*Paperback Release Date - 09/15/26*

A sweeping story about four women whose lives are shaped by love, longing, and pain. Chiamaka is a Nigerian travel writer living in the US who is unlucky in love and coping with the pandemic on her own. Zikora, is a successful lawyer living in Washington DC who finds herself, unexpectedly, a heartbroken single mother. Omelogor is a scholar researching pornography for a Master's thesis in Women's Studies. And Nafissatou, Chiamaka's housekeeper, is trying to reclaim her dignity after a terrible sexual assault. In Dream Count, we come to know these interesting, challenging, and complicated women as they navigate their rich and complex lives. Long revered as a writer who understands how we talk about race and identity, Adichie uses these themes to explore a group of disparate and fascinating women and their worlds, turning a sharp eye on contemporary society. A major literary event, Dream Count is a thrilling, sizzling new work that confirms Adichie's status as one of the most exciting and dynamic writers on the literary landscape.

PRE-ORDER: ON SALE DATE: September 1, 2026

The definitive photographic celebration of John Coltrane's life and music, featuring exclusive contributions written by Ravi Coltrane, Wayne Coyne, Dev Hynes, Phil Lesh, Julie Mehretu, Carlos Santana, and Patti Smith.

John Coltrane's impact on music and culture endures far beyond his prolific career and untimely death in 1967 at age forty. His masterful saxophone style and groundbreaking jazz compositions had a profound effect on the evolution of music through the decades, and it continues to resonate across styles and genres to this day.

This beautiful photography book offers an intimate and in-depth look at his life with over one hundred expertly curated images taken by renowned photographers such as Francis Wolff and Chuck Stewart. The selection includes outtakes from the album cover photoshoot for Ascension, in-studio candid shots taken during the recording of Blue Train, a glimpse backstage with Alice Coltrane before their first performance together, and more. Coltrane is a visual celebration of John Coltrane's musical legacy, complete with an introduction by his son and fellow musician Ravi Coltrane, along with personal stories from other musicians, artists, and writers who have been moved by his work.

The collected creative nonfiction of a singular American writer, Jesmyn Ward, including widely shared classics, three never-before-published speeches, and an introductory essay.

Respair (noun, obsolete), fresh hope after despair.

From the two-time National Book Award winner and New York Times bestselling author Jesmyn Ward, this collection of essays documents more than a decade of work in the life of a singular writer often lauded as “the heir apparent to Toni Morrison” (LitHub). Beginning with her upbringing in a multigenerational household in rural Mississippi, the cradle of both her youth and her gift for storytelling, Ward brings her keen wisdom and hauntingly lyrical prose to a range of topics, following in her grandmother Dorothy’s footsteps when she promises always to “Tell it straight. Tell it all.”

True to her word, in these pages Ward contemplates the writers and novels of her youth and adulthood—the transformative power of discovering Octavia Butler as a twenty-something, the mirror that Richard Wright’s novels held up to her own childhood, and of course, her lifelong love for Toni Morrison. Ward ruminates on her approach to both fiction and life, reflecting on the power of the novel, how to raise a Black son in an era of rising divisiveness and cruelty, as well as her own personal tragedies—including the titular essay of the collection, which tells the story of her partner’s sudden death on the eve of the COVID-19 epidemic. Every bit as piercing and moving as her fiction, On Witness and Respair is a testament to Ward’s powers as “one of America’s finest living writers” (San Francisco Chronicle) and is a monument to hope, beauty, and personal and collective resilience.

Amy Sherald’s work, life, and significance for American art, as revealed in her powerful figurative paintings of Black subjects
 
Bringing together nearly all of her artwork to date, this lavishly illustrated volume situates the work of Amy Sherald (b. 1973) within the context of American realist and figurative painting. Encompassing the full arc of her career, from her poetic early works to the distinctive figure paintings and portraits that have become her hallmark, Amy Sherald: American Sublime unfolds her method of selecting individuals she meets on the street and using facial expression, body language, and clothing choices to create paintings that transcend portraiture and expand the canon of American art. Essays by curators Sarah Roberts and Rhea Combs; poet and writer Elizabeth Alexander; artist Dario Calmese; and renowned scholar Deborah Willis contextualize and illuminate Sherald’s creation of a new form of imaginative portraiture. Often depicting her subjects’ skin in gray monochrome, surrounded by few markers of place, time, or context beyond the clothes they wear, Sherald challenges the assumption that Black life is inextricably bound with struggle, creating images that engage in more expansive thinking about race and representation and the wide-open possibilities and complexities of every individual. Whether a passerby or the former first lady Michelle Obama, Sherald’s subjects are at ease with themselves, the world, and one another.
 
Published in association with the San Francisco Museum of Modern Art
 
Exhibition Schedule:
 
San Francisco Museum of Modern Art
(November 16, 2024–March 9, 2025)
 
Whitney Museum of American Art, New York
(April 9–August 3, 2025)
 
National Portrait Gallery, Washington, DC
(September 2025–January 2026)

A raw and lyrical exploration of the confining expectations of womanhood and, if we dare, what lies beyond those limitations--from a writer Roxane Gay calls "vibrant and thoughtful."

Gorgeous, badass, and practically waiting to pounce, Good Woman: A Reckoning is acclaimed essayist Savala Nolan's follow-up to her "standout collection" (New York Times Book Review) Don't Let It Get You Down.

A lifetime of playing by the rules of female social conditioning is not what it's cracked up to be for Nolan. The years of making herself smaller (literally and metaphorically); the sexual advances that led to more than she wanted; the bad marriage she fought like hell to keep; all the ways others questioned her identity or choices and she let it slide to keep the peace; her silence when requested; her body when desired--none of it worked. None of it protected her the way it was advertised to.

Nolan noticed the same was true for the women around her and the women in history she read about. Across time and location, they were raised to be agreeable and "good." Hyper-visible as sexual objects but invisible as full people. Living in a physical world created by men for men. Taking on the ultimate role of birth-giver and caretaker, yet seeing it remain an unsung act, even as it's a God-like endeavor. Only in midlife did Nolan begin to realize she was capable of living outside these cages of conditioning so slyly insidious that they're nearly invisible.

Good Woman elegantly probes the knotty conditions themselves, the costs of adhering to them, and what happens when one refuses to comply. The twelve stunning and unforgettable essays blend memoir, reportage, and history to create a collection that is alternately bold, brash, and explosive ... and ravishingly tender, sensual, and joyous. Nolan takes aim at big and old ideas, and she does not miss. Hers is a testimony to witness and to savor.

Paperback Release: January 27, 2026

In the latest from “mystery master” Walter Mosley, a family member’s terminal illness leads P.I. Joe King Oliver to the investigation of his life: tracking down his long-lost father, and meanwhile, a new case pits King’s professional responsibility against his own moral code. (TheWashington Post)

Joe King Oliver’s beloved Grandma B has found a tumor, and at her age, treatment is high-risk. She’s lived life fully and without regrets, and now has only a single, dying wish: to see her long-lost son. King has been estranged from his father, Chief Odin Oliver, since he was a young boy. He swore to never speak to the man again when he was taken away in handcuffs. But now, Grandma B’s pure ask has opened King’s heart, and through his hunt, he gains a deeper understanding of his father as a complicated, righteous man—a man defined by women, a man protected by women, a man he wants to know. Although Chief was released from prison years ago, he’s been living underground ever since. Now, King must not only find his father, but prove his innocence, and protect the future of his entire family.

Simultaneously, King finds himself in a moral bind. Marigold Hart, the wife of a powerful Californian billionaire, has gone missing, along with their seven-year-old daughter. Orr is brutish and dangerous, and King realizes after locating her that it’s in her best interest to stay hidden. But are his motives pure? There is something magnetic about Marigold; he can’t help but want her near.  

In the latest installment in the Joe King Oliver series, no good deed goes unpunished. Emotionally stirring, pulse-pounding, and undeniably sexy, Been Wrong So Long It Feels Like Right shows Walter Mosley at his best.

A young girl learns how to make a difference both in the real world and in the world of Minecraft in this exciting original novel!

Ever since her family moved to the suburbs and Nzinga started middle school, she’s been really lonely. Her only consolation has been working on Phantasy Philly, a special build she and her team will present at a huge Minecraft convention in just a few weeks. Nzinga, her brother Samir, and her cousin Jannah have decided to recreate and reimagine a blocky version of their old Philadelphia street. Now that summer is here, Nzinga can’t wait to return to the old neighborhood and finish their build.

But when Nzinga and Samir arrive at their grandmom’s house, things aren’t how she pictured. Jannah, usually a design whiz, seems distracted and unwilling to work on their project. Incessant drilling can be heard all hours of the day as new apartments are constructed, replacing beloved parts of their street. The constant noise makes it hard to think straight, let alone get anything done.

Nzinga sees how noise pollution and redevelopment are hurting the street, but what can she do about it? And how is she supposed to fight that battle while also inspiring her team to build their ideal Minecraft neighborhood? As Nzinga struggles to answer these questions, she may just learn how even the quietest voices can have the biggest impact.

A Roadmap for Coming Back Stronger After Life's Hardest Falls
· How to lament, learn to stand again, and ultimately rebuild a beautiful life
· Helps you understand how you grow and change as a result of life's challenges and disappointments
· A hopeful, encouraging, and energizing book for the hurting

There's no such thing as bouncing back. Whether that sentence made you frown in disagreement or sigh with relief that someone finally gets it, this book is for you. There's a lot of talk about resilience these days, but true resilience isn't just maintaining a positive attitude in the face of obstacles or returning to where you were before some difficulty or trauma occurred. It's a lifelong practice of falling, learning, and rising again with each new challenge. It's about becoming who you're meant to be.

With deeply personal stories and biblical reflections, Charaia Rush guides you through a process of building resilience through the cycles of failure, faith, and transformation. She shows you how to
· face your fears
· own your story--yes, even the hard parts
· release relationships, roles, or mindsets that no longer serve you
· reclaim your intrinsic worth apart from achievements or approval
· redefine success
· trust the process
· hold on to hope even when the future feels uncertain
· and more

Firmly grounded in God's promises, this practical and hopeful book offers a road map for rising again after life's hardest falls--while finding purpose in the process.

"Cotillion balls were once rites reserved for white European nobility with the purpose of introducing young women to polite society and potential suitors. In the wake of emancipation towards the end of the nineteenth century, African Americans adopted this tradition as a means of social upliftment, community building, and education. This debut book by Brooklynbased photographer Miranda Barnes explores the rich history of Black cotillions in the US through an immersive collection of photographs made at debutante balls in Detroit between 2022 and 2025. This poignant and elegant body of work captures the community, camaraderie, and anticipation of this custom and the moment of transition it hinges upon. Sensitive portraits of debutantes with their elders and scenes of couples practicing their steps and dancing in formation are interleaved with studies of the distinctive material world of the cotillion: opulent corsages, taffeta ball gowns, morning suits, and tiaras. The resulting sequence harks back to bygone times and dreamworlds of childhood and youth, yet is also grounded firmly and emotively in the present, as young people look with anticipation towards their future. Social Season offers a glimpse of a unique tradition and introduces an exceptional documentarian of Black communities and subcultures in today’s United States. The book is commissioned by Sofia Coppola and features a text by Dr. Renita Barge Clark, founder of The Cotillion Society of Detroit Educational Foundation, recounting the programme’s roots and its work in the community."

At a hidden magical HBCU a teen boy must confront evil spirits, family secrets and tested loyalties. In this haunting finale to the New York Times bestselling Blood at the Root trilogy, bloodlines, betrayal, and legacy collide in a battle that may cost everything.

Malik Baron has learned a lot since he first came to Caiman University: History is power. Family is more than just blood. You can't escape your past. And magic always comes with a price.

But nothing he's been taught could have prepared him for what this semester will bring. Even after he risked it all to trap the evil spirit Marinette that has been possessing his mother, her power continues to grow. And with her and the Bokors still at large, the cracks in the magical community have reached a breaking point. Just as Malik begins to get to know his father's family, the Bonclairs' power is challenged, leaving him to decide where his loyalties lie. And it's not just the future of Caiman at stake, but the very magic that runs in his veins.

In the propulsive and emotional conclusion to this powerful trilogy, the future and the family Malik has fought so hard to build and protect is in greater danger than ever. But with the power of ancestors and the strength of his loved ones behind him, can he fight for what the world has always said is impossible for a Black boy like him—a happy ending?

Begun by Donald Barthelme and Phillip Lopate, Gulf Coast is the nationally-distributed journal housed within the University of Houston's English Department, home to one of the US's top ranked creative writing programs. The journal spent its nascent years (1982-1985) as Domestic Crude, a name that nodded to the major industry of the Houston area. It was a 64-page (magazine-formatted) student-run publication, with editorial advising coming from Mr. Lopate, who also contributed work to the first issues.

In 1986, the name Gulf Coast premiered. It stuck. After some experimenting, the journal found its dimensions and, eventually, its audience. The journal has since moved beyond the student body of the University of Houston and into the larger world. Our readership of the print journal currently exceeds 3,000, with more and more coming to our ever-expanding website. The print journal comes out each April and October.

Gulf Coast is still student-run. We seek to promote and publish quality literature in our local and national communities while simultaneously teaching excellence in literary publishing to graduate and undergraduate students. While we are committed to providing a balanced combination of literary approaches and voices, all of the editorial positions are two-year terms, thus ensuring a regular turnover in the specific personality and style of the journal.

In addition, Gulf Coast differs from many other literary journals in its commitment to exploring visual art and critical art writing. The journal has always featured portfolios by two artists, along with short introductions from critics familiar with their work. Since October 2013, Gulf Coast commits sixteen pages to full-color visual art features and twenty-four pages to critical art writing in each issue. This expansion was made possible by Gulf Coast's merger with Texas art journal Art Lies, a publication with a respected history of putting artists, curators, scholars, and critics in dialogue with their colleagues around the world.

The journal has enhanced its community presence thanks to the Gulf Coast Reading Series, a monthly gathering at Lawndale Art Center in the Museum District neighborhood of Houston, as well as with its annual Spring Issue Release Party. These events continue to bring esteemed writers, editors, publishers and, of course, readers to the Houston area.

Gulf Coast: A Journal of Literature and Fine Arts is a 501(c)3 nonprofit organization, generously funded by grants from the Brown Foundation, Inc.; theThe Cynthia Woods Mitchell Center for the Arts; Inprint, Inc.; Houston Endowment, Inc.; the City of Houston through the Houston Arts Alliance; theTexas Commission on the Arts; the University of Houston English Department; and the National Endowment for the Arts, as well as through the support of individual contributions.