A floundering twenty-something, who’s sworn off romance finds herself roped into her meddling sister’s matchmaking business—in this sparkling debut rom-com that asks: can we protect ourselves while falling in love?

Kaia Harper may not have a plan for her life, but she knows what she won't be doing—falling for somebody's dusty son, promising forever. She'd rather spend the summer after college having disappointing one-night stands and watching crime show reruns. At least she won’t be caught off guard since she already knows how all those stories end.

But when her very pregnant and newly single sister calls for help, Kaia reroutes, stumbling back home to suburban Connecticut…and into the business plan of her sister's new matchmaking company. Kaia’s views on love remain as bleak as her career prospects, but if becoming the inaugural client can distract her from existential questions like "What am I even doing with my life?", Kaia can suffer through a few bad dates and call it a favor.

When Ro Jackson finds Kaia stalled on the side of the road, he isn’t put off by her attitude. His steady disposition is Kaia’s opposite and makes him exactly what she needs—a friend in town who can handle her just as she is. But as Ro talks Kaia through a summer of failed matches, she finds herself drawn to more than just his poetic outlook and friendship.

Kaia hadn’t seen this one coming, but as she and Ro grow closer, she’ll have to decide what’s more important: needing to know the end of every story, or jumping into the unknown.

An exuberant debut picture book about a little girl trying to outmaneuver her mama to avoid wash day for her hair—and all the laughs and love her antics inspire—illustrated by Coretta Scott King Honor winner Kaylani Juanita. The perfect next read for fans of Hair Love and Don’t Touch My Hair.

Nina Belle loves everything about her hair. Everything . . . except wash day.

Wash day is painful! Wash day is boring! She won’t do it this week . . . no way!

Nina Belle has plans to get out of the weekly routine, but Mama knows her way around wash day too—and maybe even the secret to enjoying it. 

No Way, Wash Day is a cheeky and heartfelt look at a cultural touchstone and the time-honored tradition of trying and failing to thwart it.

*Ships in 7-10 business days*

In this lyrical picture book from two breakout picture book creators, a young Black child waits for—and worries about—her father while he’s away from home. A sensitive, poignant portrayal of a family’s worries, joys, and comforts, to sit alongside books by Jacqueline Woodson and Christian Robinson. Every night when Daddy gets home from work, Olivia gives him a big hug and knows that the evening will be full of love—and fun. Together, she, Daddy, and Momma will make a feast for dinner, clean up, dance to old-school tunes, and read stories. But every morning when Daddy goes to work, Olivia worries, worries, worries. Be safe, she and Momma tell him. But what if he isn’t? Sometimes other people aren’t, like the people Olivia sees on the news. Thud, thud, thud, goes Olivia’s heart. Thump, thump, thump, all through the long day, until she hears the jangle of Daddy’s keys announcing he’s home. Brittany J. Thurman’s poetic text deftly explores the day-to-day life of a young Black child and her family—their joys and their fears—with a rhythm and musicality perfect for reading aloud. Shamar Knight-Justice’s expressive artwork sings with color, texture, and warmth. Forever and Always respects the deep emotions of young readers while offering comfort and reassurance to any child waiting for a loved one to come home. For readers of Nigel and the Moon, The Year We Learned to Fly, and Saturday.

*ships in 7-10 business days

In Singing Like Germans, Kira Thurman tells the sweeping story of Black musicians in German-speaking Europe over more than a century. 

Thurman brings to life the incredible musical interactions and transnational collaborations among people of African descent and white Germans and Austrians. Through this compelling history, she explores how people reinforced or challenged racial identities in the concert hall.

Throughout the nineteenth and twentieth centuries, audiences assumed the categories of Blackness and Germanness were mutually exclusive. Yet on attending a performance of German music by a Black musician, many listeners were surprised to discover that German identity is not a biological marker but something that could be learned, performed, and mastered. While Germans and Austrians located their national identity in music, championing composers such as Bach, Beethoven, and Brahms as national heroes, the performance of their works by Black musicians complicated the public's understanding of who had the right to play them. Audiences wavered between seeing these musicians as the rightful heirs of Austro-German musical culture and dangerous outsiders to it.

Thurman explores the tension between the supposedly transcendental powers of classical music and the global conversations that developed about who could perform it. An interdisciplinary and transatlantic history, Singing Like Germans suggests that listening to music is not a passive experience, but an active process where racial and gendered categories are constantly made and unmade.

The spiritual advisor to civil rights legends reminds us what faith demands in times that call for action and integrity.

People may be more divided than ever. But Howard Thurman says God can still transcend every barrier and heal every wound. Family feuds, church splits, racial tensions, political polarization, systemic injustice, and international conflicts can all be overcome if we keep turning to God.

Thurman’s message is rooted in his belief that true spirituality will transcend individualism and alleviate injustice and suffering. As spiritual advisor to civil rights leaders such as Martin Luther King Jr. and James Farmer, Thurman made the connection between faith and action.

In these selections from his many books, Thurman reflects on the power of silence, contemplative prayer, the need for community, and the call to “live in the world as it is and still believe in the possibility of redemption.” Whether you are new to his writings or have long admired his work, this little book offers a fresh approach to Thurman’s spiritual vision of reconciliation, justice, and a hope grounded in the transformative work of love in the world.

A beautiful story about a single mother who must take her daughter to work with her at the diner on Saturdays. To make it fun, the two spin imaginative stories--and they are the stars! A Chair for My Mother meets Last Stop on Market Street in this touching picture book about working parents.

The lazy sun peeks out from the clouds as Mama and her daughter wait for their cross-town bus. Saturdays aren’t for sleeping in. Saturdays are for the egg crackin’, pancake flippin’, orange juicin’ brunch shift. A shift Mama can’t afford to miss. To pass the time, Mama and her daughter tell stories-- first, they're brave knights escaping a dragon as they hop on the bus. Later, as they do the dishes, they're digging for gold during the gold rush!

Sometimes, though, the girl imagines herself with the families in Mama's section-- cheersing with hot cocoa before they head to the park. Sometimes she wishes she had someone else's Saturday.

Here is an ode to working parents everywhere, and an ode to the magic of childhood and the power of a parent’s love.

A groundbreaking, yet controversial novel of the Harlem Renaissance about a young, dark-skinned Black woman reckoning with colourism as she navigates 1920s Harlem, reissued and repackaged for the Herald Classics line.

Emma Lou Morgan's dark complexion is a source of sorrow and humiliation not only to herself, but also to her lighter-skinned family members and the white community of her hometown, Boise, Idaho. Hoping to find a safe haven, Emma travels to New York's Harlem, the Black Mecca of the 1920s. Wallace Thurman brings to life this legendary time and place in rich detail, describing Emma's visits to nightclubs, dance halls, and house-rent parties, her sex life and catastrophic love affairs, her dreams and her disillusions and the momentous decision she makes to survive.

A lost classic of Black American literature, The Blacker the Berry is a compelling portrait of the destructive depth of intra-racial bias in the Black community.

New York Times-bestselling author adrienne maree brown knows we need each other more than ever, and offers “loving corrections”: a roadmap towards collective power, righting wrongs, and true belonging 

This selection of prescient, compassionate essays explores patterns we engage in that are rooted in limited thinking. Through a lens of “loving correction” rather than mere critique, author adrienne maree brown helps us reimagine how to hold ourselves, our loved ones, and our communities accountable by setting clear boundaries, engaging in reflection, and nurturing honest relationships.

Loving Corrections is divided into two sections, with the first portion featuring new essays including “A Word for White People” and “Relinquishing the Patriarchy” and writing on topics like moving from fragility to fortitude, disability, and navigating critique within activist communities. The second section expands and updates pieces from brown's popular monthly column “Murmurations” in YES! Magazine that explore accountability—within oneself and community—with depth, inventiveness, and empathy.

Along with allowing us more authentic access to ourselves and to each other, the “corrections” in the book’s title are intended to explore and break identity-based patterns including white supremacy, fragility, patriarchy, and ableism. brown also offers practical guidance on how to apologize and be accountable from our nuanced positions of power, history, and resources.

Building on her previous work—especially Holding Change and We Will Not Cancel Us—brown reminds us how much we need each other: "It is only through relationship that we learn how to be, understand our impact on others and explore small shifts that may yield remarkable collective change."