This powerful picture book is a gorgeous lyrical ode teaching and instilling self-love, the power of one's Blackness, and confidence into young males of color.

A simple yet poetic composition celebrating and uplifting positive attributes of Black boys such as strength, bravery, and joy.

Celebrating the storied career of a beloved letterpress printer whose posters spread messages of racial justice

Detroit-based letterpress printer Amos Paul Kennedy, Jr. is celebrated for his type-driven messages of social justice and Black power, emblazoned in rhythmically layered and boldly inked posters made for the masses. Citizen Printer tells Kennedy’s inspiring story and contextualizes his important work―and offers readers tools for lifting their voices, too. A vital monograph on a trailblazing contemporary Black artist, Citizen Printer features 800 reproductions representing the breadth of Kennedy’s posters and prints, plus original portraiture of the artist at work, a powerful artist statement and a foreword by New York Times bestselling author Austin Kleon, all presented in a dynamic type-forward design from American Institute of Graphic Arts medalist Gail Anderson and Joe Newton.
Amos Paul Kennedy, Jr. (born 1948) was working a corporate job for AT&T when, at the age of 40, he discovered the art of letterpress printing on a tour of Colonial Williamsburg. Kennedy then devoted himself to the craft, earning an MFA at the University of Wisconsin–Madison and teaching at Indiana University. He now operates Kennedy Prints!, a communal letterpress center in Detroit. Borrowing words from social justice heroes Rosa Parks, Fannie Lou Hamer, Frederick Douglass, Sojourner Truth and others, Kennedy layers bold statements on race, capitalism, history and politics in exuberant, colorful and one-of-a-kind posters. Kennedy has been featured in the New York Times, the New York Times Magazine and the Economist, and his work has been exhibited by the Library of Congress, the Museum of Modern Art, New York and other institutions through the US. He was the subject of a 2012 feature-length documentary, Proceed and Be Bold!

Using traditional techniques such as direct carving and lost-wax casting, Mosley's early works in wood and later works in bronze enter into a dance between the organic and manmade

Born in 1926 in New Castle, Pennsylvania, Thaddeus Mosley has made sculptures from wood for over six and a half decades from his home in Pittsburgh. Using only a chisel and gauge to maintain the integrity of the original log, Mosley reworks salvaged timber into monumental abstractions. Through a process of direct carving, the artist's marks respond to and rearticulate the natural gradations of the material's surface. With influences ranging from Isamu Noguchi to Constantin Brâncusi, from Scandinavian design to West African sculpture--Mosley's "sculptural improvisations," as he calls them, also take cues from the modernist traditions of jazz. Weight in Space is the most comprehensive monograph on the artist's oeuvre to date. In addition to a detailed chronology, this volume features new scholarship by Fred Moten and Catharina Manchanda, a conversation between Mosley and Hans Ulrich Obrist, and excerpts from an extensive oral history interview conducted by Bridget R. Cooks and Amanda Tewes.

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“A significant new voice in fiction, Norris has written what may be one of the defining novels of the era at the intersection between Black Lives Matter and COVID-19.” —BuzzFeed

One of Publishers Weekly's Best Novels of the Summer ∙ One of The Millions' Most Anticipated Books of June ∙ One of ALTA's Recommended Reads for June ∙ One of BuzzFeed's Amazing Small Press Books To Add To Your Summer Reading List

Copeland Cane V, the child who fell outta Colored People Time and into America, is a fugitive…
He is also just a regular teenager coming up in a terrifying world. A slightly eccentric, flip-phone loving kid with analog tendencies and a sideline hustling sneakers, the boundaries of Copeland’s life are demarcated from the jump by urban toxicity, an educational apparatus with confounding intentions, and a police state that has merged with media conglomerates—the highly-rated Insurgency Alert Desk that surveils and harasses his neighborhood in the name of anti-terrorism.

Recruited by the nearby private school even as he and his folks face eviction, Copeland is doing his damnedest to do right by himself, for himself. And yet the forces at play entrap him in a reality that chews up his past and obscures his future. Copeland’s wry awareness of the absurd keeps life passable, as do his friends and their surprising array of survival skills. And yet in the aftermath of a protest rally against police violence, everything changes, and Copeland finds himself caught in the flood of history.

Set in East Oakland, California in a very near future, The Confession of Copeland Cane introduces us to a prescient and contemporary voice, one whose take on coming of age in America becomes a startling reflection of our present moment.

This "highly-anticipated" (People) inaugural novel in the Well-Read Black Girl × Liveright series is a darkly whimsical debut about women daring to live and create with impunity.

Twin sisters Clara and Dempsey have always struggled to relate, their familial bond severed after their mother vanished into the Thames. In adulthood, they are content to be all but estranged, until Clara sees a woman who looks exactly like their mother on the streets of London. The catch: this version of Serene, aged not a day, has enjoyed a childless life.

Clara, a celebrity author in desperate need of validation, believes Serene is their mother, while Dempsey, isolated and content to remain so, believes she is a con woman. As they clash over this stranger, the sisters hurtle toward an altercation that threatens their very existence, forcing them to finally confront their pasts―together. In her riveting first foray into fiction, Yrsa Daley-Ward conjures a kaleidoscopic multiverse of daughterhood and mother-want, exploring the sacrifices that Black women must make for self-actualization. The result is a marvel of a debut novel that boldly asks, “How can it ever, ever be a crime to choose yourself?”

How modern and contemporary artists across the African and Caribbean diasporas transformed European Surrealism into a tool for Black expression

On the centennial anniversary of André Breton’s first Surrealist Manifesto, Surrealism and Us shines new light on how Surrealism was consumed and transformed in the Caribbean and the United States. It brings together more than 50 works from the 1940s to the present that convey how Caribbean and African diasporic artists reclaimed a European avant-garde for their own purposes.
Since its inception, the Surrealist movement―and many other European art movements of the early 20th century―embraced and transformed African art, poetry and music traditions. Concurrently, artists in the Americas proposed subsets of Surrealism more closely tied to African diasporic culture. In Martinique, Aimé and Suzanne Césaire proposed a Caribbean Surrealism that challenged principles of order and reason and embraced African spiritualities. Meanwhile, artists in the United States such as Romare Bearden and Ted Joans engaged deeply with Surrealist ideas. These trends lasted far beyond those of their European counterparts. Indeed, the term “Afro-surrealism” was created by poet Amiri Baraka in 1974; today the movement still flourishes in tandem with Afrofuturism. The Surrealism and Us catalog is divided into three themes: “To Dare,” “Invisibility” and “Super/Reality”. These sections, galvanized by scholarly essays, create transnational and multi-generational connections between Black life and artistic practice over the past 100 years.
Artists include: Firelei Báez, Agustin Cárdenas, Myrlande Constant, Rafael Ferrer, Ja’Tovia Gary, Hector Hyppolite, Ted Joans, Wifredo Lam, Simone Leigh, Kerry James Marshall.

From the NAACP Image Award–nominated author of Happily Ever Afters comes a dual POV rom-com about Reggie and Delilah, who fall in love through missed connections and chance meetings on holidays over the course of a year. 

Delilah always keeps her messy, gooey insides hidden behind a wall of shrugs and yeah, whatevers. She goes with the flow—which is how she ends up singing in her friends’ punk band as a favor, even though she’d prefer to hide at the merch table.

Reggie is a D&D Dungeon Master and self-declared Blerd. He spends his free time leading quests and writing essays critiquing the game under a pseudonym, keeping it all under wraps from his disapproving family.

These two, who have practically nothing in common, meet for the first time on New Year’s Eve. And then again on Valentine’s Day. And then again on St. Patrick’s Day. It’s almost like the universe is pushing them together for a reason.

Delilah wishes she were more like Reggie—open about what she likes and who she is, even if it’s not cool. Except . . . it’s all a front. Reggie is just role-playing someone confident. The kind of guy who could be with a girl like Delilah.

As their holiday meetings continue, the two begin to fall for each other. But what happens once they realize they’ve each fallen for a version of the other that doesn’t really exist?

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“I write about people who do extraordinary things. It just turned out that it was called science fiction.” - Octavia E. Butler

Octavia E. Butler's work broke innumerable barriers and helped open the field of science fiction to writers and readers it had never had before. As the first Black writer to win the coveted Nebula and Hugo Awards, her courage and vision left a peerless legacy for fans not just of science fiction, but of American literature. In this collection of 10 interviews, 3 of them never published, Butler speaks with candor and openness about her work, her imaginative mission, and the barriers she faced as a Black woman working in a genre dominated by white men. The book features an original introduction by science fiction legend Samuel R. Delany, in which he discusses his personal relation with Butler, providing unparalleled insight into her work and life.

Series Overview: The Last Interview and Other Conversations series offers a remarkably fresh look at some of the world's leading innovative writers and edgiest cultural figures by gathering conversations from throughout an artist's career and collecting them in one volume.

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A little girl learns Jamaican recipes and self-confidence from her Granny in this warm, sweet picture book debut.

Shelly-Ann lives with her Granny on the beautiful island of Jamaica. When Shelly-Ann becomes hungry, she asks her Granny for something to eat. Granny tells her “Gyal, you betta can cook!” and teaches Shelly-Ann how to get in touch with her Jamaican roots through the process of cooking.

As Shelly-Ann tries each recipe, everything goes wrong. But when Granny is too tired to cook one morning, Shelly-Ann will have to find the courage to try one more time and prepare the perfect Jamaican breakfast.

Accompanied by Ken Daley's vibrant, sun-soaked artwork, Sadé Smith's debut picture book Granny's Kitchen is the perfect readaloud for budding chefs everywhere.