From award-winning poet and novelist Phillip B. Williams, an astonishing new collection that revels in the possibility of creating one's own light

Captivating for both its grandeur and intimacy, Lift Every Voice explores the capacity for the past to be both a source of dread and empowerment, an unshakable reminder of violence and an indelible testament to the endurance of love. In virtuosic poems that are wise, musical, richly layered, and saturated with vivid imagery, Williams honors a mother "who knew seven ways to say bitch under her breath," a grandma whose smile "reflects the world," and wonders at "the impossible lift" of forgiveness. Lift Every Voice is a staggering tribute to personal and collective evolutions, a vital chorus that answers only to God, community, and the empowered self.

“I'm obsessed.” —Ali Hazelwood

"I never wanted [it] to end...Stunning." —Lyla Sage

What my eyes are showing me can’t be possible. Can’t be real. Because if they are, then I have to accept that Julian Conrad has been alive for a very long time.

Too long to be human.

A stay-up-all-night, smart, spicy romance following a doctor who finds herself falling for an alluring, much-younger man with a deadly secret

Sean’s not in the market for love. The only female, let alone Black, interventional cardiologist at her hospital, she’s watched too many of her male colleagues divorce their first wives to marry younger models—and then there’s the abusive relationship she’s spent the better part of her early 30s healing from. Her passions are reserved for her best friend, her goddaughter, and her job.

Then she meets Julian. Brooding, beautiful and eleven years her junior. In short: A bad idea.

Julian pursues her in a way that sets off alarm bells in her mind, but she finds herself unable to resist their undeniable chemistry—even starts fantasizing about him in dreams that feel altogether too real. They also have a lot in common despite their age gap. So, to hell with it: If men can date younger, why can’t she? But the more Sean gets to know him, the more impossible Julian seems: He has a depth and sorrow to him that’s beyond his years, and sometimes there’s a look in his eyes that’s less than human, and leaves her feeling more like prey. Plus, Sean herself has been exhibiting odd symptoms—memory lapses, a lack of restraint that's unlike her, persistent exhaustion—that all trace back to Julian, making Sean feel more than a little afraid. Who—or what—is she falling, irrevocably, in love with?

Extraordinarily transfixing, suspenseful, and addictive, Die for Me is nothing short of a seduction.

Maritza Lisa celebrates beauty, identity, and storytelling through vibrant portraits, floral illustrations, and thoughtful patterns. A fine new art calendar from Flame Tree.

Maritza is the founder of Maritza Lisa, an illustration and surface design brand that celebrates beauty, identity, and storytelling through vibrant portraits, floral illustrations, and thoughtful patterns. With an unapologetically feminine perspective, her work celebrates women of color with strength and elegance, shaped by her Caribbean heritage. This wall calendar features 12 images showcasing her impressive and instantly recognizable style. Informative text accompanies each work in this art calendar and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

The first full and definitive narrative of one of the most shocking and largely unknown events of racial injustice in US history: the execution of nineteen Black soldiers in Texas

On the sweltering, rainy night of August 23, 1917, one of the most consequential events affecting America’s long legacy of racism and injustice began in Houston, Texas. Inflamed by a rumor that a white mob was arming to attack them, and after weeks of police harassment, more than 100 African American soldiers of the 3rd Battalion, 24th Infantry Regiment, took their weapons without authorization and, led by a sergeant, marched into the largely Black San Felipe district of the city. Violent confrontations with police and civilians ensued and nineteen lives were lost.

The Army moved quickly to court-martial 118 soldiers on charges of mutiny and murder, even though a majority of the soldiers involved had never fired their weapons. Inadequately defended en masse by a single officer who was not a lawyer and had no experience in capital cases, in three trials undermined by perjured testimony and clear racial bias, and confronted by an all-white tribunal committed to a rapid judgment, 110 Black soldiers were found guilty—despite the fact that no mutiny had, in fact, taken place. In the predawn darkness of December 11, thirteen of them were hanged at Fort Sam Houston in San Antonio—hastily and in secret, without any chance to appeal. News of the largest mass execution in the Army’s history outraged the country and inspired preventive legislation; and yet six more Black soldiers were executed in early 1918 and the rest were sentenced to life in prison.

The Houston Incident, as it became known, has remained largely untold, a deep stain on the Army’s record and pride. Award-winning historian and Army veteran John A. Haymond has spent six years researching the events surrounding the Incident and leading the efforts that ultimately led, in November 2023, to the largest act of retroactive clemency in the Army’s history when the verdicts were overturned and honorable discharges awarded to all the soldiers involved. His dramatic chronicle of what transpired—situated amongst the rampant racism in Texas and the country—is a crucially important and harrowing reminder of our racially violent past, offering the promise that justice, even posthumously, can prevail.

An American sports legend offers a sweeping Black history of boxing, celebrating the trailblazing athletes who fought in the ring and against racial injustice.

Features a 16-page photo insert.

Here is Peter Jackson, a free-born Black tradesman and boxer from the island of St. Croix who KO’d the white boxer Tom Leeds in the thirtieth round to win the Australian Heavyweight championship in 1886. Most white fighters refused to get into the ring with Jackson. “Gentleman” Jim Corbett was one of the few who not only fought him, but said of him afterwards that Jackson was the most intelligent fighter he ever faced and could beat any heavyweight that Corbett ever fought or ever saw.

Here too of course are boxing legends Jack Johnson and Joe Louis, but also the dozens of outstanding Black boxers who fought from the late 1800s to the end of the 20th century, overcoming their opponents and facing discrimination in an array of forms, from being disqualified unfairly after winning fights to being mobbed and injured in the ring by white assailants while referees and judges looked on impassively, to having mobster managers who gave them only a minute portion of their winnings.

Here is Joe Gans, the first American-born Black boxer to win a world championship, in 1902, and who dominated the sport throughout the first decade of the 20th century. Here too is Sam Langford, who became heavyweight champ in 1923. But through most of the first half of the twentieth century Black boxers were separated into Black leagues and there were Black champions rather than world champions who were Black. That all began to change in the 1930s with Joe Louis. A new generation of Black boxers would come up after him, standing on Joe Louis’s shoulders, Floyd Patterson, George Foreman, Sonny Liston, Archie Moore, Larry Holmes, Ken Norton, Joe Frazier, and finally the young Cassius Clay, who would rename himself Muhammad Ali and come to dominate the sport for decades, and after him, though not a heavyweight, the great Sugar Ray Leonard.

Scott’s unique perspective brings fresh insight and passion even to well-known stories about the fight game, and every time he adds something new.

Redressing the woeful under-recognition of a pioneering Black queer architect and artist. This is an experimental illustrated reader exploring the work and legacy of American architect, educator and artist Amaza Lee Meredith (1895–1984), a trailblazer who was the first known Black queer woman to practice as an architect in the United States.
This book takes Meredith's expansive letter-writing practice as a conceptual framework for epistolary responses in the present, plotting Meredith's life and work within themes of placemaking, gender, sexuality and Black love, with a focus on how she built sanctuaries (homes, institutions and communities) for herself and other people of color to foster rigorous artistic pursuit, free of persecution.
The book features previously unpublished photos, blueprints, letters and scrapbooks from Meredith's archives and an annotated timeline of her life and work. Essays from architectural scholars and oral histories with former students, colleagues and friends explore her legacy in public education, the arts, modernist architecture and the built environment in the context of school desegregation, civil rights, and land and property rights. A diverse group of contemporary artists also respond to Meredith's legacy.

This book was published in conjunction with Institute for Contemporary Art at Virginia Commonwealth University.

DELUXE EDITION--featuring beautiful blue sprayed edges!

From USA Today bestselling author Naima Simone comes a new scorching dark mafia romance in The Hunted Kingdom series in which a modern-day Cinderella must fight against the stepbrother who inherited her legacy--but he wants more than just the family empire: he wants her.

He’ll burn it all to keep her.
Her fire will consume his soul.

Today, my father gave me the perfect gift: he died.

But he left my legacy, the multibillion drug empire, to pure evil―my stepbrother, Asad Prince.

Petty even in death? Two can play that game.

As the last Cross, I’ll leave it all behind. And I will have the last laugh too: I’ll take the formula for the drug I created with me.

It’s the perfect plan until Asad makes his final move―marry him, or everyone I love dies.

A deal with the devil. Until he reveals his secrets.

His obsession might have always been my freedom.

Now, Asad might rule with fire.

But I'll light the match.

EMBER is a dark mafia romance that explores themes, subjects, and scenes that may not be suitable for everyone. Please see the author's content note at the beginning of the book.

Tropes:
Enemies to lovers
Arranged marriage
Forced proximity
Touch her/him and die
Morally grey MMC/FMC
Fairy tale reimagining