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In the series of linked stories at the heart of Filthy Animals, set among young creatives in the American Midwest, a young man treads delicate emotional waters as he navigates a series of sexually fraught encounters with two dancers in an open relationship, forcing him to weigh his vulnerabilities against his loneliness. In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty.

One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as “a writer who wields his craft in absolutely unforgettable ways.” With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.

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A novel of startling intimacy, violence, and mercy among friends in a Midwestern university town, from an electric new voice.

Almost everything about Wallace is at odds with the Midwestern university town where he is working uneasily toward a biochem degree. An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends—some dating each other, some dating women, some feigning straightness. But over the course of a late-summer weekend, a series of confrontations with colleagues, and an unexpected encounter with an ostensibly straight, white classmate, conspire to fracture his defenses while exposing long-hidden currents of hostility and desire within their community.  
 
Real Life is a novel of profound and lacerating power, a story that asks if it’s ever really possible to overcome our private wounds, and at what cost.

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The author of the Booker Prize finalist Real Life and the bestselling Filthy Animals returns with a deeply involving new novel of young men and women at a crossroads

In the shared and private spaces of Iowa City, a loose circle of lovers and friends encounter, confront, and provoke one another in a volatile year of self-discovery. At the group’s center are Ivan, a dancer turned aspiring banker who dabbles in amateur pornography; Fatima, whose independence and work ethic complicates her relationships with friends and a trusted mentor; and Noah, who “didn’t seek sex out so much as it came up to him like an anxious dog in need of affection.” These three are buffeted by a cast of poets, artists, landlords, meat-packing workers, and mathematicians who populate the cafes, classrooms, and food-service kitchens of Iowa City, sometimes to violent and electrifying consequence. Finally, as each prepares for an uncertain future, the group heads to a cabin to bid goodbye to their former lives—a moment of reckoning that leaves each of them irrevocably altered.

A novel of intimacy and precarity, friendship and chosen family, The Late Americans is Brandon Taylor’s richest and most involving work of fiction to date, confirming his position as one of our most perceptive chroniclers of contemporary life. 

INSTANT NATIONAL BESTSELLER

NAMED A MOST ANTICIPATED BOOK OF THE YEAR BY VOGUE, ELLE, OPRAH DAILY, THE WASHINGTON POST, BUZZFEED AND VULTURE

“Erudite, intimate, hilarious, poignant . . . A gorgeously written novel of youth’s promise, of the quest to find one’s tribe and one’s calling.” —Leigh Haber, Oprah Daily

The Booker Prize finalist and widely acclaimed author of Real Life and Filthy Animals returns with a deeply involving new novel of young men and women at a crossroads

In the shared and private spaces of Iowa City, a loose circle of lovers and friends encounter, confront, and provoke one another in a volatile year of self-discovery. Among them are Seamus, a frustrated young poet; Ivan, a dancer turned aspiring banker who dabbles in amateur pornography; Fatima, whose independence and work ethic complicate her relationships with friends and a trusted mentor; and Noah, who “didn’t seek sex out so much as it came up to him like an anxious dog in need of affection.” These four are buffeted by a cast of artists, landlords, meatpacking workers, and mathematicians who populate the cafes, classrooms, and food-service kitchens of the city, sometimes to violent and electrifying consequence. Finally, as each prepares for an uncertain future, the group heads to a cabin to bid goodbye to their former lives—a moment of reckoning that leaves each of them irrevocably altered.

A novel of friendship and chosen family, The Late Americans asks fresh questions about love and sex, ambition and precarity, and about how human beings can bruise one another while trying to find themselves. It is Brandon Taylor’s richest and most involving work of fiction to date, confirming his position as one of our most perceptive chroniclers of contemporary life.

From the moment she first sang at church in McComb, Mississippi, Brandy knew her voice was special. At fourteen she landed her first record deal. At fifteen her album went platinum. At sixteen she was starring in the hit sitcom Moesha and became the first Black actress to play Cinderella on screen alongside fairy godmother, Whitney Houston.

Yet as the accolades piled up, so too did the pressure the maintain a flawless image. To onlookers, she had crafted the blueprint for the teenage “it” girl. But behind closed doors “The Vocal Bible” as she was known, was struggling.

Now, for the first time, Brandy reveals the real story behind her life in the spotlight, the stratospheric highs and the unimaginable lows, the groundbreaking moments and the relatable journey she had to take to discover her authentic self—as a woman, a mother, an artist—as Brandy.

Brandy's debut memoir is a fearless and remarkable story of hope, resilience and the strength it takes to make peace with the past.

A haunting, unforgettable novel of obsession, pride, and forgiveness, exploring the friendship and rivalry between two gifted boys in harrowing circumstances, from the acclaimed writer of The Removed

Milton Muleborn has envied Matthew Echota, a talented Cherokee artist, ever since they were locked up together in a dangerous juvenile detention center in the late 1980s. Until Matthew escaped, that is.

A novel within a novel, we read here Milton’s dark, sometimes comic, and possibly unreliable account of the story of their childhood even as, years later, he remains jealous of Matthew’s extraordinary abilities and unlikely success. Milton reveals secrets about their friendship, their families, and their nightmarish, surreal, experience of imprisonment. In revisiting the past, he explores the echoing traumas of incarceration and pride.

Filled with Brandon Hobson’s swirling yet visceral writing, and punctuated with original artwork, The Devil Is a Southpaw is an ambitious, elegant, and propulsive novel in the spirit of Vladimir Nabokov and Gabriel García Márquez.

A New York Times Notable Book

A landmark reinterpretation of the civil rights movement that challenges reductive heroic narratives of the 1950s and 1960s and invigorates new debates and possibilities for the future of the struggle for liberation.

We are all familiar with the romantic vision of the civil rights movement: Heroic African Americans and their allies courageously triumphed over racial oppression, forging a new consensus in American life and law. What are the effects of this celebratory storytelling? What happens when a living revolt against injustice becomes an embalmed museum piece?

In this innovative work, Brandon Terry rejects the authority of the romantic narrative―the “arc of justice” story found in popular histories, the speeches of Barack Obama, and the writings of John Rawls―while also pushing back against the rival ironic mode of Afropessimism. Though sympathetic to the critiques of Afropessimists, Terry ultimately finds their thought self-undermining.

Instead of romance or irony, he argues, the civil rights movement is best understood through the lens of tragedy. By challenging the attachment to triumphant pasts, Terry demonstrates that tragedy exemplifies what the civil rights movement has been and can still be. Provocative and original, Shattered Dreams, Infinite Hope offers optimism without naïveté, to train our judgment and resilience in the face of reasonable despair.

The Talented Mr. Ripley meets the Wu-Tang Clan: An American Saga in this dark psychological thriller.

Thomas “Maz” Kincaid lives a lavish life as a rising rap star: money, influence, and fame. But Maz’s success rests on a lie—his lyrics to his chart-topping album belong to someone else, his foster brother, Adonis.

Adonis, fresh out of prison is done watching his brother live off his talent and launches a calculated campaign of vengeance. But Maz won’t let all he’s worked for be taken away. He’s willing to lie, manipulate, and even kill to protect the fraudulent life he’s built.

As the rivalry escalates, the line between victim and villain blurs. With both men—damaged, cunning, and ruthless, locked in a psychological war where only one can survive the spotlight. Who will rule the stage, and who will end up in a grave?

Dark, complex, and suspenseful, All the Smoke is a cautionary tale, exploring identity, trauma, and the psychopathy behind stardom in the music industry.

Celebrate Brenda Jackson's 150th book, Spilling the Tea! 

EVENT DEETS

When: Tuesday, May 15 @ 7PM

Where: Kindred Stories Reading Garden (2304 Stuart Street, HTX, 77004)

How: RSVP WITH BOOK

ABOUT THE BOOK

Ninety-something Mama Laverne is determined to find all of her great-grandchildren their perfect match before going home to glory. So far, her success rate is 100 percent—and she intends to keep it that way.

Ninety-something-year-old Felicia Laverne Madaris, known in the family as Mama Laverne, is determined to find all of her great-grandchildren the perfect match before she goes home to glory. So far, her success rate is 100 percent, and she intends to keep it that way.

After sustaining injuries in Iraq, US Army Ranger Chancellor (Chance) Madaris was told he’d never walk again. Chance credits his great-grandmother, Mama Laverne, with giving him the will and fortitude to heal and prove the doctors wrong. He has a healthy respect for her meddling ways and knows he’ll eventually end up next on her matchmaker’s list.

When Zoey Pritchard was eight, she survived a car accident that left both her parents dead. She was sent to live with her great-aunt who refused to speak about her parents. Zoey has no memory from before the crash, but she’s been having the same dream over and over…

Guided by nothing but a hunch and images from her dream, Zoey travels to Houston. Searching for answers, Zoey uncovers a scandal involving her parents and the wealthy and powerful Madaris family. Her trail leads her straight to Chance’s door. The dislike and intense attraction are instant and simultaneous. Was it chance or Mama Laverne’s plan to throw this pair together?

ABOUT THE AUTHOR

BRENDA JACKSON is a New York Times and USA Today bestselling author of more than one hundred contemporary multicultural romance novels, including the Madaris Family series, the Westmorelands series, and The Playas series. She was the first African-American author to have a book published under the Harlequin/Silhouette Desire line and the first African-American romance author to hit both the New York Times and USA Today bestseller lists in the series romance genre. Many of her books have been adapted into movies. Brenda lives in Jacksonville, Florida, and divides her time between family, writing and traveling. brendajackson.net.

*ZOOM LINK*

Celebrate the release of Black Girls Breathing with Jasmine Marie!

EVENT DEETS:

When: Thursday, February 6th @ 7PM

Where: Hogan Brown Gallery, 2310 Elgin St, HTX, 77004

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming

ABOUT THE BOOK:

As a Black woman, Jasmine Marie knows the impact that intergenerational trauma and systemic racism have had—and continue to have—on her community. Those experiences, along with her own journey through chronic stress, are why she created black girls breathing®, a movement dedicated to helping Black women understand the power of the mind‑body connection and its impact on their holistic health, one breath at a time.  

In Black Girls Breathing, Jasmine Marie offers you the power of breathwork, and the revolutionary nature of slowing down and turning inward. With each intentional breath, you’ll learn how to sink deeper into your body to begin to undo the trauma that’s long been stored. Sharing exercises from her unique somatic philosophies proven by data and utilized by tens of thousands of participants to date, Jasmine Marie will also help you:

• Connect more fully to your body
• Give yourself permission to rest
• Heal the chronic stress you carry in your body and nervous system
• Address emotional pain
• Rebuild your sense of self and your community

This is a long-overdue resource for every Strong Black Woman—the woman ready to break cycles of trauma, heal the internalized beliefs of perfectionism and conditional self‑worth, and follow the wisdom of her inner voice.

ABOUT THE AUTHOR:

Jasmine Marie is a speaker, breathwork practitioner, and founder of black girls breathing®, a wellness platform that provides Black women with tools to heal trauma in the body and reduce chronic stress and anxiety. An alum of NYU Stern School of Business, Jasmine Marie’s work has been featured in Good Morning America, VOGUE, Forbes, Harper’s Bazaar, Marie Claire, Glamour, Nylon Mag, Black Enterprise, Oprah Magazine, Well + Good, Wall Street Journal, Bust Magazine, Goop, MindBodyGreen, Refinery29, Pix11 NY, The Cut, FoxSoul, Cosmopolitan, and PopSugar Fitness, among others.

ABOUT THE CONVERSATION PARTNER:

Raveen Johnson is a Wellness Writer, Registered Yoga Teacher, Journaling Workshop Guide and a deep advocate for Mental/Emotional Health.
Raveen has been hosting journaling workshops in Houston since 2016, and has since expanded the offering locally and internationally. She offers the practice of journaling as a form of expression that supports mental, emotional and even physical healing. The intention is to be able to use our words in ways that compassionately support the lives that we desire for ourselves.
Raveen's yoga journey began in 2016 as a student. The practice re-introduced her to herself in way that was more empowering, strong and gracious than before. Raveen knew she wanted to effectively share the practice with others so she received her 200HR-RYT certification in 2020 at BIG Power Yoga in Houston, Texas. Four years later in 2024, Raveen received another 200HR certification under the guidance of Sarah Montross and Gioconda Parker so that she could further expand her knowledge and practice of yoga.
Journaling and yoga offer a relationship with ourselves and others that is loving, accepting and trustworthy; these are important ingredients in the recipe of following your gut and being present to your life. Raveen is delighted to use these tools to support the mental, spiritual and physical aspects of your personal healing journey.