks, and harvest tobacco. When construction finished, they became the first twelve patients of the state’s Hospital for the Negro Insane. For centuries, Black patients have been absent from our history books. Madness transports readers behind the brick walls of a Jim Crow asylum.
 
In Madness, Peabody and Emmy award-winning journalist Antonia Hylton tells the 93-year-old history of Crownsville Hospital, one of the last segregated asylums with surviving records and a campus that still stands to this day in Anne Arundel County, Maryland. She blends the intimate tales of patients and employees whose lives were shaped by Crownsville with a decade-worth of investigative research and archival documents. Madness chronicles the stories of Black families whose mental health suffered as they tried, and sometimes failed, to find safety and dignity. Hylton also grapples with her own family’s experiences with mental illness, and the secrecy and shame that it reproduced for generations.
 
As Crownsville Hospital grew from an antebellum-style work camp to a tiny city sitting on 1,500 acres, the institution became a microcosm of America’s evolving battles over slavery, racial integration, and civil rights. During its peak years, the hospital’s wards were overflowing with almost 2,700 patients. By the end of the 20th-century, the asylum faded from view as prisons and jails became America’s new focus.
 
In Madness, Hylton traces the legacy of slavery to the treatment of Black people’s bodies and minds in our current mental healthcare system. It is a captivating and heartbreaking meditation on how America decides who is sick or criminal, and who is worthy of our care or irredeemable.

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A revealing, humorous, behind-the-scenes memoir from Kenny "The Jet" Smith—superstar basketball commentator, host of top-rated Inside the NBA, and two-time NBA champion. Smith reveals memorable inside stories of his playing and broadcasting careers, focusing on the star players, coaches, and mentors who inspired him along the way.

Kenny Smith was a star at the University of North Carolina before his storied NBA run, in which he won two championships with the Houston Rockets. His tremendous popularity skyrocketed when he joined TNT’s new show, Inside the NBA, which has thrived for twenty-four years and won multiple Emmys, receiving enormous acclaim for the insight, humor, social commentary, and unrivaled basketball coverage from Kenny Smith, Charles Barkley, Shaquille O’Neal, and Ernie Johnson, Jr. Kenny is known to fans for his laser-sharp analysis and eloquent observations of the basketball scene and culture.

In this honest and profound memoir, Kenny writes chapters about each of the extraordinary people who taught him invaluable life lessons. He illuminates the personalities, affections, and quirks of friends such as Michael Jordan, Shaquille O’Neal, Charles Barkley and Kobe Bryant, among others, and what he learned from each of them. He writes about his legendary UNC coach, Dean Smith, and other indelible role models through his career. And he interweaves poignant material about his upbringing in Queens, New York, his parents, his children, and his marriage, explaining the rich knowledge he obtained from the important figures around him. Kenny is also a strong, intelligent voice on race, as his fans and TV viewers will know. Ultimately this is a revealing, humorous, and powerful memoir, offering a candid glimpse inside the rarified world of elite sports and broadcasting, with inspiring takeaways.A revealing, humorous, behind-the-scenes memoir from Kenny "The Jet" Smith—superstar basketball commentator, host of top-rated Inside the NBA, and two-time NBA champion. Smith reveals memorable inside stories of his playing and broadcasting careers, focusing on the star players, coaches, and mentors who inspired him along the way.

Presented in partnership with Project Row Houses

Join us for a virtual author talk in celebration of Clint Smith's newest book, How the Word is Passed: A Reckoning With the History of Slavery Across America, which debuted as a #1 New York Times Bestseller. This conversation will be moderated by Clint's former history teacher, Mr. Jeffrey Page.  

Event Deets:

When: Monday, September 20 at 7:00 pm CST

Where: Virtual via Crowdcast

How:  Registration is required by adding a ticket to your cart and checking out.  There are 3 options for securing a ticket to the event.  Use the dropdown to the right to select the following ticket types:

1) Select TICKET & BOOK to receive a book with your ticket.  Your book will be shipped within 14 days after the event.

2) Select TICKET & DONATION to receive a ticket to the event.  This option allows you to make a $5 donation to our store.  These events are not free to execute so we appreciate your support!

3) Select TICKET ONLY to receive a ticket to the event only.  This ticket option does not include a book.

We hope to see you there!

About the Book:

Beginning in his own hometown of New Orleans, Clint Smith leads the reader through an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—that offer an intergenerational story of how slavery has been central in shaping our nation’s collective history, and ourselves.

It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving over 400 people on the premises. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned maximum security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers.

In a deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country’s most essential stories are hidden in plain view-whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods—like downtown Manhattan—on which the brutal history of the trade in enslaved men, women and children has been deeply imprinted.

Informed by scholarship and brought alive by the story of people living today, Clint Smith’s debut work of nonfiction is a landmark work of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in making sense of our country and how it has come to be.

About the Author:

Clint Smith is a staff writer at The Atlantic and the author of the poetry collection Counting Descent. The book won the 2017 Literary Award for Best Poetry Book from the Black Caucus of the American Library Association and was a finalist for an NAACP Image Award. He has received fellowships from New America, the Emerson Collective, the Art For Justice Fund, Cave Canem, and the National Science Foundation. His writing has been published in The New Yorker, The New York Times Magazine, Poetry Magazine, The Paris Review and elsewhere. Born and raised in New Orleans, he received his B.A. in English from Davidson College and his Ph.D. in Education from Harvard University.

About the Moderator:

Jeffrey Page is a native of Detroit, Michigan. He recently retired from The Awty International School where he taught History and Global Politics beginning in 2004. He has also served as an Adjunct Instructor of History at Texas Southern University and Houston Community College. In addition, he was an administrator at the Texas Department of Protective and Regulatory Services (Children's Protective Services), served as the Assistant Director of Children’s Division of the Mental Health Mental Retardation Authority of Harris County Texas, and has worked at Memorial Hermann Heights Hospital as a Medical Social Worker. He also worked as a Hospice Social Worker at the Hospice at the Texas Medical Center.

About Project Row Houses:

Project Row Houses is a community platform that enriches lives through art with an emphasis on cultural identity and its impact on the urban landscape. We engage neighbors, artists, and enterprises in collective creative action to help materialize sustainable opportunities in marginalized communities.

Project Row Houses occupies a significant footprint in Houston’s Historic Third Ward, one of the city’s oldest African-American neighborhoods. The site encompasses five city blocks and houses 39 structures that serve as home base to a variety of community-enriching initiatives, art programs, and neighborhood development activities. PRH programs touch the lives of under-resourced neighbors, young single mothers with the ambition of a better life for themselves and their children, small enterprises with the drive to take their businesses to the next level, and artists interested in using their talents to understand and enrich the lives of others. Although PRH’s African-American roots are planted deeply in Third Ward, the work of PRH extends far beyond the borders of a neighborhood in transition. The Project Row Houses model for art and social engagement applies not only to Houston, but also to diverse communities around the world.

To learn more or to make a donation to Project Row Houses visit www.projectrowhouses.org