From the New York Times bestselling author of What’s Mine and Yours, a rich, panoramic exploration of female friendship, class, new motherhood, and independence

Val and Milly fell in love with France at the same time they fell in love with each other and became immediate best friends. Then, they bonded as the only Black students on a study-abroad trip. Now, they are in their thirties, each married and with a baby girl on the way. When Milly suggests Val move to New York to raise their daughters together after a decade apart, it’s a resounding yes.

Despite their excitement, the pair secretly wonder if their friendship has always worked best as a trio. From that first trip to France, these two motherless daughters were taken under the wing of an older woman named Helene. She showered them with money, love and attention, and showed them the possibilities of a meaningful future. But without Helene, who are Milly and Val?

Milly, a successful influencer married to restaurant royalty, is occupied with her desire for independence. Val, a brilliant journalist, is struggling to write her first book and fit into her old friend’s new world. The realities of class and social capital, of strained marriages and the demands of motherhood, serve as constant reminders of how far apart they’ve grown. And no matter how much they try to avoid it, everything comes back to the rift that began all those years ago in France. What they’ve long tried to bury may finally destroy their sisterhood.

Weaving between Brooklyn brownstones and the glittering beaches of southern France, Take What You Can is a dazzling novel exploring what it means to be a mother when you have none, a sister without blood ties, and a woman in pursuit of the life she wants. With her signature sharply-observed prose, Coster illustrates what it means to be—and to stay—someone’s person through all phases of life.

A groundbreaking new direction for Claudia Rankine, the best-selling author of Citizen and Just Us

Claudia Rankine has widened contemporary literature with her consciousness-raising, genre-defying works. In her first book after her celebrated American trilogy, presented with full-color visuals, Rankine shifts into sustained narrative, memory, criticism, and essay to offer her most personal and emotionally resonant writing yet.

Triage follows the turbulent friendship between two composite characters, the narrator and the theorist, self-identified sisters struggling to define their wounded histories and their shared but separate lives. During college, they invent a game of collapse: Every time they see each other, they have to stop and fall to the ground. As their kinship continues off and on for decades, “collapse” takes on new meanings that are seen and felt in the violence of their pasts, artworks depicting couches where someone might ease their exhaustion, the ongoing devastation in Gaza, and the antagonism of their conversation and their love for each other.

Triage is an argument for the necessity of grieving and the demand for action in our time of relentless loss. “No matter our posture,” Rankine writes, “we are all among the rubble.” This is a book for those complicated but beautiful friendships that we come to rely on to unsettle us, to make us better.

From the author of Hide and Seeker comes a new thriller where an iconic childhood game turns creepy.

Keenan is used to running. He loves it. He is good at it. He is a track star, after all. Now he and his mother are escaping his father, trying to start a new life in Tennessee.

But he has never been on the run like this before. This new town has monsters of its own. The students in his school seem to be under some sort of trance, and Keenan is the only one who isn’t affected. Which means he is the only one who can do anything about it.

It’s time for Keenan to stop running and face his fears.

He cannot let the monsters win.

A Black couple leaves their downtown Chicago condo for a new suburban subdivision, only to find themselves at the center of a maelstrom in this gripping page-turner from the award-winning author of Three Girls from Bronzeville.

Tired of the daily drama in his emergency room, Dr. Langdon Blaque is in search of a place where he can leave the world behind. He loves his job and has no delusions about the suburbs being perfect, but he wants peace and quiet. His wife Josephine, a lawyer, grew up listening to her father’s stories about the Jim Crow South, and sundown towns. She prefers the city. Still, she agrees to move with the caveat that they stay for a year and reassess.

The tight-knit, predominantly white group of neighbors in Majestic Hills initially welcomes them with open arms. But beneath the veneer of privileged harmony, tensions simmer. When a horrifying crime rocks the community, the illusion of safety is shattered, and Josephine and Langdon find themselves at the heart of a brewing storm that pits neighbor against neighbor, exposes deeply ingrained prejudices, and threatens to implode into violence.

As their experiment in suburban living ticks toward the one-year mark, the Blaques are pushed to a breaking point. Can they find a way to make a home in Majestic Hills? Or has the move put their future, their marriage, and even their safety in jeopardy?

Ninth House meetsLegendborn in this thrilling dark academia novel following a new student fueled by questions about her prestigious university and the haunting answers she uncovers as her heart pulls her in two different, dangerous directions.

“Dark academia fans, get ready for your newest obsession.”―Nisha J. Tuli, USA Today bestselling author of Trial of the Sun Queen

Westfield University was supposed to be Sianna Adu’s dream school. But just when she’s on the cusp of attending the elite academic institution hidden in Virginia’s swampland, an unexpected tragedy changes everything. In one day, Sianna loses her family and gains an extraordinary power―the ability to see lifelines and witness other people’s pasts and futures.

With all she’s lost, Sianna puts her college dreams on pause and spends her days navigating dead-end jobs and a not-so-secret crush on her coworker. But when Kasem Saint James, the undeniably handsome heir to Westfield, approaches her with a strange request, the future Sianna has long deferred becomes a dangerous new reality. Worried that her powers are now tied to Kasem, she has no choice. Fate has called her to Westfield.

At an academy where secret societies abound, connections are everything, and an ominous history―stretching back centuries―determines the future, Sianna and Kasem must piece together the past to undo a curse that binds them to each other.

With a swoony romance and jaw-dropping twists, this layered dark academia novel introduces a university where nothing is quite as it seems.

An urgent and clear-eyed look at the battles over reproductive control and women’s work in our tipping-point moment—and how to forge a path forward.

Reliable birth control has enabled the rising percentage of planned births over the past 35 years,allowing women to enter the paid workforce and civic life in significant numbers for the first time in recorded history. While many Americans embrace these changes, those who see themselves as benefiting from the old hierarchies resist this progress with divisive rhetoric.

In The Real Domestic Product, fertility researcher Elizabeth Gregory argues that our battles over abortion and LGBTQ bans, pronatalism, and DEI are economic at base—that conservatives seek to push women out of civic life through forced childbearing. Their goal? To maintain their discount on domestic labor (getting the work of childrearing done for “free”) and a steady supply of low-wage workers (desperate parents who must take any job to feed the baby).

By connecting the dots among shifting fertility patterns, economics, climate change, equitable work, expanding longevity, and the rising status of formerly excluded groups, Gregory counters reactionary narratives. She demonstrates that a caring democracy and an end to systemic poverty can engender critical advantages for our economy and for our fragile planet.

Never more urgently needed, The Real Domestic Product envisions the way forward to an economy of care for our planet and its people.

A revival of the iconic anthology of best Southern short stories featuring eminent and emerging voices.

This anthology marks the much-anticipated return of the annual story collection, New Stories from the South, gathering outstanding short stories written by Southern writers or about the American South. Stories were nominated by editors of literary journals and magazines, publishers of short story collections, and by prominent Southern writers who served as contributing editors for this volume.

The 2026 edition contains an exciting lineup of both well-known Southern writers and talented newcomers: 

* Ron Rash
* Deesha Philyaw
* Mesha Maren
* Emily Nemens
* Ashleigh Bryant Phillips
* Tony Earley
* Exodus Oktavia Brownlow
* A. J. Bermudez
* Heather Swain
* Chelyen Davis
* Joanna Pearson
* Jody Hobbs Hesler
* Catherine Niolet
* Dean Marshall Tuck
* Emily Harper Ellis
* Farheen Raparthi
* Randy F. Nelson
* Lisa Wartenberg Vélez
* Pritha Bhattacharyya

This year’s volume has an introduction by Appalachian writer Silas House, New York Times bestselling author of seven novels, and the poetry collection All These Ghosts (Blair, 2025) and is edited by Blair’s Editorial Director, Robin Miura, who assumes this mantle from Shannon Ravenel, the Algonquin editor who launched the series and edited the volumes through 2006.

In keeping with Blair’s mission, this anthology contains a wide range of voices reflecting the rich diversity of the South. The following talented writers served as contributing editors who helped select stories for this volume: Jason Mott, LaTanya McQueen, Daniel Wallace, Monique Truong, Chantel Acevedo, and Susan Gregg Gilmore.

Paperback Release- September 15, 2026

The award-winning author of the best-selling Tristan Strong trilogy has created a secret world where kids can wield magic by summoning the power of their ancestors

What do you get when you combine Kwame Mbalia's incredible imagination and world-building talent with trains, history, and ghosts? Nothing less than middle grade magic.

On his twelfth birthday, Jackson "Jax" Freeman arrives at Chicago's Union Station alone, carrying nothing but the baggage of a scandal back in Raleigh. He's been sent away from home to live with relatives he barely knows. But even worse are the strangers who accost him at the train station, including a food vendor who throws dust in his face and a conductor who tries to steal his skin.

At his new school, Jax is assigned to a special class for "summoners," even though he has no idea what those are . . . until he accidentally unleashes an angry spirit on school grounds. Soon Jax is embroiled in all kinds of trouble, from the disappearance of a new friend to full-out war between summoning families.

When Jax learns that he isn't the first Freeman to be blamed for a tragedy he didn't create, he resolves to clear his own name and that of his great-grandfather, who was a porter back in the 1920's. By following clues, Jax and his schoolmates unlock the secrets of a powerful Praise House, evade vengeful ghosts, and discover that Jax may just be the most talented summoner of all.

A unique magic-school fantasy from the best-selling and award-winning author of the Tristan Strong trilogy has just pulled into the station.

Raven Leilani’s Luster meets Halle Butler’s The New Me, SOFT SPOTS is a darkly funny and off-kilter coming-of-age novel following recent college graduate Robin Clarke after she runs away from her family, only to be forced to confront whether she should reconcile with her father when his health takes a sudden turn for the worst.

After miraculously securing a teaching job at a dysfunctional high school, loner Robin moves to South Bend, Indiana, where she’s paired with an eerily perfect roommate: Naomi. Freshly estranged from her abusive parents, Robin obsesses over two absurd goals: to be the best teacher at the school, despite never having taught, and to become best friends with Naomi, who could not be more her opposite. Meanwhile back home, Robin’s brother must decide between being loyal to his sister or their parents.

Just as Robin grows closer to her students and Naomi, she receives earth-shattering news from her brother. Desperate to cope, Robin redoubles her efforts to befriend Naomi, spiraling even deeper into obsession and self-sabotage. Everything comes to a head when one of Robin’s many bad choices come back to bite her, and she must confront the limits of forgiveness, the weight of memory, and the true cost of estrangement.