A magnificent new novel from the bestselling, award-winning author of An American Marriage—Tayari Jones has written an unforgettable novel that sparkles with wit and intelligence and deep feeling about two lifelong friends whose worlds converge after many years apart in the face of a devastating tragedy.

Vernice and Annie, two motherless daughters raised in Honeysuckle, Louisiana, have been best friends and neighbors since earliest childhood but are fated to live starkly different lives. Raised by a fierce aunt determined to give her a stable home in the wake of her mother’s death, Vernice leaves Honeysuckle at eighteen for Spelman College, where she joins a sisterhood of powerfully connected Black women and discovers a world of affluence, manners, aspiration, and inequality. Annie, abandoned by her mother as a child and fixated on the idea of finding her and filling the bottomless hole left by her absence, sets off on a journey that will take her into a world of peril and adversity, as well as love and adventure, culminating in a battle for her life.

A novel about mothers and daughters, friendship and sisterhood, and the complexities of being a woman in the American South, Kin is an exuberant, emotionally rich, unforgettable work from one of the brightest and most irresistible voices in contemporary fiction.

From the author of the Oprah's Book Club Selection An American Marriage, here is a beautifully evocative novel that proves why Tayari Jones is "one of the most important voices of her generation" (Essence).

A new edition of this award-winning modern classic, with an introduction by Tayari Jones (An American Marriage), an excerpt from the never before seen follow-up, and discussion guide.
 
Pakersfield, Georgia, 1958: Thirteen-year-old Tangy Mae Quinn is the sixth of ten fatherless siblings. She is the darkest-skinned among them and therefore the ugliest in her mother, Rozelle’s, estimation, but she’s also the brightest. Rozelle—beautiful, charismatic, and light-skinned—exercises a violent hold over her children. Fearing abandonment, she pulls them from school at the age of twelve and sends them to earn their keep for the household, whether in domestic service, in the fields, or at “the farmhouse” on the edge of town, where Rozelle beds local men for money.
 
But Tangy Mae has been selected to be part of the first integrated class at a nearby white high school. She has a chance to change her life, but can she break from Rozelle’s grasp without ruinous—even fatal—consequences?

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Remember that moment when you first encountered a character who seemed to be written just for you? That feeling of belonging remains with readers the rest of their lives—but it doesn’t happen as frequently for all of us. In this timely anthology, “well-read black girl” Glory Edim brings together original essays by some of our best black female writers and creative voices to shine a light on how important it is that everyone—regardless of gender, race, religion, or abilities—can find themselves in literature.

Contributors include Jesmyn Ward (Sing Unburied Sing), Lynn Nottage (Sweat), Jacqueline Woodson (Another Brooklyn), Gabourey Sidibe (This Is Just My Face), Morgan Jerkins (This Will Be My Undoing), Tayari Jones (An American Marriage), Rebecca Walker (Black, White and Jewish), Barbara Smith (Home Girls: A Black Feminist Anthology), and others.

Whether it’s learning about the complexities of femalehood from Zora Neale Hurston and Toni Morrison, finding a new type of love in The Color Purple, or using mythology to craft an alternative black future, each essay reminds us why we turn to books in times of both struggle and relaxation. Edim has created a space where black women’s writing and knowledge and life experiences are lifted up, to be shared with all readers who value the power of a story to help us understand the world and ourselves.

The creator of the viral TikTok series “Who TF Did I Marry?” shares an even more unfiltered account of how she reclaimed herself, fought through toxic relationships, and regained her foundation through healing and deep self-reflection.

When Tareasa “Reesa Teesa” Johnson decided to disclose the full details of her turbulent marriage in a 50-part TikTok series, from first meeting to the finality of divorce, she hoped it would help at least one person from making similar mistakes. In a flash "Who TF Did I Marry?" went global, becoming a movement. Millions around the world were enraptured and identified with Tareasa's story, ultimately sharing their own experiences of heartbreak and deceit.

While “Who TF Did I Marry?” questioned the relationship, What (TF) Do I Do Now? probes deeper, asking “Where did I lose myself?” Through reflection, acceptance, and humor, Tareasa unravels even more details of what caused her to stay in a partnership where familiarity became too comfortable, and loneliness was a scarier proposition than owning her solitude. Tareasa’s indelible voice and keen perspective shares new, engrossing stories and practical insights as she regains her footing and her faith in herself, offering readers the chance to do the same.

Probing, personal, and incredibly relatable, What (TF) Do I Do Now? isn’t a self-help guide, but an empowering conversation with the reader, illuminating the courage it takes to trust yourself because healing is on the other side of pain.

FROM THE WINNER OF THE NIGERIA PRIZE FOR LITERATURE

It is Baby’s birthday again, but Grace has not seen her first born in twenty-six years. Now a wife, mother to twin daughters and the owner of a successful medical clinic, Grace has carefully constructed a new life. Now, the secret she’s kept for decades is about to resurface—and it could destroy everything.

Grace was only fifteen when she got pregnant and, under pressure from her parents, gave Baby away. Unable to forgive their decision, she cut them off completely. When Grace’s estranged mother walks back into her life unannounced, the fragile existence she spent years building begins to unravel. And with it, the wall Grace has built against a question she must never ask: the question of what truly happened to Baby.

A tightly wound story of family, bitter secrets, and sweeter forgiving, Grace is a novel for all mothers and daughters, a must-read for fans of Bernardine Evaristo and Tayari P. Jones.

“A page turner and history lesson at once, Harlem Rhapsody reminds us that our stories are our generational wealth— this book and the real lives that inspired it.”—Tayari Jones, New York Times bestselling author of An American Marriage (Oprah’s Book Club Pick)

She found the literary voices that would inspire the world…. The extraordinary story of the woman who ignited the Harlem Renaissance, written by Victoria Christopher Murray, New York Times bestselling coauthor of The Personal Librarian.
 
In 1919, a high school teacher from Washington, D.C arrives in Harlem excited to realize her lifelong dream. Jessie Redmon Fauset has been named the literary editor of The Crisis. The first Black woman to hold this position at a preeminent Negro magazine, Jessie is poised to achieve literary greatness. But she holds a secret that jeopardizes it all.
 
W. E. B. Du Bois, the founder of The Crisis, is not only Jessie’s boss, he’s her lover. And neither his wife, nor their fourteen-year-age difference can keep the two apart. Amidst rumors of their tumultuous affair, Jessie is determined to prove herself. She attacks the challenge of discovering young writers with fervor, finding sixteen-year-old Countee Cullen, seventeen-year-old Langston Hughes, and Nella Larsen, who becomes one of her best friends. Under Jessie’s leadership, The Crisis thrives…every African American writer in the country wants their work published there.
 
When her first novel is released to great acclaim, it’s clear that Jessie is at the heart of a renaissance in Black music, theater, and the arts. She has shaped a generation of literary legends, but as she strives to preserve her legacy, she’ll discover the high cost of her unparalleled success.

An acclaimed poet reclaims her origin story as the queer daughter of a Muslim Nigerian immigrant and a Black American visual artist in this groundbreaking memoir, combining lyrical prose, biting criticism, and haunting visuals.

“Hafizah Augustus Geter is a genuine artist, not bound by genre or form. Her only loyalty is the harrowing beauty of the truth.”—Tayari Jones, author of An American Marriage

“I say, ‘the Black Period,’ and mean ‘home’ in all its shapeshifting ways.” In The Black Period, Hafizah creates a space for the beauty of Blackness, Islam, disability, and queerness to flourish, celebrating the many layers of her existence that America has time and again sought to erase.

At nineteen, she lost her mother to a sudden stroke. Weeks later, her father became so heartsick that he needed a triple bypass. By her thirties, she was constantly in pain, pinballing between physical therapy appointments, her grief, and the grind that is the American Dream. Hafizah realized she'd spent years internalizing the narratives that white supremacy had fed her about herself. Suddenly, she says, I was standing at the cliff of my own life, remembering.

Recalling her parents’ lessons on the art of Black revision, and mixing history, political analysis, and cultural criticism, alongside stunning original artworks created by her father, renowned artist Tyrone Geter, Hafizah maps out her own narrative, weaving between a childhood populated with Southern and Nigerian relatives; her days in a small Catholic school; a loving but tragically short relationship with her mother; and the feelings of joy and community that the Black Lives Matter protests engendered in her as an adult. All throughout, she forms a new personal and collective history, addressing the systems of inequity that make life difficult for non-able-bodied persons, queer people, and communities of color while capturing a world brimming with potential, art, music, hope, and love.

A unique combination of gripping memoir and Afrofuturist thought, in The Black Period, Hafizah manages to sidestep shame, confront disability, embrace forgiveness, and emerge from the erasures

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"The Best American Novelist Whose Name You May Not Know"—Calvin Baker, The Atlantic

"A literary giant, and one of my absolute favourite writers" -TAYARI JONES, author of AN AMERICAN MARRIAGE

"An American writer with a powerful sense of vital inheritance, of history in
the blood." -John Updike, The New Yorker

Eva's Man is a gripping psychological portrait of a woman unable to love for fear of pain. Imprisoned for the bizarre murder of her lover, Eva Median Canada weaves together memory and fantasy to reveal a life tormented by the brutality of sexual abuse and emotional silence. Brilliantly experimenting with language, Jones infuses her graphic and powerful narrative of the triple yoke of race, class, and gender with a rich musical and oral idiom.

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Told from alternating perspectives, an evocative and riveting novel about the lifelong bond between two women, one Black and one white, whose friendship is indelibly altered by a tragic event—a powerful and poignant exploration of race in America today and its devastating impact on ordinary lives.

Jen and Riley have been best friends since kindergarten. As adults, they remain as close as sisters, though their lives have taken different directions. Jen married young, and after years of trying, is finally pregnant. Riley pursued her childhood dream of becoming a television journalist and is poised to become one of the first Black female anchors of the top news channel in their hometown of Philadelphia.

But the deep bond they share is severely tested when Jen’s husband, a city police officer, is involved in the shooting of an unarmed Black teenager. Six months pregnant, Jen is in freefall as her future, her husband’s freedom, and her friendship with Riley are thrown into uncertainty. Covering this career-making story, Riley wrestles with the implications of this tragic incident for her Black community, her ambitions, and her relationship with her lifelong friend.

Like Tayari Jones’s An American Marriage and Jodi Picoult’s Small Great Things, We Are Not Like Them explores complex questions of race and how they pervade and shape our most intimate spaces in a deeply divided world. But at its heart, it’s a story of enduring friendship—a love that defies the odds even as it faces its most difficult challenges.

Foreword by Tayari Jones, author of An American Marriage

Edited with an introduction by Genevieve West, professor and chair of the English, Speech, and Foreign Languages department at Texas Woman’s University

A collection of remarkable stories of the Harlem Renaissance from “one of the greatest writers of our time” (Toni Morrison) Zora Neale Hurston.

In May 1925, Zora Neale Hurston—then a fledgling writer—was living in New York, “desperately striving for a toe-hold on the world.” For the next decade, she wrote short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American artists of the modern period.

Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories that flash with Hurston’s biting, satiric humor, as they share revelations about love and migration, gender and class, racism and sexism, that proudly reflect African American folk culture. Brought together for the first time, they include eight of Hurston’s “lost” Harlem gems, which were found in dusty periodicals and archives. All are timeless classics that enrich our understanding and appreciation of this exceptional writer’s voice and her contributions to America’s literary traditions.