You have within you infinite promise. How big will YOU dream? This striking companion to I Am My Ancestors' Wildest Dreams celebrates Black female achievement and is perfect for fans of I Am Enough, Little Leaders, and She Persisted.

"Magnificently compelling....Lets Black girls know each time they turn the page that all of their dreams are possible." ―Angela Bassett, Award-winning Actress and Producer

I AM dope!

My crown shines bright

in all its glory.

When I dream big,

I can do anything!

In this inspiring tribute to Black girl pride and excellence, a young child discovers her place in a radiant heritage. As she meets twelve extraordinary Black women―historic and contemporary heroines who have blazed a trail for her own future success―she internalizes their strength and sets out to change the world in her own way.

Just like them, she can reach her dreams. And readers will discover that they can reach theirs too.

A joyful, intergenerational celebration of Black hair, family love, and cultural pride in the spirit of Hair Love and Crown: An Ode to the Fresh Cut.

It’s wash day―Tasha’s least favorite day of the week!

Wash day means stinging eyes, aching back, and water everywhere, even in Tasha’s ears!

But with big sis comforting her, Mama humming to the music, and Granny telling stories of wash days past, the weekly ritual soon becomes more than a weekend chore―it’s a special bonding time for three generations of beautiful Black women.

Wash Day Love will affirm, empower, and reflect the lived experiences of Black children and resonate with families everywhere.

The author of Song of Solomon now sets her extraordinary novelistic powers on a striking new course. Tar Baby, audacious and hypnotic, is masterful in its mingling of tones—of longing and alarm, of urbanity and a primal, mythic force in which the landscape itself becomes animate, alive with a wild, dark complicity in the fates of the people whose drama unfolds. It is a novel suffused with a tense and passionate inquiry, revealing a whole spectrum of emotions underlying the relationships between black men and women, white men and women, and black and white people.

The place is a Caribbean island. In their mansion overlooking the sea, the cultivated millionaire Valerian Street, now retired, and his pretty, younger wife, Margaret, go through rituals of living, as if in a trance. It is the black servant couple, who have been with the Streets for years—the fastidious butler, Sydney, and his strong yet remote wife—who have arranged every detail of existence to create a surface calm broken only by sudden bursts of verbal sparring between Valerian and his wife. And there is a visitor among them—a beautiful young black woman, Jadine, who is not only the servant’s dazzling niece, but the protegée and friend of the Streets themselves; Jadine, who has been educated at the Sorbonne at Valerian’s expense and is home now for a respite from her Paris world of fashion, film and art.

Through a season of untroubled ease, the lives of these five move with a ritualized grace until, one night, a ragged, starving black American street man breaks into the house. And, in a single moment, with Valerian’s perverse decision not to call for help but instead to invite the man to sit with them and eat, everything changes. Valerian moves toward a larger abdication. Margaret’s delicate and enduring deception is shattered. The butler and his wife are forced into acknowledging their illusions. And Jadine, who at first is repelled by the intruder, finds herself moving inexorably toward him—he calls himself Son; he is a kind of black man she has dreaded since childhood; uneducated, violent, contemptuous of her privilege.

As Jadine and Son come together in the loving collision they have both welcomed and feared, the novel moves outward—to the Florida backwater town Son was raised in, fled from, yet cherishes; to her sleek New York; then back to the island people and their protective and entangling legends. As the lovers strive to hold and understand each other, as they experience the awful weight of the separate worlds that have formed them—she perceiving his vision of reality and of love as inimical to her freedom, he perceiving her as the classic lure, the tar baby set out to entrap him—all the mysterious elements, all the highly charged threads of the story converge. Everything that is at risk is made clear: how the conflicts and dramas wrought by social and cultural circumstances must ultimately be played out in the realm of the heart.

Once again, Toni Morrison has given us a novel of daring, fascination, and power.

Honor the legacy of Toni Morrison and the transformative power of literature with our “Books Are Political Action” enamel pin. Inspired by Morrison’s iconic words, this pin celebrates the radical, world-shaping force of storytelling—and the readers who carry that truth with them.

Crafted with high-quality hard enamel and a smooth, elegant finish, this pin features a bold, beautifully lettered design that stands out on totes, denim jackets, backpacks, and lanyards. Its durable construction ensures it stays secure through every march, meeting, book club, and bookstore visit.

Perfect for educators, organizers, book lovers, and anyone who believes in the power of stories to spark change, this pin is more than an accessory—it’s a declaration.

Wear it as a reminder of the work, the beauty, and the responsibility of reading with intention.

YOU are your ancestors' wildest dreams. How will you express YOUR greatness? Perfect for fans of I Am Every Good Thing, Little Legends, and All Because You Matter.

"Affirming. . . . A joyful tribute." -- Kirkus Reviews

“A vibrant, heartwarming celebration of Black excellence.” ― School Library Journal

I AM FLY.

From my crown

down to the kicks

on my feet...

I AM my ancestors' wildest dreams.

In this electrifying anthem to Black boy joy and pride, a young child discovers his place in a distinguished lineage. As he meets ten exceptional Black men--historical and contemporary figures who have paved the way for his own future success--he internalizes their greatness. Just like them, he can reach his dreams. And just like him, you have within you big potential.

Originally published in 2005, former NBA star Etan Thomas’s first poetry collection defies the stereotype of the apolitical athlete; featuring brand-new poems by Thomas and his son―and University of Dayton basketball star―Malcolm Thomas

RETIRED NBA STAR, AUTHOR, AND OUTSPOKEN POLITICAL ACTIVIST, Etan Thomas is more than an athlete. In this, his first collection of poems―originally published in 2005 and reissued here with many new poems―the former center for the NBA’s Washington Wizards defies the stereotype of the apolitical athlete, and plants his roots in his budding literary career. With the conviction of a Bill Russell, and the poetic finesse of Muhammad Ali, Thomas takes on controversial topics such as the Death Penalty, the GOP, and racism. 

This fiery poet approaches his work fearlessly, writing in the strong, historical lineage of his literary elders Amiri Baraka and Sonia Sanchez, and in the tradition of more contemporary poets Ras Baraka, Tony Medina, and asha bandele. More Than an Athlete is not just a book of poetry; it’s a statement about new generations not being confined to a box, a definition, or a label. Some people play ball, and some people write poems. Etan Thomas has mastered the art of both.

The reimagined 2027 edition features brand-new poems by Thomas as well as his son Malcolm, who is following in his father’s footsteps on the court as a collegiate athlete, and on―and off―the page as a poet and activist.

Now you can support your favorite independent bookstore everywhere you go!

Wear our little bookshop with Love and Pride.

Let's celebrate a few of the new-ish Black women mystery writers! 

EVENT DEETS

When: Monday, August 11, 2025 @ 6:30 PM CT

Where: Virtual! Sign up and we'll send you the link to the Zoom. 

How: RSVP ONLY to get the link to the Zoom! RSVP WITH BUNDLE to get a copy of each of the authors' book and support the bookstore!

ABOUT THE AUTHORS

Zoe B. Wallbrook is a recently tenured professor whose academic research has appeared in outlets such as the New York Times and The New Yorker. She was selected for mentorship by LA Times bestseller Elizabeth Little, and History Lessons, her first novel, was a runner-up for the Eleanor Taylor Bland Award. Zoe’s hobbies include beginning all emails with, “My sincerest apologies for my slow reply,” pretending to understand how astrological signs work, and crying at the end of every Call the Midwife episode. She and her husband live with their stalker, a black lab/pittie mix named Sophie.

SANDRA JACKSON-OPOKU is the author of Hot Johnny and the Women Who Loved Him and the award-winning novel The River Where Blood is Born. She also coedited the anthology Revise the Psalm: Work Celebrating the Writing of Gwendolyn Brooks. Her fiction, nonfiction, and dramatic works have been published and produced in Adi Magazine, Midnight & Indigo, Aunt Chloe, Africa Risen: A New Era of Speculative Fiction, New Daughters of Africa, Obsidian, storySouth, the Chicago Humanities Festival, and others.

Elise Bryant is the NAACP Image Award-nominated author of Happily Ever Afters, One True Loves, Reggie and Delilah’s Year of Falling, and It’s Elementary. For many years, Elise had the joy of working as a special education teacher, and now she spends her days reading, writing, and eating dessert. She lives with her husband and two daughters in Long Beach, California. You can visit her online at www.elisebryant.com.

Join us for the official launch event of Black Chameleon: Memory, Womanhood & Myth with author, Deborah D.E.E.P Mouton and artist, Delita Martin. 

Event DEETS

When: March 7, 2023 at 7PM CST

Where: Project Row House Community Gallery (2521 Holman Street, HTX 77004)

How: Please RSVP reserve your spot. Checkout for RSVP with Book to support our store and the author/artists. 

About Black Chameleon

In the literary tradition of Carmen Maria Machado’s In the Dream House, Maxine Hong Kingston’s The Woman Warrior, and Jesmyn Ward’s Men We Reaped, this debut memoir confronts both the challenges and joys of growing up Black and making your own truth.

Growing up as a Black girl in America, Deborah Mouton felt alienated from the stories she learned in class. She yearned for stories she felt connected to—true ones of course—but also fables and mythologies that could help explain both the world and her place in it. What she encountered was almost always written by white writers who prospered in a time when human beings were treated as chattel, such as the Greek and Roman myths, which felt as dusty and foreign as ancient ruins. When she sought myths written by Black authors, they were rooted too far in the past, a continent away.

Mouton writes, “The phrases of my mother and grandmother began to seem less colloquial and more tied to stories that had been lost along the way. . . . Mythmaking isn’t a lie. It is our moment to take the privilege of our own creativity to fill in the gaps that colonization has stolen from us. It is us choosing to write the tales that our children pull strength from. It is hijacking history for the ignorance in its closets. This, a truth that must start with the women.”

Mouton’s memoir is a song of praise and an elegy for Black womanhood. With a poet’s gift for lyricism and poignancy, Mouton reflects on her childhood as the daughter of a preacher and a harsh but loving mother, living in the world as a Black woman whose love is all too often coupled with danger, and finally learning to be a mother to another Black girl in America. Of the moment yet timeless, playful but incendiary, Mouton has staked out new territory in the memoir form.

About Deborah DEEP Mouton

Deborah D.E.E.P. Mouton is an internationally known writer, educator, activist, and performer and the first Black poet laureate of Houston, Texas. She was formerly ranked the #2 Best Female Performance Poet in the World (PSI). Her recent poetry collection, Newsworthy, garnered her a Pushcart nomination, was named a finalist for the 2019 Writers’ League of Texas Book Award, and received an honorable mention for the Summerlee Book Prize. Its German translation, under the title Berichtenswert, was released in Summer 2021 by Elif Verlag. The opera Marian’s Song, for which she wrote the libretto, debuted in 2020. 

About Delita Martin

Delita Martin is an artist currently based in Huffman, Texas. She received a BFA in drawing from Texas Southern University and an MFA in printmaking from Purdue University. Formerly a member of the fine arts faculty at UA Little Rock in Arkansas, Martin currently works as a full-time artist in her studio, Black Box Press. Martin’s work has been exhibited both nationally and internationally. Most recently Martin’s work was included in the State of the Arts: Discovering American Art Now, an exhibition that included 101 artists from around the United States. Her work is in numerous portfolios and collections.