"This heartfelt sapphic romance is loaded with laugh-out-loud humor and the high-drama hijinks of a splashy telenovela." —Camille Perri, author of When Katie Met Cassidy

One wedding, two rivals and a whole lot of secrets…

As the daughter of Cuban immigrants, Isabella Valdes knows three things for certain:
* her late father’s restaurant is thriving
* she owns lots of designer things
* both of those statements are absolute lies to make her mother happy

Isabella would do anything to keep her father’s legacy alive, including attending her estranged cousin’s weeklong wedding extravaganza. Because once Sofia’s wealthy fiancé tastes the recipes Isa prepares from her father’s cherished journal, he’s sure to invest.

To Isa’s annoyance, she’ll be sharing a cabin with Valentina, the former friend turned rival who ruined her quinceañera. But Val is offering an unexpected deal—she’ll help Isa unravel an old family secret found in her father’s journal in return for help sabotaging the wedding and winning the heart of the bride.

Saying yes is a bad idea. Isa’s perfectionism meets its match in Val’s carefree demeanor, but as they work together, the usually responsible Isa can’t seem to say no to Val’s shenanigans. There’s no hiding from Val, no ignoring this complicated but undeniable connection that’s changing Isa’s beliefs about love, loyalty and just how much she owes to her family—and to herself…

*ships in 7-10 business days*

Two young girls. Two disparate stories. One unlikely friendship....

Dani comes from the richest, most famous Black family in Texas and seems to have everything a girl could want. So why does she keep using and engaging in other self-destructive behavior?

Camila’s Colombian-American family doesn’t have much, but she knows exactly what she wants out of life and works her ass off to get it. So why does she keep failing, and why does she self-harm every time she does?

When Dani and Camila find themselves rooming together at Peach Tree Hills, a treatment facility in beautiful rural Georgia, they initially think they’ll never get along—and they’ll never get better. But then they find a mysterious music box filled with letters from a former resident of PTH, and together they set out to solve the mystery of who this girl was . . . and who she’s become. The investigation will bring them together, and what they find at the end might just bring them hope.

From award-winning author Stephanie Kuehn comes a breathtaking tale of friendship and healing. Both poignant and timely, We Weren’t Looking to Be Found is complex, hopeful, and heartbreaking all at once.

A young girl and her father share an early morning horseback ride around their city in My Daddy Is a Cowboy, a picture book celebration of “just-us time,” perfect for fans of My Papi Has a Motocycle.
 
Tall. High as the clouds.
Strong as a horse’s back.
Like a cowboy.
 
In the early hours before dawn, a young girl and her father greet their horses and ride together through the waking city streets. As they trot along, Daddy tells cowboy stories filled with fun and community, friendship, discovery, and pride. Seeing her city from a new vantage point and feeling seen in a new way, the child discovers that she too is a cowboy—strong and confident in who she is.
 
Thoughtfully and lyrically written by debut author Stephanie Seales, with vibrant illustrations from award-winning artist C. G. Esperanza, this beautiful picture book is a celebration of Black joy, outdoor play, and quality time spent between child and parent.

What will Maya be when she grows up? A rocket scientist like Annie Easley? An Olympic athlete like Alice Coachman? A brain surgeon like Alexa Canady?

In this heart-warming and funny story, Maya discovers the achievements of some amazing Black women . . . but it's a brave Nigerian princess who really captures her imagination! 

With humor and zeal, Stephanie Taylor celebrates the lives of incredible Black women in this moving and funny, feminist narrative, while award-winning illustrator Jade Orlando's colorful art perfectly captures the warm and charming mother-daughter relationship. 

Now available in trade paper!

The power of faith intersects with the practicality of counseling in this unique partnership of a faith/worship leader and a therapist as they offer a pathway for readers to find help, hope, healing, and freedom while navigating life's struggles.

No one is immune from life's difficulties, yet many people are reluctant to talk about mental health or seek professional help when they are struggling. People of faith who are battling issues such as anxiety, depression, life changes, stress, or relationship problems may suffer in silence, believing things would get better if only their faith was stronger, they prayed more, or if they had more self-discipline. The stigma about needing to seek help is all too real. 

But seeking professional help isn't a sign of weakness; it's a sign that someone is serious about moving forward emotionally, relationally, and spiritually. Written by producer, artist, and author Anthony Evans, along with licensed psychotherapist Stacy Kaiser, When Faith Meets Therapy:

• Dispels the cultural myths and stigmas that surround professional therapy
• Shares stories from the authors' personal experiences and others who are facing life's challenges
• Provides practical steps that readers can take in the pursuit of emotional, relational, and spiritual progress

Anthony and Stacy met five years ago when Anthony was seeking emotional and relational healing of his own. Stacy led Anthony through his own process of internal renovation and remains his personal therapist to this day.

When Faith Meets Therapy contains priceless, practical knowledge to break stereotypes that surround therapy, all while offering immeasurable hope and encouragement.

Watch out world, Artemis Owusu is entering her villain era...
Artemis 'Temz' Owusu has bags of confidence, and plenty of opportunity for hook-ups; she fiercely embraces her beautiful size 26 body and expects any man to do the same. Her marketing career is on fire, and she has a thriving side-hustle as a 'plantfluencer'.

But for some reason, her romantic relationships just won't stick.

So, when sexy California-based tech entrepreneur Ruben slides into her DMs looking for plant care advice, Temz doesn't waste an opportunity. Soon their long-distance digital flirtation is growing roots - until, in an out-of-character bout of self-doubt, Temz commits the cardinal online sin...

Suddenly she's embroiled in a web of deception as her relationship with Ruben gets increasingly serious. When her job lands her the opportunity to visit her man's stomping ground in Oakland, could it be a chance for her to finally come clean - or it could lead to total chaos?
For fans of Bolu Babalola, Bethany Rutter and Candice Carty-Williams, CHAOTIC ENERGY is a romcom with a difference.

In this powerful and comprehensive guide in the spirit of Jambalaya and Sacred Woman, an herbalist celebrates ancient and modern African holistic healing.

“The message of this book is: hold onto your yams, your collards, watermelon, and roots. There is magic, mystery, connection, and healing stored within them.”—Stephanie Rose Bird

Stephanie Rose Bird grew up surrounded by forests, listening to the stories of her ancestors and learning African healing ways. From an early age, she dedicated herself to herbalism and living a spiritually fulfilled life in harmony with nature. Now, the wisdom she as accrued is gathered in this impressive encyclopedic work of African Healing and herbal medicine.

Stephanie teaches you how to garden and harvest in unison with the seasons, and how to use herbalism and magic—derived from ancestral and spiritual helpers—to heal. A treasure trove of knowledge, Motherland Herbal showcases an array of recipes and rituals that nourish every facet of life:

* Seasonal recipes to support overall well-being
* Tinctures for common ailments such as headaches, flu, or heartburn
* Remedies for improving mental health, lessening symptoms of anxiety, stress, or depression
* Natural body and home care products, from facials to cleaning solutions
* Herbal Baths for relaxation, sexual wellness, and good luck
* Rituals and Altars for universal experiences, such as learning to letting go after loss and improving creativity and fertility
* Love Potions, Sleep Potions, Protective Amulets, and more

Written in Stephanie’s warm and authoritative voice, Motherland Herbal seamlessly blends activism and ancestral folklore with the realms of spirituality, gardening, and holistic wellness. Her deep reverence for the wisdom of her ancestors infuses every page of this guide, which is a foundational resource that will shape the landscape of African healing and folk medicine for generations to come.

Motherland Herbal includes 54 original pieces of art, including maps and artwork created by the author.

*Paperback Release Date - 7/7/26*

Luster meets The Idiot in this riveting debut novel about a volatile friendship between two outsiders who escape their bleak childhoods and enter the glamorous early '90s art world in New York City, where only one of them can make it.

Ruth, an only child of recent immigrants to New England, lives in an emotionally cold home and attends the local Catholic girl’s school on a scholarship. Maria, a beautiful orphan whose Panamanian mother dies by suicide and is taken care of by an ill, unloving aunt, is one of the only other students attending the school on a scholarship. Ruth is drawn forcefully into Maria’s orbit, and they fall into an easy, yet intense, friendship. Her devotion to her charming and bright new friend opens up her previously sheltered world. 
 
While Maria, charismatic and aware of her ability to influence others, eases into her full self, embracing her sexuality and her desire to be an artist, Ruth is mostly content to follow her around: to college and then into the early-nineties art world of New York City. There, ambition and competition threaten to rupture their friendship, while strong and unspoken forces pull them together over the years. Whereas Maria finds early success in New York City as an artist, Ruth stumbles along the fringes of the art world, pulled toward a quieter life of work and marriage. As their lives converge and diverge, they meet in one final and fateful confrontation.
 
Ruth and Maria's decades-long friendship interrogates the nature of intimacy, desire, class and time. What does it mean to be an artist and to be true to oneself? What does it mean to give up on an obsession? Marking the arrival of a sensational new literary talent, Lonely Crowds challenges us to reckon honestly with our own ambitions and the lives we hope to lead.

Bridging women’s history, the history of the South, and African American history, this book makes a bold argument about the role of white women in American slavery. Historian Stephanie E. Jones-Rogers draws on a variety of sources to show that slave‑owning women were sophisticated economic actors who directly engaged in and benefited from the South’s slave market. Because women typically inherited more slaves than land, enslaved people were often their primary source of wealth. Not only did white women often refuse to cede ownership of their slaves to their husbands, they employed management techniques that were as effective and brutal as those used by slave‑owning men. White women actively participated in the slave market, profited from it, and used it for economic and social empowerment. By examining the economically entangled lives of enslaved people and slave‑owning women, Jones-Rogers presents a narrative that forces us to rethink the economics and social conventions of slaveholding America.

A long-overdue corrective to the history of rock ‘n’ roll and alternative music, repopulating it with the extraordinary Black artists and influential figures who steered its course, from an author, journalist, and front woman of the British post punk band Big Joanie.

The history of rock and roll and alternative music is often told in bold, sweeping, isolated moments that are removed from the context of their time. Upon closer inspection, however, it becomes clear that the stories we tell center primarily on the achievements of white men like Elvis Presley, The Ramones, Nirvana, and David Bowie. White men who were the stars, white men who supposedly changed the game, white men who seemingly were at the forefront of every musical innovation in the 20th and 21st centuries. These rock and roll retellings perpetuate the belief that white men were the most important people to wield a guitar, strut on stage, or pound out a pummeling drumbeat. What is missing in these stories is everything in between—the people, the places, and the scenes that connect the dots—and you can’t tell the history of any music scene, let alone alternative music, without the Black community.

From the genre's earliest moments, Black musicians—like gospel entertainer Sister Rosetta Tharpe in the 1930s-40s and rock and roll legend Chuck Berry in the 1950s—have consistently pushed musical boundaries that forever impacted the music that followed. Throughout the decades, numerous Black entertainers continued to add their take on rock and alternative genres, expanding and building on what was already there to create what we know as alternative music today: look no further than the electric fire of Jimi Hendrix’s guitar licks in the '60s, the kaleidoscopic melee of hardcore and reggae that was Bad Brains in the late '70s, and the funkadelic swagger of Living Colour in the '80s.

Despite their groundbreaking contributions, why have Black musicians been so neglected from the historical canon? Is alternative music still seen as a white genre, and how are Black musicians and fans making space for themselves in the music scenes they love? We Were Here tells the story of Black artists performing in alternative genres from punk to rock and roll, indie to new wave, alongside their Black fans. Through brand new interviews and meticulous research, Phillips documents the history of Black people’s influence on these genres, highlighting the key players, assessing the legacy of their work, and drawing attention to those who have been obscured from history.

Where rock magazines and music books previously omitted or misunderstood the stories of Black artists and fans, this book centers their voices and attempts to right the wrongs of the past. Along the way, Phillips infuses her own coming-of-age story as a Black female musician in the punk scene, alongside a cultural analysis of rock and alternative music history.