A stellar addition to the Amistad list: a beautiful coming-of-age novel from MWA Grand Master and PEN and Edgar Award-winner Walter Mosley that explores love in all forms—romantic, familial, and platonic, centered on one Black family, including a neurodivergent man, and the found bonds that helps ground them.

One of the most acclaimed writers working today, Walter Mosley spins magic once again in this beautiful novel that explores the lives of Black characters and one remarkable family through a lens both universal and unique. It touches on the lives of those whose deepest thoughts and motivations are seldom explored—including the neurodivergent, the incarcerated, and the immigrant tortured by their past—characters who will stay with you and change how you see the world.

Ghalen, a brilliant young Black man, is the son of two seemingly mismatched parents. His mother, a gifted scientist, whose own mother expected her to exceed all the achievements in her family, and his father, a gentle cook at a small vegetarian restaurant, whose idiosyncratic nature shows the young woman a radically different love and understanding of life, despite his inexperience and lack of education.

His parents’ grand love story starts it all off, setting us up to follow Ghalen and his family so deeply, that each new twist and turn feels personal.

The journey through Ghalen’s coming-of-age tale, as he ventures out into the world, is marked with peaks and valleys and such a drive that you can’t help but strap in for it all, while not wanting it to end.

Lush and cinematic, with the narrative drive and indelible power of Barbara Kingsolver’s Demon Copperhead andPaul Murray’s The Bee Sting, Ghalen is one of this bestselling, prize-winning writer’s finest achievements.

In this thrilling mystery from "master of craft and narrative" Walter Mosley (National Book Foundation), Detective Easy Rawlins has settled into the happy rhythm of his new life when a dark siren from his past returns and threatens to destroy the peace he's fought for.

The name Easy Rawlins stirs excitement in the hearts of readers and fear in the hearts of his foes. His success has bought him a thriving detective agency, with its first female detective; a remote home, shared with children and pets and lovers, high atop the hills overlooking gritty Los Angeles; and more trouble, more problems, and more threat to those whom he loves. In other words, he’s still beset on all sides.
 
A number of below-the-law powerbrokers plead with Easy to locate a mysterious, dangerous woman—Lutisha James, though she’s gone by another name that Easy will immediately recognize. 1970s Los Angeles is a transient city of delicate, violent balances, and Lutisha has disturbed that. She also has a secret that will upend Easy’s own life, painfully closer to home.

"Walter Mosley is on my Mount Rushmore of crime fiction."—S.A. Cosby

"One of contemporary literature's pre-eminent crime novelists."—New York Times

Crooks make the best detectives. They know how the guilty think and where the guilty hide.

From bestselling "master of the genre" (Washington Post) Walter Mosley, a thrilling novel about a hardened criminal who regrets his violent past—but whose only hope for redemption is to sin again

In a small town between Los Angeles and Santa Barbara, a simple white-stone church sits atop a hill. It belongs to no denomination. Its priest, Father Frank, never speaks of God. The members of his congregation have broken every one of the commandments. They have gathered here to seek forgiveness.

Xavier Rule—Ecks to his friends—didn't come to California searching for salvation. A thief and a killer on the run from the law, he expected to disappear. But under Father Frank's strange ministry, Ecks has started to forgive himself and others for past misdeeds. Then Benol Richards walks through the door. Twenty-three years ago, she helped her lover kidnap three baby boys and sold them on the black market—she has carried the guilt with her ever since. Now she wants to know what became of the children, and Father Frank gives Ecks the job of finding out.

Crooks make the best detectives. They know how the guilty think and where the guilty hide. But if Ecks is to pick up this trail and follow where it leads, he will have to fight his old, lethal instincts—and know when justice demands he give in to them.

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"Master of craft and narrative" Walter Mosley returns with this crowning achievement in the Easy Rawlins saga, in which the iconic detective's loyalties are tested on the sun-soaked streets of Southern California (National Book Foundation) 

It is 1969, and flames can be seen on the horizon, protest wafts like smoke though the thick air, and Easy Rawlins, the Black private detective whose small agency finally has its own office, gets a visit from a white Vietnam veteran. The young man comes to Easy with a story that makes little sense. He and his lover, a beautiful young woman, were attacked in a citrus grove at the city’s outskirts. He may have killed a man, and the woman and his dog are now missing. Inclined to turn down what sounds like nothing but trouble, Easy takes the case when he realizes how damaged the young vet is from his war experiences—the bond between veterans superseding all other considerations.
 
The veteran is not Easy’s only unlooked-for trouble. Easy’s adopted daughter Feather’s white uncle shows up uninvited, raising questions and unsettling the life Easy has long forged for the now young woman. Where Feather sees a family reunion, Easy suspects something else, something that will break his heart.
 
Blood Grove is a crackling, moody, and thrilling race through a California of hippies and tycoons, radicals and sociopaths, cops and grifters, both men and women. Easy will need the help of his friends—from the genius Jackson Blue to the dangerous Mouse Alexander, Fearless Jones, and Christmas Black—to make sense of a case that reveals the darkest impulses humans harbor. 
 
Blood Grove is a novel of vast scope and intimate insight, and a soulful call for justice by any means necessary.

Mosley presents distinct characters as they struggle to move through the world in each of these stories—heroes who are awkward, nerdy, self-defeating, self-involved, and, on the whole, odd. He overturns the stereotypes that corral black male characters and paints a subtle, powerful portrait of each of these unique individuals. In "The Good News Is," a man’s insecurity about his weight gives way to a serious illness and the intense loneliness that accompanies it. Deeply vulnerable, he allows himself to be taken advantage of in return for a little human comfort in a raw display of true need. "Pet Fly," previously published in the New Yorker, follows a man working as a mailroom clerk for a big company—a solitary job for which he is overqualified—and the unforeseen repercussions he endures when he attempts to forge a connection beyond the one he has with the fly buzzing around his apartment. And "Almost Alyce" chronicles failed loves, family loss, alcoholism, and a Zen approach to the art of begging that proves surprisingly effective.

In the latest from “mystery master” Walter Mosley, a family member’s terminal illness leads P.I. Joe King Oliver to the investigation of his life: tracking down his long-lost father, and meanwhile, a new case pits King’s professional responsibility against his own moral code. (TheWashington Post)

Joe King Oliver’s beloved Grandma B has found a tumor, and at her age, treatment is high-risk. She’s lived life fully and without regrets, and now has only a single, dying wish: to see her long-lost son. King has been estranged from his father, Chief Odin Oliver, since he was a young boy. He swore to never speak to the man again when he was taken away in handcuffs. But now, Grandma B’s pure ask has opened King’s heart, and through his hunt, he gains a deeper understanding of his father as a complicated, righteous man—a man defined by women, a man protected by women, a man he wants to know. Although Chief was released from prison years ago, he’s been living underground ever since. Now, King must not only find his father, but prove his innocence, and protect the future of his entire family.

Simultaneously, King finds himself in a moral bind. Marigold Hart, the wife of a powerful Californian billionaire, has gone missing, along with their seven-year-old daughter. Orr is brutish and dangerous, and King realizes after locating her that it’s in her best interest to stay hidden. But are his motives pure? There is something magnetic about Marigold; he can’t help but want her near.  

In the latest installment in the Joe King Oliver series, no good deed goes unpunished. Emotionally stirring, pulse-pounding, and undeniably sexy, Been Wrong So Long It Feels Like Right shows Walter Mosley at his best.

A dying gangster's plea sends Joe King Oliver on a quest for a missing woman across America's coasts―unraveling a dark and violent family history along the way―in this engrossing new novel from one of the most celebrated and acclaimed crime writers at work today.

Joe King Oliver is the big man you call to solve the most delicate and dangerous of problems. Fresh off unraveling the mystery of his own parents’ fates, King finds himself accepting (again at his grandmother’s request) a case from Arman Babylon, a powerful Los Angeles gangster now dying from cancer.

Babylon’s granddaughter, Twyla Mann, has been missing for years, and he’s desperate to find her before he passes. The search pulls King into the Babylons’ stained past and the cold case of Dalia Shorts, a torch singer who vanished without a trace and whom Arman was once suspected of killing.

As King follows her trail from L.A. to New York and back, he’ll realize nothing is what it seems as he uncovers a pattern of violence that has targeted the women around Babylon for decades. How much will King be willing to risk to finally set things right?

The widely praised New York Times bestseller, and Mosley's first new series since his acclaimed Easy Rawlins novels...

Leonid McGill is an ex-boxer and a hard drinker looking to clean up his act. He's an old-school P.I. working a New York City that's gotten a little too fancy all around him. But it's still full of dirty secrets, and as McGill unearths them, his commitment to the straight and narrow is going to be tested to the limit...

This debut novel from a former NFL player is a hard-hitting, heart wrenching crime novel that brilliantly blends elements of jazz, football, and a gritty portrait of a city divided―perfect for fans of S.A. Cosby and Walter Mosley.

Coltrane Davis is at once a knight and a hustler. He has risen to wealth and success, graduating from San Diego's back alleys to the halls of power through his partnership with Saul Sollman, a crooked kingmaker among the city's elite. Running multimillion dollar scams with Saul, he has been Saul's fixer, but now he wants out of the hustle so that he can focus on his teenage daughter's burgeoning tennis career and finally be the dad he has always wanted to be.

But when the Los Angeles Chargers' star running back vanishes one evening before a big game, Coltrane is drawn into an investigation of what happened by Saul and his protégé, the player's agent; the stakes escalate with a gut-punch when the trail leads into San Diego’s underworld of drugs and prostitution and reveals clues to the disappearance of his daughter's best friend, whose loss has haunted him.

Torn by the unreconcilable demands of the life he can't seem to quit and the fierce desire he has to protect his own, Coltrane brings himself and his loved ones to the brink of destruction in his quest to free himself once and for all of Saul's control―and focus on what really matters: family.

Using traditional techniques such as direct carving and lost-wax casting, Mosley's early works in wood and later works in bronze enter into a dance between the organic and manmade

Born in 1926 in New Castle, Pennsylvania, Thaddeus Mosley has made sculptures from wood for over six and a half decades from his home in Pittsburgh. Using only a chisel and gauge to maintain the integrity of the original log, Mosley reworks salvaged timber into monumental abstractions. Through a process of direct carving, the artist's marks respond to and rearticulate the natural gradations of the material's surface. With influences ranging from Isamu Noguchi to Constantin Brâncusi, from Scandinavian design to West African sculpture--Mosley's "sculptural improvisations," as he calls them, also take cues from the modernist traditions of jazz. Weight in Space is the most comprehensive monograph on the artist's oeuvre to date. In addition to a detailed chronology, this volume features new scholarship by Fred Moten and Catharina Manchanda, a conversation between Mosley and Hans Ulrich Obrist, and excerpts from an extensive oral history interview conducted by Bridget R. Cooks and Amanda Tewes.

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New Suns 2 brings you fresh visions of the strange, the unexpected, the shocking—breakthrough stories, stories shining with emerging truths, stories that pierce stale preconceptions with their beauty and bravery. Like the first New Suns anthology (winner of the World Fantasy, Locus, IGNYTE, and British Fantasy awards), this book liberates writers of many races to tell us tales no one has ever told.

Many things come in twos: dualities, binaries, halves, and alternates. Twos are found throughout New Suns 2, in eighteen science fiction, fantasy, and horror stories revealing daring futures, hidden pasts, and present-day worlds filled with unmapped wonders.

Including stories by Daniel H. Wilson, K. Tempest Bradford, Darcie Little Badger, Geetanjali Vandemark, John Chu, Nghi Vo, Tananarive Due, Alex Jennings, Karin Lowachee, Saad Hossain, Hiromi Goto, Minsoo Kang, Tlotlo Tsamaase, Rochita Loenen-Ruiz, Malka Older, Kathleen Alcalá, Christopher Caldwell and Jaymee Goh with a foreword by Walter Mosley and an afterword by Dr. Grace Dillon.