For fans of The Wild Robot and Rebecca Stead, a middle grade novel that explores what makes us human—and what it means to be irreplaceable.

Summer 2.0 is not here to replace Summer Dillon.

As an android, she’s a little different: a control panel instead of a brain, a mechanical heart instead of a physical one. She can't quite replicate Summer’s airy laughter, and she can only construct her personality with 93% accuracy.

But Summer 2.0 loves being alive. She loves living with Summer's family, trying new flavors of ice cream, and going to school—just like the real Summer would have.

Summer 2.0 knows she is not here to replace Summer Dillon. She is here to continue her. And as long as Summer 2.0 does just that—remains the perfect Summer—she’ll be able to stay.

But her efforts seem to lead her further and further away from perfection, and a new question arises: if she isn’t the real Summer, who is she meant to be?

From Sarah Everett, the critically acclaimed author of The Probability of Everything and The Shape of Lost Things.

Now with a brilliant new package, a re-issue of the sophomore novel  by Percival Everett, New York Times bestselling author of National Book Award winner James.

Haunting, provocative and bleakly funny, Walk Me to the Distance is Percival Everett’s brilliant reexamination of the Western, and a laconic tragicomedy about what it takes to survive in the last days of a bygone big-sky country.

In self-imposed exile after returning home from the war in Vietnam, David Larson meanders into the barren town of Slut’s Hole, Wyoming, where a local widow takes him under her wing. After making a sort of home among the town’s hardscrabble locals, David grudgingly adopts a young Vietnamese girl abandoned along the highway. This sets in motion a set of tragic turns as Western mythos and frontier justice clash against the tides of a changing world.

First published in 1985 by Clarion Books, Walk Me to the Distance was the sophomore novel of an iconic American voice. Over the course of his five decade career, Everett has written over twenty five books and been shortlisted for the Pulitzer Prize (for 2020’s Telephone), twice longlisted for the Booker Prize, and the recipient of the 2024 National Book Award for the “genius” (The Atlantic) James, a brilliantly imagined retelling of The Adventures of Huckleberry Finn told from the enslaved Jim’s point of view. James was a #1 New York Times bestseller and is being developed into film by Stephen Spielberg.

A brilliant, action-packed reimagining of Adventures of Huckleberry Finn, both harrowing and ferociously funny, told from the enslaved Jim's point of view • From the “literary icon” (Oprah Daily) and Pulitzer Prize Finalist whose novel Erasure is the basis for Cord Jefferson’s critically acclaimed film American Fiction When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond. While many narrative set pieces of Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light. Brimming with the electrifying humor and lacerating observations that have made Everett a “literary icon” (Oprah Daily), and one of the most decorated writers of our lifetime, James is destined to be a major publishing event and a cornerstone of twenty-first century American literature.

A classic of politics, murder, and espionage "Watershed has all the makings of a social thriller...In this novel about water and the struggle for a life free of injustice, the mix doesn't just work, it flows." — Alan Cheuse, National Public Radio "It’s hard . . . to imagine a novelist today with fresher eyes than Percival Everett."―Christopher Borrelli, Chicago Tribune On a windswept landscape somewhere north of Denver, Robert Hawks, a feisty and dangerously curious hydrologist, finds himself enmeshed in a fight over Native American treaty rights. What begins for Robert as a peaceful fishing interlude ends in murder and the disclosure of government secrets. Everett mines history for this one, focusing on the relationship between Native American activists and Black Panther groups who bonded over their shared enemies in the 1960s Civil Rights movement. Watershed is an excellent example of Percival Everett’s famed bitingly political narrative style.

Percival Everett's blistering satire about race and publishing, now adapted for the screen as AMERICAN FICTION, directed by Cord Jefferson and starring Jeffrey Wright and Tracee Ellis Ross

Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies―his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before.

In his rage and despair, Monk dashes off a novel meant to be an indictment of Juanita Mae Jenkins's bestseller. He doesn't intend for My Pafology to be published, let alone taken seriously, but it is―under the pseudonym Stagg R. Leigh―and soon it becomes the Next Big Thing. How Monk deals with the personal and professional fallout galvanizes this audacious, hysterical, and quietly devastating novel.

I Am Not Sidney Poitier is an irresistible comic novel from the master storyteller Percival Everett, and an irreverent take on race, class, and identity in America

I was, in life, to be a gambler, a risk-taker, a swashbuckler, a knight. I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier.

Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation.

Percival Everett's hilarious new novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not gets arrested in rural Georgia for driving while black, sparks a dinnertable explosion at the home of his manipulative girlfriend, and sleuths a murder case in Smut Eye, Alabama, all while navigating the recurrent communication problem: "What's your name?" a kid would ask. "Not Sidney," I would say. "Okay, then what is it?"

Author of the instant national bestsellers, James and Erasure—the inspiration for the Oscar-winning film American Fiction—Percival Everett is diving back into poetry with his spellbinding new collection, Sonnets for a Missing Key.

Inspired by the Preludes of Chopin and the piano solos of Art Tatum, these sonnets leap and turn through philosophical musings accrued across a life well lived, with inventive language, crystalline imagery, and turns of phrase that lift off the page and glimmer. Everett’s sonnets soar through the musical scale, from A Minor to A Major, exploring relationships, spirituality, compassion, despair, and how the stories we tell ourselves shape our realities.

Everett continuously defies convention with every creative expression and brings his literary audacity back to his poetic roots with this, his sixth collection with Red Hen Press.

Sonnets for a Missing Key is a mesmerizing feat of language that reinforces Percival Everett as one of the great wordsmiths of the century.

Spring is in the air, and love is on the page. Join D.W. Brooks, Alexandra Lechelle, and Zee Renee at Kindred Stories for a celebration of local romance authors.

EVENT DEETS

When: Saturday, May 23 @ 6PM

Where: Kindred Stories: (2310 Elgin St, Houston, TX 77004)

How: RSVP WITH BOOK to support the authors and our store programming. There are four options available: you can choose to support an individual author or select the Romance In Spring Bundle, which includes one book from all participating authors.

ABOUT THE AUTHORS

D. W. Brooks

D. W. Brooks  is an author who has independently published three romantic suspense books and two contemporary romance novels. In addition to writing books, D. W. is also a retired ophthalmologist and a kidney transplant recipient of over eight years. She is originally from Alabama but now lives in Texas with her husband and daughter.

Alexandrea LeChelle

Alexandrea LeChelle is a contemporary romance author whose stories explore love, grief, healing, and the complicated beauty of human connection.

Her novels unfold between Houston and Louisiana and center Black characters navigating family legacies, emotional vulnerability, and the quiet courage it takes to love deeply and unapologetically.

Through rich, emotional storytelling and cinematic detail, Alexandrea writes the kind of love stories she rarely saw growing up and entering adulthood. Stories where Black characters are allowed to be flawed, passionate, and deeply human.

What began as a way to process emotions and channel creativity through her own healing journey, slowly evolved into something much bigger: an urge to create and share stories about love, healing, and the complicated paths of life that bring people together.

Her stories often explore themes such as emotional healing, family dynamics, grief and growth, healthy Black love, the courage to begin again. Every story is planted in the belief that love, in all its forms, has the power to change us for the better.

When she’s not reading, Alexandrea can be found working her way through her own TBR, journaling or planning new creative projects, adding recipes to her personal cookbook, and listening to playlists that eventually inspire new stories.

At the heart of everything she creates is a simple hope: That readers will find pieces of themselves in her stories.

Zee Renee

Writing is where Zee thrives, finding peace and purpose. Her journey began at thirteen with a black-and-white composition book, later blossoming on Wattpad, where she captivated over two million readers. In December 2023, she released her debut novel, All In, and was nominated for the 2023 Black Girl Who Writes Best New Author award. By November 2024, Zee became a National Best-Selling Author with the release of When He’s Not There, her third book.

Crafting urban fiction and romance, Zee transforms raw emotions into powerful stories. Her characters are deeply personal, each carrying a piece of her spirit. She is grateful for the opportunity to share her God-given talent and hopes readers will feel the same passion in her words as she does in writing them.

EVENT DEETS

When: Sunday, April 23, 2023 at 5PM CST

Where: Hogan Brown Gallery (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY for TICKET or RSVP WITH BOOK to get your copy of THE HOUSE OF EVE!

ABOUT THE BOOK

ABOUT THE AUTHOR

Sadeqa Johnson is the award-winning author of four novels, including Yellow Wife. Her accolades include the National Book Club Award, the Phillis Wheatley Book Award, and the USA Best Book Award for Best Fiction. She is a Kimbilio Fellow, former board member of the James River Writers, and a Tall Poppy Writer. Originally from Philadelphia, she currently lives near Richmond, Virginia, with her husband and three children. To learn more, visit SadeqaJohnson.net.

Register at https://www.crowdcast.io/e/an-evening-with-zora

We're celebrating the release of the boxed set of Zora Neale Hurston's collection of works, all with reimagined covers illustrated by incredible Black artists, and her newest release of essays, You Don't Know Us Negroes and Other Essays.

NYT bestselling author, Morgan Jerkins, will moderate a conversation with Lucy Ann Hurston (scholar and niece of Zora Neale Hurston), Patrick Dougher (cover artist for Their Eyes Were Watching God), and Genevieve West (co-editor of You Don't Know Us Negroes and Other Essays).

About the Boxed Set:

Available for the first time, this amazing boxed set includes 10 repackaged Zora Neale Hurston classics--each with a newly imagined cover by a popular contemporary Black artist. It's a beautifully-imaged package at a very affordable price point.

Cover artists are: Charly Palmer, Toyin Ojih Odutola, Jerome Lagarrigue, Patrick Dougher, Diana Ejaita, Jeff Manning, Samira Addo, Terry Lynn, Jamilla Okubo, and Tizta Berhanu.

Books included in the set:

• Dust Tracks on a Road
• Jonah's Gourd Vine
• Mules and Men
• Tell My Horse
• The Complete Stories
• Every Tongue Got to Confess
• Moses, Man of the Mountain
• Seraph on the Suwanee
• Mule Bone
• Their Eyes Were Watching God

About You Don't Know Us Negroes and Other Essays:

Spanning more than 35 years of work, the first comprehensive collection of essays, criticism, and articles by the legendary author of the Harlem Renaissance, Zora Neale Hurston, showcasing the evolution of her distinctive style as an archivist and author.

“One of the greatest writers of our time.”—Toni Morrison

One of the most acclaimed artists of the Harlem Renaissance, Zora Neale Hurston was a gifted novelist, playwright, and essayist. Drawn from three decades of her work, this anthology showcases her development as a writer, from her early pieces expounding on the beauty and precision of African American art to some of her final published works, covering the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing a white doctor. Among the selections are Hurston’s well-known works such as “How It Feels to be Colored Me” and “My Most Humiliating Jim Crow Experience.” 

The essays in this essential collection are grouped thematically and cover a panoply of topics, including politics, race and gender, and folkloric study from the height of the Harlem Renaissance to the early years of the Civil Rights movement. Demonstrating the breadth of this revered and influential writer’s work, You Don't Know Us Negroes and Other Essays is an invaluable chronicle of a writer’s development and a window into her world and time.