Marlene loves three things: books, her cool Tía Ruby, and hanging out with her best friend Camila. But according to her mother, Paola, the only thing she needs to focus on is school and "growing up." That means straightening her hair every weekend so she can have "presentable," "good hair."

But Marlene hates being in the salon and doesn't understand why her curls are not considered pretty by those around her. With a few hiccups, a dash of embarrassment, and the much-needed help of Camila and Tia Ruby, she slowly starts a journey to learn to appreciate and proudly wear her curly hair.

This acclaimed post-apocalyptic novel of hope and terror from an award-winning author "pairs well with 1984 or The Handmaid's Tale" and includes a foreword by N. K. Jemisin (John Green, New York Times).

When global climate change and economic crises lead to social chaos in the early 2020s, California becomes full of dangers, from pervasive water shortage to masses of vagabonds who will do anything to live to see another day. Fifteen-year-old Lauren Olamina lives inside a gated community with her preacher father, family, and neighbors, sheltered from the surrounding anarchy. In a society where any vulnerability is a risk, she suffers from hyperempathy, a debilitating sensitivity to others' emotions.

Precocious and clear-eyed, Lauren must make her voice heard in order to protect her loved ones from the imminent disasters her small community stubbornly ignores. But what begins as a fight for survival soon leads to something much more: the birth of a new faith . . . and a startling vision of human destiny.

A beautiful boxed set brings together the great sci-fi writer's two award-winning Parable books

The perfect gift for fans of Octavia Butler, this boxed set pairs the bestselling Nebula-prize nominee, Parable of the Sower and Parable of the Talents, which together tell the near-future odyssey of Lauren Olamina, a "hyperempathic" young woman who is twice as feeling in a world that has become doubly dehumanized.

In Sower, the place is California, where small walled communities protect from hordes of desperate scavengers and roaming bands of people addicts. Lauren sets off on foot along the dangerous coastal highways, moving north into the unknown. The book has an introduction by feminist, journalist, activist, and author Gloria Steinem.

Parable of the Talents celebrates the classic Butlerian themes of alienation and transcendence, violence and spirituality, slavery and freedom, separation and community, to astonishing effect, in the shockingly familiar, broken world of 2032. It is told in the voice of Lauren Olamina's daughter––from whom she has been separated for most of the girl's life--with sections in the form of Lauren's journal. Against a background of a war-torn continent, and with a far-right religious crusader in the office of the U.S. presidency, this is a book about a society whose very fabric has been torn asunder, and where the basic physical and emotional needs of people seem almost impossible to meet. Talents is introduced by singer, musician, composer, producer, and curator Toshi Reagon, who created an opera based on the Parable books.

When Mary-Mathilda, one of the most respected women of the island of Bimshire (also known as Barbados) calls the police to confess to a crime, the result is a shattering all-night vigil that brings together elements of the island's African past and the tragic legacy of colonialism in one epic sweep.

Set in the West Indies in the period following World War II, The Polished Hoe -- an Essence bestseller and a Washington Post Book World Most Worthy Book of 2003 -- unravels over the course of twenty-four hours but spans the collective experience of a society characterized by slavery.

The visionary author’s masterpiece pulls us—along with her Black female hero—through time to face the horrors of slavery and explore the impacts of racism, sexism, and white supremacy then and now.

Dana, a modern black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana’s life will end, long before it has a chance to begin.

Una novela gráfica de grado medio sobre Marlene, una joven que deja de alisarse el pelo y acepta sus rizos naturales.

Marlene ama tres cosas: el arte, a su adorada tía Ruby y pasar el tiempo con Camilla, su mejor amiga. Pero su mamá piensa que se debería enfocar solamente en sus estudios y en madurar; y esto último implica alisarse el pelo todos los fines de semana para que se vea “presentable” y “bueno”. Pero Marlene odia ir al salón y no entiende por qué nadie a su alrededor piensa que sus rizos naturales son bonitos. Después de algunos desafíos y momentos vergonzosos, además de la ayuda imprescindible de Camilla y tía Ruby, poco a poco Marlene emprende el camino de aprender a apreciar su pelo rizo y llevarlo con orgullo.
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A middle grade graphic novel about Marlene, a young girl who stops straightening her hair and embraces her natural curls.

Marlene loves three things: books, her cool Tía Ruby and hanging out with her best friend Camila. But according to her mother, Paola, the only thing she needs to focus on is school and "growing up." That means straightening her hair every weekend so she could have "presentable", "good hair".

But Marlene hates being in the salon and doesn't understand why her curls are not considered pretty by those around her. With a few hiccups, a dash of embarrassment, and the much-needed help of Camila and Tia Ruby―she slowly starts a journey to learn to appreciate and proudly wear her curly hair.

From the bestselling author of The Lesbiana’s Guide to Catholic School comes a story in the vein of John Tucker Must Die but tackling serious topics. It’s a revenge story told with nuance, heart, and the possibility of healing. 

Ariana Ruiz wants to be noticed. But as an autistic girl who never talks, she goes largely ignored by her peers, despite her bold fashion choices. So when cute, popular Luis starts to pay attention to her, Ari finally feels seen.

Luis’s attention soon turns to something more, and they have sex at a party—while Ari didn’t say no, she definitely didn’t say yes. Before she has a chance to process what happened and decide if she even has the right to be mad at Luis, the rumor mill begins churning—thanks, she’s sure, to Luis’s ex-girlfriend, Shawni. Boys at school now see Ari as an easy target, someone who won’t say no. 

Then Ari finds a mysterious note in her locker that eventually leads her to a group of students determined to expose Luis for the predator he is. To her surprise, she finds genuine friendship among the group, including her growing feelings for the very last girl she expected to fall for. But in order to take Luis down, she’ll have to come to terms with the truth of what he did to her that night—and risk everything to see justice done. 

The New York Times best-selling author’s time-travel classic that makes us feel the horrors of American slavery and indicts our country’s lack of progress on racial reconciliation

Soon to be an FX Networks TV series adaptation with a pilot directed by Janicza Bravo (Zola), written by Branden Jacobs-Jenkins (Watchmen), and executive produced by Jacobs-Jenkins and Darren Aronofsky (The Fountain)

“I lost an arm on my last trip home. My left arm.”

Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon realizes the purpose of her summons to the past: protect Rufus to ensure his assault of her Black ancestor so that she may one day be born. As she endures the traumas of slavery and the soul-crushing normalization of savagery, Dana fights to keep her autonomy and return to the present.

Blazing the trail for neo-slavery narratives like Colson Whitehead’s The Underground Railroad and Ta-Nehisi Coates’s The Water Dancer, Butler takes one of speculative fiction’s oldest tropes and infuses it with lasting depth and power. Dana not only experiences the cruelties of slavery on her skin but also grimly learns to accept it as a condition of her own existence in the present. “Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times).

“As you turn the pages of this novel and get lost in Dana’s story, allow yourself to relive the horrors of slavery....Allow yourself to know the pain of our nation’s past.”—Tomi Adeyemi, New York Times bestseller and Hugo and Nebula award-winning author, from the new foreword

This brand new package for young adults includes a redesigned interior for better readability, specially commissioned cover art by Carlos Fama, metallic stock cover, and spot gloss on cover elements

“I lost an arm on my last trip home. My left arm.”

Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon realizes the purpose of her summons to the past: protect Rufus to ensure his assault of her Black ancestor so that she may one day be born. As she endures the traumas of slavery and the soul-crushing normalization of savagery, Dana fights to keep her autonomy and return to the present.

Blazing the trail for neo-slavery narratives like Colson Whitehead’s The Underground Railroad and Ta-Nehisi Coates’s The Water Dancer, Butler takes one of speculative fiction’s oldest tropes and infuses it with lasting depth and power. Dana not only experiences the cruelties of slavery on her skin but also grimly learns to accept it as a condition of her own existence in the present. “Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times).

“Reading Octavia Butler taught me to dream big, and I think it’s absolutely necessary that everybody have that freedom and that willingness to dream.” 
—N. K. Jemisin

A lyrically haunting and powerful account of women surviving femicide and destruction in Mexico, using fantasy to relate atrocities that exist beyond language.

From the award-winning author of the highly praised novel, Fury, one of Publisher’s Weekly’s Best Books of 2024 and an Indie Next Pick.

Silencio tells the story of Águeda, a young woman mourning the death of her mother. When the townspeople deny her a grave in the local cemetery, the mother’s body vanishes. Águeda knows her father is hiding it, and when she confronts him, he punishes her defiance with confinement.

Serving her sentence in a house, Águeda lives within those walls as if in a second maternal womb—one that will transform her. In chapters alternating between the real and the imaginary, she mourns the destroyed futures of those who were silenced as she listens to her neighbors’ stories of loss—a child worker; a boy from the Tacuate community; and Mexican refugees in Canada. Through the walls, she senses the world: birds in dialogue, the beauty of the arid landscape, experiences of love and devastation. She comes to realize that in this mountain region that resembles the author’s hometown of Oaxaca, where organized crime holds sway, many—like her—mourn their dead and search for the disappeared.

In her second book to be translated into English, Clyo Mendoza transcends the limits of language and realism to represent with lyric brutality the unspeakable violence in towns where narcotrafficking rules.

The Talented Mr. Ripley meets the Wu-Tang Clan: An American Saga in this dark psychological thriller.

Thomas “Maz” Kincaid lives a lavish life as a rising rap star: money, influence, and fame. But Maz’s success rests on a lie—his lyrics to his chart-topping album belong to someone else, his foster brother, Adonis.

Adonis, fresh out of prison is done watching his brother live off his talent and launches a calculated campaign of vengeance. But Maz won’t let all he’s worked for be taken away. He’s willing to lie, manipulate, and even kill to protect the fraudulent life he’s built.

As the rivalry escalates, the line between victim and villain blurs. With both men—damaged, cunning, and ruthless, locked in a psychological war where only one can survive the spotlight. Who will rule the stage, and who will end up in a grave?

Dark, complex, and suspenseful, All the Smoke is a cautionary tale, exploring identity, trauma, and the psychopathy behind stardom in the music industry.

Three children become involved in a world-altering game in the first book of an epic middle grade duology following in the tradition of The Giver and Ender’s Game—by celebrated Newbery Honor Author and National Book Award finalist Rita Williams-Garcia.

In the idyllic childhood place of Kumbla, Lows grow up with no wants, no danger, no parents, only endless games. But there comes a time in every Low's life when they yearn to test their skill and leave Kumbla for the Place of All Games—where there lies a challenge most are doomed to fail.

Kili is one among these many failed Lows. But unlike those before him, he’s returning to Kumbla, and with something remarkable: a second chance.

Kuwan is unlike the other Lows, content to never leave Kumbla. But Kili’s fate, and the fate of their world, rests in his ability to play his best game ever.

In an epic tale of innocence lost and family gained, and a gripping meditation on the futility of war, Newbery Honor author Rita Williams-Garcia reminds us that while children may become pawns in the great games of adults, they should never be underestimated.