In this groundbreaking book, therapist Resmaa Menakem examines the damage caused by racism in America from the perspective of trauma and body-centered psychology.

The body is where our instincts reside and where we fight, flee, or freeze, and it endures the trauma inflicted by the ills that plague society. Menakem argues this destruction will continue until Americans learn to heal the generational anguish of white supremacy, which is deeply embedded in all our bodies. Our collective agony doesn't just affect African Americans. White Americans suffer their own secondary trauma as well. So do blue Americans—our police.

My Grandmother's Hands is a call to action for all of us to recognize that racism is not only about the head, but about the body, and introduces an alternative view of what we can do to grow beyond our entrenched racialized divide.

• Paves the way for a new, body-centered understanding of white supremacy—how it is literally in our blood and our nervous system.
• Offers a step-by-step healing process based on the latest neuroscience and somatic healing methods, in addition to incisive social commentary.

*ships in 7-10 business days

*ships in 7-10 business days

The New York Times bestselling author of My Grandmother's Hands surveys America's deteriorating democracy and offers embodied practices to help us protect ourselves and our country. 

In The Quaking of America, therapist and trauma specialist Resmaa Menakem takes readers through somatic processes addressing the growing threat of white-supremacist political violence.

Through the coordinated repetition of lies, anti-democratic elements in American society are working to incite mass radicalization, widespread chaos, and a collective trauma response in tens of millions of American bodies. 

Currently, most of us are utterly unprepared for this potential mayhem. This book can help prepare us—and possibly prevent further destruction. This preparation focuses not on strategy or politics, but on practices that can help us

• Build presence and discernment in our bodies
• Settle our bodies during the heat of conflict
• Maintain our safety, sanity, and stability in dangerous situations
• Heal our personal and collective racialized trauma
• Practice embodied social action
• Turn toward instead of on one another

The Quaking of America is a unique and perfectly timed guide to help us navigate our widespread upheaval and build an antiracist culture.

“This singular memoir stunned me. With a poet’s precision, Rachel Eliza Griffiths renders two interwoven tragedies few others could have lived through, much less written about with such clear-eyed candor.”—Mary Karr, New York Times bestselling author of The Liars’ Club

On September 24, 2021, Rachel Eliza Griffiths married her husband, the novelist Salman Rushdie. On the same day, hundreds of miles away, Griffiths’ closest friend and chosen sister, the poet Kamilah Aisha Moon, who was expected to speak at the wedding, died suddenly. Eleven months later, as Griffiths attempted to piece together her life as a newlywed with heartbreak in one hand and immense love in the other, a brutal attack nearly killed her husband. As trauma compounded trauma, Griffiths realized that in order to survive her grief, she would need to mourn not only her friend, but the woman she had been on her wedding day, a woman who had also died that day.

In the process of rebuilding a self, Griffiths chronicles her friendship with Moon, the seventeen years since their meeting at Sarah Lawrence College. Together, they embraced their literary foremothers—Lucille Clifton, Toni Morrison, Alice Walker, to name a few—and fought to embrace themselves as poets, artists, and Black women. Alongside this unbreakable bond, Griffiths weaves the story of her relationship with Rushdie, of the challenges they have faced and the unshakeable devotion that endures.

In The Flower Bearers, Griffiths inscribes the trajectories of two transformational relationships with grace and honesty, chronicling the beauty and pain that comes with opening oneself fully to love.

A vibrant, deeply researched biography of A’Lelia Walker—daughter of Madam C.J. Walker and herself a central figure of the Harlem Renaissance—written by her great-granddaughter.

Dubbed the “joy goddess of Harlem’s 1920s” by poet Langston Hughes, A’Lelia Walker, daughter of millionaire entrepreneur Madam C.J. Walker and the author’s great-grandmother and namesake, is a fascinating figure whose legendary parties and Dark Tower salon helped define the Harlem Renaissance.

After inheriting her mother’s hair care enterprise, A’Lelia would become America’s first high profile black heiress and a prominent patron of the arts. Joy Goddess takes readers inside her three New York homes—a mansion, a townhouse, and a pied-a-terre—where she entertained Langston Hughes, Zora Neale Hurston, Paul Robeson, Florence Mills, James Weldon Johnson, Carl Van Vechten, W.E.B. DuBois, and other cultural, social and intellectual luminaries of the Roaring Twenties.

Now, based on extensive research and Walker’s personal correspondence, her great-granddaughter creates a meticulous, nuanced portrait of a charismatic woman struggling to define herself as a wife, mother, and businesswoman outside her famous mother’s sphere. In Joy Goddess, A’Lelia’s radiant personality and impresario instincts—at the center of a vast, artistic social world where she flourished as a fashion trendsetter and international traveler—are brought to vivid and unforgettable life.

Spanning four decades and three continents, Bitter Honey is a story about a mother and daughter divided by long buried secrets, struggling to understand each other as they forge their own paths, from the internationally bestselling author of In Every Mirror She’s Black.

1978: A scholarship draws Nancy from Gambia’s warmth into Stockholm’s frigid winter. When her friendship with charismatic scholar Lars blossoms into something more, she thinks she may have finally found her place. But there’s more to Lars than his charming persona, and Nancy is about to discover the danger of being drawn into his world… 

2006: Tina has had her taste of fame as Sweden’s sweetheart pop princess, representing her country at Eurovision. But beneath her glittery façade, she’s uncertain who she really is. Her mother, Nancy, seems desperate to keep the past under wraps, but will the unexpected appearance of Tina’s father—a man she has long thought dead—help open the door to self-discovery?

Nancy just wants to protect her daughter from making the same mistakes she did, but Tina longs for the freedom to mess up, knowing her mother will always be there to support her. The two women love each other unconditionally, but can they learn to trust each other as well?

This poignant novel delves deep into the complicated relationships between mothers and daughters and delivers a warm, heartfelt story of love, forgiveness, and women finding their voices.

The long-awaited memoir of the legendary Lionel Richie.

As a storyteller second to none, Lionel Richie is ready to tell it all. In this intimate, deeply candid memoir, Lionel revisits hilarious and harrowing events to inspire all who doubt themselves or feel their dreams don’t matter. Lionel chronicles lessons learned during his unlikely story of remarkable success—his dramatic transformation from painfully shy, “tragically” late bloomer to world-class entertainer and composer of love songs that have played as the soundtrack of our lives. 

Funny, warm, and riveting, Lionel recalls his childhood in Tuskegee, Alabama, where he grew up on its university campus during the heyday of the Civil Rights movement, raucous adventures as a member of The Commodores, coming-of-age in late 1960s Harlem, culture shock playing gigs on the French Riviera, the big break of being signed to Motown, his meteoric solo career that included an Olympics performance witnessed by two billion around the globe, all the way through to writing and recording “We Are the World” and his current multi-generational fame as a judge on American Idol. Even with its turbulence, loss, and near-calamity, Lionel’s journey takes us on a thrill ride and delivers a memoir for the ages—reminding us of the power of love to elevate our own lives and our world.

Lionel Richie’s memoir includes three eight-page photo inserts.

Discover the reigns of twelve African queens and warriors from across the continent in this immersive and pioneering history.

Njinga Mbande. Nana Yaa Asantewaa. Makobo Modjadji VI. Ranavalona the First.

These queens and warriors ruled vast swathes of the African continent, where they led, loved, and fought for their kingdoms and people. Their impact can still be felt today, and yet, beyond the lands they called home, so few of us have ever heard their names.

In When We Ruled, historian Paula Akpan takes us into the worlds of these powerful figures, following their stories and how they came to rule and influence the futures of their people. Through deep research and discovery, Akpan will uncover new truths and grapple with uncomfortable realities, allowing us to be immersed in countless moments of bravery, intrigue, and, for some, the unraveling of their rule.

With reigns spanning from pre-colonial Nigeria to the rich lands of Rwanda, and from Ancient Egypt to apartheid South Africa, these rulers shed new light on gender politics in these regions, showing how women were celebrated and revered before colonizing powers took hold, and continued to be long after.

In this game-changing narrative of twelve lives, Akpan takes us on a spellbinding, enrapturing, and immersive history that is nothing short of revelatory.

*Ships in 7-10 business days*

Filled with reproductions of Kehinde Wiley’s bold, colorful, and monumental work, this book encompasses the artist’s various series of paintings as well as his sculptural work—which boldly explore ideas about race, power, and tradition. Celebrated for his classically styled paintings that depict African American men in heroic poses, Kehinde Wiley is among the expanding ranks of prominent black artists—such as Sanford Biggers, Yinka Shonibare, Mickalene Thomas, and Lynette Yiadom-Boakye—who are reworking art history and questioning its depictions of people of color. Co-published with the Brooklyn Museum of Art for the major touring retrospective, this volume surveys Wiley’s career from 2001 to the present. It includes early portraits of the men Wiley observed on Harlem’s streets, and which laid the foundation for his acclaimed reworkings of Old Master paintings by Titian, van Dyke, Manet, and others, in which he replaces historical subjects with young African American men in contemporary attire: puffy jackets, sneakers, hoodies, and baseball caps. Also included is a generous selection from Wiley’s ongoing World Stage project; several of his enormous Down paintings; striking male portrait busts in bronze; and examples from the artist’s new series of stained glass windows. Accompanying the illustrations are essays that introduce readers to the arc of Wiley’s career, its critical reception, and ongoing evolution.

From the award-winning New York Times and Indie bestselling author of Ace of Spades comes a mystery about five teen geniuses, their billionaire father, and the aftermath of his murder―perfect for fans of One of Us is Lying, Holly Jackson, and How to Get Away with Murder!

Five prodigies, one dead father, a mansion full of suspects…

Octavius the Maestro.
Fola the Brain.
Bilal the Olympian.
Perdita the Artist.
Romeo the Failure.

These are the five heirs of the illustrious billionaire Leontes Button. Adopted and viciously trained with their father’s infamous “Button Method” to prove his hypothesis for creating prodigies―child geniuses―the Button siblings have had no choice but to be brilliant according to their father's impossibly high standards.

Until he is murdered at his annual Prodigy Ball.

Now, all who attended the ball are required to stay in the Button Manor while the police investigate. But the officers have their work cut out for them―each of the Button siblings has something to hide, but The Heirs aren't the only ones with secrets. After all, Leontes Button was especially good at making enemies. . .

"A bold and moving novel . . . marks the arrival of a radiant new voice." - Megha Majumdar, author of A Guardian and a Thief

Every Happiness is a dazzling debut that explores the ties that bind two women across decades and continents despite rivalry, class difference, and the conflicting needs of family and self.

Deepa and Ruchi are 12 years old when they meet at their Catholic school in India, but their connection is swift and lasting. As the two girls grow up and face their families' expectations and the limits of their ambitions, their friendship is marked by intimacy, jealousy, and suppressed desire.

When, in their twenties, Deepa marries a doctor and moves from India to the suburbs of Connecticut, Ruchi quickly finds an engineer bound for the same state and follows her friend across the world. But life in the United States is different than either woman expects. Deepa's daughter seeks affection Deepa refuses to give, and Ruchi's son resists her smothering care. At the same time, Deepa and Ruchi find their closeness tested by a growing class disparity, competing family needs, and the differences in their desires. Ultimately, when Ruchi discovers a dangerous secret about Deepa's husband's wealth, both women are forced to weigh the tangled bonds of their friendship with their lives, and their families', in the burgeoning Indian American community.

"Moving and unforgettable" (Kimberly King Parsons), Every Happiness explores the slippery edges of a lifelong relationship, and the invisible threads that bind us, sometimes painfully, to those we love most.

“These feel like images you might have dreamed, both of the kind that slip away and the ones you manage to keep tenuously in your grasp, slippery, otherworldly. . . . Before our eyes, Zanele Muholi transforms into a mother, a domestic worker, an Afrofuturist, an oracle. It’s fiction and it is not.”―Yrsa Daley-Ward, The New York Times Book Review

Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness is the long-awaited monograph from one of the most powerful visual activists of our time. The book features over ninety of Muholi’s evocative self-portraits, each image drafted from material props in Muholi’s immediate environment. A powerfully arresting collection of work, Muholi’s radical statements of identity, race, and resistance are a direct response to contemporary and historical racisms. As Muholi states, “I am producing this photographic document to encourage individuals in my community to be brave enough to occupy spaces―brave enough to create without fear of being vilified. . . . To teach people about our history, to rethink what history is all about, to reclaim it for ourselves―to encourage people to use artistic tools such as cameras as weapons to fight back.”

With more than twenty written contributions from curators, poets, and authors, alongside luxurious tritone reproductions of Muholi’s images, Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness is as much a manifesto of resistance as it is an autobiographical, artistic statement.