A ragtag group of activists plan a mission to repatriate the bones of a Blackfeet boy who was sent to the infamous Carlisle Indian Industrial School in author Stephen Graham Jones's return to the Blackfeet reservation of his award-winning New York Times bestsellers The Only Good Indians and The Buffalo Hunter Hunter.

Nate Yellow Tail is one of the survivors of the deadly revenge murders of Stephen Graham Jones's breakout bestseller The Only Good Indians. Five years after the massacre on the Blackfeet reservation, Nate finds himself in the hospital after a terrible accident that should’ve killed him and that nearly killed his best friend Sebby, who is hanging onto life in a room a few doors down.

Nate’s life is out of balance, so when he is given the chance to reset his life, and maybe save Sebby in the process, Nate steps up, again. This time it’s into a camper van that is almost as run down as his broken body, filled with three older Blackfeet, to find the bones of the lone Blackfeet boy who died at the Carlisle Indian Industrial School, where many Indigenous children were abused, and repatriate this boy home. The problem is, when they get the bones, something terrible has escaped with them.

Jones has crafted another American Indian novel for our times, shining light on the dark corners of this country’s history while also showing the desperate choices people make when they’re put up against a wall.

In 1912 a strange confession is given, over several nights, to a Lutheran priest who transcribes the life of a vampire who haunted the fields of the Blackfeet reservation, looking for justice.

A diary, written in 1912 by a Lutheran Pastor is discovered within a wall and what it unveils is a slow massacre, a chain of events that go back to two hundred and seventeen Blackfeet dead in the snow. Told in transcribed confessions by a Blackfeet named Good Stab, who shared the narrative of his peculiar life over a series of confessional visits, this is a bloody history of the American West that has remained untold until now.

In a brilliantly terrifying blend of supernatural horror and alternate history for fans of Ryan Coogler's Sinners and readers of Victor LaValle, Tananarive Due, and Stephen Graham Jones, a vengeful vampire tribe formed of formerly enslaved Africans wages war across the Southern colonies in the ultimate battle of blood and betrayal.

Kwadzo Okoro never believed the bloody legend of Ramanga was real. Now, he stands as the leader of a new Ramanga Tribe, one that sieged the Barrow plantation in a storm of righteous carnage, liberating its formerly enslaved Africans. Reclaimed as the Crimson Plantation, it is now also home to the wronged Natives who fearlessly aligned with the Ramangans.

But Kwadzo knows that freedom is not secure. Bartholomew and Constance Crabtree, the most influential slaveholders in the region since the demise of Big Jim Barrow, are galvanizing the Lakeside community to strike back—violently. The threat they pose, however, pales in comparison to the insidious menace of Penelope Knudsen. Her white-hot hatred, now fueled by Ramangan blood, and an ability to survive the sunlight—a power Kwadzo doesn’t have—threatens to upend Kwadzo’s advancement of Ramangan might throughout the colonies to free his people.

But the gravest threat comes from within: Rafazi. His blood fathered the rebellion, but he will not take orders from his own creation. And when Rafazi makes a deadly deal with the Crabtrees, Kwadzo is forced into a battle with his maker that he may not survive, while the everlasting freedom of every enslaved person in the colonies hangs in the balance.

In Carolina and beyond, a reckoning is coming that will change the colonies forever.

In this explosive horror novel, a woman is haunted by inner trauma, hungry ghosts, and a serial killer as she confronts the brutal violence experienced by East Asians during the pandemic.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train.

Before fleeing the scene, the murderer shouted two words: bat eater.

So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table. Of course, ever since Delilah was killed in front of her, Cora can’t be sure what's real and what’s in her head.

She pushes away all feelings and ignores the advice of her aunt to prepare for the Hungry Ghost Festival, when the gates of hell open. But she can't ignore the dread in her stomach as she keeps finding bat carcasses at crime scenes, or the scary fact that all her recent cleanups have been the bodies of East Asian women.

As Cora will soon learn, you can’t just ignore hungry ghosts.

For fans of Stephen Graham Jones and Gretchen Felker-Martin, Bat Eater and Other Names for Cora Zeng is a wildly original, darkly humorous, and subversive contemporary novel from a striking new voice in horror.

Jordan Peele and Jeff Vandermeer meet The Overstory in comedy writer Allison Mick’s darkly humorous debut eco-horror novel, as a Black woman returns home to the redwood forests of northern California, only to unearth the monsters that lurk among the trees…

Jasmine Bay is a nurse for an Oakland mental health facility, battling her own demons, caught in a spiral of suicidal despair. Estranged from her brother James and his wife Tilly, who was once her best friend, Jas has chosen self-isolation to protect herself—even if it means denying herself a hopeful future with co-worker and potential love interest Henry Lewis.

When her godmother dies, Jas returns to Redceder for the funeral, a logging town where her grandfather William Whipple made a living deforesting the countryside, ripping and raping apart nature’s very foundations for corporate profits. As trees fell to axes and chainsaws, so did dozens of lumberjacks, falling prey to the dangers of their job—and to the ecoterrorism of Jas’s grandfather who was lynched for his crimes.

And buried in the haunted woods are even more dark secrets perpetrated by Jas’s family. Unnatural acts giving birth to entities made of human flesh and petrified bark, seeking to avenge the devastation that ravaged their land. It is an inheritance that threatens to consume the remnants of Jas’s family, and her very sanity. . .

Celebrated comedy writer Allison Mick’s Humboldt Cut exposes the traumatic costs of environmental destruction in an energetic, darkly humorous horror adventure that combines the botanical terrors of VanderMeer’s Annihilation and the psychological horror of The Only Good Indians by Stephen Graham Jones with a dash of Jordan Peele.

Winner of the Bram Stoker Award for Best Novel

In her quickly gentrifying rural lake town Jade sees recent events only her encyclopedic knowledge of horror films could have prepared her for in this latest chilling novel that “will give you nightmares. The good kind, of course” (BuzzFeed) from the Jordan Peele of horror literature, Stephen Graham Jones.

“Some girls just don’t know how to die…”

Shirley Jackson meets Friday the 13th in My Heart Is a Chainsaw, written by the New York Times bestselling author of The Only Good Indians Stephen Graham Jones, called “a literary master” by National Book Award winner Tananarive Due and “one of our most talented living writers” by Tommy Orange.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

Jade Daniels is an angry, half-Indian outcast with an abusive father, an absent mother, and an entire town that wants nothing to do with her. She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold.

Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges…a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body. My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph.

For fans of Ryan Coogler's Sinners and readers of Victor LaValle, Tananarive Due, Stephen Graham Jones, and Colson Whitehead’s The Underground Railroad, this ingenious reimagining of the vampire origin story set during the early days of American slavery blends alternate history with supernatural horror, as the last surviving member of an ancient African vampire tribe meets a slave desperate for freedom, and together, they lead an army of enslaved people in a cinematically blood-soaked battle for freedom and revenge.

**DELUXE PAPERBACK with stenciled edges and bonus content!**

In the Province of Carolina, 1710, freedom seems unattainable for Willie, for his beloved Gertie, and for their unborn child. They live, suffer, and toil under their brutal master, James “Big Jim” Barrow, whose grand plantation was built by the blood, sweat, and tears of the enslaved. To flee this hell on earth is to be hunted and killed—until one strange night Willie is offered a dark hope by Rafazi, an enigmatic slave with an irresistible and blood-chilling path to liberation.

Hailing from the Kingdom of Ghana, Rafazi is the lone survivor of the Ramanga, an African vampire tribe rendered nearly extinct by plague. Rafazi has roamed the world for centuries with an undying desire to replenish the power that once defined his heritage. In Willie, Rafazi has found his first biddable subject to be turned and to help in a hungry revolt. And Willie desires nothing more than to free his people from malicious bondage. Whatever it takes.

One by one, as an army of blood slaves thirsting for revenge is gathered, the headstrong Gertie fears that no good can come from the vampiric legacy that courses through Rafazi’s veins. Willie knows that only evil can fight evil. And when the woman he loves stands between the reemergence of the Ramanga and the justified slaughter of the oppressors, Willie must make an irreversible decision. Only one thing is certain: on the Barrow plantation, and beyond, blood will spill.