For fans of The Wild Robot and Rebecca Stead, a middle grade novel that explores what makes us human—and what it means to be irreplaceable.

Summer 2.0 is not here to replace Summer Dillon.

As an android, she’s a little different: a control panel instead of a brain, a mechanical heart instead of a physical one. She can't quite replicate Summer’s airy laughter, and she can only construct her personality with 93% accuracy.

But Summer 2.0 loves being alive. She loves living with Summer's family, trying new flavors of ice cream, and going to school—just like the real Summer would have.

Summer 2.0 knows she is not here to replace Summer Dillon. She is here to continue her. And as long as Summer 2.0 does just that—remains the perfect Summer—she’ll be able to stay.

But her efforts seem to lead her further and further away from perfection, and a new question arises: if she isn’t the real Summer, who is she meant to be?

From Sarah Everett, the critically acclaimed author of The Probability of Everything and The Shape of Lost Things.

A classic of politics, murder, and espionage "Watershed has all the makings of a social thriller...In this novel about water and the struggle for a life free of injustice, the mix doesn't just work, it flows." — Alan Cheuse, National Public Radio "It’s hard . . . to imagine a novelist today with fresher eyes than Percival Everett."―Christopher Borrelli, Chicago Tribune On a windswept landscape somewhere north of Denver, Robert Hawks, a feisty and dangerously curious hydrologist, finds himself enmeshed in a fight over Native American treaty rights. What begins for Robert as a peaceful fishing interlude ends in murder and the disclosure of government secrets. Everett mines history for this one, focusing on the relationship between Native American activists and Black Panther groups who bonded over their shared enemies in the 1960s Civil Rights movement. Watershed is an excellent example of Percival Everett’s famed bitingly political narrative style.

An uncanny literary thriller addressing the painful legacy of lynching in the US, by the author of Telephone

Percival Everett’s The Trees is a page-turner that opens with a series of brutal murders in the rural town of Money, Mississippi. When a pair of detectives from the Mississippi Bureau of Investigation arrive, they meet expected resistance from the local sheriff, his deputy, the coroner, and a string of racist White townsfolk. The murders present a puzzle, for at each crime scene there is a second dead body: that of a man who resembles Emmett Till.

The detectives suspect that these are killings of retribution, but soon discover that eerily similar murders are taking place all over the country. Something truly strange is afoot. As the bodies pile up, the MBI detectives seek answers from a local root doctor who has been documenting every lynching in the country for years, uncovering a history that refuses to be buried. In this bold, provocative book, Everett takes direct aim at racism and police violence, and does so in a fast-paced style that ensures the reader can’t look away. The Trees is an enormously powerful novel of lasting importance from an author with his finger on America’s pulse.

A sly, madcap novel about supervillains and nothing, really, from an American novelist whose star keeps rising

The protagonist of Percival Everett’s puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means “nothing” in Tagalog, and Kitu is Swahili for “nothing.”) He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it. This makes him the perfect partner for the aspiring villain John Sill, who wants to break into Fort Knox to steal, well, not gold bars but a shoebox containing nothing. Once he controls nothing he’ll proceed with a dastardly plan to turn a Massachusetts town into nothing. Or so he thinks.

With the help of the brainy and brainwashed astrophysicist-turned-henchwoman Eigen Vector, our professor tries to foil the villain while remaining in his employ. In the process, Wala Kitu learns that Sill’s desire to become a literal Bond villain originated in some real all-American villainy related to the murder of Martin Luther King Jr. As Sill says, “Professor, think of it this way. This country has never given anything to us and it never will. We have given everything to it. I think it’s time we gave nothing back.”

Dr. No is a caper with teeth, a wildly mischievous novel from one of our most inventive, provocative, and productive writers. That it is about nothing isn’t to say that it’s not about anything. In fact, it’s about villains. Bond villains. And that’s not nothing.

Now with a brilliant new package, a re-issue of the sophomore novel  by Percival Everett, New York Times bestselling author of National Book Award winner James.

Haunting, provocative and bleakly funny, Walk Me to the Distance is Percival Everett’s brilliant reexamination of the Western, and a laconic tragicomedy about what it takes to survive in the last days of a bygone big-sky country.

In self-imposed exile after returning home from the war in Vietnam, David Larson meanders into the barren town of Slut’s Hole, Wyoming, where a local widow takes him under her wing. After making a sort of home among the town’s hardscrabble locals, David grudgingly adopts a young Vietnamese girl abandoned along the highway. This sets in motion a set of tragic turns as Western mythos and frontier justice clash against the tides of a changing world.

First published in 1985 by Clarion Books, Walk Me to the Distance was the sophomore novel of an iconic American voice. Over the course of his five decade career, Everett has written over twenty five books and been shortlisted for the Pulitzer Prize (for 2020’s Telephone), twice longlisted for the Booker Prize, and the recipient of the 2024 National Book Award for the “genius” (The Atlantic) James, a brilliantly imagined retelling of The Adventures of Huckleberry Finn told from the enslaved Jim’s point of view. James was a #1 New York Times bestseller and is being developed into film by Stephen Spielberg.

I Am Not Sidney Poitier is an irresistible comic novel from the master storyteller Percival Everett, and an irreverent take on race, class, and identity in America

I was, in life, to be a gambler, a risk-taker, a swashbuckler, a knight. I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier.

Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation.

Percival Everett's hilarious new novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not gets arrested in rural Georgia for driving while black, sparks a dinnertable explosion at the home of his manipulative girlfriend, and sleuths a murder case in Smut Eye, Alabama, all while navigating the recurrent communication problem: "What's your name?" a kid would ask. "Not Sidney," I would say. "Okay, then what is it?"

Percival Everett's blistering satire about race and publishing, now adapted for the screen as AMERICAN FICTION, directed by Cord Jefferson and starring Jeffrey Wright and Tracee Ellis Ross

Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies―his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before.

In his rage and despair, Monk dashes off a novel meant to be an indictment of Juanita Mae Jenkins's bestseller. He doesn't intend for My Pafology to be published, let alone taken seriously, but it is―under the pseudonym Stagg R. Leigh―and soon it becomes the Next Big Thing. How Monk deals with the personal and professional fallout galvanizes this audacious, hysterical, and quietly devastating novel.

Africans to Spanish America expands the Diaspora framework that has shaped much of the recent scholarship on Africans in the Americas to include Mexico, Peru, Ecuador, and Cuba, exploring the connections and disjunctures between colonial Latin America and the African Diaspora in the Spanish empires. While a majority of the research on the colonial Diaspora focuses on the Caribbean and Brazil, analysis of the regions of Mexico and the Andes opens up new questions of community formation that incorporated Spanish legal strategies in secular and ecclesiastical institutions as well as articulations of multiple African identities. Editors Sherwin K. Bryant, Rachel Sarah O'Toole, and Ben Vinson III arrange the volume around three themes: identity construction in the Americas; the struggle by enslaved and free people to present themselves as civilized, Christian, and resistant to slavery; and issues of cultural exclusion and inclusion. Across these broad themes, contributors offer probing and detailed studies of the place and roles of people of African descent in the complex realities of colonial Spanish America.

Contributors are Joan C. Bristol, Nancy E. van Deusen, Leo J. Garofalo, Herbert S. Klein, Charles Beatty-Medina, Karen Y. Morrison, Rachel Sarah O'Toole, Frank "Trey" Proctor III, and Michele Reid-Vazquez.

Author of the instant national bestsellers, James and Erasure—the inspiration for the Oscar-winning film American Fiction—Percival Everett is diving back into poetry with his spellbinding new collection, Sonnets for a Missing Key.

Inspired by the Preludes of Chopin and the piano solos of Art Tatum, these sonnets leap and turn through philosophical musings accrued across a life well lived, with inventive language, crystalline imagery, and turns of phrase that lift off the page and glimmer. Everett’s sonnets soar through the musical scale, from A Minor to A Major, exploring relationships, spirituality, compassion, despair, and how the stories we tell ourselves shape our realities.

Everett continuously defies convention with every creative expression and brings his literary audacity back to his poetic roots with this, his sixth collection with Red Hen Press.

Sonnets for a Missing Key is a mesmerizing feat of language that reinforces Percival Everett as one of the great wordsmiths of the century.